New Books in Japanese Studies

On October 27, 1930, members of six Taiwanese indigenous groups ambushed the Japanese attendees of an athletic competition at the Musha Elementary School, killing 134. The uprising came as a shock to Japanese colonial authorities, whose response was swift and brutal. Heavy artillery and battalions of troops assaulted the region, spraying a wide area with banned poison gas. The Seediq from Mhebu, who led the uprising, were brought to the brink of genocide.Over the ensuing decades, the Musha Incident became seen as a central moment in Taiwan’s colonial history, and different political regimes and movements have seized on it for various purposes. Under the Japanese, it was used to attest to the “barbarity” of Taiwan’s indigenous tribes; the Nationalist regime cited the uprising as proof of the Taiwanese peoples’ heroism and solidarity with the Chinese in resisting the Japanese; and pro-independence groups in Taiwan have portrayed the Seediq people and their history as exemplars of Taiwan’s “authentic” cultural traditions, which stand apart from that of mainland China.This book brings together leading scholars to provide new perspectives on one of the most traumatic episodes in Taiwan’s modern history and its fraught legacies. Contributors from a variety of disciplines revisit the Musha Incident and its afterlife in history, literature, film, art, and popular culture. They unravel the complexities surrounding it by confronting a history of exploitation, contradictions, and misunderstandings. The book also features conversations with influential cultural figures in Taiwan who have attempted to tell the story of the uprising.Michael Berry is professor of modern Chinese literature and film at the University of California, Los Angeles. His books include Speaking in Images: Interviews with Contemporary Chinese Filmmakers (2005) and A History of Pain: Trauma in Modern Chinese Literature and Film (2008), and he is the translator of several novels, including Chang Ta-chun’s Wild Kids: Two Novels About Growing Up (2000) and Wu He’s Remains of Life (2017).Li-Ping Chen is Postdoctoral Scholar and Teaching Fellow in the East Asian Studies Center at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Disparaged as "Japanese devils" and "half-breed," some children with Chinese mothers and Japanese fathers born during the Second Sino-Japanese war long looked to Japan as their true homeland. Learn about this largely unseen group of individuals, just a few of the countless children born of war who have dealt with extreme social and political adversities as well as persistent questions of self identity. Kanako Kuramitsu speaks to Satoko Naito to share her research on children born of consensual relationships between Chinese mothers and Japanese fathers during and after the Second Sino-Japanese war, particularly those who migrated to Japan after the normalization of Sino-Japanese diplomatic relations in 1972. Her work highlights men and women who, while sharing the many hardships of other children born of war, stand out for their strong identification with their fathers and their paternal country. The participants of Dr. Kuramitsu's study underscore the far-reaching effects of military conflict while simultaneously reminding us of the complexity of each individual's life story.The animation film "Michiko," mentioned in the episode, is available to view here.Kanako Kuramitsu received her PhD from the University of Birmingham and is currently a visiting scholar at the Centre for East Asian Studies (CEAS) at the University of Turku in Finland.Satoko Naito studies and teaches Japanese literature and film as a docent at CEAS and holds a PhD from Columbia University.The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, and Asianettverket at the University of Oslo.We aim to produce timely, topical and well-edited discussions of new research and developments about Asia.About NIAS: www.nias.ku.dkTranscripts of the Nordic Asia Podcasts: http://www.nias.ku.dk/nordic-asia-podcast Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Jessamyn Abel’s Dream Super-Express: A Cultural History of the World’s First Bullet Train (Stanford UP, 2022) is a history of Japan’s famous super-express (shinkansen) and “the bullet train imaginary.” In other words, it is both a history of infrastructure and mobility on the one hand, and a cultural and social history of the ways that the train was planned, interpreted, and built up as a symbol of a new Japan both at home and in the world on the other. The bullet train transformed the speed and volume of the flows of people and information across Japan, and became the embodiment of a dawning information society and a national brand. But it was also an agent of destruction for communities in its way; a source of anxiety for artists, activists, and others; and an object of nostalgia for those who connected it to Japan’s imperial past. While triumphalism eventually became hegemonic in public narratives about the shinkansen, Abel unearths the tensions, conflicts, and concerns often drowned out in the “monumentalization” of the bullet train as Japan’s Dream Super-Express.Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Popular representations of the past are everywhere in Japan, from cell phone charms to manga, from television dramas to video games to young people dressed as their favorite historical figures hanging out in the hip Harajuku district. But how does this mass consumption of the past affect the way consumers think about history and what it means to be Japanese?By analyzing representations of the famous sixteenth-century samurai leader Toyotomi Hideyoshi in historical fiction based on Taikōki, the original biography of him, this book explores how and why Hideyoshi has had a continued and ever-changing presence in popular culture in twentieth- and twenty-first-century Japan. The multiple fictionalized histories of Hideyoshi published as serial novels and novellas before, during, and after World War II demonstrate how imaginative re-presentations of Japan’s past have been used by various actors throughout the modern era.In The Afterlife of Toyotomi Hideyoshi: Historical Fiction and Popular Culture in Japan (Harvard UP, 2022), Susan Furukawa discovers a Hideyoshi who is always changing to meet the needs of the current era, and in the process expands our understanding of the powerful role that historical narratives play in Japan.Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Does Japanese Prime Minister Fumio Kishida´s new administration represent the true beginning of the “Post-Abe” era for Japan? After the one-year transitional administration of Yoshihide Suga, Kishida was able to win a three-year term as head of the LDP, the premiership, and lower house election in fall 2021. Since then Kishida has proven to be reasonably popular, and is leaving his stamp on Japanese foreign policy, abandoning Abe´s close ties with Russian President Putin with a hardline toward Russia. Domestically Kishida promotes a “New Capitalism” that promises a reduction in income inequality compared to Abenomics.In this episode Kenneth Bo Nielsen is joined by Paul Midford to look at the new Kishida administration and discuss whether it will set Japan on a new course.Paul Midford is professor of political science at Meiji Gakuin University and the author of a recent book on Japan, “Overcoming Isolationism - Japan’s Leadership in East Asian Security Multilateralism”.Kenneth Bo Nielsen is an Associate Professor at the dept. of Social Anthropology at the University of Oslo and one of the leaders of the Norwegian Network for Asian Studies.The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, and Asianettverket at the University of Oslo.We aim to produce timely, topical and well-edited discussions of new research and developments about Asia. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Elizabeth Oyler and Katherine Saltzman-Li's book Cultural Imprints: War and Memory in the Samurai Age (Cornell UP, 2022) draws on literary works, artifacts, performing arts, and documents that were created by or about the samurai to examine individual "imprints," traces holding specifically grounded historical meanings that persist through time. The contributors to this interdisciplinary volume assess those imprints for what they can suggest about how thinkers, writers, artists, performers, and samurai themselves viewed warfare and its lingering impact at various points during the "samurai age," the long period from the establishment of the first shogunate in the twelfth century through the fall of the Tokugawa in 1868.The range of methodologies and materials discussed in Cultural Imprints challenges a uniform notion of warrior activity and sensibilities, breaking down an ahistorical, monolithic image of the samurai that developed late in the samurai age and that persists today. Highlighting the memory of warfare and its centrality in the cultural realm, Cultural Imprints demonstrates the warrior's far-reaching, enduring, and varied cultural influence across centuries of Japanese history.Contributors: Monica Bethe, William Fleming, Andrew Goble, Thomas Hare, Luke Roberts, Marimi Tateno, Alison Tokita, Elizabeth Oyler, Katherine Saltzman-Li.Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Hakkenden is a classic work of Japanese literature: the story of the eight warriors, born from Princess Fuse and the dog Yatsufusa, has been adapted to manga, movies and anime. And its tropes continue to pop up in Japanese popular culture today.But there’s so much story in Hakkenden that Eight Dogs, or "Hakkenden": Part One―An Ill-Considered Jest (Cornell University Press: 2021), a new translation by Glynne Walley, doesn’t even get to the eight warriors before it’s end! Glynne’s translation sets the scene for the emergence of the eight dog warriors, translating everything in the book–including the medicine ads the author included to help pay the bills.In this interview, Glynne and I talk about what makes Hakkenden so special, Glynne’s translation choices, and how its themes and tropes persist to the present day.Glynne Walley is an Associate Professor of Japanese Literature at the University of Oregon and author ofGood Dogs: Edification, Entertainment & Kyokutei Bakin's Nansō Satomi hakkenden (Cornell East Asia Series, 2018), the first monograph-length study of Hakkenden, a landmark of premodern Japanese fiction.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Hakkenden. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Postcolonial feminist scholarship on the formation of gender relations primarily uses the analytic of colonizer-colonized dyad. In her new monograph, Gender Politics at Home and Abroad: Protestant Modernity in Colonial-Era Korea (Cambridge UP, 2020), Professor Hyaeweol Choi makes an important intervention by examining colonial Korea to propose a new framework that accounts for transnational encounters between national reformists, missionaries, and colonial authorities. Drawing from both major and minor archives in various geographic sites such as Korea, Japan, the US, Sweden, and Denmark, Choi locates the voices of the educated Korean women whose reform rhetoric and activities reflect transnational encounters. Postcolonial studies have shown us how archives are a contentious, political site with prominent feminist scholar Antoinette Burton pointing out the need to understand the interdependence between discursive visibility of minoritized people and their experiences. Through her research, Choi is able to show how educated women, despite their status as an elite minority, points to the larger structure of patriarchy and how it is constantly contested and reshaped by forces such as the state, ideologies of western domesticity, and religion.Gender Politics at Home and Abroad is an important read for scholars and public who are interested in postcolonial feminism, domesticity, transnational history, and colonial modernity. Hyaeweol Choi is a Professor who holds joint appointments with Religious Studies and Gender, Women's and Sexuality Studies at the University of Iowa. She is also a C. Maxwell and Elizabeth M. Stanley Family and Korea Foundation Chair in Korean Studies. Her publications include Gender and Mission Encounters in Korea: New Women, Old Ways (Berkeley: University of California Press, 2009), New Women in Colonial Korea: A Sourcebook (London: Routledge, 2013), and Gender Politics at Home and Abroad: Protestant Modernity in Colonial-era Korea (Cambridge: Cambridge University Press, 2020).Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at dainachoi@g.ucla.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Corey Ichigen Hess is an ordained Zen monk and body therapist. He lived a monastic life for many years at Sogenji Zen Monastery in Okayama, Japan. He teaches meditation classes and works with individual clients doing private embodiment process coaching sessions, Sourcepoint Therapy, Structural Integration, and Biodynamic Craniosacral therapy at his home on Whidbey Island in Langley, Washington. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

A Bowl for a Coin: A Commodity History of Japanese Tea (U Hawaii Press, 2019) is the first book in any language to describe and analyze the history of all Japanese teas from the plant’s introduction to the archipelago around 750 to the present day. To understand the triumph of the tea plant in Japan, William Wayne Farris begins with its cultivation and goes on to describe the myriad ways in which the herb was processed into a palatable beverage, ultimately resulting in the wide variety of teas we enjoy today. Along the way, he traces in fascinating detail the shift in tea’s status from exotic gift item from China, tied to Heian (794–1185) court ritual and medicinal uses, to tax and commodity for exchange in the 1350s, to its complete nativization in Edo (1603–1868) art and literature and its eventual place on the table of every Japanese household. Farris maintains that the increasing sophistication of Japanese agriculture after 1350 is exemplified by tea farming, which became so advanced that Meiji (1868–1912) entrepreneurs were able to export significant amounts of Japanese tea to Euro-American markets. This in turn provided the much-needed foreign capital necessary to help secure Japan a place among the world’s industrialized nations. Tea also had a hand in initiating Japan’s “industrious revolution”: From 1400, tea was being drunk in larger quantities by commoners as well as elites, and the stimulating, habit-forming beverage made it possible for laborers to apply handicraft skills in a meticulous, efficient, and prolonged manner. In addition to aiding in the protoindustrialization of Japan by 1800, tea had by that time become a central commodity in the formation of a burgeoning consumer society. The demand-pull of tea consumption necessitated even greater production into the postwar period—and this despite challenges posed to the industry by consumers’ growing taste for coffee. A Bowl for a Coin makes a convincing case for how tea—an age-old drink that continues to adapt itself to changing tastes in Japan and the world—can serve as a broad lens through which to view the development of Japanese society over many centuries.Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies