New Books in Japanese Studies

In post-growth Japan, some people are looking to Southeast Asia, especially Malaysia, as a source of new hope. A notable change in the recent pattern of global migration is the movement of people within Asia. Previous studies on Asian migration have mostly considered the movement of people from Asia to Europe and North America. Yet in recent years, countries in Asia have emerged as major receiving sites of intra-regional migration.Joining Dr Natali Pearson on SSEAC Stories, Dr Shiori Shakuto takes a closer look at Japanese retirement migration to Malaysia, revealing some of the motivations for inter-Asian migration, and what that might tell us about their hopes and dreams for a different kind of life.About Shiori Shakuto:Shiori Shakuto is a Lecturer in Anthropology at the University of Sydney. Her feminist research bridges household economies with transnationalism, with a particular focus on the movement of people and (domestic) things between Japan and Malaysia. Her recent projects have focused on the rise of Japanese migration to Malaysia in the aftermath of various disasters – at the scales of personal, national and environmental. Shiori’s research shows how transnational movement destabilises heteronormative lifecourse, and how gendered household practices in turn shape and reshape the existing hegemonic geopolitical relations. She is the co-editor of the Special Issue, “Gender, Migration and Digital Communication in Asia” (2022).For more information or to browse additional resources, visit the Sydney Southeast Asia Centre’s website: www.sydney.edu.au/sseac. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Focusing on Los Angeles farmland during the years between the Immigration Act of 1924 and the Japanese Internment in 1942, Transborder Los Angeles: An Unknown Transpacific History of Japanese-Mexican Relations (U California Press, 2022) weaves together the narratives of Mexican and Japanese immigrants into a single transpacific history. In this book, Yu Tokunaga moves from international relations between Japan, Mexico, and the US to the Southern California farmland, where ethnic Japanese and Mexicans played a significant role in developing local agriculture, one of the major industries of LA County before World War II. Japanese, Mexicans, and white Americans developed a unique triracial hierarchy in farmland that generated both conflict and interethnic accommodation by bringing together local issues and international concerns beyond the Pacific Ocean and the US-Mexico border. Viewing these experiences in a single narrative form, Tokunaga breaks new ground, demonstrating the close relationships between the ban on Japanese immigration, Mexican farmworkers' strikes, wartime Japanese removal, and the Bracero Program.David-James Gonzales (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of migration, urbanization, and social movements in the U.S., and specializes in Latina/o/x politics and social movements. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Bringing together two voices, practice and theory, in a collaboration that emerges from lived experience and structured reflection upon that experience, O'Mochain and Ueno show how entrenched discursive forces exert immense influence in Japanese society and how they might be most effectively challenged. With a psychosocial framework that draws insights from feminism, sociology, international studies, and political psychology, the authors pinpoint the motivations of the nativist right and reflect on the change of conditions that is necessary to end cultures of impunity for perpetrators of sexual abuse in Japan. Evaluating the value of the #MeToo model of activism, the authors offer insights that will encourage victims to come out of the shadows, pursue justice, and help transform Japan's sense of identity both at home and abroad. Ueno, a female Japanese educator and O'Mochain, a non-Japanese male academic, examine the nature of sexual abuse problems both in educational contexts and in society at large through the use of surveys, interviews, and engagement with an eclectic range of academic literature. They identify the groups within society who offer the least support for women who pursue justice against perpetrators of sexual abuse. They also ask if far-right ideological extremists are fixated with proving that so-called "comfort women" are higaisha-buru or "fake victims." Japan would have much to gain on the international stage were it to fully acknowledge historical crimes of sexual violence, yet it continues to refuse to do so. In Sexual Abuse and Education in Japan: In the (Inter)National Shadows (Routledge, 2022), O'Mochain and Ueno shed light on this puzzling refusal through recourse to the concepts of 'international status anxiety' and 'male hysteria.' An insightful read for scholars of Japanese society, especially those concerned about its treatment of women.Resources for seeking help in Japan: AWARE(アウェア) [Jpn&Eng] Ministry of Health, Labour, and Welfare No Harassment website [multiple languages] Tokyo Women's Help Center [Jpn] Links for regional help centers [Jpn] Ministry of Justice Human Rights Counseling [multiple languages] Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

In Administering Affect: Pop-Culture Japan and the Politics of Anxiety (Stanford UP, 2022), Daniel White draws on extensive fieldwork in government ministries and government-adjacent organizations to explore Japan’s current “politics of anxiety,” the ways in which state administrators have transformed anxieties about Japan’s global geopolitical status into future-oriented programs of national branding and revitalization based on a narrowly defined vision of pop-culture as synecdoche and savior. Examining the so-called “Cool Japan” soft-power strategy and policymaking decisions to nominate anime favorite Doraemon as a cultural ambassador and icons of young women’s culture as “Ambassadors of Cute,” White shows that the anxieties driving Japan’s administrators are disseminated into the culture broadly. He also pays close attention to the gender politics of these campaigns and the instrumentalization of women as agents of national branding and soft-power politics.Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

On September 2, 1945, Japan surrendered to the United States, ending the Second World War. Yet the Japanese invasion had upended the old geopolitical structures of European empires, leaving old imperial powers on the decline and new groups calling for independence on the rise.That unsteady situation sparked a decade of conflict: in Indonesia, in Vietnam, in China and in Korea, as esteemed military historian Professor Ronald Spector writes about in his latest book, A Continent Erupts: Decolonization, Civil War, and Massacre in Postwar Asia, 1945–1955, published by W. W. Norton in 2023.In this interview, Ronald and I talk about the decade of conflict following the Second World War–and whether these conflicts were inevitable in the postcolonial, Cold War world.Ronald H. Spector, professor emeritus of history and international relations at George Washington University, is the author of seven books, including Eagle Against the Sun: The American War With Japan (Free Press: 1984) and In the Ruins of Empire: The Japanese Surrender and the Battle for Postwar Asia (Random House: 2008).You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of A Continent Erupts. Follow on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

“The Little Mermaid” has become popular around the world since the Danish author Hans Christian Andersen published it almost two centuries ago. Lucy Fraser’s The Pleasures of Metamorphosis: Japanese and English Fairy Tale Transformations of “The Little Mermaid” (Wayne State University Press, 2017) uses Japanese and American transformations of “The Little Mermaid” to think through the pleasures that the text provides for consumers. Building on Mayako Murai’s From Dog Bridegroom to Wolf Girl: Contemporary Japanese Fairy-Tale Adaptations in Conversation with the West, Fraser tracks transformations from the nineteenth century through 2008, with particular attention to literary and filmic media.The binary languages of the title are matched by a series of binaries that Fraser identifies within The Little Mermaid and its transformations. Fraser shows how Andersen’s story presents readers with strict binaries – like human-merfolk, sea-land, and soul-soulless – only for the protagonist to transgress them. The Pleasures of Metamorphosis then presents readers with more binaries – between transformations that emphasize the (male, human) prince and those that emphasize the (female, non-human) mermaid, for example – to show the diverse pleasures inherent to the text. In so doing, The Pleasures of Metamorphosis traverses Disney’s classic animated film and Studio Ghibli’s more recent Ponyo (2008) as well as literature by a host of skilled writers, including Yumiko Kurahashi, Banana Yoshimoto, Jun’ichirō Tanizaki, Oscar Wilde, Kōbō Abe, Yōko Ogawa, Shūji Terayama, and Hiromi Kawakami. The book concludes by showing the promise of theories surrounding Japan’s shōjo, or girls’, culture for non-Japanese works.Lucy Fraser is Senior Lecturer in Japanese at The University of Queensland, Australia, where she teaches Japanese language and literature.Amanda Kennell is an Assistant Teaching Professor of International Studies at North Carolina State University who researches Japanese culture and contemporary media. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Haruki Murakami, a global literary phenomenon, has said that he started writing fiction as a means of self-therapy. What he has not discussed as much is what he needed self-therapy for. This book argues that by understanding more about why Murakami writes, and by linking this with the question of how he writes, readers can better understand what he writes. Murakami's fiction, in other words, can be read as a search for self-therapy. In five chapters which explore Murakami's fourteen novels to date, Haruki Murakami and the Search for Self-Therapy: Stories from the Second Basement (Bloomsbury, 2022) argues that there are four prominent therapeutic threads woven through Murakami's fiction that can be traced back to his personal traumas - most notably Murakami's falling out with his late father and the death of a former girlfriend – and which have also transcended them in significant ways as they have been transformed into literary fiction. The first thread looks at the way melancholia must be worked through for mourning to occur and healing to happen; the second thread looks at how symbolic acts of sacrifice can help to heal intergenerational trauma; the third thread looks at the way people with avoidant attachment styles can begin to open themselves up to love again; the fourth thread looks at how individuation can manifest as a response to nihilism. Meticulously researched and written with sensitivity, the result is a sophisticated exploration of Murakami's published novels as an evolving therapeutic project that will be of great value to all scholars of Japanese literature and culture.Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

A formal approach to anime rethinks globalization and transnationality under neoliberalism Anime has become synonymous with Japanese culture, but its global reach raises a perplexing question--what happens when anime is produced outside of Japan? Who actually makes anime, and how can this help us rethink notions of cultural production? In Anime's Identity: Performativity and Form Beyond Japan (U Minnesota Press, 2021), Stevie Suan examines how anime's recognizable media-form--no matter where it is produced--reflects the problematics of globalization. The result is an incisive look at not only anime but also the tensions of transnationality. Far from valorizing the individualistic "originality" so often touted in national creative industries, anime reveals an alternate type of creativity based in repetition and variation. In exploring this alternative creativity and its accompanying aesthetics, Suan examines anime from fresh angles, including considerations of how anime operates like a brand of media, the intricacies of anime production occurring across national borders, inquiries into the selfhood involved in anime's character acting, and analyses of various anime works that present differing modes of transnationality. Anime's Identity deftly merges theories from media studies and performance studies, introducing innovative formal concepts that connect anime to questions of dislocation on a global scale, creating a transformative new lens for analyzing popular media.Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Based on a close reading of Japanese director Yasujiro Ozu’s extant films, this book provides insights into the ways the director created narrative structures and used symbolism to construct meaning in his films. Against critics’ insistence that Ozu was indifferent to plot and unlikely to use symbols, Geist reveals the director’s subtle iconographic paradigms. Her incisive understanding of the historical and cultural context in which the films were conceived amplifies her analysis of the films’ structure and meaning.Ozu: A Closer Look (Hong Kong UP, 2022) guides the reader through Ozu’s earliest silent films, his sound films made during the wartime period and subsequent American Occupation of Japan, and finally takes up specific themes relevant to his later, better-known films. Geist also examines the impact that Ozu’s films had on specific directors in Europe, America, and Japan. Intended for film scholars, students, and fans of the director, this book provides fresh insights into the director’s films and new challenges in studies on Ozu.Kathe Geist is an art historian and author of The Cinema of Wim Wenders.Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Why some of Asia’s authoritarian regimes have democratized as they have grown richer—and why others haven’t Over the past century, Asia has been transformed by rapid economic growth, industrialization, and urbanization—a spectacular record of development that has turned one of the world’s poorest regions into one of its richest. Yet Asia’s record of democratization has been much more uneven, despite the global correlation between development and democracy. Why have some Asian countries become more democratic as they have grown richer, while others—most notably China—haven’t? In From Development to Democracy: The Transformations of Modern Asia (Princeton University Press, 2022),' Dan Slater and Joseph Wong offer a sweeping and original answer to this crucial question. Slater and Wong demonstrate that Asia defies the conventional expectation that authoritarian regimes concede democratization only as a last resort, during times of weakness. Instead, Asian dictators have pursued democratic reforms as a proactive strategy to revitalize their power from a position of strength. Of central importance is whether authoritarians are confident of victory and stability. In Japan, South Korea, and Taiwan these factors fostered democracy through strength, while democratic experiments in Indonesia, Thailand, and Myanmar were less successful and more reversible. At the same time, resistance to democratic reforms has proven intractable in Singapore, Malaysia, Hong Kong, China, Vietnam, and Cambodia. Reconsidering China’s 1989 crackdown, Slater and Wong argue that it was the action of a regime too weak to concede, not too strong to fail, and they explain why China can allow democracy without inviting instability. The result is a comprehensive regional history that offers important new insights about when and how democratic transitions happen—and what the future of Asia might be.Javier Mejia is an economist teaching at Stanford University, whose work focuses on the intersection between social networks and economic history. His interests extend to topics on entrepreneurship and political economy with a geographical specialty in Latin America and the Middle East. He received a Ph.D. in Economics from Los Andes University. He has been a Postdoctoral Associate and Lecturer at New York University--Abu Dhabi and a Visiting Scholar at the University of Bordeaux. He is a regular contributor to different news outlets. Currently, he is Forbes Magazine op-ed columnist. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies