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Opera For Everyone

Latest episodes

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Jun 16, 2024 • 6min

OFE Presents a Brief Conversation with KHOL's Executive Director

KHOL in Jackson WY is Opera for Everyone’s home radio station, and Wyoming’s only community radio station.  If you have ever wanted to support Opera for Everyone, please consider supporting KHOL at 891KHOL.org/donate. June 15 marks the beginning of KHOL’s summer membership drive. Thank you everyone!
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May 19, 2024 • 1h 59min

Ep. 118 A Midsummer Night's Dream by Benjamin Britten

“The course of true love never did run smooth.”  Shakespeare’s iconic "A Midsummer Night’s Dream" gives us some of the Bard’s most memorable (and ridiculous) characters and situations.  Benjamin Britten, together with his partner Peter Pears, so appreciated the merits of Shakespeare’s play that they faithfully adapted the script into a libretto for Britten’s 1960 opera of the same name. The good-natured story shifts among fairy and human characters and their antics on a midsummer night.  Observing the chaos, Puck, puckish henchman to the fairy king, exclaims, “Lord, what fools these mortals be!” True enough, but there’s plenty of entertaining foolishness here from mortals and fairies alike. And, after all, doesn’t love make fools of us all? Hosted by Pat and Kathleen For more cultural and arts commentary by Kathleen Van De Wille, visit Constructive Criticism on Substack.  
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Apr 15, 2024 • 1h 59min

Ep. 117 The Fairy Queen by Henry Purcell

Was it only a dream? Baroque composer Henry Purcell was on his way to establishing a national operatic tradition based on the dramatic and musical traditions of the English, when, alas, his life was cut short after just 36 years.  Join us as we explore Purcell’s musically and emotionally rich “The Fairy Queen,” a delightful twist on the Bard’s “A Midsummer Night’s Dream.” Shakespeare was content to end his tale with ambiguity, and so must we content ourselves with what Purcell has given us, and not indulge in the fantasy of what might have been had he enjoyed additional years composing. Hosted by Pat and Kathleen For more cultural and arts commentary by Kathleen Van De Wille, visit Constructive Criticism on Substack.
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37 snips
Feb 26, 2024 • 2h 6min

Ep. 116 Verdi's La Forza del Destino & Lisa Reagan's What We Need Is Here

Explore the emotional depth and complexities of Verdi's La Forza del Destino opera with Lisa Reagan. Discover the intense love story, betrayal, and tragedy woven into this powerful narrative. Dive into the dramatic arias, poetic inspirations, and themes of fate and destiny. Unravel the intricate character dynamics, passionate duels, and emotional depth of soprano arias. Experience the merging of poetry and music, promoting the accessibility and enjoyment of opera storytelling.
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32 snips
Jan 22, 2024 • 1h 59min

Ep. 115 Berg's Lulu & Erica Miner's Prelude to Murder

Join the podcast as mystery writer Erica Miner discusses her opera mystery series and the intense drama of Berg's Lulu. Explore the allure of Lulu, the complex relationships within the opera, and the fascinating intricacies of Berg's masterpiece. Dive into the world of opera, mystery, and passion with this captivating discussion.
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Dec 31, 2023 • 1h 58min

Ep. 114 Amahl and the Night Visitors

In Amahl and the Night Visitors, a young boy and his mother unexpectedly play host to the Magi on their way to meet the infant Jesus.  Originally written for television, this opera uniquely bridges the ancient and modern in a heartfelt exploration of the meaning of hospitality. In the second half of this episode, we are joined by Grant to talk about the role of Epiphany in the Christmas story, and enjoy some of the more beloved songs associated with the timeless story of the Magi. Hosted by Pat and Kathleen. For more cultural and arts commentary by Kathleen Van De Wille, visit Constructive Criticism on Substack.
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Nov 19, 2023 • 1h 58min

Ep. 113 L’Italiana in Algeri by Rossini

By turns funny, serious, and seriously funny, L’Italiana in Algeri is a fascinating assembly of romantic tropes: a spurned wife, a shipwrecked lover, a pirate king, and a daring escape.  At the same time, it deals with serious themes of agency, power, and silence.  Set in a world that is both alien and familiar, this opera has something to say to all of us. Guest co-host Emily Cohen, executive director of Opera For Everyone’s home station KHOL, joins us for an opera in which she once performed!
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Oct 2, 2023 • 2h 9min

Ep. 112 The Egyptian Helen by Richard Strauss

“The face that launched a thousand ships.” Helen of Troy, the most beautiful woman in the world, has a problem.  Her husband plans to kill her, but she just wants him to fall in love with her again.  She may just need a miracle to pull it off, but if anyone can do it, she can.  Richard Strauss and Hugo von Hofmannsthal aimed for a light and comic operetta with Die Ägyptische Helena, but delivered a profound and dramatic work of art about the road to repairing broken relationships. Hosted by Pat, Kathleen, and Grant For more cultural and arts commentary by Kathleen Van De Wille, visit Constructive Criticism on Substack.
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Aug 26, 2023 • 1h 59min

Ep. 111 Tosca by Giacomo Puccini

One of the top ten most-performed operas in the world, Puccini’s Tosca is considered by some the greatest of operas.  A painter provides refuge for an escaped political prisoner, which begins a chain of events that starts with petty jealousy and ends in a death leap.  Things spiral further and further out of control in this epic confrontation of tyranny and passion, set in the tempestuous era of the Napoleonic Wars.  Join Pat and Greg for an in-depth discussion of the story and the power of this masterpiece.
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Aug 1, 2023 • 2h 4min

Ep. 110 Das Liebesverbot by Wagner

Richard Wagner’s style is one of the most distinctive and recognizable in all of opera.  But Wagner wasn’t always the Wagner we’ve come to know. The earliest of Wagner’s operas to be performed in his lifetime was an adaptation of Shakespeare’s Measure for Measure,  Das Liebesverbot, where he is still developing his craft and working on his relationship to German opera.  The result is an opera which does not shy away from Italian styles. It even makes the villain of the piece the one German character among a multitude of Italians bumping up against the moral codes of their city, Palermo, Sicily!  Discover this infrequently performed opera with us, learning about how Wagner became Wagner… and experiencing a lively story of the conflict between personal morality and the enforcement of communal rules.  Hosted by Pat and Kathleen For more cultural and arts commentary by Kathleen Van De Wille, visit Constructive Criticism on Substack.

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