Writing Excuses

We discuss the ways in which we decide upon the length of the stories we write, and at which point(s) in the creative process we make that decision.Our Sponsors:* Check out MasterClass: https://masterclass.com/EXCUSES* Check out Quince: https://quince.com/wxSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Piper, Dan, and Howard Our listeners had questions about outlining and discovery writing. Here are a few of the very best: Do you outline scenes? How? How do you know when to STOP outlining something? How much do you have to know about your character and/or world before you start writing? What do you to to diagnose and fix a structural problem with a discovery-written draft? What do you do to 'get into' an outline that you're struggling with. Are each of your projects similar in terms of procedure? What are some major indicators that a piece needs more structural work? Soundbite moment: DAN: "I had to learn the difference between a story, and a bunch of stuff that happens." Credits: this episode was recorded in Cosmere House Studios by Dan Dan the Audioman Thompson, and mastered via great mastery by Alex Jackson Our Sponsors:* Check out MasterClass: https://masterclass.com/EXCUSES* Check out Quince: https://quince.com/wxSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Howard and Dan, with special guest Callie Stoker Callie Stoker joined Howard and Dan at the World Horror convention to answer our questions about hiring an editor, which is part of the process by which self-published authors build the team of people who will make the manuscript far better than they can make it by themselves. Credits: Mastered by Alex JacksonOur Sponsors:* Check out MasterClass: https://masterclass.com/EXCUSES* Check out Quince: https://quince.com/wxSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Mary Anne, and Wesley How might you go about creating great outlines? There are many processes, and we cover several of them. Credits: This episode was recorded by Andrew Twiss, and mastered by Alex JacksonOur Sponsors:* Check out MasterClass: https://masterclass.com/EXCUSES* Check out Quince: https://quince.com/wxSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Dan, and Howard Let's talk about selling your stuff. In this episode we discuss query letters, pitches, and proposals—the tools that you use to present your material to people who can pay you for it, and who will partner with you in the task of selling it to the general public. Liner Notes: This episode pairs very nicely with episode 11.50, "Hand-Selling Your Book," with Michael R. Underwood. Credits: this episode was recorded in Cosmere House Studios by Dan Dan the Audioman Thompson, and mastered deep beneath a rugby pitch by Alex JacksonOur Sponsors:* Check out MasterClass: https://masterclass.com/EXCUSES* Check out Quince: https://quince.com/wxSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Piper, Dan, and Howard What can discovery writers learn from outlining? What can outliners learn from discovery writing? Is there a balance between the two that can serve as a happy, productive place for writers? (summary of answers: lots, lots, and yes-but-not-all-writers.) Our Sponsors:* Check out MasterClass: https://masterclass.com/EXCUSES* Check out Quince: https://quince.com/wxSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Bill Fawcett and Carrie Patel, experienced game writers, discuss the importance of compelling choices and rewarding players in interactive storytelling. They explore creating meaningful choices in video games and examine the limitations of massive multiplayer games. The hosts express excitement about discussing writing for games and interactive storytelling.

Your Hosts: Brandon, Mary, Mary Anne, and Wesley We're speaking again, at least in part, to discovery writers. In this case, we're talking about how to take a non-outlined work and apply a structure to it in revisions. Credits: This episode was recorded by Andrew Twiss, and mastered by Alex Jackson.Our Sponsors:* Check out MasterClass: https://masterclass.com/EXCUSES* Check out Quince: https://quince.com/wxSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Dan, and Howard This episode is for you discovery writers, especially those of you for whom our current season of structure seems to be locking you down, or pointing up methods which you just don't like to use. We talk about how these methods, these structural principles, these mechanical advantages in the mental toolbox can be applied during the discovery writing process. Credits: this episode was recorded in Cosmere House Studios by Dan Dan the Audioman Thompson, and mastered on the north face of a dormant volcano by Alex Jackson Our Sponsors:* Check out MasterClass: https://masterclass.com/EXCUSES* Check out Quince: https://quince.com/wxSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Howard, Mary, and Dan, with guest-host Susan Chang, and special guest J.R. Johannsen J.R. Johannson joined Howard, Mary, Dan, and guest-host Susan Chang at LTUE 2017 for a discussion of gendered dialect. We lead with a quick introduction to the Genderlect theory, by Deborah Tannen, which uses a very broad brush to describe key differences between the ways men and women in western societies communicate. We then explore the way some of the individual voices we're familiar with have been influenced through gender role, cultural socialization, and even neuroatypicality. Our goal in this discussion is to learn to write dialog which serves our stories and our characters, and to do so in a way that both leverages and defies the existing stereotypes. Liner Notes: Here is the "My Favorite Murder" Buzzfeed article Susan referenced Gmail Plugin: Just Not SorryOur Sponsors:* Check out MasterClass: https://masterclass.com/EXCUSES* Check out Quince: https://quince.com/wxSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy