Writing Excuses

Your Hosts: Brandon, Mary, Amal, and Maurice A foil is a character who serves as a contrast to another character. The foil might be a sidekick, an antagonist, a romantic interest, or really any other character who gets enough focus for the contrast to be useful. In this episode we talk about foils, offering examples, and our approaches for writing foils in our own work. Credits: This episode was recorded by Andrew Twiss, and mastered by Alex Jackson, neither of whom serves as a foil to the other.Our Sponsors:* Check out Gusto: https://gusto.com/WX* Check out MasterClass: https://masterclass.com/EXCUSES* Check out Uncommon Goods: https://uncommongoods.com/WXSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Dan, and Howard Our characters become far more interesting when they begin interacting with each other. These interactions—these relationships—are often how our stories get told. In this episode we explore ways in which we can fine tune relationships in service of our stories. The tools include the Kowal Relationship Axes (Mind, Money, Morals, Manners, Monogamy, and The Marx Brothers) and the differences between personal and position power. Credits: This episode was recorded by Dan Thompson and mastered by Alex JacksonOur Sponsors:* Check out Gusto: https://gusto.com/WX* Check out MasterClass: https://masterclass.com/EXCUSES* Check out Uncommon Goods: https://uncommongoods.com/WXSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Valynne, Dan, and Howard Brandon wanted to ask us how our perspectives on character have changed since the very beginning of our writing. It's a difficult question to answer, and a very soulful sort of thing to answer in front of other people. So Brandon went first while the rest of us racked our brains. What are you going to learn from this episode? Well... you might learn a bit about each of us, but it's also possible that you'll learn something about your own writing, and find yourself able to navigate the next few steps on your journey with character. Note: The apology strips Howard mentioned begin with this strip. They are part of a story that begins here. Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson.Our Sponsors:* Check out Gusto: https://gusto.com/WX* Check out MasterClass: https://masterclass.com/EXCUSES* Check out Uncommon Goods: https://uncommongoods.com/WXSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Piper Drake, Aliette de Bodard, and Wesley Chu, with special guest Ken Liu Our hosts for this episode are experts in a great many different things. One thing that they have in common is that they're all members of the Asian Disapora, and in this episode we'll learn what kinds of things writers get wrong when writing Asian Diaspora elements, and how we as writers can learn to get those things right. Credits: This episode was recorded by Bert Grimm, and mastered by Alex Jackson Our Sponsors:* Check out Gusto: https://gusto.com/WX* Check out MasterClass: https://masterclass.com/EXCUSES* Check out Uncommon Goods: https://uncommongoods.com/WXSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Amal, and Maurice Internal conflicts, simply put, are problems your characters have with themselves. In this episode we address the ways in which writers can build stories and subplots around internal conflicts, and how we can tell when it's not working. Notes: the MICE quotient is Milieu, Idea, Character, and Event. Mary's relationship axes are Role, Relationship, Status, and Competence. Credits: This episode was recorded by Andrew Twiss, and mastered by Alex JacksonOur Sponsors:* Check out Gusto: https://gusto.com/WX* Check out MasterClass: https://masterclass.com/EXCUSES* Check out Uncommon Goods: https://uncommongoods.com/WXSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Dan, and Howard When Mary says we could do fifteen different episodes on character arcs, she's being conservative. Notwithstanding, we set out to talk meaningfully about character arcs in one episode rather than in fifteen (or fifty.) We look at the shapes of these arcs, how they progress in our narratives, and the tools we use to get them to function properly in the context of our larger works. Notes: Elizabeth Boyle's DREAM tool for plotting character change is easier to remember when written out. So here it is! Denial Resistance Exploration Acceptance Manifestation Credits: This episode was recorded by Dan Thompson and mastered by Alex JacksonOur Sponsors:* Check out Gusto: https://gusto.com/WX* Check out MasterClass: https://masterclass.com/EXCUSES* Check out Uncommon Goods: https://uncommongoods.com/WXSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Valynne, Dan, and Howard Our listeners submitted some great questions! How do you fairly and even-handedly write a deeply compelling character you deeply dislike? What's the best way to discuss a character's underlying motivations without expressly stating them in narrative or dialog? How well should characters understand their own motivations? How do you make non-violent characters interesting? Can there be too much depth to a character? How do you balance character depth across multiple attributes? How do you make a character motivation seem deep when most people's motivations are actually pretty shallow? Do you create standard dossiers for your characters? Does your story have to have a villain? How do you know whether or not a character's voice is working? Do you track words or phrases that are unique to a particular character's voice? Liner Notes: Brandon mentioned Howard's "Tyrannopotomus Rex" doodle as part of the writing prompt. Here it is, should you need visual reference. Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson.Our Sponsors:* Check out Gusto: https://gusto.com/WX* Check out MasterClass: https://masterclass.com/EXCUSES* Check out Uncommon Goods: https://uncommongoods.com/WXSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan, Mary, Aliette, and Howard, with special guest Emma Newman Emma Newman, author, audio book narrator, and podcaster, joined us on the Baltic sea for WXR 2017, where, six days after a brilliant presentation on overcoming fear, she recorded a session with us on the same topic. The class was just that good. Credits: This episode was recorded by Bert Grimm, and was mastered by Alex JacksonOur Sponsors:* Check out Gusto: https://gusto.com/WX* Check out MasterClass: https://masterclass.com/EXCUSES* Check out Uncommon Goods: https://uncommongoods.com/WXSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Amal, and Maurice Character backstories: these are the tales that describe how the characters in your story became who they are by the time they arrive in the book. How much backstory needs to be written before you start in on the manuscript? How much needs to be in the manuscript itself? And how much backstory is too much?Our Sponsors:* Check out Gusto: https://gusto.com/WX* Check out MasterClass: https://masterclass.com/EXCUSES* Check out Uncommon Goods: https://uncommongoods.com/WXSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Dan, and Howard What motivates us? What really motivates us? Why? (Note: our motivations are probably not in service of some overarching plot.) How can we use this information to believably motivate characters? Credits: This episode was recorded by Dan Thompson, and mastered by Alex JacksonOur Sponsors:* Check out Gusto: https://gusto.com/WX* Check out MasterClass: https://masterclass.com/EXCUSES* Check out Uncommon Goods: https://uncommongoods.com/WXSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy