Cited Podcast

Richland, Washington is a company town that sprang up almost overnight in the desert of South Eastern Washington. Its employer is the federal government, and its product is plutonium. The Hanford nuclear site was one of the Manhattan Project sites, and it made the plutonium for the bomb that devastated Nagasaki. Here, the official history is one of scientific achievement, comfortable houses, and good-paying jobs. But it doesn’t include the story of what happened after the bomb was dropped — neither in Japan, nor right there in Washington State. On part one of our two-part season finale, we tell the largely-forgotten story of the most toxic place in America. ———-MORE———- You can also find related articles on our website, citedpodcast.com. Including articles by our research assistant, Nicole Yakashiro, including: a detailed Hanford timeline, as well as the colonial history of the Hanford site. Plus, a transcript. ———-PROGRAMMING NOTE———- Yes, Cited has an album. Our brilliant composer Mike Barber put it together, and you can find it on his website and on Bandcamp. Check it out. Plus, we have branded mugs. And we’re doing a very simple giveaway. Write a review of Cited on Stitcher or Apple Podcasts, and then email me us a photo to info@citedmedia.ca. We’ll randomly pick three of the people who email, and send you a free mug. ———-FOLLOW CITED——— To keep up with Cited, Secondary Symptoms, and our upcoming show: follow us on Twitter and Facebook. Tweet at us, or email your feedback to info@citedmedia.ca–we might just read it on the show. ———-CREDITS———- This episode was produced Gordon Katic and Polly Leger. With editing support from Acey Rowe. Nicole Yakashiro was our research assistant, and Aurora Tejeida was our fact-checker. Our theme song and original music is by our composer, Mike Barber. Dakota Koop is our graphic designer. Our production manager is David Tobiasz, and executive producers are Gordon Katic and Sam Fenn. We’d like to thank historians Sarah Fox, author of “Downwind: A People’s History of the Nuclear West,” as well as Kate Brown, author of “Plutopia: Nuclear Families, Atomic Cities, and the Great Soviet and American Plutonium Disasters.” Check those out, and also check out Michael D’Antonio’s “Atomic Harvest: Hanford and the Lethal Toll of America’s Nuclear Arsenal.” These books were indispensable to us. You can find links to those and others things at citedpodcast.com. But don’t read anything until you hear next week’s episode, because you might read some spoilers. Thanks to the many others we talked to along the way– including historians Linda M. Richards and Robert Franklin. As well as, Pat Hoover, Trisha Pritikin, Tom Carpenter, John Fox, and Maynard Plahuta. This episode was funded in part by the Social Science and Humanities Research Council. It’s part of a larger project on the politics of historical commemoration. Professor Eagle Glassheim at the University of British Columbia is the academic lead on that project. Cited is produced out of the Centre of Ethics at the University of Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples. Cited is also produced out of the Michael Smith Laboratories at the University of British Columbia — that’s on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations.

At Crosstown Clinic, doctors are turning addiction treatment on its head: they’re prescribing heroin-users the very drug they’re addicted to. This is the story of one clinic’s quest to remove the harms of addiction, without removing the addiction itself. ———-PROGRAMMING NOTE———- This is one of the best episodes in our archive. It was broadcast March 9th, 2017, and was honoured with a 2017 Jack Webster Foundation award for excellence in feature reporting in radio. The Jack Webster Awards are BC’s most prestigious journalism awards. Our next original documentary will be out next week. The Heroin Clinic was made in partnership with the Vancouver newspaper The Georgia Straight and the podcast Life of the Law. Check out the companion piece we produced with Travis here. ———-MORE———- If you want to hear more stories about the drug war, check out our other podcast Crackdown. Recently, Crackdown produced an episode commemorating longtime Vancouver drug user activist, Dave Murrary. Dave is pretty much the only reason this heroin clinic ever took off, and his story is chronicled in more detail on Crackdown. ———-FOLLOW CITED———- To keep up with Cited, follow us on Twitter and Facebook. Tweet at us, or email your feedback to info@citedmedia.ca–we might just read it on the show.  ———-CREDITS———- This radio documentary was produced by Gordon Katic, Sam Fenn, Alex Kim, and Travis Lupick. With editing from Nancy Mulane. We’d like to thank Life of the Law for their editorial support, Dan Reist for academic mentorship, Josh GD for editorial input, as well as Lauryn Rohde and Jenn Luu for research and marketing help. Dakota Koop is our graphic designer. Our production manager is David Tobiasz, and executive producers are Gordon Katic and Sam Fenn. Cited is produced out of the Centre of Ethics at the University of Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples. Cited is also produced out of the Michael Smith Laboratories at the University of British Columbia — that’s on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations.

On a daily basis, we are exposed to thousands of toxic chemicals. This is no accident; it is by design. They are everywhere – coating our consumer products, in our food packaging, being dumped into our lakes and sewers, and in countless other places. However, for the most part, regulators say that we need not worry. That assessment is based on a simple 500-year-old adage, “the dose makes the poison.” The logic is simple: anything is poisonous, depending on how large a dose.  Dosing yourself with a minuscule amount of lead will cause no harm; while drinking an enormous amount of water will kill you. Regulators then try to find safe exposure levels for these chemicals—and they assume a simple, direct relationship (less is fine, more is worse). So, no matter how toxic the chemical, you only need to worry if it passes a certain exposure threshold. However, what if their approach is all wrong? A revolutionary group of scientists are challenging this 500-year-old paradigm. They argue that some chemicals behave in erratic and unpredictable ways, and they can mess with us even at minuscule doses. If they’re right, then the chemicals around us are causing irreparable harm, and everything must change. We sort out this battle of paradigms through the lens of one of their most-hated chemicals, BPA. ———-CREDITS———- This episode was produced by Irina Zhorov. Editing from Acey Rowe and Gordon Katic. Franklynn Bartol was our research assistant, with fact checking from Polly Leger. Our theme song and original music is by our composer, Mike Barber. Dakota Koop is our graphic designer. Our production manager is David Tobiasz, and executive producers are Gordon Katic and Sam Fenn. Special thanks to the scientists who helped us understand this story, including: Laura Vandenberg, Daniel Dietrich, Rich Giovane and Savannah Johnson. This episode was funded in part by the Social Science and Humanities Research Council. It’s part of a larger project that examines the roles of values in science, lead by Professor Gunilla Oberg at the University of British Columbia. Professor Oberg also provided research guidance to the project, though this episode does not necessarily reflect the view of Professor Oberg or her project Cited is produced out of the Centre of Ethics at the University of Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples. Cited is also produced out of the Michael Smith Laboratories at the University of British Columbia — that’s on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations.

Medical experts are rushing to see which drugs might help treat COVID-19. There are dozens of candidates: Remdesivir, Hydroxycloroquin, Actemra, Kevzara, Favipiravir, the list goes on. They better pick the right one; because billions of dollars of public money is at stake, not to mention 100s of thousands — if not millions — of lives.  We don’t know what will happen with COVID-19 drug research. But the story of past pandemics might give us a clue. To prepare for Swine Flu and Bird Flu, governments spent billions stockpiling a drug called Tamiflu. You’d think governments used the best evidence-based advice, but the story of Tamiflu raises questions about how money shaped the process.   On this episode, we open up the black box of pharmaceutical and public health expertise. We tell the story of a drug, from its days as middling flu treatment through its meteoric rise to international blockbuster.  How do experts decide what makes a good drug, and how do pharmaceutical companies make billions from pandemic panic? ———-MORE———- This episode has loads more information, citations, and resources. You can also find related articles on our website, citedpodcast.com. Including articles by our research assistant, Franklynn Bartol, on topics like: industry funding of patient advocacy groups, the meaning (and limitations) of ‘evidence-based medicine,’ and the broader research literature on industry funding and why it’s a problem.  ———-CORRECTION———- An earlier version of this podcast said that drug companies now must publish all their trial data before a drug goes to market. In fact, the FDA requires that the companies must register their trial data on a government website, ClinicalTrials.gov. This excludes non-randomized observational trials and a few other earlier, prospective studies. The script was changed to reflect that correction. ———-CREDITS———- This episode was produced by Audrey Quinn and Gordon Katic. Editing from Acey Rowe and Gordon Katic. Franklynn Bartol was our research assistant, with fact checking from Aurora Tejeida and Polly Leger. Dr. Joel Lexchin and Professor Sergio Sismondo provided research guidance. Our theme song and original music is by our composer, Mike Barber. Dakota Koop is our graphic designer. Our production manager is David Tobiasz, and executive producers are Gordon Katic and Sam Fenn. Thanks to Hannah Arbour for Japanese translation, and Shungo Kano for voicing. This episode was funded in part by the Social Science and Humanities Research Council of Canada. This is part of wider project looking at trends in pharmaceutical research and policy. Dr. Joel Lexchin at the University of Toronto and Professor Sergio Sismondo at Queens University in Kingston are the research advisors on that project. Cited is produced out of the Centre of Ethics at the University of Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples. Cited is also produced out of the Michael Smith Laboratories at the University of British Columbia — that’s on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations.

The town of Buxton, North Carolina loves their lighthouse. But in the 1970s, the ocean threatened to swallow it up. For the next three decades, they fought an intense political battle over what to do. Fight back against the forces of nature, or retreat? It’s a small preview of what’s to come in a time of rising seas. We team up with 99% Invisible to tell the story. ———-PROGRAMMING NOTE———- This is a rebroadcast from January 2018. We’ll have a new episode of Cited for you next week. ———-FOLLOW CITED——— To keep up with Cited, Secondary Symptoms, and our upcoming show: follow us on Twitter and Facebook. Tweet at us, or email your feedback to info@citedmedia.ca–we might just read it on the show. ———-CREDITS———- Today’s episode was produced by Gordon Katic, and edited by 99% Invisible’s Delaney Hall and Cited’s Sam Fenn. Also from 99% Invisible’s staff: mix and technical production from Sharif Yousef, music by Sean Real, and the text from this post is from their digital director Kurt Kohlstedt. The rest of the staff includes Katie Mingle, Avery Trufleman, Emmiett Fitzgerald, Taryn Mazza, and Roman Mars. From Cited, Josh GD, Alexander B. Kim, and John Woodside assisted in the production. Special thanks to Mike Booher, Phil Evans, and Stavros Avromeedees. Thanks to WRAL-TV for letting us use their documentary. “The Cape Light: Away from the Edge.” Dakota Koop is our graphic designer. Our production manager is David Tobiasz, and executive producers are Gordon Katic and Sam Fenn. Cited is produced out of the Centre of Ethics at the University of Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples. Cited is also produced out of the Michael Smith Laboratories at the University of British Columbia — that’s on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations. The Battle of Buxton (Rebroadcas 

This episode features James L. Frederick, a producer and narrator who dives into the complexities of genetically modified maize in Mexico, and Aldo González, an indigenous activist who champions the campesino movement. They explore the startling discovery of GM corn in Oaxaca and the grassroots mobilization that followed, linking it to broader issues like NAFTA. The discussion highlights maize's cultural significance and the ongoing legal battles over its protection, showcasing the ongoing tension between corporate interests and indigenous rights.

In this discussion, David Quist, a researcher who uncovered transgenic DNA in Oaxaca's maize, shares the unexpected findings that reignited debates over agricultural integrity. Paul Léger narrates touching encounters with local farmers who fiercely protect their maize heritage. Ignacio Chapela, facing backlash for his groundbreaking paper, discusses the conflict between scientific freedom and institutional pressure. The conversation also highlights the ecological implications of GMOs and how trade agreements may have inadvertently tainted Indigenous crops.

Expo 1967 was the centrepiece of Canada’s 100th birthday. In a country of only 20 million, 50 million people attended Expo ’67. Amid the crowds and the pageantry, one building stood out. The Indians of Canada Pavilion. This was more than a tall glass tipi. It revealed (at least partly) Canada’s sordid colonial history, and it challenged the myth of Canada being a peace-loving and tolerant society. We tell the surprising story of the historical experts who put this thing together, and the public’s reaction to their work. ———-CORRECTION——— 05/27/2020: In an earlier version of this podcast, we mistakingly mentioned that Canada’s Truth and Reconciliation Commission was led by Senator Gordon Sinclair. In fact, it was Senator Murray Sinclair. ———-CREDITS——— This piece was produced by Polly Leger. Edited by Gordon Katic and Sam Fenn. Our theme song and original music is by our composer, Mike Barber. With other music by Bear Fox and the Kontiwennenhawi – Akwesasne Women Singers. Dakota Koop is our graphic designer. Our production manager is David Tobiasz, and executive producers are Gordon Katic and Sam Fenn. Thank you to: the hostesses who shared their time with us, Barbara Wilson, Janice Antoine, Velma Robinson and Vina Starr; Romney Copeman and the Deslile Family; the Marjoribanks family for sharing their father’s memoir; the Russ Moses Archive, and Russ’s son, John Moses; Doreen Manuel and the estate of George Manuel; the York University Archives; Jane Griffith and Greg Spence; and to Clinton L.G. Morin and L. Manuel Baechlin for production help in Ottawa. This episode was funded in part by the Social Science and Humanities Research Council. It’s part of a larger project on the politics of historical commemoration. Professor Eagle Glassheim at the University of British Columbia is the academic lead on that project. Cited is produced out of the Centre of Ethics at the University of Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples. Cited is also produced out of the

Daryl Bem, a retired Cornell psychologist and former magician, dives into his groundbreaking research on precognition, sparking heated debates in psychology. He recounts his infamous 'Feeling the Future' study, where participants predicted the location of erotic images, achieving surprising success. Bem discusses the replication crisis triggered by his work and reflects on the implications for scientific integrity. He also touches on the allure of parapsychology and the intersection of magic with scientific inquiry, revealing a captivating world of possibilities.

Growing up, Chris Dum has a morbid fascination with ‘deviant behavior.’ It led him down an unusual career path: he decided to study most reviled people in our society. Sex offenders. But it wasn’t enough to study them from a distance. No, abstract crime statistics or rigorously controlled laboratory experiments would not suffice. Rather, Chris wanted to know what their lives were actually like. So as a PhD student, he decided to actually live with them. He moved from his home near the university to a run-down motel on the rough part of town. Over the next year, he learned a thing or two about sex offenders, but he learned more about all us. He learned that the process of reintegrating sex offenders into society is a total mess, and it isn’t helping anyone. ———-PROGRAMMING NOTE———- This episode originally aired in November 2016. Our newest episode of this season comes out Wednesday, May 6th. It’s called “the Pavillion,” and you can listen to a trailer on our website. ———-FOLLOW CITED———- To keep up with Cited, follow us on Twitter and Facebook. Plus, send us your feedback to info@citedmedia.ca. ———-CREDITS———- This piece was produced by Gordon Katic and edited by Sam Fenn, as well as Alison Cooke of the CBC. Further support from Alexander B. Kim. Research advising from University of Washington Sociologist Katherine Beckett. Dakota Koop is our graphic designer. Our production manager is David Tobiasz, and executive producers are Gordon Katic and Sam Fenn. This project was made in partnership with the University of Washington Centre for Human Rights, which also provided some financial support. Further grant support from the Social Sciences and Humanities Research Council. Cited is produced out of the Centre of Ethics at the University of Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples. Cited is also produced out of the Michael Smith Laboratories at the University of British Columbia — that’s on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations.