The New Bazaar

More than two decades ago, economist Tyler Cowen published "In Praise of Commercial Culture" -- his first in a series of books about the relationship between the economy and culture. The book's thesis was simple, but at the time controversial -- that markets and commerce offer the best societal arrangement for promoting creativity and cultural novelty. The book was initially resisted by popular and academic presses and nearly didn't get published, threatening to undermine its own arguments.In the book, Tyler argues that markets are not just good for artists themselves and how they make a living, but for the quality and the originality of their work. He responds to right-wing critics who argue that a culture rooted in the artistic creations of markets becomes too permissive, and to left-wing critics who say that the profit motive inherent to markets is bad for artistic purity and integrity. Tyler argues that if you really care about creativity – and about diverse groups having access to becoming creators and artists – then markets are better than previous systems based on patronage, or on the direction of the state or the church.In his chat with Cardiff, Tyler revisits his original arguments, considering them anew to account for all that's happened in the time since the book was published in 2000. What have been the effects on creativity of the dominance of streaming, the ubiquity of smartphones, and more recently the rise of Tiktok and NFTs? Also on the show: Why were the Medici overrated and rap musicians underrated? Does the easy reproducibility of historically significant artistic works, made possible by new technologies, threaten to cannibalize emergent artists? Is there a meaningful distinction between high-brow and low-brow art? Where has Hollywood gone wrong? How have sports, cooking, amateur photography and other domains of life become more artistic and creative in recent decades? Finally, Tyler and Cardiff discuss why it can be seductive and easy to become cultural pessimists -- and why both nonetheless remain cultural optimists.LINKS:-- In Praise of Commercial Culture (Harvard University Press) -- Marginal Revolution (Tyler's blog with Alex Tabarrok) Hosted on Acast. See acast.com/privacy for more information.

This week, we're sharing a special episode of a podcast we think you might like. It's called Cautionary Tales, and it's made by Tim Harford and the team at Pushkin Industries. You may remember Tim from our recent episode on economic storytelling. On his podcast, Tim draws on history and social science to vividly retell the stories of great crimes, accidents and disasters of the past - pointing out valuable lessons for us all from the dithering, death and destruction.In this episode, Tim tells the story of Lizzie J. Magie (voiced by Helena Bonham Carter!), who should be celebrated as the inventor of what would become Monopoly - but her role in creating the smash hit board game was cynically ignored, even though she had a patent.Discrimination has marred the careers of many inventors and shut others out from the innovation economy entirely. Could crediting forgotten figures such as Lizzie Magie help address continuing disparities in the patenting of new inventions?You can hear more episodes of Cautionary Tales at https://link.chtbl.com/newbazaarcautionary. Hosted on Acast. See acast.com/privacy for more information.

Ben Ho’s latest book is called Why Trust Matters: An Economist’s Guide to the Ties that Bind. His chat with Cardiff is about exactly that: How the concept of trust applies to all kinds of different economic interactions that we experience throughout our lives. And the research that helps us understand why trust so often breaks down, and potentially how to build it back up. For example, how do you write a contract between two people or two companies that enhances trust rather than erodes it. When do prenuptial agreements enhance trust, and when don’t they? What about religion and its role in fostering the kind of trust that matters for the economy? Why is gossip actually good for trust? When can we trust our economic policymakers? What affect does social media and tools to monitor online reputations have on our trust in each other? All this and much more on today’s episode. Links from the episode:Ben Ho's website (https://bit.ly/3thfViO)Cardiff and Aimee are on Twitter at @CardiffGarcia and @AimeePKeaneSend us an email! You can write to us at hello@bazaaraudio.com Hosted on Acast. See acast.com/privacy for more information.

To wrap up 2021, The New Bazaar answers questions sent in by listeners. The episode also features, for the first time in front of the mic, executive producer Aimee Keane! Aimee and Cardiff take questions about pricing strategies, how they choose topics and guests for the show, the tricky tension between wonky and accessible, the Canadian vs the US economy, why the US economic growth has been weak since the 1970s, and more. Thanks so much to everyone for listening to us this year! We are taking a short break, and we will be back with the next episode on Thursday, January 12th. Happy New Year!Links: "Some NYC Restaurants Tire of Forking Over Delivery-App Fees" (WSJ) "Pricing of Digital Products" (Deloitte) "A deluge of data is giving rise to a new economy" (The Economist)"Is It Fair to Tax Capital Gains at Lower Rates Than Earned Income?" (WSJ)"Life after quitting: What happened next to the workers who left their jobs" (WaPo)"Why it's not really a labor shortage" (Insider) Hosted on Acast. See acast.com/privacy for more information.

Having guided Cardiff through the craft of economic storytelling in the prior episode, Tim Harford returns to explain the lessons of three economic stories from his own podcast, Cautionary Tales.Links: -- "The Truth about Hansel and Gretel"-- "Buried by the Wall Street Crash"-- "Florence Nightingale and her Geeks Declare War on Death" Hosted on Acast. See acast.com/privacy for more information.

Tim Harford is the author of numerous terrific economics books and the host of two great podcasts: “Cautionary Tales”, about what we should learn from big mistakes; and “More or Less”, about statistics. He also writes columns and essays for the Financial Times. And what sets Tim apart in all these different mediums is his exceptional storytelling. And when it comes to telling economic stories – stories that are meant to grab your attention, and keep you in suspense, and then ultimately land on a message or a lesson that really stays with you – I’m not sure there’s anyone better. And Tim’s latest book, The Data Detective, is no different: there’s a lot of great stories in it. But what I really loved about it is that it’s very much also about the craft of storytelling itself. And that’s what today’s conversation with Tim is also about: What are the ingredients of a captivating story? Why is it that stories are so necessary for fighting back against misinformation? (Why aren’t the facts themselves enough?) And how do you wield the power of storytelling responsibly? Links from the episode:Cautionary Tales, hosted by Tim Harford, from Pushkin Industries (https://bit.ly/3eopqDX)"The Problem with Facts", by Tim Harford (https://bit.ly/3Fpvjg2)The Data Detective, by Tim Harford (https://bit.ly/3EoekcG)Cardiff and Aimee are on Twitter at @CardiffGarcia and @AimeePKeaneSend us an email! You can write to us at hello@bazaaraudio.com Hosted on Acast. See acast.com/privacy for more information.

Vicki Bogan is an economist who specializes in financial economics, household finance, and behavioral finance – in other words, a specialist in how people make investment decisions. Whether to invest in the stock market or the bond market; how much; and other kinds of investing too, like whether to pursue a graduate degree.And the things she has found that influence our investment decisions are often things we don’t really consider. Like the kinds of households we live in, our health, or even things like the gender of our children. And as you’ll hear in the chat with Cardiff, she is interested in figuring out what is really going on. Not how people should make choices, but how they actually do make choices – and why those choices matter.Links from the episode:Vicki Bogan’s web site Cardiff and Aimee are on Twitter at @CardiffGarcia and @AimeePKeaneSend us an email! You can write to us at hello@bazaaraudio.com Hosted on Acast. See acast.com/privacy for more information.

The labor market is in a weird place -- millions of fewer workers are employed than before the pandemic, yet millions of more jobs are available and wages are climbing fast.But there has been a lot of experimentation. Workers are quitting in near-record numbers. Working from home is an obvious example of an idea that many more companies are testing. New kinds of automation are taking the place of some jobs. More people are starting their own small businesses. Some companies are trying out a four-day work week. In a tightening labor market, employers have also started trying new ways of recruiting workers. But will this experimentation last? And if it does, how will that fundamentally change the labor market -- and how we think about the nature of work itself? Links from the episode:Julia is on Twitter at @juliaonjobsZiprecruiter articles by Julia PollakCardiff and Aimee are on Twitter at @CardiffGarcia and @AimeePKeaneSend us an email! You can write to us at hello@bazaaraudio.com Hosted on Acast. See acast.com/privacy for more information.

If you look at some of the big and mostly troubling economic trends in the overall US economy from the last three or four decades, the business of the sport of Mixed Martial Arts captures a stunning number of them: rising income and wealth inequality; increased firm concentration in some economic sectors, sometimes because they bought out their competition; the declining share of the money that companies make that goes to workers; the decline of unions; the gig economy; the lack of bargaining power that workers have when they negotiate wages with their companies. John S Nash, a journalist for Bloody Elbow, joins Cardiff to discuss the economic history of MMA and the sport’s dominant company, the UFC -- and to reveal the many ways that the sport captures the extreme version of so many broader economic trends within the US economy. And after the credits, they also give their predictions for UFC 269. Links from the episode:John S Nash is on Twitter at @heynotthefaceBloody Elbow (https://tinyurl.com/3chc4ucy)John on Crooklyn’s Corner (https://tinyurl.com/yckwmz83)Cardiff and Aimee are on Twitter at @CardiffGarcia and @AimeePKeaneSend us an email! You can write to us at hello@bazaaraudio.com Hosted on Acast. See acast.com/privacy for more information.

Economists don’t just try to understand the economy. They also influence it. Because as they share their analysis and understanding of it, people and institutions and companies and politicians start to act differently -- precisely in response to that understanding of how the economy works. Which means that the economy itself then changes, and economists have to catch up and try to understand it again. That is one of the themes in a new book called Cogs and Monsters, by the economist Diane Coyle, Cardiff’s guest in this episode. The book is also about how the digitization of the economy in particular presents such thorny new challenges for understanding it. Diane never goes for easy criticisms or easy solutions. She burrows deep. And she makes the point that the economy, like society at large, is always in flux. And so the job of the economist can never be finished. Links from the episode:Cogs and Monsters, by Diane Coyle (https://tinyurl.com/2swtr22n)The Enlightened Economist, Diane Coyle’s blog (https://tinyurl.com/wxjruvsd)Cardiff and Aimee are on Twitter at @CardiffGarcia and @AimeePKeaneSend us an email! You can write to us at hello@bazaaraudio.com Hosted on Acast. See acast.com/privacy for more information.