The Next Reel Film Podcast

Initially planned as a reboot of the franchise, Lakeshore Entertainment eventually decided to make the fifth and final film in the Underworld franchise to be a continuation of Selene’s story after the end of the last film. She’s separated herself from her daughter and is still out fighting lycans. But is this a direction that makes sense as the fifth and perhaps final film in the franchise? Join us – Pete Wright and Andy Nelson – as we wrap up our Underworld series with Anna Foerster’s 2016 film Underworld: Blood Wars.We talk about the wintery look the movie eventually takes us to and debate... is that enough of a change? We discuss the rules of this universe and all the problems that have developed with the sloppy nature of storytelling. We chat about this film’s Romeo & Juliet addition and wonder why they couldn’t have done more with this. We look at the effects and what’s changed here. We wonder if this is a good way to wrap up the series or if it leaves us with too much hanging. And we ask ourselves... is it still okay to like this franchise despite its problems? It’s a fun albeit problem-laced film but an easy and entertaining watch. We have a great chat about it on this week’s show so check it out then tune in! The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM.Watch this film: iTunes • Amazon• YouTubeScript TranscriptOriginal theatrical trailerOriginal poster artworkFlickchartLetterboxd Support The Next Reel Family of Film Podcasts:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Letterboxd Pro/Patron discount | Audible

By the time the Underworld franchise swung around to the fourth entry, it largely had a new team behind all of it. Sure, Len Wiseman was still on as producer and story and Kate Beckinsale was still leading the charge as Selene the vampire death dealer, but they join new writers, directors, crew, and cast. So how does this new direction for the franchise hold up? Join us – Pete Wright and Andy Nelson – as we continue our Underworld series with Måns Mårlind’s and Björn Stein’s 2012 film Underworld: Awakening.We talk about the return to this world and debate the creative decisions in how they move the story forward while leaving the look largely locked in from the previous films. We look at what this new cast is doing and how well they work. We ponder the many tropes included in this film. And we debate new elements added to werewolf and vampire lore.It’s a bit of a mess of a film, but did we have fun watching it? Yes we did. So check it out then tune in to this week’s show. The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM.Watch this film: iTunes • Amazon • YouTubeScript TranscriptOriginal theatrical trailerOriginal poster artworkFlickchartLetterboxd Support The Next Reel Family of Film Podcasts:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Letterboxd Pro/Patron discount | Audible

According to Len Wiseman, he and his pals had been planning an Underworld trilogy right from the start with the third film being a prequel laying out the foundations of the vampire/lycan war. If that’s the case, why does this feel so sloppy? Join us – Pete Wright and Andy Nelson – as we continue our Underworld series with the third film, Patrick Tatopoulos’ 2012 film Underworld: Rise of the Lycans. We talk about the problems with the foundation of the rules Wiseman, Danny McBride, and Kevin Grevioux set up right at the start, which they don’t seem to have any problems with breaking or making convoluted. We chat about the performers and how they’re bringing good performances to their roles, even if they’re not written that well. We look at the effects and how for the most part, they really do feel like a step up. And we debate the storyline and try to figure out just when some of these elements actually were taking place.It’s an entertaining film but an overly problematic one. We still have fun watching it even if the problems outweigh the successes. Regardless, it’s a great one to chat about so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM.Watch this film: iTunes • Amazon • YouTubeScript TranscriptOriginal theatrical trailerOriginal poster artworkFlickchartLetterboxd Support The Next Reel Family of Film Podcasts:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Letterboxd Pro/Patron discount | Audible

Shortly after the clear success of Underworld, the studio signed on for two more films to round out a trilogy. Len Wiseman and Danny McBride said they’d already planned out the concept for a trilogy, but was it more a macroscopic view? Join us – Pete Wright and Andy Nelson – as we talk about the second film in our Underworld series, Wiseman’s 2006 film Underworld: Evolution.We talk about the many problems with the film, including those which should’ve been clear for storytellers who had planned it all out ahead of time. We chat about Kate Beckinsale and Scott Speedman and how well they fare in this return to the world of Underworldia. We debate many of the changes to vampire and werewolf lore, wondering which, if any, will last. We look at the fight scenes, which work, and which fall short. (We may also touch on the broken laws of physics in some of these fights.) We talk about the cast and crew and how well everyone does to continue the world created in the first film. And we have a great time digging into the award nominations for this film. It’s a sequel full of problems, but one that’s awfully fun to watch. We have a great time with it, so check it out then tune in! The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM.Watch this film: iTunes • Amazon • [Netflix][netflix] • [Hulu][hulu] • YouTubeScript TranscriptOriginal theatrical trailerOriginal poster artworkFlickchartLetterboxd Support The Next Reel Family of Film Podcasts:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Letterboxd Pro/Patron discount | Audible

“Whether you like it or not, you’re in the middle of a war that’s been raging the better part of a thousand years. A blood feud between vampires and lycans. Werewolves.”Moving from the art department on films like Independence Day to commercials to music videos, it makes sense that Len Wiseman brings a very specific look to his films. Pairing that look with his passion for genre movies, it seems obvious that he would be the man behind the Underworld franchise. Join us – Pete Wright and Andy Nelson – as we kick off our foray into Wiseman’s franchise with is 2003 film Underworld. We talk about the history of werewolves and vampires and how their pairing works effectively. We look at Wiseman’s journey to this film and how it was his art background that nabbed him the job. We chat about Kate Beckinsale as Selene and why she works so well in this film and franchise, which came at a point in her career where it seemed like a step away from the expected path. We touch on Scott Speedman, Bill Nighy, Michael Sheen, and other actors and what they bring to the table. We discuss the soap operatic feel the script has and how it works in context of this story. We look at the team behind the cinematography, production design, costume design, and music and how well their individual parts come together to form this unique whole. And we look at the cinematically defining moments that make even the sometimes dated CG work. It’s a delightful and fun dive into a brilliantly constructed world. We have a great time talking about it so check it out then tune in! The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM.Watch this on Apple or AmazonScript OptionsTheatrical trailerLetterboxdMythbusters: Holes in the Floor Support The Next Reel Family of Film Podcasts:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Letterboxd Pro/Patron discount | Audible

In the world of horror films, Sam Raimi carries a bit of heft so the fact that he wanted to work with Alexandre Aja and produce the film Crawl with him says a lot about the film you’re walking into. It’s a creature feature. And it’s a ton of fun. Join us – Pete Wright and Andy Nelson – as we wrap up our Aquatic Killers series with Aja’s 2019 alligator-attack-during-a-class-5-hurricane movie Crawl. We talk about what makes this film work so well and what Aja and his screenwriters, Michael & Shawn Rasmussen, bring to the table. We look at alligators and rank them against all the other aquatic killers we’ve featured (hint: they top it out!). We chat about the visual effects they pull off here and debate about which ones work and which ones might feel a bit rough. We discuss Kaya Scodelario and Barry Pepper, our two leads, and how well they work in their roles. And we touch on how Quentin Tarantino said this may just be his favorite film from 2019. It’s a tight, fun creature feature that does exactly what they set out to do. We have a great time talking about it so check it out then tune in! The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM.Watch this film: iTunes • Amazon • Netflix • Hulu • YouTubeScript TranscriptOriginal theatrical trailerOriginal poster artworkFlickchartLetterboxd Support The Next Reel Family of Film Podcasts:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Letterboxd Pro/Patron discount | Audible

There have been a number of stories written about the tragedy of the whaling ship The Essex. The captain wrote about it. His first mate wrote about it. And as it turns out, one of the cabin boys wrote about it as well. The recounting by this cabin boy, Thomas Nickerson, became the primary source for Nathaniel Philbrick’s 2000 novel “In the Heart of the Sea,” which was the source for the 2015 film version. It’s hard to argue with many of the facts as reported in the sources because they’re generally comparable. The film, however, takes more licenses with accuracy. Did it need to? Or does it work this way? Join us – Pete Wright and Andy Nelson – as we continue our Aquatic Killers series with Ron Howard’s 2015 film In the Heart of the Sea.We talk about why this film feels like a perfect film for our wheelhouse... and debate about why it fell so flat in the end. We look at changes made to the original story and wonder if the changes work or make it worse. We chat about the performances from the solid cast... and ponder how almost every one of them can butcher the accent so much. We discuss the whaling and sailing aspects of the film and how generally impressed we were with their depictions. We talk about sperm whales and the realities of them. We look at the construction of the script and how it feels like it peaks midway through. And we look at technical aspects that work for us – Roque Baños’ score – and that we struggled with – some of Anthony Dod Mantle’s cinematography choices.It’s a film that’s engaging to watch but feels like it has constant problems. We find it to be an interesting watch, but largely leaves us flat. It provides for a great conversation though, so check it out then tune in! The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM.Watch this film: iTunes • Amazon • YouTubeScript TranscriptOriginal theatrical trailerOriginal poster artworkIn the Heart of the Sea: The Tragedy of the Whaleship Essex by Nathaniel PhilbrickFlickchartLetterboxd Support The Next Reel Family of Film Podcasts:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Letterboxd Pro/Patron discount | Audible

“I know that, under the circumstances, biting my head off might seem viable, but it would cheapen you.”When the name David E. Kelley pops up, its usually in relation to one of the many incredible TV shows he created – Ally McBeal, The Practice, Doogie Howser, M.D., etc. His name rarely pops up when it comes to films. That’s why it was likely a big surprise to crowds in 1999 to see his name pop up on a creature feature. Director Steve Miner, on the other hand – also someone whose name is attached to incredible TV like The Wonder Years – comes up more often when it comes to horror films, having started working with Wes Craven before jumping into the Friday the 13th films. But was this film what audiences were looking for? Join us – Pete Wright and Andy Nelson – as we continue our Aquatic Killers series with Miner’s 1999 film Lake Placid.We talk about the nature of this film and why it seemed so strange coming from Kelley. We look at how the characters work as compared to how the film works for us overall and find the creature feature portion is fun but some of the character writing feels far too stereotypical. We discuss the passion Stan Winston had for the project and how incredible his creation looks, particularly when paired with CG. Not to mention the cow. We touch on the complexities of filming in a lake and why they ended up making their own lake front in a giant tank up in Canada. We look at what the actors are doing – Bridget Fonda, Bill Pullman, Brendan Gleeson, and Oliver Platt – and how well they do with Kelley’s dated writing. And of course we discuss Betty White and what she’s bringing to the party.It’s a fun romp that satisfies Andy a lot more than it does Pete, but we both have a lot of fun talking about it on this week’s show. Check it out then tune in! The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM.Watch this film: iTunes • Amazon • YouTubeScript TranscriptOriginal theatrical trailerOriginal poster artworkFlickchartLetterboxd Support The Next Reel Family of Film Podcasts:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Letterboxd Pro/Patron discount | Audible

Peruvian filmmaker Luis Llosa had been working on some films for Roger Corman before Hollywood came calling for some larger budgeted fare. After the action thriller The Specialist with Sylvester Stallone and Sharon Stone, he was asked to helm a creature feature back in his home turf. This film would be an early start for Jennifer Lopez as leading lady as well as Ice Cube, who had been growing his film career over the past few years. And of course, why not throw John Voight into the mix as the big bad snake hunter. Join us – Pete Wright and Andy Nelson – as we continue our Aquatic Killers series with Llosa’s 1997 film Anaconda. We talk about the campiness of the film but how enjoyable it is, and how the people involved clearly knew what sort of movie they were making. We chat about the cast, notably Voight, who is obviously having a wonderful time playing such an over-the-top villain. We look at the anaconda itself, both the reality of them in South America and how this one appears in the film (that CG is pretty bad). And we ponder the editing decision to keep a backward waterfall in the film. Why would they do that?It’s a ridiculously fun film and we have a great time talking about it on the show this week, so check it out then tune in! The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM.Watch this film: iTunes • Amazon • Netflix • YouTubeScript TranscriptOriginal theatrical trailerOriginal poster artworkFlickchartLetterboxd Support The Next Reel Family of Film Podcasts:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Letterboxd Pro/Patron discount | Audible

"Come home, Amy. I dare you.”Shortly after making his arguably unnecessary adaptation of The Girl With the Dragon Tattoo, David Fincher disappeared into TV land and began focusing his attentions to the Netflix TV series House of Cards. With the show’s success and immediate second season planned, it was thrilling to see him return to movies, this time with an adaptation of the incredibly popular book “Gone Girl” by Gillian Flynn. Join us – Pete Wright and Andy Nelson – as we drop our first members-only episode and catch up with our David Fincher series (until Mank comes out later this year) with Fincher’s 2014 Gone Girl. We talk about why this film and story likely was something that attracted Fincher, and how it fits in with other adaptations and original scripts he’s directed. We look at the nature of unlikeable characters and why they’re still so compelling. We discuss what Flynn may be saying about women – or what she may not be saying, depending on who you listen to – and how the character of Amy is a fascinating case study no matter how you slice it. We talk about Ben Affleck and how perfectly he embodies his character, and how he stopped the production for four days because he refused to wear a Yankees ball cap. We look at a number of the other actors and what they bring to the table. We look into the switch to Adobe for the post-production and how they found it more effective to manage 500 hours of raw footage. And we chat about Trent Reznor and Atticus Ross and why their music works so well in Fincher’s latest creations.It’s another brilliant entry in Fincher’s filmography, though perhaps not near the top, and we have a great time chatting about it. Check it out and tune in! After this, our members-only episodes are going to be for members only, so make sure you head to thenextreel.com/membership and join us! The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM.Watch this on Apple or AmazonScript OptionsTheatrical trailerOriginal MaterialLetterboxd