The Next Reel Film Podcast

“What I always admired was the fight in you.”Gina Prince-Bythewood looked at her first film as a When Harry Met Sally... type of story that followed a pair of young people – Monica and Quincy – as they both worked on furthering their basketball careers. The film was supported by The Sundance Institute and Spike Lee came on as an executive producer to help get it made. We’re glad everything came together for this film because it’s wonderful. Join us – Pete Wright and Andy Nelson – as we kick off a new series about Sports with Prince-Bythewood’s 2000 film Love & Basketball.It’s easy to fall for Love & Basketball.Prince-Bythewood followed through on her When Harry Met Sally... story perfectly. We meet Monica and Quincy as new neighbors and instantly fall for them as friends. The fact that they develop a romantic relationship over time works, but only because we buy that friendship so strongly. Small details, like him sneaking over to sleep on her floor to get away from his fighting parents, highlight so perfectly moments that Prince-Bythewood captures to help us buy into this.It helps that she cast Sanaa Lathan and Omar Epps, two incredibly beautiful and charismatic actors, to play the parts as well. They play the roles well, both as basketball players and as friends who become romantically involved. They’re perfect.Of course the rest of the cast works just as well – Alfre Woodard, Harry Lennix, Dennis Haysbert, and Debbi Morgan play the parents and they all bring something to the table. The child versions of our leads are great. And the basketball is all great.It’s a film that deals with the challenges of relationships when success changes hands from one to the other. It looks at the way women and men are treated in sports differently. There’s the theme of infidelity and how it’s used in relationships and destroys them. And there are powerful elements looking at parents and their children and how they relate.It’s a strong way to kick off this series. We have a great time talking about it so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership.Watch this on Apple or Amazon, or find other places at JustWatchScript TranscriptTheatrical trailerPoster artworkFlickchartLetterboxdScarecrow Video’s Rent By Mail Program Support The Next Reel Family of Film Podcasts:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Letterboxd Pro/Patron discount | Audible

“I’m a golden starfish!”Olivia Wilde has long been working as an actress before stepping her foot into directing. She made a few short films and music videos, then locked her sights on the Blacklist script Booksmart by Emily Halpern & Sarah Haskins. She had screenwriter Katie Silberman rework the script (that Susanna Fogel had already changed ) into something that painted the vision she was looking for, and off she went. The film, while not a runaway success that it should’ve been, still did well for itself and set Wilde up as a new director with a strong voice. Join us – Pete Wright and Andy Nelson – as we conclude our Coming of Age Debuts series with Wilde’s 2019 film Booksmart.We’re big fans of Booksmart.While we graduated from high school a few years (read decades) before this film takes place, it’s impossible not to notice all the same personalities and groups. What makes these characters stand out so well? And how much do we identify with our two protagonists Molly and Amy (played brilliantly by Beanie Feldstein and Kaitlyn Dever)?The adults are interesting characters in the film, but what does it say that the one with the most time spent is Miss Fine? It’s fitting, considering her scenes together with our protags. And what do we learn about the complexities of people in general as we spend time with Jared, Annabelle, and Gigi?The film stands as vibrant and alive. Wilde smartly uses slow motion in a few spots. How do those moments stand out and why those spots?All in all, this may be the highlight of an absolutely brilliant series. We love it and hope you do too. Check it out then tune in! The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership.Watch this on Apple or find other places at JustWatchScript TranscriptTheatrical trailerPoster artworkFlickchartLetterboxd Support The Next Reel Family of Film Podcasts:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Letterboxd Pro/Patron discount | Audible

“I think this makes me officially an adult. Right?”Marielle Heller’s sister had gifted her the diaristic graphic novel “The Diary of a Teenage Girl: An Account in Words and Pictures” by Phoebe Gloeckner, and Heller instantly connected with it. She adapted it into a play and then, with Gloeckner’s blessing and film rights, into a script. With the help of The Sundance Institute, Heller built the cast and team of creatives that would help her bring her vision to life. Join us – Pete Wright and Andy Nelson – as we continue our Coming of Age Debuts series with Heller’s 2015 film The Diary of a Teenage Girl.Does watching The Diary of a Teenage Girl feel like we’re reading a diary?It’s funny how the diary in the film is an audio one, recorded by Minnie, our protagonist and titular teenage girl. Is it weird that she’s an artist always using her hands but recording an audio diary? A bit. That being said, it’s not a gripe of ours at all, just something we noticed.We really connected with this story of Minnie coming into her own sexuality and figuring out what that means, even if it’s not always in the best ways. Still, what Heller and Gloeckner give us (along with the stellar lead performance by Bel Powley) is a complicated character taking her own complicated path to figuring herself out, at the end of which we’ve seen true growth.It helps that Alexander Skarsgård plays opposite her, even if it is a bit... shall we say awkward?... that they connect given that he plays her mom’s boyfriend and definitely someone who consciously makes the choice to sleep with a minor.But that allows for a conversation about finding your own sexuality, and how complicated that window of time is when you have your own sexual awakening, which almost always is before the official age of the adult label of 18. And certainly Minnie isn’t shying away from sleeping with boys her own age either.We also love Kristen Wiig, Christopher Meloni, and the rest of the cast. The look captured by cinematographer Brandon Trost, production designer Jonah Markowitz, and costume designer Carmen Grande (not to mention hair and makeup) bring this world to life.It’s a fantastic film, albeit a challenging one, but one worth watching and discussing. Check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership.Watch this on Apple or Amazon, or find other places at JustWatchScript TranscriptTheatrical trailerPoster artworkOriginal MaterialFlickchartLetterboxd Support The Next Reel Family of Film Podcasts:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Letterboxd Pro/Patron discount | Audible

“Hit me! I’m serious, I can’t feel anything. Hit me!”Catherine Hardwicke had worked as a production designer for nearly two decades, crafting the look for such diverse films as I’m Gonna Git You Sucka, Tombstone, Tank Girl, and Three Kings, before shifting her focus to directing. It’s not often the path people take, but clearly Hardwicke knew what she wanted and came at it with a unique story she co-wrote with Nikki Reed – her ‘surrogate daughter’ as she describes her – about life as young teenage girls. The film Thirteen immediately caught attention because of how hard-hitting it was with depiction of thirteen-year-olds engaging in sexual behavior, doing drugs, and self harm through cutting. It also drew notice for how raw and realistic it was, and that intensity helped put Hardwicke on the map. Join us – Pete Wright and Andy Nelson – as we continue our Coming of Age Debuts series with Hardwicke’s 2003 film Thirteen.Thirteen is a tough watch... but a good one.As fathers of daughters, this film pushes many of our buttons and makes us generally uncomfortable from start to finish. That being said, we can recognize the power in the dark places Hardwicke takes her characters. And she takes them to dark places.Evan Rachel Wood and Nikki Reed shine as the two teens. Wood plays the teen eager to gain popularity only to fall in with the wrong person who introduces her to life on the edge. Reed – who co-wrote the script with Hardwicke when she was only 13 years old! – carries the challenge of being the draw for Wood’s character but also the manipulation, lies, and life struggling in a broken home. The two teenagers excel in their roles.Holly Hunter plays Wood’s mother and depicts the desire for friendship with the challenges of parenting to a tee. She rightly deserved her Oscar nomination and in our eyes, likely should have won.What did we think of the dad though? We have a bit of an argument about how the script portrays him and if it’s realistic or not.With unique camerawork, editing techniques, coloring, and more, Hardwicke more than shows herself capable to handle this story. It’s a tough film but powerful and worth watching. We have a fantastic conversation about it so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership.Watch this on Apple or Amazon, or find other places at JustWatchScript TranscriptTheatrical trailerPoster artworkFlickchartLetterboxd Support The Next Reel Family of Film Podcasts:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Letterboxd Pro/Patron discount | Audible

“Cecilia was the first to go.”Sofia Coppola had made a few short films in the mid nineties, but it was reading Jeffrey Eugenides’ 1993 novel “The Virgin Suicides” that convinced her she wanted to be a director. She wrote the adaptation on spec after reading it because she saw so clearly how she wanted to tell it, and despite some challenges with the rights, got it made. Join us – Pete Wright and Andy Nelson – as we continue our ‘Coming of Age Debuts’ series with Coppola’s 2000 film The Virgin Suicides.There’s plenty to discuss with The Virgin SuicidesIt’s a dreamy, hallucinatory film told through narration and a pseudo-documentary style. How well does that work for us? Does the style fit the type of story about memory and reflections? And how well does the filmmaking style speak to Coppola as a first-time feature filmmaker?It’s clear that Coppola had a vision with this story. The cinematography, production design, costume design, hair and makeup, music, and editing all fit perfectly with this view on teen angst in the 70s. The actors work well to convey the story as well. Who stands out?What is the film saying about suicide? How does that tie in with Coppola’s messages about the challenges of life as a teenager? And her themes on looking back to your youth?There’s a lot to digest with this film. It worked well for the two of us, but it’s a challenging film that may not be for everyone, particularly with its languid pacing. Still, we had a great time and a great conversation. So check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership.Watch this on Apple or Amazon, or find other places at JustWatchScript TranscriptTheatrical trailerPoster artworkOriginal MaterialFlickchartLetterboxd Support The Next Reel Family of Film Podcasts:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Letterboxd Pro/Patron discount | Audible

“Goodbye, Snowball.”With several short films under her belt, Lynne Ramsay got her first feature film made and released in 1999. The film tells the tale of a young boy growing up in a poor neighborhood during a period in Scotland when the binmen were on strike, leaving thousands of pounds of garbage lying in the streets, yards, and roads. Growing up a child in Glasgow, Scotland, in the 70s, it makes sense that Ramsay would start with what she knows. What she created was a realistic depiction of childhood at this time that feels authentic and honest. Join us – Pete Wright and Andy Nelson – as we continue our Coming of Age Debuts series with Ramsay’s third film, 1999’s Ratcatcher.Here’s some of what we discuss in our Ratcatcher conversation.We set the conversation up with some history about Glasgow in the 70s, just to get a better sense of these strikes and how it affected people. We also talk about the housing issues there at the time.The children performing in this film, notably young William Eadie, are outstanding. They never strike a false note and make use feel as if we’re growing up in this period with them. And what’s great about the parents’ performances is that they feel like extensions of these kids. We see them as nothing more than big kids who really have no way out of this cycle they’re in.There are themes of guilt, friendship, sexual development, freedom, and escape. How are these various themes depicted in the film? What’s Ramsay trying to say?And what about the animals? Rats, mice, cats, dogs. We share our thoughts on them.It’s a strong film right out of the gate for Ramsay. We have a great conversation about her and the film so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership.Watch this on Amazon, or find other places at JustWatchScript TranscriptTheatrical trailerPoster artworkFlickchartLetterboxd Support The Next Reel Family of Film Podcasts:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Letterboxd Pro/Patron discount | Audible

“It’s not unusual to move every three months.”The story of Tamara Jenkins’ Slums of Beverly Hills feels very lived in with authentic characters and situations. It makes sense that there’s a semi-autobiographical element to her film. How well does it hold up over two decades after its release? Join us – Pete Wright and Andy Nelson – as we continue our Coming of Age Debuts series with Jenkins’ 1998 film Slums of Beverly Hills.What do we think of Slums of Beverly Hills?Jenkins has only made three feature films unfortunately, but we’ve liked what we’ve seen. (In full disclosure, Andy worked on The Savages so might be biased.) She’s talked about how challenging our system is for women directors, which may speak to her low output.The struggles of Vivian in this film, perfectly played by Natasha Lyonne, carry the story. As she literally comes of age (we start the film with her dad getting her her first bra), we feel her struggles to adapt to her changing body. And living with her dad and two brothers makes her life frustrating.Speaking of her family, Alan Arkin, David Krumholtz, and Eli Marienthal are perfect. They feel like a real family. When Marisa Tomei enters as their crazy cousin Rita, it just fits.Rita and Vivian have a great cousin relationship involving things like talking in gibberish and lessons in vibrators. Oh, and plenty of breast talk too. Jenkins rides a strong line of comedy with the dramatic moments, and it all works.We love the concept of the film riding along the fringes of Beverly Hills. It’s a period piece that always feels authentic. We have a great time with this one, so check it out then tune in! The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership.Watch this on Apple or Amazon, or find other places at JustWatchScript TranscriptTheatrical trailerPoster artworkFlickchartLetterboxd Support The Next Reel Family of Film Podcasts:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Letterboxd Pro/Patron discount | Audible

“Like a rose in the gutter...”Mira Nair got her start with documentary projects, so it makes sense that her first feature, Salaam Bombay!, is a gritty and realistic depiction of life on the streets for a kid in the slums of Bombay. It also feels logical that Nair would use real street kids as her cast to imbue the story with a more authentic sense. Should she have just made a documentary though? Or does the film work as is? Join us – Pete Wright and Andy Nelson – as we kick off our Coming of Age Debuts series with Nair’s 1988 film Salaam Bombay!.The title Salaam Bombay! may feel more appropriate for a Bollywood musical, but the film stands out regardless.While it has a documentary feel, the film works well to introduce us to the world of Krishna and the people in it. We feel it’s fictional but it does have a sense that it could actually happen. But does Nair push too much to advocate for change with the end of the film? Pete thinks so and doesn’t like it but Andy feels it works exceptionally well.The child performers were actual street kids and they bring incredible authenticity to the film. The adults feel a part of the world as well, and as dark as this world is, there is a sense of community that develops.There’s also a sense that this is a vicious cycle and these kids will never break free. It’s difficult, particularly seeing the adults and realizing it’s the next step for the kids. Whether it’s a pimp, a drug dealer, a brothel madame, or just a business owner who exploits the children for cheap labor, it’s an inevitability in this world. It’s the opposite of the fantastical escape in Slumdog Millionaire.So does this fit as a coming of age film? If the kid seems to be stuck in this place, does he come of age? We disagree a bit on this point.Regardless, we both find it to be a strong film with amazing child performances. It’s a film that should be seen by more people just to walk in the shoes of this community. We have a great conversation about it so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership.Theatrical trailerPoster artworkFlickchartLetterboxd Support The Next Reel Family of Film Podcasts:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Letterboxd Pro/Patron discount | Audible

“I’m curious, Rose. I’m very curious.”Coming of age stories come in all shapes and sizes. The adaptation of Calder Willingham’s 1972 semi-autobiographical novel ‘Rambling Rose’ into Martha Coolidge’s 1991 film of the same name was one that captured a slice of life of a teenager and his family growing up in the South during the Great Depression. His coming of age largely happens when the new housekeeper moves in and piques his sexual awareness. Join us – Pete Wright and Andy Nelson – as we wrap up our John Heard series with Coolidge’s 1991 film Rambling Rose.Does Rambling Rose work for us?This is an interesting film because there’s a lot about it to discuss. But does that mean we liked it? Pete really didn’t while Andy liked it but with reservations. Neither of us were as captured as critics were at the time, so why is that?We go back and forth on the characters here. Andy likes Robert Duvall. Pete doesn’t. We both love Diane Ladd. Laura Dern and Lukas Haas are great but what do we think of their characters? And that doctor? Is he stupidly evil or is there more to him?Of course there’s the whole sexual exploration dealt with between an underage teen and a 19-year-old. Does that feel problematic? Or is it dealt with in a believable way? But what about how they handled it during the production?John Heard’s in this, but only in the framing device. Do we even like the framing device for this film? Would it have worked without it? How about Martha Coolidge’s direction? And how the heck did Renny Harlin and Mario Kasar get involved?It’s an interesting film. Not one of our favorites, though even we disagree on whether it works or not. But it’s worth watching and discussing for sure, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership.Watch this on Apple or Amazon, or find other places at JustWatchScript TranscriptTheatrical trailerPoster artworkOriginal MaterialFlickchartLetterboxd Support The Next Reel Family of Film Podcasts:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Letterboxd Pro/Patron discount | Audible

“You want there to be a connection. That doesn’t mean there is one.”Penny Marshall came on to Awakenings after Steven Spielberg stepped off the project apparently. Perhaps that’s why it feels a bit different for a Marshall film. But how well does this pseudo-true story work as it recounts Dr. Oliver Sacks’ experiments on patients with encephalitis lethargica in 1969? Join us – Pete Wright and Andy Nelson – as we continue our John Heard series with Marshall’s 1990 film Awakenings.Is Awakenings more than just Marshall’s bid at an Oscar?We think it’s more, but it sure feels like Oscar bait. But again... couldn’t it just be Marshall’s desire to tell an interesting story and step outside her comedy box? Same goes for Robin Williams. He delivers the goods here as an introverted doctor who would rather work with worms than people. And of course Robert De Niro gives a performance where you’re convinced he’s afflicted with the disease the character of Dr. Sayer is trying to cure. Even Dr. Oliver Sacks, upon whose studies the film is based, thought De Niro performed accurate to the disease.But did Dr. Sacks have any issues with the film? Turns out he had some issues with Steven Zaillian’s script. So do we. There are times it feels very written. Is that intrinsically bad? Or can it work?As for the rest of the cast, it’s a great group of performers. Too bad Penelope Ann Miller isn’t given more to do.All told, it’s a strong movie with a powerful performances but also a script that feels very written and in the end, something you can see once then not worry about it again. Still, it’s worth talking about so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership.Watch this on Apple or Amazon, or find other places at JustWatchScript TranscriptTheatrical trailerPoster artworkOriginal MaterialFlickchartLetterboxd Support The Next Reel Family of Film Podcasts:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Letterboxd Pro/Patron discount | Audible