The Next Reel Film Podcast

“This whole operation was a mole hunt.”Tom Cruise Upgrades the TV Show with Mission: ImpossibleIt took Paramount a while to get the Mission: Impossible movie off the ground. They’d tried for years with the property, nearly getting a version made in the early 80s before it fell through because of an escalating budget. By the time Tom Cruise and Paula Wagner were ready to start their own producing work, the property was still floundering. Cruise, as a fan of the show, immediately recognized its strengths and thought it would be a great way to kick off Cruise/Wagner Productions. Join us – Pete Wright and Andy Nelson – as we kick off our last series of the season – the Mission: Impossible films – with De Palma’s 1996 film Mission: Impossible.Here’s a hint at what we talk about.Pete has seen some of the original show but Andy never has. Does that play into how we approached this first film and our impressions? They certainly do change elements, after all. Jim Phelps is a traitor. It’s not so much a team story as it is an Ethan Hunt story. But it does feel like covert missions in this film, perhaps moreso than later in the franchise. This is also the birthplace of Cruise as the action star always ready to do his own (often crazy) stunts. It’s not as large or over-the-top here, but it’s certainly still part of the story and who can forget him suspended on the cables dropping silently into CIA headquarters? That’s absolutely the centerpiece of this film and still is a thrill to watch. We also love the sequence with Hunt talking to Kittridge in the restaurant full of giant fish tanks, as well as the train sequence. We struggle with some of the team elements, and definitely have issues with the flatness of that first team. Good thing they all get picked off! Some performances are better than others. Same goes for the effects of the day, but largely De Palma shows he knows how to use CGI and when, so it’s rarely a problem here. Speaking of De Palma, he’s bringing a lot of creative style to the story which feels key to the spy story being told. It’s a thrill to start this franchise with him really allowed to play.All in, it’s a good start to this series. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership.Watch this on Apple, or find other places at JustWatchScript OptionsTheatrical trailerPoster artworkFlickchartLetterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel’s family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeSitting in the DarkJoin the conversation with movie lovers from around the world in our Discord community!Here’s where you can find us around the internet:The WebLetterboxdFacebookInstagramThreadsBlueskyYouTubeFlickchartPinterestPete AndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

“I have a competition in me. I want no one else to succeed. I hate most people.”Talking About Paul Thomas Anderson’s 2007 film There Will Be Blood with our guest, filmmaker Uwe BollThere are many films filmmaker Uwe Boll could’ve picked to discuss with us on the show, but the most recent film that’s affected him as much as some of his all-time favorites is Paul Thomas Anderson’s 2007 film There Will Be Blood. Before we dig into the film, we talk a bit about Boll’s career. Sure, he’s made some cinematic video game adaptations that weren’t received well by critics, but he’s also made some films that satirize modern society, whether in a comedic vein like Postal or a more serious tone like his Rampage films. There’s a change in society as to how people react to their buttons being pushed. That’s certainly reflected in films of the time. Who knows – some of that may come from the rise of the streaming services. Regardless, it all makes for a fascinating discussion.From there, we jump into Anderson’s film. Boll has had some fairly unlikeable protagonists in his films, so we use that as a starting point with Daniel Plainview, the greedy, hateful protagonist of this film. Why is he still likable in some capacity? The film explores greed, capitalism, religion, family, and more. Everything stands out with the film as exemplary, from the performances (Daniel Day-Lewis and Paul Dano are in top form) to Johnny Greenwood’s score to Robert Elswit’s cinematography. We look at the complex story and ponder that the film got made in the first place. A film that doesn’t have dialogue until nearly 15 minutes have passed? How did Anderson sneak it past the studio heads? It’s a wonderful conversation with an insightful filmmaker. Tune in!Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!Film SundriesLearn more about supporting The Next Reel’s Movies We Like through your own membership with The Next Reel.Uwe Boll RAW podcastVariety: ‘Uwe Boll Returns With New York City Crime Drama ‘First Shift’ (EXCLUSIVE)’Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerPoster artworkFlickchartLetterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel’s family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeSitting in the DarkJoin the conversation with movie lovers from around the world in our Discord community!Here’s where you can find us around the internet:The WebLetterboxdFacebookInstagramThreadsBlueskyYouTubeFlickchartPinterestPete AndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

“In the end, no place was truly safe.”Zombies Are On the March in Peninsula!It’s no surprise that the studio and filmmakers wanted to return to the Train to Busan well after its initial success. And crafting a sequel that’s less an immediate sequel but more of a story in the same universe taking place four years after the original sounded intriguing. But a bigger budget and expanded scope doesn’t always mean better. Join us – Pete Wright and Andy Nelson – as we wrap up our Train to Busan series with a conversation about Yeon Sang-ho’s 2020 film Peninsula.Here’s a hint at what we talk about.The film starts with a great premise. We’re following two survivors, now living in Hong Kong four years after South Korea was taken over by zombies, as they’re recruited by criminals to return to the country and find a truck full of money. Once they get there, however, things start shifting in ways that bring the story down. The plot contains many elements that are there simply for convenience. Even their own zombie rules, established in the last film and (mostly) adhered to, seem to be used as needed. With all of that, it seems like things aren’t great but passable for a genre zombie film.Unfortunately, it goes downhill from there. We’re introduced to some young daughters who drive like Dominic Toretto in sequences that are on par with video game action. We get the rogue militia catching survivors and running their own zombie survival games. The characters in the first film were archetypes, but largely felt human. Here, they feel like poorly written and performed video game characters. We do have a few that stand out and pique our interest. Our protagonist, for one, is easy to enjoy and watch go through this story. The political leader of the militia makes for an interesting psychological study, along with his sidekick. Even the mom who survived the attacks and made it this far with her daughters and father makes for an interesting story.Unfortunately, they’re all saddled with a sloppy story and weak effects that just makes the whole thing a struggle. Still, it’s awfully fun to talk about. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership.Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerPoster artworkFlickchartLetterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel’s family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeSitting in the DarkJoin the conversation with movie lovers from around the world in our Discord community!Here’s where you can find us around the internet:The WebLetterboxdFacebookInstagramThreadsBlueskyYouTubeFlickchartPinterestPete AndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

“You’re clearly an expert at leaving useless people behind.”The Zombie Hordes Are Headed Our Way!For his first live-action film, director Yeon Sang-ho decided to take on a horror film with confined locations, certainly something first time directors do when figuring the medium out. On the other hand, the film is a zombie movie with hundreds of zombiefied people, both on and off the high-speed train in the title. It’s fair to say he went big. Join us – Pete Wright and Andy Nelson – as we kick off our short series looking at the Train to Busan films, starting with Yeon’s 2016 film Train to Busan. Here’s a hint at what we talk about.First off, we love zombie movies so this is an easy one to talk about, particularly because Yeon gets so much right. It’s a fun movie that sets things up quickly, then once the train ride starts and zombies appear, it never relents. The zombies themselves are well crafted and creepy in their movements. The film has some spectacular action set pieces as well.On top of that, however, we get some great characters that keep us engaged. Sure, they are fairly archetypal, but they’re very likable. From our father-daughter pair at the heart of the story, to the husband and his pregnant wife, to the baseball player and his new cheerleader girlfriend, to the two older sisters, to the evil COO who can’t get past his own self-interest, each character delivers an essential part of the story. There are some zombie rules developed in the world building that seem to be dropped or changed as the story needs them to be, but on the whole the movie’s an exciting thrill ride. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership.Watch this on Apple or Amazon, or find other places at JustWatchMovie TranscriptTheatrical trailerPoster artworkFlickchartLetterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel’s family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeSitting in the DarkJoin the conversation with movie lovers from around the world in our Discord community!Here’s where you can find us around the internet:The WebLetterboxdFacebookInstagramThreadsBlueskyYouTubeFlickchartPinterestPete AndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

“A day may come when the courage of men fails, when we foresake our friends and break all bonds of fellowship, but it is not this day!”There and Back AgainWith the success of Jackson’s Lord of the Rings trilogy in 2003, he proved that epic fantasy storytelling could not only work, but that it could be worth the risk to film them all at once. It could be argued that the biggest downside to this production method – filming all three movies at once then releasing them separately over the course of three years – is that many awards voters didn’t feel each film deserved to be recognized individually. This film won all 11 Oscars for which it was nominated, but should the previous efforts also fared better? Regardless, Jackson delivers an epic trilogy, and this film’s extended edition certainly gives us a lot to enjoy. Join us – Pete Wright and Andy Nelson – as we wrap up our conversations about the Lord of the Rings trilogy with a conversation about Jackson’s 2003 film The Lord of the Rings: The Return of the King.Here’s a hint at what we talk about.The opening’s fantastic, but why does Smeagol talk the way he does when he’s morphed into Gollum? Andy has a bit of a quibble with that. We look at a number of the added scenes in the extended edition, focusing on the death of Saruman, the mouth of Sauron, and the relationship between Faramir and Eowen. How does the mad steward Denethor work for us? What about the massive armies and the battle at the end? Does it go a bit too far? We talk about a few of our favorite sequences – the lighting of the beacons, Shelob’s lair and Sam rescuing Frodo from the Orc tower, Sam picking Frodo up to carry him up Mount Doom. We continue looking at the roles of women in the films and how Jackson and his writing team handled expanding their roles. And then, of course, we ponder the plight of the cave trolls. The olyphaunts aren’t treated very well either, but we’ve seen cave troll abuse from the start. No matter how many points we have to poke at in this film, it’s an easy one to love. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership.Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerPoster artworkFlickchartLetterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel’s family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeSitting in the DarkJoin the conversation with movie lovers from around the world in our Discord community!Here’s where you can find us around the internet:The WebLetterboxdFacebookInstagramThreadsBlueskyYouTubeFlickchartPinterestPete AndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

“I told you he was tricksy. I told you he was false.”The Epic Journey ContinuesWith his three epic films of one epic book shot back to back, it’s amazing that Peter Jackson, Fran Walsh, and Philippa Boyens found a path through the stories to build a film that works as well as this one does. Sure, it has elements of many famous middle films in trilogies, but it still stands strong. Join us – Pete Wright and Andy Nelson – as we continue our journey through Middle Earth with a conversation about Jackson’s 2002 film The Lord of the Rings: The Two Towers.Here’s a hint at what we talk about.How well do the extended and new scenes work in this film? We quite like them. Our characters are split so we have a number of story threads to track. Do they all work? Lots of new characters. Gollum is often brought up as the biggest and most important addition to the film because of the process of motion capture with Andy Serkis to bring him to life. He’s astounding and certainly worth a discussion. Does the CGI still generally work? Jackson’s cinematic style comes through a few times. Does it always work? What about his epic battle sequence in Helm’s Deep? There’s plenty to talk about with these films and this franchise. And we talk again about the plight of the cave trolls. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership.Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerPoster artworkFlickchartLetterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel’s family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeSitting in the DarkJoin the conversation with movie lovers from around the world in our Discord community!Here’s where you can find us around the internet:The WebLetterboxdFacebookInstagramThreadsBlueskyYouTubeFlickchartPinterestPete AndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

“Your mother can’t be with you anymore.”Talking About Bambi with our Guest Todd Alcott, ScreenwriterWhen released in 1942 during WWII, Walt Disney’s Bambi struggled to find its audience. It still did well enough for itself, but it wasn’t until its subsequent releases over the decades when Disney would bring its classics back to theatres where it really found its audience. Since that time, it’s often cited as one of the best animated films out there. Why does this simple film about a young deer learning about life in the forest work so well?Screenwriter and graphic artist Todd Alcott joins us to talk about Bambi, one of his favorites. But as he says, even that didn’t happen over night. It took decades and multiple viewings to realize what the story was really about and why it clicked so suddenly. And for a film from 1942, there are elements within that make it feel somewhat subversive. It’s a story with little plot about a passive protagonist that doesn’t have any clearly established goal, after all. What screenwriting handbook said that was okay? The film is about life, the mistakes we make, and how we try learning from them. It’s also a reminder that there’s no clear path for life. Just when things make sense, life changes the rules. It’s quite a lot to absorb from what seems like a simple little film. But that’s why we like it, and are thrilled that Todd brought it for us to talk about on Movies We Like. Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!Film SundriesLearn more about supporting The Next Reel’s Movies We Like through your own membership with The Next Reel.Todd’s siteTodd on Facebook, Instagram, Twitter, and IMDbPro or IMDbWatch Bambi on Apple or Amazon, or find other places at JustWatchOriginal 1942 Theatrical trailerPoster artworkLetterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel’s family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeSitting in the DarkJoin the conversation with movie lovers from around the world in our Discord community!Here’s where you can find us around the internet:The WebLetterboxdFacebookInstagramThreadsBlueskyYouTubeFlickchartPinterestPete AndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

“Do not be too eager to deal out death in judgment. Even the very wise cannot see all ends.”We Finally Talk About Peter Jackson’s Epic Fantasy TrilogyConsidering our immense love for this film and the original material, it’s a bit surprising that it’s taken us into our twelfth season to discuss The Lord of the Rings trilogy. Peter Jackson and his amazing team believed in this world and crafted a script, found a cast, built a crew, and gave it their all to deliver a series of films that perfectly told a cinematic version of J.R.R. Tolkien’s books while also creating a model for fantasy filmmaking as well as a model for massive scale film production. Join us – Pete Wright and Andy Nelson – as we kick off our Lord of the Rings series with a conversation about Jackson’s 2001 film The Lord of the Rings: The Fellowship of the Ring. Here’s a hint at what we talk about.It’s a challenge having a conversation about this trilogy as so much has already been said and documented about the production, etc. Still, it gives us a chance to discuss what Jackson brings to the table. How does his production style work in the film? We talk about the cast and many other options that are in the could-have-been version. We certainly prefer this one, but there are interesting actors to discuss. How do the extended and additional scenes work to expand the story for us? We love Howard Shore’s score so of course discuss it, but we are fans of what each department brings to the film as they’re all working on something they clearly were passionate about. There are some dated effects, but barely any and they don’t really bug us much. As for the creatures, they all stand out as impressive but we do have some questions about Jackson going all King Kong on us with the Cave Troll. And lest we forget the Sean Bean memes...We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership.Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerPoster artworkFlickchartLetterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel’s family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeSitting in the DarkJoin the conversation with movie lovers from around the world in our Discord community!Here’s where you can find us around the internet:The WebLetterboxdFacebookInstagramThreadsBlueskyYouTubeFlickchartPinterestPete AndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

“Friendship means little when it’s convenient.”Wrapping Up the John Wick SagaBefore the pandemic, director Chad Stahelski and team had been planning to film John Wick: Chapter 4 and Chapter 5 back to back. After delays, they ended up dropping the fifth chapter, opting to wrap everything up in the fourth film. So how does Chapter 4 work to continue expanding this world of assassins while also wrapping up John’s story? Do more story threads get dropped? And how do they amp up the stunt sequences throughout the film? Join us – Pete Wright and Andy Nelson – as we wrap up our John Wick series with a conversation about Stahelski’s latest entry, now in theatres, John Wick: Chapter 4.Here’s a hint at what we talk about.John’s back breaking the High Table’s rules, starting off right out of the gate in this film by killing The Elder. But why so little involvement by The Bowery King? His resolution at the end of Chapter 3 seemed to indicate that he was going to go after the High Table with John. Maybe that’s just another in the line of plot threads set up upon which they never execute. Or perhaps it was connected to the whittling down of two films into just this one. Who knows? Regardless, we would have loved more Laurence Fishburne. That being said, we do get the introduction of many great characters in this new film. They’re great, and the actors portraying them are great. Plus, we have some spectacular action set pieces that are incredible. The staircase sequence is one for the ages, particularly the insane fall down its entire length. We discuss some of Stahelski’s influences in the film, as well as several direct homages. And we discuss the impending spinoff film and TV show, while pondering if they’ll find a thread to pick up in order to continue the story again.We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership.Find where to watch this at JustWatchTheatrical trailerPoster artworkFlickchartLetterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel’s family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeSitting in the DarkJoin the conversation with movie lovers from around the world in our Discord community!Here’s where you can find us around the internet:The WebLetterboxdFacebookInstagramThreadsBlueskyYouTubeFlickchartPinterestPete AndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

“I will serve. I will be of service.”We’re On the Run With John Wick.Picking up right where Chapter 2 ended, John Wick: Chapter 3 – Parabellum gives us more of what came before – amazing fight sequences with serious stuntwork, beautiful cinematography, and expanded world-building. While it delivers on all fronts, some people found this one’s expanded universe to be a bit too much. But is it? Or does it work? Join us – Pete Wright and Andy Nelson – as we continue our journey through the John Wick series with our conversation about Chad Stahelski’s 2019 film John Wick: Chapter 3 – Parabellum. Here’s a hint at what we talk about.First off, what’s with the addendum to the title? Did we need “Parabellum” added, even if it fits both in the Latin phrase mentioned as well as the aptly named parabellum Luger cartridge? Title issues aside, we dig into the world-building here and try to sort out how much world-building is too much, and at what point does it feel like the world-building is there just to get John out of and into particular situations. That aside, we have a fantastic slew of new characters – The Director, The Elder, The Adjudicator, Sofia, Tick Tock Man, Ernest, and more – not to mention more with some of our favorites, particularly Lance Reddick who we sadly lost between our last recording and this one. The stunt work and action choreography is top notch in this film, particularly the work with the dogs. It’s a fun, violent film and whether you feel it’s better than, worse than, or on par with what came before, it certainly fits in this world. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership.Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerPoster artworkFlickchartLetterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel’s family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeSitting in the DarkJoin the conversation with movie lovers from around the world in our Discord community!Here’s where you can find us around the internet:The WebLetterboxdFacebookInstagramThreadsBlueskyYouTubeFlickchartPinterestPete AndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.