Close Readings

Brent Hayes Edwards talks to Adam about Aimé Césaire's 1950 essay Discourse on Colonialism, a groundbreaking work of 20th-century anti-colonial thought and a precursor to the writings of Césaire's protégé, Frantz Fanon. Césaire was Martinique’s most influential poet and one of its most prominent politicians as a deputy in the French National Assembly, and his Discourse is addressed directly at his country’s colonisers. Adam and Brent consider Césaire’s poetry alongside his political arguments and the particular characteristics of his version of négritude, the far-reaching movement of black consciousness he founded with Léopold Sédar Senghor and Léon Damas.Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:Subscribe to Close Readings:Directly in Apple Podcasts: https://apple.co/3pJoFPqIn other podcast apps: lrb.me/closereadingsBrent Hayes Edwards is a scholar of African American and Francophone literature and of jazz studies at Columbia University.Get in touch: podcasts@lrb.co.uk Hosted on Acast. See acast.com/privacy for more information.

Explore the lively yet tumultuous world of 1895, where Oscar Wilde's comedic masterpiece, 'The Importance of Being Earnest', premiered amidst scandal. The clash between Wilde and the Marquess of Queensbury marked a turning point in Wilde's life. Delve into the complexities of romance, finance, and deception in his characters' lives, as they navigate a society built on illusions. Discover parallels between Wilde's self-importance and his literary creations, highlighting the tension between societal expectations and personal identity in a whimsical yet critical reflection.

In his long 1938 poem, Louis MacNeice took many of the ideals shared by other young writers of his time – a desire for relevance, responsiveness and, above all, honesty – and applied them in a way that has few equivalents in English poetry. This diary-style work, written from August to December 1938, reflects with ‘documentary vividness’, as Ian Hamilton has described, on the international and personal crises swirling around MacNeice in those months. Seamus and Mark discuss the poem’s lively depiction of the anecdotal abundance of London life and the ways in which its innovative rhyming structure helps to capture the autumnal moment when England was slipping into an unknowable winter.Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:Directly in Apple Podcasts: https://apple.co/4dbjbjGIn other podcast apps: lrb.me/closereadingsRead more in the LRB:Samuel Hynes: https://www.lrb.co.uk/the-paper/v11/n05/samuel-hynes/like-the-trees-on-primrose-hillIan Hamilton: https://www.lrb.co.uk/the-paper/v17/n05/ian-hamilton/smartened-up Hosted on Acast. See acast.com/privacy for more information.

The Annals, Tacitus’ study of the emperors from Tiberius to Nero, covers some of the most vivid and ruthless episodes in Roman history. A masterclass in political intrigue (and how not to do it), the Annals features mutiny, senatorial backstabbing, wars on the imperial frontiers, political purges and enormous egos. Emily and Tom explore the many ambiguities that make the Annals rewarding, as well as difficult, reading and discuss Tacitus’ knotty style and approach to history.Non-subscribers will only hear an extract from this episode. To listen in full and to our other Close Readings series, sign up:Directly in Apple Podcasts: https://apple.co/3pJoFPqIn other podcast apps: lrb.me/closereadingsFurther reading in the LRB:Mary Beard: Four-Day Caesarhttps://www.lrb.co.uk/the-paper/v26/n02/mary-beard/four-day-caesarAnthony Grafton: Those Limbs We Admirehttps://www.lrb.co.uk/the-paper/v33/n14/anthony-grafton/those-limbs-we-admireShadi Bartsch: Fratricide, Matricide and the Philosopherhttps://www.lrb.co.uk/the-paper/v37/n12/shadi-bartsch/fratricide-matricide-and-the-philosopherMark Ford: The Death of Petroniushttps://www.lrb.co.uk/the-paper/v30/n24/mark-ford/the-death-of-petroniusEmily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the London Review of Books.Get in touch: podcasts@lrb.co.uk Hosted on Acast. See acast.com/privacy for more information.

In the preface to the Decameron Boccaccio describes Florentine society laid waste by bubonic plague in the mid-14th century. But before he gets to that he has a confession for the reader: he has been hurt by love, a love ‘more fervent than any other love’, and intends his work as a guide to life and love for young women in particular. In the first of two episodes on Boccaccio’s hundred novelle of sex, dishonesty and foolishness, Mary and Irina consider why both the preface and first story – about the disreputable merchant Cepparello – start with a confession, before looking at the later tale of the gardener Masetto and his noble efforts tending to the needs of every nun in a convent in Lamporecchio.Subscribe to Close Readings:Directly in Apple Podcasts: https://lrb.me/medlolapplesignupIn other podcast apps: https://lrb.me/medlolscsignupRead more on Boccaccio the LRB: https://lrb.me/decameronpodGet in touch: podcasts@lrb.co.uk Hosted on Acast. See acast.com/privacy for more information.

Brent Hayes Edwards and Adam discuss the ‘ur-text of Black political philosophy’, W.E.B. Du Bois’s The Souls of Black Folk. Spanning autobiography, history, biography, fiction, music criticism and political science, its fourteen essays set the tone for Black literature, political debate and scholarly production for the course of the 20th century. Souls was an immediate bestseller, the subject of furious debate and a foundational work in the new field of sociology.Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:Subscribe to Close Readings:Directly in Apple Podcasts: https://apple.co/3pJoFPqIn other podcast apps: lrb.me/closereadingsBrent Hayes Edwards is a scholar of African American and Francophone literature and of jazz studies at Columbia University.Get in touch: podcasts@lrb.co.uk Hosted on Acast. See acast.com/privacy for more information.

Dive into Byron's audacious 'Don Juan,' where rhymes like 'Plato' with 'potato' bring satire to life. Explore the tension between vanity and human folly through sharp wit and narrative complexity. Uncover the tumultuous intersections of love and war, highlighted by the tumultuous relationship of Lady and Lord Byron. The discussion balances dark humor with historical realities, questioning the societal norms of Regency England while playfully acknowledging the poem's unfinished nature. Expect insights that challenge perceptions of poetic power!

‘Goblin Market’ was the title poem of Christina Rossetti’s first collection, published in 1862, and while she disclaimed any allegorical purpose in it, modern readers have found it hard to resist political interpretations. The poem’s most obvious preoccupation seems to be the Victorian notion of the ‘fallen woman’. When she wrote it Rossetti was working at the St Mary Magdalene house of charity in Highgate, a refuge for sex workers and women who had had non-marital sex. Anxieties around ‘fallen women’ were explored by many writers of the day, but Rossetti's treatment is striking both for the rich intensity of its physical descriptions and the unusual vision of redemption it offers, in which the standard Christian imperatives are rethought in sisterly terms. Seamus and Mark discuss how post-Freudian readers might read those descriptions and what the poem says about the place of the ‘market’ in Victorian society.Read the poem here: https://www.poetryfoundation.org/poems/44996/goblin-marketThis episode features a full reading of 'Goblin Market' by Shirley Henderson and Felicity Jones at the Josephine Hart Poetry Hour. Watch the reading here: https://www.youtube.com/watch?v=mMnHW9MevJkFind more about the Josephine Hart Poetry Foundation here: https://www.thepoetryhour.com/foundationSubscribe to Close Readings:In Apple Podcasts, click 'subscribe' at the top of this podcast to unlock all the episodes;In other podcast apps here: https://lrb.me/ppsignupRead more in the LRB:Penelope Fitzgerald: https://www.lrb.co.uk/the-paper/v04/n05/penelope-fitzgerald/christina-and-the-sidJacqueline Rose: https://www.lrb.co.uk/the-paper/v17/n20/jacqueline-rose/undone-defiled-defacedJohn Bayley: https://www.lrb.co.uk/the-paper/v16/n06/john-bayley/missingness Hosted on Acast. See acast.com/privacy for more information.

In his prodigious, prolific and very short career, Lucan was at turns championed, disavowed and finally forced into suicide at 25 by the emperor Nero. His only surviving work is Civil War, an account of the bloody and chaotic power struggle between Julius Caesar and Pompey the Great. In their first episode on Latin literature’s so-called ‘Silver Age’, Tom and Emily dive into this brutal and unforgiving epic poem. They explore Lucan’s slippery relationship to power, his rhetorical virtuosity and the influence of Stoicism on his worldview.Non-subscribers will only hear an extract form this episode. To listen in full and to our other Close Readings series, sign up:Directly in Apple Podcasts: https://apple.co/3pJoFPqIn other podcast apps: lrb.me/closereadingsFurther reading in the LRB:John Henderson: Dead Eyes and Blank Faceshttps://www.lrb.co.uk/the-paper/v20/n07/john-henderson/dead-eyes-and-blank-facesNora Goldschmidt: Pompeian Group Therapyhttps://www.lrb.co.uk/the-paper/v44/n18/nora-goldschmidt/pompeian-group-therapyThomas Jones: See you in hell, punkhttps://www.lrb.co.uk/the-paper/v40/n23/thomas-jones/see-you-in-hell-punkEmily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the London Review of Books.Get in touch: podcasts@lrb.co.uk Hosted on Acast. See acast.com/privacy for more information.

The character of Gawain, one of King Arthur’s leading knights, recurs throughout medieval literature, but the way he’s presented underwent a curious development during the period, moving closer and closer to an impossible and perhaps comical ideal of chivalric perfection. In 'Sir Gawain and the Greene Knight', his most well-known incarnation, Gawain faces a series of peculiar tests and apparently fails them all. 'Sir Gawain and the Carle of Carlisle', a later poem, takes many elements from 'The Greene Knight' and exaggerates them to the extreme: the cups the knights drink from are so large they’re impossible to drink from, and Gawain faces an even more peculiar sequence of tests, but meets them all perfectly. Irina and Mary discuss the degree to which this exaggeration can be taken as a satire on chivalric expectations, and whether by this point the character of Gawain should be considered more monastic than knightly.Read the text here:https://d.lib.rochester.edu/teams/text/hahn-sir-gawain-sir-gawain-and-the-carle-of-carlisleRead some Arthurian background in the LRB here:https://www.lrb.co.uk/the-paper/v40/n24/tom-shippey/so-much-smokeSubscribe to Close Readings:Directly in Apple Podcasts by clicking 'subscribe' at the top of this feed;In other podcast apps: https://lrb.me/medlolscsignupGet in touch: podcasts@lrb.co.uk Hosted on Acast. See acast.com/privacy for more information.