Groundings

Organizer and educator Derek Ford gives a historical context for the current imperialist aggression surrounding the DPRK, explains the 'Juche' ideology, and recounts some firsthand propaganda-shattering experiences from his travels inside the country. The day after US Secretary of State Rex Tillerson announced the travel ban for US citizens to North Korea, Derek Ford traveled to the country on a fact-finding delegation. In this episode, he shares many of those firsthand experiences with me, and discusses how what he saw in person was quite different from the propaganda he'd been told in the US. Along with this he discusses the 'Juche' ideology, which is essentially the guiding philosophical ideology of the Democratic People's Republic of Korea, and gives a quick history lesson on both the Juche ideology and the country itself.

Revolutionary Pan-Africanist writer, artist, and organizer Sobukwe Shakur gives a first-hand account of the history of the Black Art Movement, a movement which took place in the 1960s and 1970s and ran parallel to the Black Power Movement. Sobukwe Shukur is a multi-media cultural worker, the host of the Revolutionary African Perspectives radio show on Georgia's independent WRFG station, a cadre and organizer in Nkrumah’s brainchild, the All-African People’s Revolutionary Party (A-APRP) and a former chair of the National Network On Cuba (NNOC). The conversation begins with Sobukwe setting the context for the Black Arts Movement, one of global Black political consciousness at its height, before diving into first-hand experiences as a school student during the early 1960s before transforming into an organizer and cultural worker within the movement itself. In discussing the politics of the Black Arts Movement, he discusses how various ideologies existed simultaneously, at times in conflict, and how this was embraced and seen through the act of a multi-plural cultural revolution that took place. In the final third of the interview we discuss the legacy of the Black Arts Movement; how it has influenced us today compared to the Harlem Renaissance, and how Black arts of today reflect a deeply different dominant ideology being reflected in the art.