Scratching the Surface

Alice Twemlow is a design writer, critic, and educator. She was the co-founder and chair of SVA's Design Criticism program in New York City and is now the Head of the Design Curating and Writing Program at the Design Academy Eindhoven. She also recently published the book, Sifting the Trash, which is a fascinating history of design criticism. In this episode, Alice and I talk about her interest in design and writing, the history of design criticism and how its evolved, and the collapsing borders between the various design disciplines. Links from this episode can be found at scratchingthesurface.fm.

Penelope Dean is an architectural theorist and critic whose research focuses on contemporary architectural culture with an emphasis on the exchanges between architecture and the allied design fields. She is currently an Assistant Professor at the University of Illinois at Chicago's College of Architecture, Design, and the Arts and is the founding editor of Flat Out, a fascinating new independent magazine of architecture and design criticism. In this episode, Penelope and I talk about the concept behind Flat Out as well as her own background moving from practice to academia, audiences for design criticism, and how to inject more humor into the critical discourse. Links from this episode can be found at scratchingthesurface.fm.

James Goggin is a designer, educator, and writer. He runs his own design studio with his partner, Shan James, under the name Practise and recently joined the faculty of RISD's graphic design department. He previously worked as Director of Design, Publishing and New Media at the Museum of Contemporary Art Chicago and has taught at Werkplaats Typografie in Arnhem, The Netherlands, and at ECAL in Switzerland. His writing on design has appeared in numerous publications and he currently serves as art director and is on the editorial board of the architecture publication, Flat Out. In this episode, James and I talk about closing the gap between theory and practice, the value of writing in his design process, and subverting the traditional lecture/slideshow format. Links from this episode can be found at scratchingthesurface.fm.

Anne Burdick is a graphic designer, writer, researcher, and educator. She's the chair of the Art Center College of Design's Media Design Program and has written for publications like Emigre and Eye. In this episode, Anne and I talk about her own background and journey through design — which we discovered had many parallels to my own design career. We also talk about new modes of practice, the relationships between writing and designing, and asking the big questions of design's role in society and culture. Links from this episode can be found at scratchingthesurface.fm.

Manuel Lima is a designer, author, and speaker specializing in information visualization as well as a design lead at Google New York. He's taught data visualization at Parsons School of Design and is the author of the books, The Books of Trees, The Book of Circles, and Visual Complexity. In this episode, Manuel and I talk about his journey into design and interest in interaction design and information graphics as well as his career as both an author and practicing designer, writing outside academic discourses, and how to bring in other areas of study in design scholarship. Links from this episode can be found at scratchingthesurface.fm.

Sarah Rich is a writer, editor, and brand consultant based in Oakland, California. She's written about design and food for publications like Dwell, The Atlantic, Wired, and Fast Company. With Wendy MacNaughton, Debbie Millman, and Maria Popova, she recently edited Leave Me Alone with the Recipes, book about the art, life and cooking of graphic designer Cipe Pineles. I first came to Sarah's work when she was editor of Reform, a Medium publication that looked at design in the widest sense. In this episode, Sarah and I talk about how she started writing about design, the beginning and ending of Reform and the challenges in supporting design writing, and thinking about design less as objects and more as lenses through which to see the world. Links from this episode can be found at scratchingthesurface.fm.

Adrian Shaughnessy is a designer, writer, and publisher. Along with Tony Brook, he co-founded Unit Editions, an independent publishing company that specializes in design books and monographs for people like Paula Scher and Herb Lubalin. He's written for publications like Eye and Design Observer and his collected essays were published as a book, also called Scratching the Surface, in 2013. In this episode, Adrian and I talk about his transition from designing to writing, how the design discourse has changed over the course of his career, and the value of a strong design criticism. Links from this episode can be found at scratchingthesurface.fm.

Elliott Earls is a graphic designer, performance artist, and the artist-in-residence in Cranbrook's 2D Design program. He also produces the YoutTube series Studio Practice, a "no bullshit resource for those things that animate the artist and designer's studio." In this episode, Elliott and I talk about experimental graphic design, Cranbrook's interesting critique format, and how he thinks about his own work, as well as working outside the preconceived styles and movements, how to connect theory and practice without letting the theory get in the way of the making, and how teaching at Cranbrook relates to his own art and design practice. Links from this episode can be found at scratchingthesurface.fm.

In a special one-year anniversary episode, Michael Bierut returns to the show and turn the tables to interview me. One year after I started the podcast and fifty interviews later, Michael and I talk about my own background and why I started the podcast, my graduate school experience, video essays, how the podcast has changed, and what I've learned about design writing over the last year. Links from this episode can be found at scratchingthesurface.fm.

Doug Thomas is a designer, historian, writer, and teacher. He's the author of the new book, Never Use Futura, and an Assistant Professor in Brigham Young University's graphic design department. After graduating with a degree in graphic design, Doug continued his education by getting a masters degree in history at the University of Chicago where he began his research on typography history. Doug and I met while we were students in the MFA program at Maryland Institute College of Art, where he was turning his historical work into a book. In this episode, Doug and I talk about the book and why Futura is an important typeface, why designers should study history, and how writing and research has changed how he thinks about design. Links from this episode can be found at scratchingthesurface.fm.