1storypod

Sean Thor Conroe
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Oct 24, 2018 • 1h 15min

27: Gina Myers - PHILADELPHIA (2017) by Gina Myers

PHILADELPHIA — Gina Myers is poet living in Philadelphia. She is the author of the poetry books HOLD IT DOWN (2013), A MODEL YEAR (2009), and six chapbooks including PHILADELPHIA (2017), from Barrelhouse, which she wrote, mostly on her phone, during the first few months of moving to Philadelphia (August–October 2014). I encountered her work after hearing her read from PHILADELPHIA in early 2017, months after moving back to Philadelphia. Gina Myers co-edits the biannual online poetry journal, the tiny: https://www.thetinymag.com/ Some poems from PHILADELPHIA (2017): https://brooklynrail.org/2015/06/poetry/from-philadelphia-freedom-song HOLD IT DOWN (2013): Read: https://www.poetryfoundation.org/poems/58134/hold-it-down Buy: https://www.spdbooks.org/Products/9781938055072/hold-it-down.aspx Gina Myers on Twitter: https://twitter.com/ginamyers?lang=en 1storypod website: http://1storyhaus.com
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May 25, 2018 • 47min

24: Nicholas - DON QUIXOTE (1615) by Miguel de Cervantes

WEST PHILLY — Nicholas lives, and has for “about six years,” in West Philly. He is originally from Seattle. He read Don Quixote (1615) recently, finishing it within the past fortnight. I read the first half in the summer of 2016 and the second half in the fall of 2017. We both read the edition translated by Edith Grossman and published by Ecco Books in 2003. Miguel de Cervantes (1547–1616) published the "First Part of the Ingenious Gentleman Don Quixote of La Mancha" in 1605, and the second in 1615, which he dedicated to his patron, Don Pedro Fernández Ruiz de Castro (1576–1622), the count of Lemos and viceroy of Naples from 1610–1616.
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Apr 25, 2018 • 24min

23: Daoud - CARE FOR ME (2018) by Saba [04.18]

MANHATTAN — Daoud, 26, is an Oakland-based producer. His work lives on the Internet @daoudmakesmusic (Soundcloud). He began working on Saba's second album Care For Me (2018) with @sabapivot and co-producer @daedaepivot last fall. I listened to Care For Me about once daily since its April 5 release. This conversation was recorded before and after Saba's April 13 tour stop at Highline Ballroom in New York City.
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Jan 23, 2018 • 13min

21: YaMZ - TSA APPROVED YaMZ (2018) *FULL EP w/ INTRO* by YaMZ

SAN JUAN, P.R. — Whether extolling the virtues of a legume-centric diet or exuding disarming gratitude in matters fraternal to cosmic, a quick TSA search finds YaMZ effortlessly emotive, lucid, and playful. Recorded entirely in transit, TSA Approved YaMZ, at just under eight minutes, could well be his most cohesive work yet. Full EP: https://goo.gl/QKQwWD. Blog: http://bumsum.net – @itscanals
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Nov 26, 2017 • 1h 47min

17: Eric C. - TOP BLOCKER (2017) by Eric Conroe

BED-STUY — Eric, 31, is a poet, modern dancer, and carpenter living in Brooklyn. His chapbook, TOP BLOCKER, is now available from GAUSS PDF. I've read TOP BLOCKER a number of times over the past months, since its release. Order/read TOP BLOCKER here: https://goo.gl/VMpi1x. Eric tweets @ejconroe. - @sho_thor, http://1storyhaus.com
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Nov 7, 2017 • 2h 13min

15: Aaron D. - HERA LINDSAY BIRD (2016) by Hera Lindsay Bird

PHILLY — Aaron, 26, is a reader and writer of poetry living in Philadelphia. He discovered Hera Lindsay Bird while visiting New Zealand last month. I read Hera Lindsay Bird (Victoria University Press) twice over the past week. Hera Lindsay Bird (b. 1987) was born and raised in Thames, New Zealand. This, her first book, won the Jessie Mackay Best First Book Award. @sho_thor http://1storyhaus.com Buy Hera's book! ~ http://vup.victoria.ac.nz/hera-lindsay-bird/ Read Aaron's poetry! ~ http://somedayyeasayer.blogspot.com/
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Sep 28, 2017 • 1h 29min

13: Nick J. – MY BRILLIANT FRIEND (2012) by Elena Ferrante

PHILADELPHIA — Nick, 26, grew up primarily in North Carolina and lives in Los Angeles, where he writes and teaches. He first read My Brilliant Friend "a few months ago." I read it over the past fortnight, finishing it literally moments before this conversation. The first story published under the pseudonym Elena Ferrante appeared in 1992. There is considerable debate about her real identity, about which little has been confirmed. It has nonetheless been inferred, based on information from her interviews and correspondences with her publisher, that she "grew up in Naples, is a mother, and is not now married" (James Wood/Wiki). – 1storyhaus.com
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Sep 21, 2017 • 1h 39min

12: Takako K. - ALMOST TRANSPARENT BLUE (1976) by Ryu Murakami

LOS ANGELES — Takako was born in Tokyo in 1955, teaches at a Waldorf school in California, and is also, turns out, my mother. She first read Almost Transparent Blue (1976) while still a student at Tokyo Daigaku, so at twentyish. I first read Almost Transparent Blue (tr. Nancy Andrew, 1976) maybe a month ago, and have reread it since. Ryu Murakami (b. Feb, 1952) was born and raised in Sasebo, Nagasaki Prefecture. He wrote Almost Transparent Blue while studying sculpture at Musashino Art University in Tokyo.
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Sep 14, 2017 • 1h 16min

11: Char S.W. – THE ARGONAUTS (2015) by Maggie Nelson and HOW SHOULD A PERSON BE? (2010) by S. Heti

PHILADELPHIA — Charlotte, 24, grew up outside of Philadelphia and in 2017 has lived or will live in Philadelphia, Austin, and California. She is a potential future doula, part-time farmer, and caretaker of small creatures. She read The Argonauts this past winter and How Should A Person Be? this past spring.
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Aug 22, 2017 • 59min

10: Zac J. – THE POSSIBILITY OF AN ISLAND (2005) by Michel Houellebecq

PHILADELPHIA — Zac, 26, lives in Philadelphia and works at an art gallery. He read The Possibility of an Island (tr. Gavin Bowd) in a week, finishing it hours before this conversation. I read it a couple months back, also fairly quickly. Michel Houellebecq (b. 1956), 61, is a novelist, filmmaker, and poet. He was born on the French island of Reunion, and lives in France. Houellebecq (Michel's grandmother's maiden name) had a child in 1980, shortly after graduating and marrying, before quickly "growing depressed," taking up poetry, and divorcing. His work has been described by NYT critic Michiko Kakutani as "deeply repugnant."

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