The Kitchen Sisters Present

In celebration of truckers everywhere and of Radiotopia’s new show Over the Road, The Kitchen Sisters visit some of their favorite Texas pitstops. First up — a truck stop in Carl’s Corner, Texas off I 35 between Dallas and Austin where Willie Nelson first introduced his BioWillie fuel in 2004. Willie’s friend, Carl Cornelius, founded Carl’s Corner in the early 1980s in order to sell liquor in a mostly dry county. He opened up a truck stop —a trucker’s haven and tourist attraction —with hot tubs, dancing girls and 10 foot high dancing frogs atop the pumps. In 1987 Willie held his legendary 4th of July Picnic at Carl’s Corner. But a few years later, following a fire and some set major backs, the place fell on hard times. That’s where our story begins…with Willie Nelson bringing in BioWillie biofuel to save Carl’s Corner Truck Stop. We hear from Willie Nelson, Kinky Friedman, Carl Cornelius, Joe Nick Potaski, truckers and biodiesel disciples. And we visit a bio-diesel home brew class, where recipes are shared on how to make your own, in a blender, the kitchen way. Next stop — Fuel City, downtown Dallas—with its long horn cattle, oil well, waterfalls, bikini clad “pool models,” DJs, and the best Texas tacos for miles around. Robin Wright talks about her family in Venus,Texas. And we visit the Conoco gas station and it’s gourmet Chef Point Cafe in Watauga, Texas.

When Sam Phillips sold Elvis’ contract in 1955 he used the money to start an all-girl radio station in Memphis, TN. Set in a pink, plush studio in the nation’s third Holiday Inn, it was a novelty—but not for long. He hired models, beauty queens, actresses, telephone operators. Some were young mothers who just needed a job. WHER was the first radio station to feature women as more than novelties and sidekicks. The WHER girls were broadcasting pioneers. Set against the backdrop of the civil rights movement, the women’s movement, Vietnam, and the death of Martin Luther King—the story of WHER follows the women who pioneered in broadcasting as they head into one of the most dramatic and volatile times in the nation’s history. “WHER was the embryo of the egg,” said Sam Phillips. “We broke a barrier. There was nothing like it in the world.” This encore broadcast of one of the stories closest to our radio hearts is in honor of the women of WHER who have passed on since we interviewed them twenty years ago—Becky Phillips, Marge Thrasher, Janie Joplin, and Bettye Berger who passed on to that big radio station in the sky just last week. Bettye was a pistol. A beautiful, blonde, smart, savvy business woman, she was one of the first WHER disc jockettes—hired by Sam Phillips in 1955. Later in her career she became an artist manager and booking agent—one of the few women in the field in the 1950s and 60s. She formed her own company—Continental Talent Agency representing stars like Charlie Rich, William Bell, Ivory Joe Hunter. She launched her own record label, Bet T. Records, in 1959. And she was a songwriter—writing songs for Ivory Joe Hunter and Rufus Thomas. Bettye was a pioneer in broadcasting and in the history of Memphis rock and roll and soul. She will be missed.

The Archive House, The Listening House, The Stony Island Arts Bank, The Dorchester Projects. Theaster Gates is a keeper of Greater Grand Crossing, his neighborhood on the South Side of Chicago. He first encountered creativity in the music of Black churches on his journey to becoming an urban planner, potter, and artist. Gates creates sculptures with clay, tar, and renovated buildings, transforming the raw material of urban neighborhoods into radically reimagined vessels of opportunity for and of the community. Gates resurrects old dilapidated neighborhood buildings, transforming them into living archives, institutes of music, culture, film and gathering, preserving and renewing neighborhoods that have been ignored, overlooked and underserved. The proceeds of these unusual, imaginative endeavors are used to finance the rehabilitation of entire city blocks and the communities that inhabit them. This story was produced by Alyia Renee Yates in collaboration with The Kitchen Sisters.

For five years Davia’s father, Lenny Nelson, asked her to go to Rattlesden, England, to visit the Air Force base where he was stationed during WWII and to find an old photograph hanging in the town pub honoring his 8th Air Force squadron. It was still there, over 50 years later, he told her. Finally, one fine Sunday, Davia headed out in search of the pub and a piece of her father’s past—the piece he was proudest of. Lenny died on Christmas Eve 2015. In his honor, we share the journey with you. Samuel Shelton Robinson helped produce this story with The Kitchen Sisters. He’s from London. It seemed only right.

Since we started our intern and mentoring program in 2000, over 100 young people, ranging from age 15 to 35, have come through our doors at Kitchen Sisters Central in the historic Zoetrope building in San Francisco to work on the art and craft of audio storytelling. Many have stayed long enough to helm their own pieces and produce their first ever stories in collaboration with us. They never fail to shock and amaze. Their takes are varied, their styles singular, their voices original and provocative. About 8 years ago we had an especially eccentric group. They somehow all found their way to us in the same moment — Matt Beagle who was a stand-up comic, Patty Fung, Tess Kenner, Caroline Bins, Anne Wootton, Madalyn Fernandez, Julia DeWitt… the place was on fire. Matt was doing stand-up at the Purple Onion, the revered comedy club across the street from our North Beach office that once hosted Lenny Bruce, Woody Allen, Phyllis Diller, Richard Pryor… and everyone was going to see him. We began to envision a night of all these talented, funny, emerging producers and storytellers live onstage in an evening we would call “The Kitchen Sisters Present… Night of the Living Intern.” It happened. But only in our minds. The Purple Onion closed, the interns moved on to their first jobs and places on the staffs of some of the major news and story organizations in the country, and the evening remained a dream. Until today. This past year Josh Gross, a high school senior, took our workshop and then started showing up one, two, three times a week after school. Watching Josh and the group of interns in the room with him kicked up Night of the Living Intern once again and as Josh’s internship drew to a close we asked him to dig through some of the stories Kitchen Sisters interns had produced in the past and create a podcast. Today’s piece features excerpts from "The Queen’s Beekeeper," produced by Justine Thieriot; "21 Collections" and "Agnes Varda: Keep Faith in Art" produced in collaboration with Selene Ross; "Jason Scott: Free Range Archivist" by Juliet Gelfman Randazzo; a piece about the Israeli artist/archivist, Hadassa Goldvicht and a story called "The Other F Word" by Josh Gross.

They say the average woman dies with a pound of lipstick in her stomach. “I have a feeling when I go they’ll find five,” says Davia Nelson of The Kitchen Sisters. Along with radio and podcasting, lipstick is a bit of an obsession. Over the years of producing and fundraising for our stories, we began to merge the two and started thinking that an intriguing way to raise money for public media storytelling might just be our own line of lipstick. The Kitchen Sisters are Dreaming in Public of starting a line of lipstick, partnering with the right makeup company to raise new monies for podcast and public radio producers for stories coming from new and exciting lips. And they are dreaming of chronicling the creation of this line in a podcast series called — Lipstick Traces. Sort of a StartUp for Makeup. Ours will be a sound and story themed line of lipsticks—Sonic Boom, Phantom Power, The Truth, Room Tone, The Allusionist… Lipstick Traces—Dreaming in Public of the power of a lipstick to seed new stories from new rouged lips. Dreaming in Public is the theme of this year’s Radiotopia Fundraiser mini features. All of the podcast creators in Radiotopia’s Network are producing works about the kinds of stories we might do with enough story-making funds—funds that allow us to to go deeper and further, out on the next limb with our stories. Your support for Radiotopia, a network of 18 fiercely independent shows, makes realizing those dreams possible. Take a listen to all of the Dreaming in Public stories at radiotopia.fm. Make your mark. Support The Kitchen Sisters Present and all of your favorite Radiotopia shows. Donate at radiotopia.fm

An onstage conversation with this master filmmaker about his extraordinary documentary work. Raging Bull, Taxi Driver, Goodfellas, Alice Doesn’t Live Here Anymore… to name but a few. The films of Martin Scorsese are astounding. As is his effort to preserve and save the history and heritage of American cinema through The Film Foundation. Martin Scorsese is a Keeper. A steward of American and global cinema.  One of our heroes and inspirations. Beloved for his epic fiction features, Martin Scorsese’s non-fiction films are also some of his best work. Whether depicting tales of American life, illuminating the history of cinema, or capturing the exuberant spirit of contemporary music, his documentaries are insightful and often playful, revealing his curiosity and passion. And then there are his documentaries. His non-fiction films, starting with Italianamerican, a portrait of his own parents and family. The Last Waltz, Rolling Stones Shine a Light, Living in the Material World, his ode to George Harrison, My Voyage to Italy, Il Mio Viaggio a Italia, and his most recent documentary, but not quite documentary, Bob Dylan’s Rolling Thunder Review. The San Francisco Film Society invited Mr. Scorsese to San Francisco to honor his non-fiction film work and premier his latest feature, The Irishman. We were so taken with Scorsese’s onstage interview with Rachel Rosen, Director of Programming for the Festival, that we asked The Festival if we could share it on the Kitchen Sisters Present podcast. They were kind enough to say yes. Thanks to The San Francisco Film Society, to Rachel Rosen, and most of all to Martin Scorsese, film master and film keeper. The Kitchen Sisters Present is part of PRX’s Radiotopia, a network of some of the most creative independent producers and podcasts out there. Make your mark. Go to radiotopia.fm to donate today.

November 14, 1960 — Four six-year-old girls, flanked by Federal Marshals, walked through screaming crowds and policemen on horseback as they approached their new schools for the first time. Leona Tate thought it must be Mardi Gras. Gail thought they were going to kill her. Four years after the Supreme Court ruled to desegregate schools in Brown v Board of Education, schools in the south were dragging their feet. Finally, in 1960, the NAACP and a daring judge selected two schools in New Orleans to push forward with integration — McDonogh No.19 Elementary and William Frantz. An application was put in the paper. From 135 families, four girls were selected. They were given psychological tests. Their families were prepared. Members of the Louisiana Legislature took out paid advertisements in the local paper encouraging parents to boycott the schools. There were threats of violence. When the girls going to McDonogh No.19 arrived in their classroom, the white children began to disappear. One by one their parents took them out of school. For a year and a half the girls were the only children in the school. Guarded night and day, they were not allowed to play outdoors. The windows were covered with brown paper. The story of integrating the New Orleans Public schools in 1960 told by Leona Tate, Tessie Prevost Williams, and Gail Etienne Stripling, who integrated McDonogh No.19 Elementary School, and retired Deputy U.S. Marshals Herschel Garner, Al Butler, and Charlie Burks who assisted with the integration efforts at the schools. We produced this story a few years back. We want to put it out there again as part of our Keepers Series because it seems critical, particularly now, to remember and pay tribute to the many Keepers of the archives, the stories, the truth about our past and the long fight for what is fair and just.

Award winning producer Robert Krulwich talks about storytelling techniques and his early career in radio and television as part of Talking Story, a panel hosted by The Kitchen Sisters at the first Third Coast International Audio Festival in Chicago in 2001. Robert Krulwich tells the improbable story of how he first got into radio covering one of the biggest stories of the decade — the Nixon impeachment. He deconstructs one of his early pieces — Kraslansky, and talks about the danger of creating radio Part of The Keepers series, this recording is part of the Third Coast Audio Festival Archive a vast — and ever-growing — collection containing thousands of carefully curated audio stories and Third Coast Conference sessions featuring work by makers from all over the world. Robert Krulwich, co-host of the Peabody Award winning show Radiolab, serves as a science correspondent for NPR. He has worked in television and radio at ABC, CBS, NPR and Pacifica. He has created pieces for ABC’s Nightline, World News Tonight, PBS’s Frontline, NOVA and NOW with Bill Moyers. Robert won an Emmy Award for his investigative work on privacy and the Internet, as well as for his ABC special on Barbie. He lives in New York with his wife, Tamar Lewin, a national reporter forThe New York Times.

As part of The Keepers, The Kitchen Sisters series about activist archivists, rogue librarians and keepers of the truth and the free flow of information, we query Lawrence Weschler, archivist of "the odd, the marvelous, the passionate and slightly askew.” Lawrence Weschler leads us into the world of pronged ants, horned humans, mice on toast and other marvels of the mind of David Wilson and his “cabinet of wonder,” the Museum of Jurassic Technology. We take a deep dive into the discovery of a cache of thousands of reels of nitrate film stock buried under the permafrost in Dawson City, the heart of the gold rush in the Klondike, and the making of Bill Morrison’s film Frozen Time. Weschler weaves stories of memory palaces, archives of misery, the early history of museums, obsessed collectors and more. Lawrence Weschler was a staff writer for the New Yorker for 20 years. He is a contributing editor to McSweeney’s, The Threepenny Review and The Virginia Quarterly Review. He is the author of numerous books including Mr. Wilson’s Cabinet of Wonder: Pronged ants, Horned humans, Mice on Toast and other Marvels of Jurassic Technology. Seeing is Forgetting the Name of the Thing One Sees: A Life of Contemporary Artist Robert Irwin. True to Life: Twenty Five Years of Conversation with David Hockney. Waves Passing in the Night: Water Murch in the Land of Astrophysicists. And his most recent book, How Are You, Dr. Sacks?: a Biographical Memoir of Oliver Sacks. The Kitchen Sisters Present is produced by The Kitchen Sisters, Nikki Silva & Davia Nelson, with Nathan Dalton and Brandi Howell. Special thanks to our Kitchen Sisters’ production intern Grant MacHamer, for his work on this story. The Kitchen Sisters Present is part of PRX’s Radiotopia, a curated network of some of the best podcasts around. Visit kitchensisters.org for more.