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Celebrating the life of Terence Davies, much-loved screenwriter and director. Topics discussed include Davies' blend of personal and wider truths, his impact on viewers' memories of Liverpool, his films focused on women protagonists reflecting his unique voice, his place in queer cinema, and his relationship with actors and personal struggles.

Ellen E Jones and Mark Kermode don their red raincoats to celebrate the 50th anniversary of haunting British thriller Don't Look Now.Originally released in 1973, Don't Look Now is a spine-tingling psychodrama in which Donald Sutherland and Julie Christie play a married couple grieving the death of their young daughter in Venice. Adapted from a story by Daphne du Maurier and directed by Nicolas Roeg, the film manages to be an eerie occult chiller, a heart breaking meditation upon love and grief, and a shaggy dog story with a grisly sting in its tail. Ellen speaks to Allan Scott, who co-wrote the screenplay for Don’t Look Now with his partner Chris Bryant, about his memories of the film, including its notorious sex scene, and about his long working relationship with Nicolas Roeg. And Mark talks to two filmmakers for whom Don't Look Now has been a touchstone. Writer, actor and director Alice Lowe reveals how the film, and an encounter with Nicolas Roeg, influenced her black comedy thriller Prevenge.And the director of Another Round, Thomas Vinterberg discusses the impact Don't Look Now has had on his work, and the new resonance he finds in the film following the tragic death of his own daughter. Producer: Jane Long A Prospect Street production for BBC Radio 4

To celebrate 50 years of the Bruce Lee classic, Enter the Dragon, Ellen E Jones and Mark Kermode look at the unsung heroes of cinema, stunt artists.Mark talks to stunt choreographer on the Oscar winning film Everything Everywhere All at Once, Daniel Mah, and stunt historian Scott McGee about the history of stunts in Hollywood and how the Hong Kong style influenced cinema.Ellen then speaks to journalist Brandon Streussnig and veteran stunt woman La Faye Baker about why stunt performers deserve awards recognition for their contributions to film.Producer: Freya Hellier A Prospect Street production for BBC Radio 4

Ellen E Jones and Mark Kermode look to the silver screen to finally answer a big question. Cats or dogs - which are best? In the cat camp, Ellen enlists the help of film critic and author of the definitive book Cats On Film, Anne Billson. They discuss their favourite film felines, from Alien to Catwoman. Ellen also speaks to director Ceyda Torun and cinematographer Charlie Wuppermann, who are the married couple behind Kedi, an acclaimed documentary looking at street cats in Istanbul from the cats' own perspective.And in the canine corner, Mark talks to second generation animal trainer and co-ordinator Teresa Ann Miller about her career and unique upbringing surrounded by some of Hollywood's most famous animals. They discuss Teresa's work on 2014 Hungarian drama White God, which included a memorable and moving scene featuring 200 real dogs, as well as what it's like to grow up with Cujo in your backyard. Mark also speaks to Toby Rose, who is the creator of the Palm Dog - an award given every year to the best dog performance in a film at the Cannes film festival. They discuss why dogs deserve more acclaim and what exactly makes for a Palm Dog-winning performance.Producer: Jane Long A Prospect Street production for BBC Radio 4

Ellen E Jones and Mark Kermode delve into the relationship between gaming and the movies, with help from a crack squad of video game experts.Mark is joined by pop culture critic Kayleigh Donaldson, who helps guide him through the messy and complicated history of game adaptations on the big screen, from Super Mario Bros to Doom. He also speaks to Duncan Jones, director of the first video game film to cross $400m at the international box office - 2016's Warcraft. They discuss the challenges of adapting the cult role-playing game for a cinema audience.And Ellen asks the big question of whether video games can be considered an art form on the same level as film. To help her on her quest, she first speaks to critic Kambole Campell about why games get called 'cinematic' and whether the gaming world has auteurs. Ellen then talks to cinephile and game director Sam Barlow, about his highly successful - and highly innovative - video games Her Story, Telling Lies and Immortality. Sam explains how experimental directors like Nicolas Roeg and Peter Greenaway have influenced his work, which employs live footage of actors, rather than motion capture or graphics. Producer: Jane Long A Prospect Street production for BBC Radio 4

Ellen E Jones and Mark Kermode hit the road to explore the lovers on the run genre, and celebrate 50 years of Terrence Malick's film debut, Badlands. Since the film’s arrival in 1973, this dreamy and twisted fairy tale has inspired countless tales of lovers escaping dead end towns for the endless road - but it wasn't the first time this story had graced the silver screen. Mark enlists the help of a friend of the show, film critic Christina Newland. They discuss the hallmarks of the genre, its film noir beginnings, and why cinema is obsessed with tales of lawless lovers.Ellen then speaks to New Queer Cinema icon, Gregg Araki, who shares his subversive and anarchic take on the genre - and his theory as to why it is a staple of American cinema. Ellen also chats to director,Jonathan Entwistle to discuss relocating his TV show End of The F***ing World to this side of the Atlantic, and whether the genre is intrinsically American.Producer: Mae-Li Evans A Prospect Street production for BBC Radio 4

Ellen E Jones and Mark Kermode take a look at offices and office politics on screen. Mark is joined by director Terry Gilliam who, back in 1985, created one of the most influential and iconic depictions of an on-screen office - Brazil. They discuss the Stanley Kubrick film which inspired Brazil's set design, Terry's own experience as an office drone and why his cult classic film still resonates today.And Ellen investigates office politics in two very different comedy films, made nearly four decades apart - 1980's 9 to 5 and 2018's Sorry To Bother You. First, she speaks to legendary screenwriter Patricia Resnick, who co-wrote 9 to 5 in her mid-20s. Patricia discusses how she came to work on the seminal satire of sexism at work, and reveals the real-life stories that influenced her script. Ellen then talks to musician, activist and filmmaker Boots Riley, whose visionary debut film Sorry To Bother You focuses on a black telemarketer who achieves success when he discovers he can use his 'white voice' on sales calls. They discuss how the film was inspired by Boots' own successful stint in telesales, and why absurdist humour is so well suited for office-set stories.Producer: Jane Long A Prospect Street production for BBC Radio 4

Ellen and Mark explore Brits abroad in the movies, taking a look at everything from 1972's Carry on Abroad to 2023's Cannes prize-winner How To Have Sex.Mark talks to Steve Chibnall, Professor of British Cinema at De Montfort University, about some of the most notable examples of Brits on holiday in 20th century cinema. They discuss the mid-century travelogue trend, what British holiday films can tell us about national identity and class, and how 1989's Shirley Valentine stands apart from other films in the genre.Ellen looks at two more recent examples of the British holiday film, speaking first to director Molly Manning Walker about her debut feature How To Have Sex. Molly reveals how the resort of Malia proved the perfect setting for the film, which follows three teenage girls navigating the complexities of sex and consent on a rite of passage clubbing holiday.And Ellen then speaks to actor Samantha Morton about her starring role in director Lynne Ramsay's 2002 cult classic Morvern Callar. They discuss Samantha's own experiences as a Brit abroad, her close working relationship with Ramsay, and why Morvern Callar remains so influential two decades on from its first release. Producer: Jane Long A Prospect Street production for BBC Radio 4

Latitude Festival boasts the biggest comedy lineup in the UK, so Ellen and Mark take a visit to discuss the best and worst of stand-up comedy on screen.Ellen and Mark and joined by three of the UK's biggest and brightest comedy stars from Latitude’s 2023 comedy line-up - Ania Magliano, Olga Koch and Romesh Ranganathan.Ania Magliano is an up and coming talent in the British comedy scene who, aside from selling out shows at Edinburgh Fringe and Soho Theatre, writes for the viral YouTube hit Chicken Shop Date with Amelia Dimoldenberg, Frankie Boyle’s New World Order and Newsjack on Radio 4. She shares with Ellen and Mark the fictional comic who makes her feel most seen.Olga Koch is another rising star in the UK comedy scene who has appeared on Mock the Week, Pls Like, Pointless Celebrities and QI. She's written and starred in several award winning Radio 4 shows, including last year’s Olga Koch: Fight and Olga Koch: OK Computer. She tells Ellen and Mark which stand-up comedy scenes make her cringe the most.Romesh Ranganathan is a familiar face on British television, as host of shows like The Ranganation and The Weakest Link, and as a regular panellist on A League of Their Own. He hosts For The Love of Hip Hop on Radio 2 and co-hosts the hit podcast The Wolf And Owl with fellow comedian Tom Davis. Romesh explains to Ellen and Mark why stand-up on screen can go out of fashion fast.Finally, comedian Greg Proops joins us for a viewing note, revealing his favourite stand-up scene.Producer: Tom Whalley A Prospect Street production for BBC Radio 4

Ellen E Jones and Mark Kermode celebrate the power of pop music on screen, 50 years on from the release of George Lucas' American Graffiti, with its hits-packed soundtrack.First opening on 11 August 1973, coming of age classic American Graffiti was arguably the original ‘jukebox movie’. The film plays out over a single night in 1962, in a town where everyone is listening to the radio, and pop music of the era provides an almost unbroken accompaniment to the action.Mark looks back on how American Graffiti revolutionised the use of music in movies, speaking to legendary film-maker Walter Murch, who was responsible for the unique sound of the film. Meanwhile, Ellen delves into the relationship between pop music and the screen, with the help of music supervisor Jen Malone - the woman responsible for a resurgence in the career of The Cramps after including them on the soundtrack of Netflix hit Wednesday. And she talks to DJ, record producer and creator of original soundtracks David Holmes about the intrinsic connection he feels between pop music and cinema.Producer: Jane Long A Prospect Street production for BBC Radio 4