Psychedelic Salon

Guest speaker: Zoe7 PROGRAM NOTES: Zoe7 is a multi-dimensional synergy personality cluster who inhabits the body and mind of consciousness researcher, Joseph Marti. (The other five personalities are: Max McCullan, Ebhrious, Jiebro, Kzark Prestidius, and Lee Steel.) His book, Into The Void Exploring Consciousness, Hyperspace and Beyond Using Brain Technology, Psychedelics and Altered-Mind States, depicts Marti’s experiments with mind machines, entheogens, and psychological time travel, how the Zoe7 cluster came to be, as well as new theories on parallel universes and probable Earths, the mechanics of reality and existence, and the mind of God. Download MP3 PCs – Right click, select option Macs – Ctrl-Click, select option

Guest speaker: Nick Sand PROGRAM NOTES: In this program, Nick Sand, one of the original psychedelic guides from the Millbrook commune, alchemist, yogi, spiritual practitioner, and drug war victim, discusses the psychological states encountered as an underground chemist, a fugitive, and his five years in prison. The topics dealt with will be how attitude, intention, and time, reveal the reality of true inner freedom. Download MP3 PCs – Right click, select option Macs – Ctrl-Click, select option

Guest speaker: Terence McKenna PROGRAM NOTES: In this last of a ten part series, Terence McKenna closes this workshop with some thoughts about psychedelics as time machines, the forest of the Internet, the erotization of our technology, a form of circus called the DMT experience, and ending with some practical tools you can use to prepare for a psychedelic experience. Download MP3 PCs – Right click, select option Macs – Ctrl-Click, select option

Guest speaker: Terence McKenna PROGRAM NOTES: In just 50 minutes, Terence McKenna talks about how great cultures can lose their way, transforming machine-elves, the story of psychedelic psychotherapy, the Balkanization of epistemology, the UFO community as a social phenomenon, the role of psychedelics in the world corporate state, nanotechnology, time machines and the singularity. . . . See if you can keep up with this Niagara of ideas. Download MP3 PCs – Right click, select option Macs – Ctrl-Click, select option

Guest speaker: Terence McKenna PROGRAM NOTES: Terence McKenna talks about: The evolution of art representing the human form The impact of psilocybin on human sexuality How to build a gravity bong More thoughts on "the AI" being an obvious consequence of the Internet Further discussion about the Timewave Theory How his thoughts about the eschaton affect his daily life Psychedelics and the end of your spiritual childhood Download MP3 PCs – Right click, select option Macs – Ctrl-Click, select option

Guest speaker: Terence McKenna PROGRAM NOTES: In this installment, Terence McKenna continues his discussion about schizophrenia, and then he goes on to discuss his involvement in the rave scene, the possibility of psychedelic mushrooms being messengers from an alien intelligence, culture as a conn, and a suggestion for reversing the destruction of our Earthly environment. Download MP3 PCs – Right click, select option Macs – Ctrl-Click, select option

Guest speaker: Terence McKenna PROGRAM NOTES: (Minutes : Seconds into program) 1:05 "I think that Maxwell’s Laws of Thermodynamics are only part of the story, and that you also have to look at the work that Ilya Prigogine did in the 60’s and 70’s where he showed that there is this principle-which they called different things, but, basically, it was random perturbation to higher states of order… Sometimes systems spontaneously organize themselves into more complex forms." 2:30 "Language is in conquest of dimensional expression-or, something is seeking to manifest itself in a domain of time and space of higher and higher dimension." 2:50-4:33 Terence uses Novelty Theory to describe the history of biological evolution in terms of an increasing ability to exist in and perceive higher and higher dimensions of being."…better eyes, better muscles, better coordination, better ability to move through this revealed topological manifold with a temporal axis." 4:40 "What spoken language is about is the recovery of memory at a later date-it’s a data recall system. And you talk about the past… and you strategize from it… When you get to writing, this time-binding function is now totally explicit, the game is out in the open-the purpose of these endeavors is to keep the past from slipping away." 5:42 "The primate conquest of time (through time-binding technology) is the phenomenon that we call human history. This is apparently what we’re about, this is why we speak, why we write, why we invent phonetic alphabets and mathematical notation-because we are binding time. Well, you can then propagate that process forward to say, ‘What would satisfy this drive?’ Well, nothing less than a complete conquest of time itself." 6:54 "To make this leap to the full-coordination of 4-D requires some kind of machine symbiosis… It requires that we redesign and extend our nervous system over the entire planet, and that we undergo some kind of metamorphosis, and become, instead of semi-cannibalistic primates, machine tenders of a global nervous system, some of which is gold and copper and glass, and some of which is flesh and DNA and neurons, and this whole thing is in a state of self-designing foment." 7:55 In the preceding podcast (In the Valley of Novelty – Part 5, 35:27), Terence says that two important facts about nature have been overlooked by science. The first one (discussed in Part 5) was the increase of Novelty/complexity through time. Now, Terence begins talking about the second one (the acceleration of this complexification). 8:05 "This process of producing Novelty… is not going on at a steady rate. It’s going on faster and faster as we approach the present. It’s like what mathematicians call a cascade… The early history of the universe is dull news… stars are condensing, galaxies are ordering themselves-this is the stuff of millennia, tens of millennia, greater spans of time… Once you get down to the last 500 million years on this planet, biology is the main show." 9:42 "When you reach the last million years, it’s as though this process of the emergence of Novelty both concentrates itself in nature into a single line-the hominids-but it also intensifies itself by orders of magnitude. So change is then happening on a scale of hundreds of years-languages are changing, pottery designs [are changing]-and as we approach the present, this becomes more and more furious. What Novelty Theory is saying is: this is not an easily explained phenomenon." 10:56 "Human history is the shockwave of some greater event about to emerge out of the order of nature. Human history-25,000 years is all it is-is like a shimmer, an aura, something that flashes across animal nature in the geological millisecond before the thing goes cosmic, or whatever it is that it’s going to go." 15:08 "We even talk about downloading [sic] ourselves into machines. Well, as we sit here [in the summer of 1998], we’re functioning at about 100 hertz.

Guest speaker: Terence McKenna PROGRAM NOTES: NOTE: All quotations below are by Terence McKenna (Minutes : Seconds into program) 2:10 "Civilization has made us uncomfortable with our human-ness because these various technologies and phonetic alphabets and things like that have rearranged our sensory ratios from what they were in Paleolithic times. In a sense, [psychedelics] hit your reset button, they address the animal body, they address a deeper level than cultural conditioning, and so you feel and experience these atavistic images and feelings that civilization has repressed or transmuted in you." 3:53 "Cubism is created when Picasso brings African masks to Paris… Freud announces that… right beneath the surface… extremely violent, primitive impulses are [in us]… Jazz introduces syncopation… Women begin to display more of their animal nature through flapper-dancing… The whole of the 20th century is a turning back toward these values that had been repressed for millennia." 7:15 "Once you get to this place on what we might metaphorically call your spiritual quest, once you get to the place where you hear about psychedelics, the issue is no longer about, ‘Where is the gas pedal on the spiritual vehicle?’ The issue suddenly becomes, ‘Where is the brake?’… The doorway stands open, and all it requires is courage. Which is not to say it doesn’t require a lot…" 8:30 "I’ve [taken psychedelics] many times. There are many people here who have done it many times. And, the survivors are not confident. It doesn’t build hubris in you. It doesn’t promote bravado, because you know how quickly and horrifyingly it can cut you down to size…" 9:02 "Sometimes the issue of magic and power comes up-I wouldn’t get near that… My goal is to see more, to understand more, and what I do on a trip is damn-near absolutely nothing." 9:38 "It’s an incredible statement about our human-ness… that within us, under the influence of these plants, we have, literally, Niagaras of alien beauty…" 10:04 "When I take mushrooms, I see more art in twenty minutes of behind the eyelids hallucination… than the human race seems to have produced in the last thousand years. On one level, that’s an incredible statement about the human capacity to generate and be in the presence of beauty. But the paradox is that so few people know this." 11:50 "[The 'gratuitous grace' of the psychedelic experience] is like a secret of some sort. And it’s a true secret, in that telling it does not give it away. I know this because I’ve been trying to tell this secret for twenty-five years, to anyone who would listen…" 14:20 "If you study the mystical literature… it all triangulates toward unitary states. ‘Bodhi mind’, ‘the white light’, ‘the ineffable’, ‘the unnamable’, ‘the radiance’. Vocabularies… which indicate some kind of homogeneity. …[but] when you push [psilocybin] there seems to be… a revelation of multiplicity, of detail, of complexification within complexification… an overwhelmingly bewildering profusion of phenomena." 17:08 "…the great confounding fact that I’ve brought back from my excursions in these places is that there is an organized intelligence in there… far more alien than the cheerful pro-bono proctologists that haunt the trailer-parks of the less-fortunate… What does it mean that our culture has sealed us off from this information?" 19:46 "What is the implication for the future [when] in this dark hour of complete over commitment to technology, economic solutions, rational reductionism, materialism, and so forth… this news [of psychedelics] arrives from these repressed aboriginal people that we have marginalized and humiliated in the process of building our own version of a global culture?" 21:28 "…where [psychedelics] hit us hardest is in the domain of art and invention and novelty, and we have built a culture that-however hostile it may be to the psychedelic experience-is incredibly friendly toward novelty, innovation,

Guest speaker: Terence McKenna PROGRAM NOTES: (Minutes : Seconds into program) [All quotations are by Terence McKenna] 3:05 "Basically, for me, the psychedelic experience was the path to revelation. It actually worked—on someone who thought nothing would work." 4:06 "What I like to talk about [at these gatherings]—and what I have very little competition in terms of talking about—is the content of the psychedelic experience, which is very difficult to ‘English’, or to bring into any other language." 4:39 "…that was sort of my core specialty, if you will: the ethno-pharmacology of consciousness and the phenomenology of the states there derived. But, after 25 or 30 years of doing this, it bleeds into all kinds of larger categories, like, ‘What is art?’, ‘What is human history?’, ‘What is the religious impulse?’, ‘What is the erotic impulse?’, ‘What is mathematics?’… ‘What is the future?’…" 5:50 Terence gives a brief personal history (childhood-1998). 9:20 "…psychedelics are actually a kind of miraculous reality that can stand the test of objective examination …there’s nothing ‘woo-woo’ about it. It has to do with perturbing states of brain chemistry and standing back and observing the effects wrought thereby." 12:49 "…I think a lot of people who have never taken psychedelics have the idea that it’s thermodynamic noise, that it’s just the brain isn’t working right, it’s firing randomly, and then some portion of it is trying desperately to lay gestalts of meaning onto this random firing, and so you get this kind of surreal careening from one supposed illusionary perception to another. Anybody that’s taken psychedelics knows this is not a very apt or cogent description…" 14:01 "I do not say that this is the only path out of the mundane coil of blind casuistry and entropic degradation. I don’t say it’s the only path out—it’s the only path I found. And I checked some of the other major players… Perhaps yoga can deliver this, perhaps Mahayanist metaphysics can deliver these things. Perhaps I was impatient, or lumpen, or simply not intelligent enough. But the good news about psychedelics is that they are incredibly democratic—even the clueless can be swept along if the dose is sufficient." 15:30 "…[the historical process] is inevitably ramping up into more and more hypersonic states of self-expression… and this is what’s causing this ‘end of history’ phenomenon, this eschatological intimation that now haunts the cultural dialogue. There is something deep and profound moving in the mass psyche… now exacerbated and focused by new communications technologies that are essentially prostheses, extensions of the human mind and body…" 18:10 "…at least since I read McLuhan and assimilated his notion of tools as things which have a feedback into how we see the world, it seemed to me that the psychedelic state was then like a predictive model for what human history wanted to do. Human history wants to break through all boundaries, to somehow have a realized collective relationship with deity, or with that which orders nature…" 18:56 "[The depth/meaning of the psychedlic experience] is all in the ‘implications’. It has to do with how much intelligence you bring to it in the beginning. If there’s no mind behind the retinal screen, then it’s just mental pyrotechnics. It’s how much we can make of the phenomenon that makes it so rich." 19:30 "[Aldous Huxley] was asked at one point: ‘What is the psychedelic experience?’ and he said, ‘It’s a gratuitous grace… It is neither necessary for salvation, nor sufficient for salvation.’ But it certainly makes it easier… One has attained a very fortunate incarnation, I think, to be in a culture, in a place, in a time when psychedelic knowledge is available." 20:20 "It’s a kind of paradox that… the hubristic enterprise of white man anthropology carried back all these medicine kits and mojo-bags and sacred plants and so forth and grew them in university botanical garde...

Guest speaker: Terence McKenna PROGRAM NOTES: (Minutes : Seconds into program) 3:08 "…the story of the universe is that information, which I call novelty, is struggling to free itself from habit, which I call entropy… and that this process… is accelerating… It seems as if… the whole cosmos wants to change into information… All points want to become connected…. The path of complexity to its goals is through connecting things together… You can imagine that there is an ultimate end-state of that process–it’s the moment when every point in the universe is connected to every other point in the universe." 4:43 "On one level, I think there is a cultural singularity… a place in our cultural development where we can’t predict or understand what will happen to us… a kind of flip-point… or doorway… or revelation…" 5:20 "The human adventure has become the cutting-edge of cosmic destiny, but it won’t always be so…" 7:04 "…we wished for transformation. Western civilization built it into it’s cultural agenda… and now, under the aegis of market-capitalism… somebody is going to put something together that is just going to completely redefine and rewrite the nature of reality itself… I’ll bet you it’s some kind of technology/drug-type thing… It may already be here." 8:18 "What do you do when you can do anything? That’s really the question at the end of history. Once you have overcome all limitation, what is the human agenda?" 8:53 In response to a question about the role of individuals who are becoming aware of the approaching cultural singularity: "…I think we’re more than watching–I think that we spin it. We’re the spin doctors of the thing. In other words, if there’s a prophecy that must be fulfilled, it’s a kind of general prophecy… [It] is open to human definition through specific acts of creation." 9:34 "The levels of novelty or habit in any given moment will be fulfilled–but how they’re fulfilled is a matter of human decision." 11:00 "The strangeness of our condition signifies the nearness of the attractor. The reason that our world is accelerated… is because of the nearby presence of this cultural black hole, this singularity of technology and biological intent, that is feeding backwards into time these apocalyptic images…" 11:55 "In the collective unconscious–in which, each of us shares a part–the thing at the end of time is spinning… and it’s throwing off scintillations, which are distorted images of itself. The transcendental object at the end of time infects the history that precedes it with the images of its approaching unfoldment. This is what I mean when I say, ‘History is the shockwave of eschatology.’ The presence of history on this planet means this thing is moving beneath the surface–this protean form. When it manifests, it will shed the institutions of history the way a butterfly sheds a chrysalis." 13:32 Terrence suggests that Novelty Theory might explain the apparent existence of ‘dark matter’ and ‘dark energy’ in the universe. 14:25 "…I don’t believe that 90% of the matter in the universe goes unobserved… It’s not that there’s mass missing–it’s that there’s a law missing." 15:01 "…Why does the Milky Way tend to stay the Milky Way? The answer is: because, as a spiral galaxy, it’s a more complex organism, a more complex structure, than it is as a dissipated, homogeneous mass." 15:42 "…the Novelty Constant… is the constant that then causes large-scale structures to persist through time, for no other reason than that they represent higher orders of organization." 16:40 Finding support in contemporary astrophysics’ postulation of an anti-gravitational factor that causes the universe to grow outward forever (and not collapse on itself), Terrence notes that: "…one of the things Novelty Theory says is [that] the universe never goes back to its initial conditions." 20:36 "You can’t conceive of information in a way that the hallucinogens can’t then see your bid and raise the a...