In the Envelope: The Actor’s Podcast

Inspired to try acting at a young age and single-mindedly focused on it ever since, Olivia Cooke has appeared in some of the most acclaimed film and TV projects of the last decade, reinventing herself on screen each time. Her “In the Envelope” interview is a crash course in several key tricks of the trade: accent work, self-tape advice, even the nuances of crying. Inhabiting a character inside and out, she says, requires selfless collaboration and detailed backstories. “Otherwise, you’re coming in as you and you’re wearing funny clothes.... You’ve got to convince yourself.” Hailing from Oldham, Greater Manchester, Olivia acted onstage in youth theater groups before booking BBC miniseries “Blackout” and “The Secret of Crickley Hall.” After not being accepted to drama training programs, she focused on screen work, breaking out in “The Quiet Ones” and, across the pond, the “Psycho” prequel series “Bates Motel.” She’s starred in “Ouija,” “Me and Earl and the Dying Girl,” “Thoroughbreds,” “Ready Player One,” “Vanity Fair,” and recently, “Pixie,” “Little Fish,” and Darius Marder’s Gotham Award–winning film “Sound of Metal.” Next she’ll lead the “Game of Thrones” prequel series “House of the Dragon.” For more, read Olivia’s 2018 Backstage cover story: https://bit.ly/2NtUNDf This episode is brought to you by Amazon Studios. For more on “Sound of Metal,” check out the interview with star Riz Ahmed over at Backstage.com: https://bit.ly/2Ku7BrS --- Backstage has been the #1 resource for actors and talent-seekers for 60 years. In the Envelope, Backstage’s podcast, features intimate, in-depth conversations with today’s most noteworthy film, television, and theater actors and creators. This is your guide to every aspect of acting, from voiceover and commercial work to casting directors, agents, and more. Full of both know-how and inspiration, In the Envelope airs weekly to cover everything from practical advice on navigating the industry, to how your favorite projects are made, to personal stories of success and failure alike. Join host Jack Smart, Awards Editor at Backstage, for this guide on how to live the creative life from those who are doing it every day: https://bit.ly/2OMryWQ Follow Backstage and In the Envelope on social media: - https://www.facebook.com/backstage - https://www.twitter.com/backstage - https://www.twitter.com/intheenvelope - https://www.instagram.com/backstagecast Looking to get cast? Subscribe here: www.backstage.com/subscribe Browse Backstage casting listings: https://bit.ly/3mth68e Check out our community-driven virtual programming, The Slate: https://bit.ly/2WDNXf0 Backstage stands in solidarity with the Black Lives Matter movement: https://bit.ly/3cuMBt5 Special thanks to... - Host: Jack Smart - Producer: Jamie Muffett - Social media: Katie Minard, Alysa Cirelli - Design: Mark Stinson, Caitlin Watkins - Additional support: Kasey Howe, Samantha Sherlock, Benjamin Lindsay, Oriella St. Louis

Narrowing down an actor’s artistic philosophy to one all-encompassing statement can be tricky, especially if that actor is the prolific, terrific Sarah Paulson. But if there’s a credo guiding her creative decisions throughout such a remarkable career, it’s this: “I only think about what is truthful.” (She also offers a second pro tip for working actors: use Backstage!) Sarah began acting onstage in New York City before graduating high school, making her screen debut on “Law and Order” and climbing Hollywood’s ranks all the way to an Emmy, Golden Globe, and SAG Award. She’s delivered compelling work in “Studio 60 on the Sunset Strip,” “Game Change,” “12 Years a Slave,” “Carol,” “Blue Jay,” “American Crime Story: The People v. O. J. Simpson,” “Glass,” “Mrs. America,” and Ryan Murphy and Brad Falchuk’s “American Horror Story” anthology, in which she’s played upwards of 10 characters. Sarah now executive produces the Netflix drama “Ratched,” starring as Nurse Mildred Ratched, and recently led Hulu’s Aneesh Chaganty thriller “Run.” For more advice from Sarah, read about how she memorizes lines: https://bit.ly/2XUcwWk --- Backstage has been the #1 resource for actors and talent-seekers for 60 years. In the Envelope, Backstage’s podcast, features intimate, in-depth conversations with today’s most noteworthy film, television, and theater actors and creators. This is your guide to every aspect of acting, from voiceover and commercial work to casting directors, agents, and more. Full of both know-how and inspiration, In the Envelope airs weekly to cover everything from practical advice on navigating the industry, to how your favorite projects are made, to personal stories of success and failure alike. Join host Jack Smart, Awards Editor at Backstage, for this guide on how to live the creative life from those who are doing it every day: https://bit.ly/2OMryWQ Follow Backstage and In the Envelope on social media: - https://www.facebook.com/backstage - https://www.twitter.com/backstage - https://www.twitter.com/intheenvelope - https://www.instagram.com/backstagecast Looking to get cast? Subscribe here: www.backstage.com/subscribe Browse Backstage casting listings: https://bit.ly/3mth68e Check out our community-driven virtual programming, The Slate: https://bit.ly/2WDNXf0 Backstage stands in solidarity with the Black Lives Matter movement: https://bit.ly/3cuMBt5 Special thanks to... - Host: Jack Smart - Producer: Jamie Muffett - Social media: Katie Minard, Alysa Cirelli - Design: Mark Stinson, Caitlin Watkins - Additional support: Kasey Howe, Samantha Sherlock, Benjamin Lindsay, Oriella St. Louis

Given his wide array of screen roles, it makes sense that Paul Bettany would approach each character with dramatically different processes. By zeroing in on the tricks of the trade that always help, and the techniques he’s picked up over a decades-long career, Paul provides “In the Envelope” listeners several key takeaways. For example: actors should determine what they can and cannot control, whether that’s on set or in the audition room. “The thing that I could control and could promise to be,” he says, “is the most prepared person walking in.” Born in England and trained at the Drama Centre London, Paul worked onstage for years before Brian Helgeland helped launch his Hollywood career. Breaking out first in the U.K. in “Gangster No. 1” and then the U.S. in “A Knight’s Tale,” Paul has transformed himself again and again, in films like “A Beautiful Mind,” “Master and Commander: The Far Side of the World,” “Dogville,” “Wimbledon,” “The Da Vinci Code,” and “Solo: A Star Wars Story.” He plays Frank, a gay man returning to his conservative family, in Alan Ball’s Amazon Studios feature “Uncle Frank,” and leads the new Disney+ Marvel series “WandaVision,” reprising his role as Vision from the “Avengers” movies. For more on the MCU, check out our interview with Marvel casting director Sarah Halley Finn: https://bit.ly/35GGnFW Stay tuned to hear casting insider Christine McKenna-Tirella’s post-audition advice! And if you’re looking for TV performances and premieres like “WandaVision” to watch, click here: https://bit.ly/38Lg1UY --- Backstage has been the #1 resource for actors and talent-seekers for 60 years. In the Envelope, Backstage’s podcast, features intimate, in-depth conversations with today’s most noteworthy film, television, and theater actors and creators. This is your guide to every aspect of acting, from voiceover and commercial work to casting directors, agents, and more. Full of both know-how and inspiration, In the Envelope airs weekly to cover everything from practical advice on navigating the industry, to how your favorite projects are made, to personal stories of success and failure alike. Join host Jack Smart, Awards Editor at Backstage, for this guide on how to live the creative life from those who are doing it every day: https://bit.ly/2OMryWQ Follow Backstage and In the Envelope on social media: - https://www.facebook.com/backstage - https://www.twitter.com/backstage - https://www.twitter.com/intheenvelope - https://www.instagram.com/backstagecast Looking to get cast? Subscribe here: www.backstage.com/subscribe Browse Backstage casting listings: https://bit.ly/3mth68e Check out our community-driven virtual programming, The Slate: https://bit.ly/2WDNXf0 Backstage stands in solidarity with the Black Lives Matter movement: https://bit.ly/3cuMBt5 Special thanks to... - Host: Jack Smart - Producer: Jamie Muffett - Social media: Katie Minard, Alysa Cirelli - Design: Mark Stinson, Caitlin Watkins - Additional support: Kasey Howe, Samantha Sherlock, Benjamin Lindsay, Oriella St. Louis

Joining Backstage at the very end of 2020, Rashida Jones invites listeners to both look back at her wandering journey through the biz and anticipate what’s to come in 2021. The actor has had her finger on the industry’s pulse since also finding her voice as a writer-producer-director-activist, and offers as much valuable insight into the state of Hollywood today as she does audition advice. “The truth is,” she tells fellow artists, “you only become great when you’re yourself.” Rashida grew up in Los Angeles surrounded by entertainers (including parents Quincy Jones and Peggy Lipton), but didn’t begin auditioning until after Harvard University. After attempting a New York City theater career, she broke out on “Boston Public,” “The Office,” and “Parks and Recreation,” then led the series “Angie Tribeca,” her screenplay debut “Celeste and Jesse Forever,” and award-winning documentaries. Rashida stars on Kenya Barris’ Netflix sitcom “#blackaf,” and in Sofia Coppola’s AppleTV+ awards-contending film “On the Rocks” opposite Bill Murray. To see more of this season’s leading actor contenders click here: https://bit.ly/3nFyypY --- Backstage has been the #1 resource for actors and talent-seekers for 60 years. In the Envelope, Backstage’s podcast, features intimate, in-depth conversations with today’s most noteworthy film, television, and theater actors and creators. This is your guide to every aspect of acting, from voiceover and commercial work to casting directors, agents, and more. Full of both know-how and inspiration, In the Envelope airs weekly to cover everything from practical advice on navigating the industry, to how your favorite projects are made, to personal stories of success and failure alike. Join host Jack Smart, Awards Editor at Backstage, for this guide on how to live the creative life from those who are doing it every day: https://bit.ly/2OMryWQ Follow Backstage and In the Envelope on social media: - https://www.facebook.com/backstage - https://www.twitter.com/backstage - https://www.twitter.com/intheenvelope - https://www.instagram.com/backstagecast Looking to get cast? Subscribe here: www.backstage.com/subscribe Browse Backstage casting listings: https://bit.ly/3mth68e Check out our community-driven virtual programming, The Slate: https://bit.ly/2WDNXf0 Backstage stands in solidarity with the Black Lives Matter movement: https://bit.ly/3cuMBt5 Special thanks to... - Host: Jack Smart - Producer: Jamie Muffett - Social media: Katie Minard, Alysa Cirelli - Design: Mark Stinson, Caitlin Watkins - Additional support: Kasey Howe, Samantha Sherlock, Benjamin Lindsay, Oriella St. Louis

As a teenager, Carey Mulligan wrote letters to filmmakers asking for advice on breaking into the biz. After tepid responses, and rejections from U.K. training programs, her determination paid off with a screen debut in 2005’s “Pride and Prejudice” and stage performances in her native London. In her “In the Envelope” interview, Carey reveals the intricacies of her creative process in the years since, including how to protect her own emotions from those of her characters. “I’m just really interested in playing women that feel real,” she says of all her film, TV, and theater roles. “And I’m fascinated by this idea of the ‘unlikable’ woman.” Carey broke into Hollywood with her Oscar-nominated, BAFTA Award–winning work in “An Education,” going on to star in “Never Let Me Go,” “Drive,” “Shame,” “The Great Gatsby,” “Inside Llewyn Davis,” “Mudbound,” “Wildlife,” and onstage in “The Seagull,” “Skylight,” and “Girls & Boys.” In 2021, she leads Netflix’s “The Dig” and is the producer-star of Focus Features’ acclaimed feminist thriller from Emerald Fennell, “Promising Young Woman.” Read her 2018 Backstage cover story here: https://bit.ly/2JRtpNZ Stay tuned for Christine McKenna-Tirella’s advice on making New Year’s resolutions! And read the latest from Secret Agent Man: https://bit.ly/2MFRwQJ --- Backstage has been the #1 resource for actors and talent-seekers for 60 years. In the Envelope, Backstage’s podcast, features intimate, in-depth conversations with today’s most noteworthy film, television, and theater actors and creators. This is your guide to every aspect of acting, from voiceover and commercial work to casting directors, agents, and more. Full of both know-how and inspiration, In the Envelope airs weekly to cover everything from practical advice on navigating the industry, to how your favorite projects are made, to personal stories of success and failure alike. Join host Jack Smart, Awards Editor at Backstage, for this guide on how to live the creative life from those who are doing it every day: https://bit.ly/2OMryWQ Follow Backstage and In the Envelope on social media: - https://www.facebook.com/backstage - https://www.twitter.com/backstage - https://www.twitter.com/intheenvelope - https://www.instagram.com/backstagecast Looking to get cast? Subscribe here: www.backstage.com/subscribe Browse Backstage casting listings: https://bit.ly/3mth68e Check out our community-driven virtual programming, The Slate: https://bit.ly/2WDNXf0 Backstage stands in solidarity with the Black Lives Matter movement: https://bit.ly/3cuMBt5 Special thanks to... - Host: Jack Smart - Producer: Jamie Muffett - Social media: Katie Minard, Alysa Cirelli - Design: Mark Stinson, Caitlin Watkins - Additional support: Kasey Howe, Samantha Sherlock, Benjamin Lindsay, Oriella St. Louis

Aspiring writers and directors should take a page out of Julia Hart’s book: don’t wait to tell your story. And if that story experiments with or outright subverts filmmaking genres by centering those typically underrepresented on screen, all the better. “What I find exciting and interesting as a filmmaker is finding new ways to tell old stories about different people,” she says, taking us inside her writing, casting, and directing processes. A New Yorker who for years taught high school and wrote screenplays on the side, Julia made the leap to full-time artist after her 2014 feature “The Keeping Room” ended up on Hollywood’s Black List. With her husband, writing partner, and film producer Jordan Horowitz, Julia has brought to the big screen her directorial debut “Miss Stevens,” superhero riff “Fast Color,” this year’s Disney+ teen musical drama “Star Girl,” and Amazon Studios’ hit “I’m Your Woman,” a 1970s-set crime noir starring Rachel Brosnahan. Check out her Meet the Maker feature on “I’m Your Woman” here: https://bit.ly/3aPpyfo Kicking off this New Year’s Eve episode are podcast team members Jack Smart, Christine McKenna-Tirella, Kasey Howe, Benjamin Lindsay, and Samantha Sherlock shouting out their favorite film and TV performances of 2020! McKenna-Tirella also provides a recap of the year in Backstage, including all newly added features and resources available to working artists. --- Backstage has been the #1 resource for actors and talent-seekers for 60 years. In the Envelope, Backstage’s podcast, features intimate, in-depth conversations with today’s most noteworthy film, television, and theater actors and creators. This is your guide to every aspect of acting, from voiceover and commercial work to casting directors, agents, and more. Full of both know-how and inspiration, In the Envelope airs weekly to cover everything from practical advice on navigating the industry, to how your favorite projects are made, to personal stories of success and failure alike. Join host Jack Smart, Awards Editor at Backstage, for this guide on how to live the creative life from those who are doing it every day: https://bit.ly/2OMryWQ Follow Backstage and In the Envelope on social media: - https://www.facebook.com/backstage - https://www.twitter.com/backstage - https://www.twitter.com/intheenvelope - https://www.instagram.com/backstagecast Looking to get cast? Subscribe here: www.backstage.com/subscribe Browse Backstage casting listings: https://bit.ly/3mth68e Check out our community-driven virtual programming, The Slate: https://bit.ly/2WDNXf0 Backstage stands in solidarity with the Black Lives Matter movement: https://bit.ly/3cuMBt5 Special thanks to... - Host: Jack Smart - Producer: Jamie Muffett - Social media: Katie Minard, Alysa Cirelli - Design: Mark Stinson, Caitlin Watkins - Additional support: Kasey Howe, Samantha Sherlock, Benjamin Lindsay, Oriella St. Louis

For inspiration on how to empower yourself as an actor—a profession that doesn’t usually feel empowering—listen to “All Rise” star Simone Missick’s advice: “So many more actors would be so much happier with the process of going to work, the process of auditioning, which is another part of work, if we recognize the power that we do have to advocate for ourselves.” That includes advocating for actors’ safety, particularly when filming amid the COVID-19 pandemic. A Howard University graduate originally from Detroit, Simone appeared Off-Broadway and in bit TV and film roles before breaking out as Marvel’s first black female superhero, Misty Knight, on Netflix’s “Luke Cage.” She recently starred as a bounty hunter on Season 2 of Netflix’s sci-fi venture “Altered Carbon,” and now leads Greg Spottiswood’s CBS legal drama “All Rise” as L.A. County Superior Court judge Lola Carmichael. Read everything you need to know about COVID-19 resources for artists here: https://bit.ly/2KrDocU --- Backstage has been the #1 resource for actors and talent-seekers for 60 years. In the Envelope, Backstage’s podcast, features intimate, in-depth conversations with today’s most noteworthy film, television, and theater actors and creators. This is your guide to every aspect of acting, from voiceover and commercial work to casting directors, agents, and more. Full of both know-how and inspiration, In the Envelope airs weekly to cover everything from practical advice on navigating the industry, to how your favorite projects are made, to personal stories of success and failure alike. Join host Jack Smart, Awards Editor at Backstage, for this guide on how to live the creative life from those who are doing it every day: https://bit.ly/2OMryWQ Follow Backstage and In the Envelope on social media: - https://www.facebook.com/backstage - https://www.twitter.com/backstage - https://www.twitter.com/intheenvelope - https://www.instagram.com/backstagecast Looking to get cast? Subscribe here: www.backstage.com/subscribe Browse Backstage casting listings: https://bit.ly/3mth68e Check out our community-driven virtual programming, The Slate: https://bit.ly/2WDNXf0 Backstage stands in solidarity with the Black Lives Matter movement: https://bit.ly/3cuMBt5 Special thanks to... - Host: Jack Smart - Producer: Jamie Muffett - Social media: Katie Minard, Alysa Cirelli - Design: Mark Stinson, Caitlin Watkins - Additional support: Kasey Howe, Samantha Sherlock, Benjamin Lindsay, Oriella St. Louis

How can actors master dialects? How important is it for a performer, in an audition or after booking a job, to have specific regional accents in their skill set? Among the many resources available to actors looking to expand their craft, dialect coaching is a growing field of study that most of today’s successful actors have undertaken. This “In the Envelope” episode, featuring experts Barbara Rubin and Jerome Butler, serves as an introduction to the ins and outs of dialect training. Check out more on accents on backstage.com: https://bit.ly/3aqQx0m Barbara Rubin hails from South Africa and works as a dialect coach and theater director in New York City. She’s recently coached actors in the Williamstown Theatre Festival on Audible, is the associate director of Broadway’s “Girl From the North Country,” and has been helping stars (including Julia Garner, Daniel Radcliffe, Samira Wiley, and Jennifer Hudson) incorporate accent work into their craft for years: https://barbararubin.net Jerome Butler is based in New York City, where he trained as an actor at the Juilliard School. He uses dialect coaching to support the artistic processes of working actors in film, TV, and theater (including private clients Jonathan Pryce, Robert Downey Jr., Chiwetel Ejiofor, Ellen Burstyn, and others). Jerome is the founder of Dialect Coaches Corner, a website providing online tools for performers, executives, and fellow educators: https://dialectcoachescorner.com --- Backstage has been the #1 resource for actors and talent-seekers for 60 years. In the Envelope, Backstage’s podcast, features intimate, in-depth conversations with today’s most noteworthy film, television, and theater actors and creators. This is your guide to every aspect of acting, from voiceover and commercial work to casting directors, agents, and more. Full of both know-how and inspiration, In the Envelope airs weekly to cover everything from practical advice on navigating the industry, to how your favorite projects are made, to personal stories of success and failure alike. Join host Jack Smart, Awards Editor at Backstage, for this guide on how to live the creative life from those who are doing it every day: https://bit.ly/2OMryWQ Follow Backstage and In the Envelope on social media: - https://www.facebook.com/backstage - https://www.twitter.com/backstage - https://www.twitter.com/intheenvelope - https://www.instagram.com/backstagecast Looking to get cast? Subscribe here: www.backstage.com/subscribe Browse Backstage casting listings: https://bit.ly/3mth68e Check out our community-driven virtual programming, The Slate: https://bit.ly/2WDNXf0 Backstage stands in solidarity with the Black Lives Matter movement: https://bit.ly/3cuMBt5 Special thanks to... - Host: Jack Smart - Producer: Jamie Muffett - Social media: Katie Minard, Alysa Cirelli - Design: Mark Stinson, Caitlin Watkins - Additional support: Kasey Howe, Samantha Sherlock, Benjamin Lindsay, Oriella St. Louis

Throughout his over 30 years in the biz, Hugh Grant has evolved through different phases, defining an era of romantic comedies before subverting expectations with the character-driven parts he’s always preferred. “I’d much rather have a silly voice, a funny haircut, and a funny walk,” he says, revealing the intricacies of his character-building process and how it’s changed since his 1990s Hollywood breakthrough. In particular, Hugh advises listeners on how to make each take fresh and believable: “On film, you have to mean it.” A London native and Oxford student, Hugh dabbled in writing and performing sketch comedy before giving acting a go on stages all over England. After film and TV work, including an award-winning turn in “Maurice,” he auditioned for and booked “Four Weddings and a Funeral,” which became the highest-grossing British movie in history and earned Hugh a Golden Globe Award. His streak as a romantic lead continued with “Sense and Sensibility,” “Notting Hill,” “Bridget Jones’s Diary,” “About a Boy,” “Two Weeks Notice,” “Love Actually,” “Music & Lyrics,” and more. Returning to the industry after a politically active hiatus, Hugh earned acclaim for work in “Florence Foster Jenkins,” “Paddington 2,” and the Emmy-nominated “A Very English Scandal.” This year he pivots again, in Guy Ritchie’s film “The Gentlemen” and David E. Kelley’s HBO limited series opposite Nicole Kidman, “The Undoing.” Listen to our interview above, and click to read his 2018 Backstage cover story here: https://bit.ly/3qFGsT7 --- Backstage has been the #1 resource for actors and talent-seekers for 60 years. In the Envelope, Backstage’s podcast, features intimate, in-depth conversations with today’s most noteworthy film, television, and theater actors and creators. This is your guide to every aspect of acting, from voiceover and commercial work to casting directors, agents, and more. Full of both know-how and inspiration, In the Envelope airs weekly to cover everything from practical advice on navigating the industry, to how your favorite projects are made, to personal stories of success and failure alike. Join host Jack Smart, Awards Editor at Backstage, for this guide on how to live the creative life from those who are doing it every day: https://bit.ly/2OMryWQ Follow Backstage and In the Envelope on social media: - https://www.facebook.com/backstage - https://www.twitter.com/backstage - https://www.twitter.com/intheenvelope - https://www.instagram.com/backstagecast Looking to get cast? Subscribe here: www.backstage.com/subscribe Browse Backstage casting listings: https://bit.ly/3mth68e Check out our community-driven virtual programming, The Slate: https://bit.ly/2WDNXf0 Backstage stands in solidarity with the Black Lives Matter movement: https://bit.ly/3cuMBt5 Special thanks to... - Host: Jack Smart - Producer: Jamie Muffett - Social media: Katie Minard, Alysa Cirelli - Design: Mark Stinson, Caitlin Watkins - Additional support: Kasey Howe, Samantha Sherlock, Benjamin Lindsay, Oriella St. Louis

Starstruck by cinema since childhood and then trained on London stages, John Boyega was always meant to be an actor. Recently the “Star Wars” star also became a producer, forming the U.K. production company Upperroom Entertainment Limited. In this interview about his creative processes, John reveals how to transform into a character until you hardly recognize yourself onscreen, as well as his best philosophy for fellow working artists: navigating the biz is about “being present, consistently staying a fan of cinema...and trying to find what specifically motivates you.” After training in multiple London theater programs, John broke into the film industry with sci-fi romp “Attack the Block,” and was launched to superstardom as Finn in “Star Wars: The Force Awakens” and its two sequels. He’s also appeared in “Imperial Dreams,” “Detroit,” and “Pacific Rim: Uprising,” which he produced. In “Red, White and Blue,” one of the films in Steve McQueen’s “Small Axe” anthology series now on Amazon Prime Video, John plays real-life British cop Leroy Logan. U.K. casting specialist Hannah Williams also joins Jack to discuss all things Backstage on the other side of the pond. For info on how to get cast there, check out her guide: https://bit.ly/39Cfs0K --- Backstage has been the #1 resource for actors and talent-seekers for 60 years. In the Envelope, Backstage’s podcast, features intimate, in-depth conversations with today’s most noteworthy film, television, and theater actors and creators. This is your guide to every aspect of acting, from voiceover and commercial work to casting directors, agents, and more. Full of both know-how and inspiration, In the Envelope airs weekly to cover everything from practical advice on navigating the industry, to how your favorite projects are made, to personal stories of success and failure alike. Join host Jack Smart, Awards Editor at Backstage, for this guide on how to live the creative life from those who are doing it every day: https://bit.ly/2OMryWQ Follow Backstage and In the Envelope on social media: - https://www.facebook.com/backstage - https://www.twitter.com/backstage - https://www.twitter.com/intheenvelope - https://www.instagram.com/backstagecast Looking to get cast? Subscribe here: www.backstage.com/subscribe Browse Backstage casting listings: https://bit.ly/3mth68e Check out our community-driven virtual programming, The Slate: https://bit.ly/2WDNXf0 Backstage stands in solidarity with the Black Lives Matter movement: https://bit.ly/3cuMBt5 Special thanks to... - Host: Jack Smart - Producer: Jamie Muffett - Social media: Katie Minard, Alysa Cirelli - Design: Mark Stinson, Caitlin Watkins - Additional support: Kasey Howe, Samantha Sherlock, Benjamin Lindsay, Oriella St. Louis