The String

Episode 295: Stephanie Lambring’s new album - her second - is called Hypocrisy, and it blew me away on first listen because of the way its crafty, understated production set up some mind-jarring and elegantly sculpted lyrics. She’s a rural Indiana native whose writing talents in her early Nashville days led to a major publishing deal at 23. The Music Row machine didn’t work for her ultimately, and after a hiatus she leaned into telling her own story, leading to an acclaimed debut in 2020. Now on her latest, she deftly investigates women navigating a 21st century digital panopticon of social pressure, conformity, autonomy and fulfillment.

Episode 294: Formed in Dallas in 1992, Old 97’s became one of the seminal bands of the alternative country movement, alongside Whiskeytown, Son Volt, the Bottle Rockets and BR549. At its heart was the longtime friendship of bass player Murry Hammond and guitarist/songwriter Rhett Miller. Remarkably, across 13 albums and millions of miles, Old 97’s remains the same quartet that broke out on Bloodshot Records three decades ago. They’re still having fun and keeping company with their large base of lifelong fans. Craig made a field trip to Lexington, KY this summer to catch a show and sit down with Miller to talk about the long road and the newest album American Primitive.

Episode 293: The conversation about Black influence on and presence in country music has been intense and restorative over the past decade, and nobody has a more authoritative or informed take on the subject than writer and scholar Alice Randall. She became the first Black woman to launch a career as a professional Music Row songwriter and publisher in the 1980s. She’s shared her incredible journey in her new memoir My Black Country, while a multi-artist collection of the same title features a dozen leading Black female voices in Americana singing her songs. Craig Havighurst visited Alice at her home to talk about it all.   

Episode 292: When singer Madeleine Peyroux released her breakout album Careless Love in 2004, her voice and phrasing, with echoes of Billie Holiday and Joni Mitchell, had more verve than the newly famous Norah Jones and more blues than Diana Krall. Her story was more remarkable than either. She’d basically run away from school as an American teenager living in Paris and joined a touring/busking ensemble the Lost and Wandering Jazz and Blues Band. After 2004 she became a vital, critically acclaimed artist with a unique fusion of jazz, blues, country and folk. Now she’s released her first entirely self-written songs, guided by the legendary producer Elliot Scheiner, called Let’s Walk.   

Episode 291: Thirty years into her late-blooming music career, Kim Richey feels like Americana music’s favorite aunt. She’s hip, youthful, incredibly kind and brimming with ideas and good words, many of which make it into fresh songs. She’s been co-writing a good bit lately, with the likes of Don Henry, Ashley Campbell and Aaron Lee Tasjan. New work, mingled with unrecorded catalog, hand-picked with producer Doug Lancio, led to her first new LP in six years, Every New Beginning. Also in this hour, Oklahoma songwriter and band leader Jared Deck talks about his fascinating double life as a touring artist and, since 2020, a member of the OK House of Representatives.   

Episode 290: In a bit over a decade in Nashville, Kyshona has become a figure respected for her wisdom and valued as a songwriter/artist. Her 2020 album Listen, released just before the Covid shutdown, captured the zeitgeist of that troubled and strangely inspiring year, in part because a key part of the artist’s background and calling is music therapy. Her ethos of continuity and community continues on the magnificent album Legacy, where her research into her family history blossoms into songs that draw from soul, folk and gospel. This is a wide ranging talk with a woman who approaches all that she does with a desire and a plan to leave the world a bit wiser and kinder than she found it.

Episode 289: Ellen Angelico has emerged in the past few years as a go-to stringed instrument musician in the Americana and indie sectors of Nashville. Raised in Chicago, she was gigging in her teens, attended Berklee College of Music and came to Music City in 2010 with a full-time indie rock band spot. As she grew into more of a freelance life, Ellen carved out a niche and earned a ton of admiration earning an Americana Instrumentalist of the Year nomination in 2020. Her recent credits include shows and sessions with Cam, Adeem the Artist, Kyshona, Brandy Clark, Mickey Guyton and more. In this endearing hour, Ellen talks about getting established in Nashville, her high-visibility former job with Fanny’s House of Music in East Nashville and a card game about bro country lyrics that has to be heard to be believed.   

Episode 288: In this special edition of The String, I present an audio postcard from Athens GA, a city of about 125,000 people just east of Atlanta that for forty years has been punching above its weight as a music city. As a teenager in the mid 1980s, I loved the B-52s and I about worshiped REM, and ever since, I’ve wondered what kind of place could produce those wildly different, highly progressive bands. My curiosity only grew as Athens continued to be a hotbed of art-forward rock and roll and creative roots music over the next forty years. So I came to listen and ask questions. We meet label owners George Fontaine Sr. and Jr., leading producer David Barbe, 40 Watt talent booker Velena Vego, artists Spencer Thomas and Hunter Pinkston, and more. Visit wmot.org for photos and bonus content. 

Episode 287: Cris Jacobs has been tagged the “King of Baltimore rock and roll” by a leading local publication, but a quick look at his catalog and certainly his newest album suggests that and more. He made his name as a guitarist, songwriter and singer with The Bridge, a soulful jam band that toured the nation and overseas between 2000 and 2010. His solo projects have been well regarded, but he’s not been a force in Americana until recently. After a bit of a mid-life crisis, he turned to his first love - bluegrass - and pulled together a wonderful album called One Of These Days, with the Infamous Stringdusters as his band and Jerry Douglas as his producer. It landed Cris a debut on the Grand Ole Opry. How did he get here? We find out. Also in the hour, some of my recent catch-up with roots power couple Larry Campbell and Teresa Williams. 

Episode 285: As I say in the opening of this week’s show, it’s one thing to get applause for your songs, and it’s another to get laughs. John Craigie of Portland, OR has quietly built a robust touring career because he’s an excellent songwriter who also keeps his audiences in stitches between songs. His newest album is a collaboration called Pagan Church with TK and the Holy Know-Nothings, the Portland band fronted by admired songwriter Taylor Kingman. We talk about how Craigie developed his stagecraft under the influence of artists like Arlo Guthrie and his friend Todd Snider, as well as his unlikely path to performing while getting a math degree in California. No surprise, it’s a lot of fun. Also in the hour, Dave Wilson and John Teer reflect on 25 years as Chatham County Line and the new directions baked into the new album Hiyo.