New Books in Journalism

Since Russia invaded Ukraine in February 2022, Yaroslav Trofimov has spent months on end at the heart of the conflict, very often on its front lines. In Our Enemies Will Vanish: The Russian Invasion and Ukraine's War of Independence (Penguin, 2024), he traces the war’s decisive moments—from the battle for Kyiv to more recently the gruelling and bloody arm wrestle involving the Wagner group over Bakhmut—to show how Ukraine and its allies have turned the tide against Russia, one of the world’s great military powers, in a modern-day battle of David and Goliath. Putin had intended to conquer and annex Ukraine with a vicious blitzkrieg, redrawing the map of Europe in a few short weeks with seismic geopolitical consequences. Ukrainian resistance—determined, nimble, often heroic—upset those plans. Trofimov’s eloquent reporting of resistance in Ukraine is simultaneously clear-eyed and complex; his account is as illuminating as it is riveting. In this conversation of May 2024, he talks as well about how the situation is evolving.Yaroslav Trofimov, Chief Foreign Affairs Correspondent for the Wall Street Journal, is a seasoned war reporter and a native of Kyiv, Ukraine. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Newspaper (Bloomsbury, 2024) by Dr. Maggie Messitt is about more than news printed on paper. It brings us inside our best and worst selves, from censorship and the intentional destruction of historic record, to partisan and white supremacist campaigns, to the story of an instrument that has been central to democracy and to holding the powerful to account.This is a 400-year history of a nearly-endangered object as seen by journalist Maggie Messitt in the two democratic nations she calls home – the United States and South Africa.The “first draft of history,” newspapers figure prominently through each movement and period of unrest in both nations-from the first colonial papers published by slave traders and an advocate for press freedom to those published on ID cards, wallpaper, and folio sheets during civil wars. Offices were set on fire. Presses were pushed into bodies of water. Editors were run out of town. And journalists were arrested.Newspaper reflects on a tool that has been used to push down and to rise up, and a journey alongside the hidden lives that have harnessed its power.This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

As a teenager in Shetland, Jen Stout fell in love with Russia and, later, Ukraine – their languages, cultures, and histories.Although life kept getting in the way, she eventually managed to pause her BBC career and take up a nine-month scholarship to live and work in Russia. Unfortunately, this dream only came true in November 2021, as Russian troops massed on Ukraine’s borders. Three months later, she left Russia but only got as far as Vienna before heading back into Ukraine via Romania with a rucksack and a handful of freelance contracts.In Night Train to Odesa: Covering the Cost of Russia’s War (Polygon, 2024), we experience Europe’s biggest land war since 1945 through the eyes of a war reporter, photographer, and cultural observer during tours in Kyiv, Kharkiv, Odesa, Lviv, and close to the frontline in Donbas. Via railway workers, soldiers, writers, activists, and old women sleeping in bunkers, we encounter stoical resistance. Stout writes: "I was finding warmth and determination all over the place when what editors expected was fear and despair. I tried to explain that the resilience I described wasn't an individual phenomenon but society-wide. The more Russia attacked Ukrainian society; the less inclined people were to anything remotely resembling despair. They only got angrier".A freelance journalist, Jen Stout was a reporter at CommonSpace in Glasgow and for the Stranraer & Wigtownshire Free Press before joining BBC Scotland in 2018.*The author's book recommendations are The Face of War: Writings from the Frontline 1937-1985 by Martha Gellhorn (Eland, 2016 - first published in 1959), The Letters Of Martha Gellhorn selected and edited by Caroline Moorehead (Chatto & Windus, 2006), and Island by Aldous Huxley (Vintage Classics, 2005).Tim Gwynn Jones is an economic and political-risk analyst at Medley Advisors, who also writes the twenty4two newsletter on Substack and hosts the In The Room podcast series. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Journalists have a long history of covering race and racism in the United States, telling stories that shed light on protest, activism, institutional turmoil, and policy change. Especially in recent years, though, the racial politics of journalism has very often become the story itself. Newsrooms across the country have had to grapple with big questions about diversity, inclusion, power, and professional standards in the media industry. What have these debates looked like up close? In what ways have newsrooms evolved? And what does this all mean for the stories we tell about our communities, our country, and the world at large? In Antiracist Journalism: The Challenge of Creating Equitable Local News (Columbia UP, 2023), Andrea Wenzel provides a critical look at how local media organizations in the Philadelphia area are attempting to address structural racism. She focuses on two established, majority-white newsrooms, the Philadelphia Inquirer and the public radio station WHYY, and two start-ups where at least half the staff identify as Black, Indigenous, or people of color (BIPOC), Resolve Philly and Kensington Voice. Drawing on more than five years of field research, Wenzel charts how these outlets have pursued a range of interventions—such as tracking the diversity of sources, examining reporting and editing practices, and working with community members to gain input—to varying degrees of success. Wenzel argues that institutional and systemic transformation will be possible only through the establishment of structures that facilitate holding those with more power responsible for listening to and addressing the needs and concerns of those with less.Andrea Wenzel is an associate professor in Temple University’s Department of Journalism and a member of the Klein College of Media and Communication graduate faculty. Her research focuses on initiatives to create more connected and equitable communities and newsrooms. She is the author of Community-Centered Journalism: Engaging People, Exploring Solutions, and Building Trust (University of Illinois Press, 2020) and of Antiracist Journalism: The Challenge of Creating Equitable Local News (Columbia University Press, 2024). Prior to academia, Andrea worked for 15 years as a public radio producer, editor, and media development consultant. She managed projects and trained media makers in Afghanistan, Sri Lanka, Iraq and India for media development organizations such as BBC MediaGarrett Broad is Associate Professor of Communication Studies in Rowan University’s Edelman College of Communication & Creative Arts, where he also serves as Provost’s Fellow in the Catalysts for Sustainability Initiative. His research and teaching explores the connections between contemporary social movements, food systems, and digital media technology. He is the author of More Than Just Food: Food Justice and Community Change, as well as a variety of articles on food's relationship to environmental sustainability, economic equity, and the health of humans and nonhuman animals. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Based on extensive research into weekly rural publishers and rural readers, Reviving Rural News: Transforming the Business Model of Community Journalism in the US and Beyond (Routledge, 2024) outlines a mode of practice by which small publications can stay financially sound and combat the rise of "news deserts." This book argues that publishers must actively reach out to their communities to foster a sense of belonging and shared purpose. A new model known as Press Club -- tested for a year at a weekly newspaper in Kansas -- is presented as a template through which memberships, social events, and online newsletters can create a more sustainable path for the future. Reviving Rural News will be of interest to advanced students and researchers of local, community, and rural journalism as well as practitioners looking to bring about real-world change in journalism organizations. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Māori journalism in Aotearoa New Zealand has become a vibrant industry, reporting through print, radio, television and the internet. Kia Hiwa Rā!: Māori Journalism in Aotearoa New Zealand (Huia Publishers, 2023) looks at the history of Māori journalism and the elements that make it what it is today. The author examines the way that news values common in English-speaking countries are reinterpreted for a Māori worldview and analyses news stories to show how Māori perspectives are expressed. She also identifies how elements of whaikōrero have been refashioned for news and the ways tapu and noa are managed by news teams.A host of well-known reporters share their perspectives on their work. They describe how they got into reporting, and we learn what happens as they gather information and produce their stories. In particular, we see how these journalists balance the demands of journalism and tikanga.Get the book now from good bookstores in New Zealand or directly from Huia Publishers.Dr Atakohu Middleton (Ngāti Māhanga, Pākehā) is a reo Māori journalist for Radio Waatea. She worked as a journalist and feature writer for two decades, and also as an editor, for New Zealand and international media. She was awarded the Commonwealth Press Union Harry Brittain Fellow for New Zealand, 2005, when she was at the New Zealand Herald, and she has won six national media awards for news and feature writing. She has also been a lecturer at AUT, held a communications role in a Pacific development organisation and established her own communications consultancy, focusing on EEO, Māori and Pacific development, inter-cultural awareness and science.Ed Amon has a Master of Indigenous Studies and is a PhD Candidate at the University of Auckland, New Zealand. He is a columnist at his local paper: Hibiscus Matters, and a Stand-up Comedian. His main interests are indigenous studies, politics, history, and cricket. Follow him on twitter @edamoned or email him at edamonnz@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

The most heinous Soviet crimes - the Red Terror, brutal collectivization, the Great Famine, the Gulag, Stalin's Great Terror, mass deportations, and other atrocities - were treated in the West as a controversial topic. With the Cold War dichotomy of Western democracy versus Soviet communism deeply imprinted in our minds, we are not always aware that these crimes were very often questioned, dismissed, denied, sometimes rationalized, and even outright glorified in the Western world. Facing a choice of whom to believe -the survivors or Soviet propaganda- many Western opinion leaders chose in favor of Soviet propaganda. Even those who did not believe it behaved sometimes as if they did.Blissful Blindness: Soviet Crimes under Western Eyes (Indiana UP, 2023) explores Western reactions (and lack thereof) to Soviet crimes from the Bolshevik revolution to the collapse of Soviet communism in order to understand ideological, political, economic, cultural, personal, and other motivations behind this puzzling phenomenon of willful ignorance. But the significance of Dariusz Tolczyk's book reaches beyond its direct historical focus. Written for audiences not limited to scholars and specialists, this book not only opens one's eyes to rarely examined aspects of the twentieth century but also helps one see how astonishingly relevant this topic is in our contemporary world. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Infographics and data visualization are ubiquitous in our everyday media diet, particularly in news—in print newspapers, on television news, and online. It has been argued that infographics are changing what it means to be literate in the twenty-first century—and even that they harmonize uniquely with human cognition. In this first serious exploration of the subject, Murray Dick traces the cultural evolution of the infographic, examining its use in news—and resistance to its use—from eighteenth-century print culture to today's data journalism. He identifies six historical phases of infographics in popular culture: the proto-infographic, the classical, the improving, the commercial, the ideological, and the professional.In The Infographic: A History of Data Graphics in News and Communications (MIT Press, 2020), Dick describes the emergence of infographic forms within a wider history of journalism, culture, and communications, focusing his analysis on the UK. He considers their use in the partisan British journalism of late eighteenth and early nineteenth-century print media; their later deployment as a vehicle for reform and improvement; their mass-market debut in the twentieth century as a means of explanation (and sometimes propaganda); and their use for both ideological and professional purposes in the post–World War II marketized newspaper culture. Finally, he proposes best practices for news infographics and defends infographics and data visualization against a range of criticism. Dick offers not only a history of how the public has experienced and understood the infographic, but also an account of what data visualization can tell us about the past.Dr Murray Dick. Senior Lecturer In Multimedia Journalism at Newcastle UniversityMorteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Lee Gutkind is the founder of the literary magazine, Creative Nonfiction. He’s edited or authored over 30 books during his time on the faculty of, first, the University of Pittsburgh and, more recently, Arizona State University. His latest book is The Fine Art of Literary Fist-Fighting: How a Bunch of Rabble-Rousers, Outsiders, and Ne’er-do-wells Concocted Creative Nonfiction (Yale UP, 2024).This episode encapsulates the journey that Lee Gutkind has made, as a self-confessed former hippie motorcyclist who not only “fought” his way into academia but helped revitalize the essay genre along the way. When Gutkind began his Creative Nonfiction magazine in 1994, maybe two dozen creative writing programs existed. Today, there are over 200 such programs around the world, and essays have become well-accepted. As Gutkind recounts, back in the day the non-beige nature of New Journalism was the driving force in style and get-out-into-the-world subject matter. Today, a previous all but all-male preserve is driven more by the talents of female nonfiction writers, often exploring more personal, heartful subject matter. True stories told with narrative drive remain central to Gutkind’s literary passions. Should want an episode about the value of exploring the world, this is your ticket.Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. To check out his related “Dan Hill’s EQ Spotlight” blog, visit this site. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Going for Broke, edited by Alissa Quart, Executive Director of the Economic Hardship Reporting Project, and David Wallis, former Managing Director of EHRP, gives voice to a range of gifted writers for whom "economic precarity" is more than just another assignment. All illustrate what the late Barbara Ehrenreich, who conceived of EHRP, once described as "the real face of journalism today: not million dollar-a-year anchorpersons, but low-wage workers and downwardly spiraling professionals."One essayist and grocery store worker describes what it is like to be an "essential worker" during the pandemic; another reporter and military veteran details his experience with homelessness and what would have actually helped him at the time. These dozens of fierce and sometimes darkly funny pieces reflect the larger systems that have made writers' bodily experiences, family and home lives, and work far harder than they ought to be.Featuring introductions by luminaries including Michelle Tea, Keeanga-Yamahtta Taylor, and Astra Taylor, Going for Broke is revelatory. It shows us the costs of income inequality to our bodies and our minds--and demonstrates real ways to change our conditions. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism