New Books in Journalism

Howard Cosell was fond of saying that American television in the 1970s was dominated by three C’s, representing each of the broadcast networks: revered CBS news anchor Walter Cronkite, NBC’s late-night talk show host Johnny Carson, and Cosell himself, the marquee sports announcer for the ABC network.  Cosell was known for an inflated sense of self-importance, but in this claim he was accurate.  From his interviews of Muhammad Ali on Wide World of Sports in the Sixties, through his 13-year tenure in the broadcast booth of Monday Night Football, Cosell came to be the most prominent personality in sports television and one of the most recognizable figures–certainly, the most recognized voice–in all of American popular culture. Throughout his career, Cosell aspired to be more like the trusted journalist Cronkite than the entertainer Carson.  And one of the main points of historian John Bloom’s biography, There You Have It: The Life, Legacy, and Legend of Howard Cosell (University of Massachusetts Press, 2010), is that Cosell was an innovative, probing, and fearless reporter.  Cosell defended Ali when the boxer was stripped of his heavyweight title.  He spoke on behalf of Tommie Smith and John Carlos when they were sent home after their protest at the 1968 Mexico City Olympics.  And he denounced boxing and refused to work in the sport again, after announcing the horribly one-sided Holmes-Cobb championship fight in 1982. At the same time, Cosell recognized that sports was entertainment.  He played his role for laughs in the Woody Allen film Bananas and on the made-for-TV “athletic competitions” of lesser actors and actresses.  But as his fame peaked, Cosell’s stated opinion of sports turned sharply and dismissively critical.  The broadcaster always felt himself an outsider in the world of sports, a characteristic that Bloom attributes to Cosell’s Jewish background.  And as a trained attorney, Cosell felt himself intellectually superior to the jocks and shills, as he called them.  He gained wealth and fame through sports, but he came to see himself as bigger than sports.  In that sense, Cosell can be seen not only as a legendary figure, but also as a tragic one. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

“When your grandmother gets raped, put it on the front page.” That was the Medill family editorial policy and Eleanor Medill “Cissy” Patterson embraced it enthusiastically. The granddaughter of the Chicago Tribune‘s founder, the cousin of the Tribune‘s editor and the sister of the founder of the New York Daily News, Patterson’s family were said to have ink in their veins and she was no exception. By the early 1930s, this titian-haired heiress was the only female editor of a U.S. major metropolitan daily. Patterson’s life held tremendous contrasts–great beauty, big scandals and bitter animosities and intrigue– all of which Amanda Smith elegantly explores in Newspaper Titan: The Infamous Life and Monumental Times of Cissy Patterson (Knopf, 2011). As the title indicates, there is no shortage of drama here. The heiress to a newspaper fortune, the young Cissy Patterson slinked through Gilded Age society, famous for her inimitable gait. Following the trend of Americans making socially advantageous marriages to European aristocrats, Patterson wed a Russian count who abused her and kidnapped their only child. It’s an incredible story given new life through Smith’s research, which uncovered sources that reveal how- through the intervention of Patterson’s family, President Taft and the Russian Czar- Patterson’s three-year-old daughter was finally returned home. As a society girl, a Countess, an essayist, a rancher, a novelist and, most memorably, a newspaperwoman, Cissy Patterson pushed the boundaries of what women of her time were expected to do and her newspaper was almost a mirror of her self. Under her leadership, the Washington Times (later the Washington Times-Herald) became DC’s most profitable paper thanks to Patterson’s gossipy editorials, her fierce isolationism and her distinctive editorial bite. There was venom in her pen and readers were hooked. It’s a testament to Smith’s skill as a writer that even the ancillary characters in Newspaper Titan seem to burst fully alive from the page, giving the reader insight not only into Patterson’s social circle but also an unusually keen sense of the personalities with whom she tussled. Ultimately, by Newspaper Titan‘s end, the impression one gains of Cissy Patterson is that of a woman who prized newsprint over people, a woman who was delightful after a drink but whose claws came out after three. Patterson was the first to admit this. She was quoted telling TIME, “The trouble with me is that I am a vindictive old shanty-Irish bitch.” And yet, it’s that same cattiness that made her an influential force in the development of tabloid media then and which makes her such a beguiling biographical subject now. As Cissy Patterson herself said: “I’d rather raise hell than raise vegetables.” Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

In his new book, Left Turn: How Liberal Media Bias Distorts the American Mind (St. Martin’s Press, 2011), Tim Groseclose, Marvin Hoffenberg Professor of American Politics at UCLA, discusses his quantitative measurements of political bias in the American news media. Based on years of in-depth studies, he concludes that nearly every mainstream media outlet is skewed to the left of the American electorate, and that this bias has helped push the American electorate to the left of where it would be otherwise. In our interview, we talked about different kinds of media bias, as well as bias in academia, and the effect it has had on Professor Groseclose’s career. Read all about it, and more, in Groseclose’s illuminating new book Please become a fan of “New Books in Public Policy” on Facebook if you haven’t already. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Few places can match the Djemaa el Fna in Marrakech for spectacle. As the shadows lengthen and dusk approaches, the square seethes with snake charmers, charlatans, showmen and chancers, all shrouded in charcoal smoke from dozens of makeshift food stalls. It feels like a glimpse into a different world in a different age. One part of that different age, however, is dying out. A handful of storytellers still make their living by captivating audiences with tales and stories of love and death, trickery and justice. Richard Hamilton came across the storytellers while working in Morocco for the BBC, and realised that the tradition was on the brink of extinction. He travelled back to the Djemaa el Fna again and again, tracking down the last of these remarkable men, before advancing years and the age of the television killed Moroccan storytelling once and for all. The Last Storytellers: Tales from the Heart of Morocco (I. B. Taurus, 2011) is the result of those visits. Richard talks about the roots of storytelling, the storytellers themselves, and the stories that they built their livelihoods around. He then treats us to a generous selection of the tales. I’m glad we had time in the interview to touch on some of them. It would be even better to hear some of the tales from the storytellers themselves, mesmerizing their audience in the Djemaa el Fna itself. But even if – as we fear – storytelling itself passes into history, thanks to Richard it will not be completely lost. I hope you enjoy the interview.   Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

As Ahmedabad, the chief city of Gujarat state in Western India, puts itself up as a contender for World Heritage status, Howard Spodek’s lovely book, Ahmedabad: Shock City of Twentieth Century India (Indiana University Press, 2011), can only give a boost to its campaign. This book is a discrete, yet integrated, collection of narratives from Ahmedabad throughout the twentieth century. The stories trace how this city quietly and unobtrusively sent out people and ideas into the rest of India, and on occasion acted out events that were reflective of trends across the wider Indian landscape. But, as Howard emphasizes, this is also a city that despite everything has remained staunchly and proudly Gujurati, its luminaries basing their power on resources and support from the surrounding regions. Mohandas Gandhi made this industrial city his base, as did many of his followers; the mills came and went, cultural and educational institutions sprang up, and Ahmedabad itself might yet undergo a change in moniker to Karnavati. None of this affects its mediaeval monuments, and patterns of life in its gated bylanes of pols, even as they retain characteristics from long ago, yet subtly, imperceptibly, shift and change in response to changing times.. Howard’s book is a must read for an insight into century of the many that this many layered city has been in existence. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

In February 2002, British journalist James Brabazon set out to travel with guerrilla forces into Liberia to show the world what was happening in that war-torn country. To protect him, he hired Nick du Toit, a former South African Defence Force soldier who had fought in conflicts across Africa for over three decades. What follows is an incredible behind-the-scenes account of the Liberian rebels known as the LURD as they attempt to seize control of the country from government troops led by President Charles Taylor. In this gripping narrative, James Brabazon paints a brilliant portrait of the chaos that tore West Africa apart: nations run by warlords and kleptocrats, rebels fighting to displace them, ordinary people caught in the crossfire and everywhere adventurers and mercenaries operating in war’s dark shadows. It is a brutally honest book about what it takes to be a journalist, survivor, and friend in this morally corrosive crucible. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

We like to think of countries as permanent fixtures. They aren’t. They come and go. In 1989, a place called the Deutsche Demokratische Republik, or East Germany, was going. It was never really an “ordinary” place. In the West but also the East; sovereign but not sovereign; German but not German; poor but rich. I could go on. It was the unnatural product of the Cold War, so when the Cold War ended it ended as well. But it didn’t just blink out of existence. Not at all. For a brief period–roughly from the fall of the Berlin Wall in November, 1989 to formal reunification in October, 1990–it continued to exist, a country that was alive and dead. Reporter Stevan Allen was lucky enough to be there and he has written an artful book about it–Roaming Ghostland: The Final Days of East Germany. At its center is a wonderful literary device: just as East Germany was passing out of existence, so too was an important phase in Allen’s life. The two narratives–that of the “Ossies” and the young journalist–move together, intermingle, and sometimes do battle as Allen tries to get the story and to figure out what he is doing with his life. One of the terrific things about the book is that you get to see the trials of foreign reporting–and its toll on foreign correspondents–from the street itself. Allen pulls no punchs regarding himself or his subjects. He often fails as do they. Sometimes he gets the story, sometimes he doesn’t; sometimes the East Germans help him, sometimes they don’t. This is not a self-congratulatory tale of unending triumph; it’s the story of a man at work, a man living life, a man struggling with himself and his task. Part personal memoir, part coming-of-age story, part hard-nosed reporting, and part elegy to a youth past, Roaming Ghostland: The Final Days of East Germany will be a welcome treat for journalists, historians, and anyone interested in a good read about places and pasts that no longer exist, save in memory. If you know a young person who is interested in a career as a journalist, this book would make a terrific gift. Please become a fan of “New Books in History” on Facebook if you haven’t already. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

The modern newspaper is not as old as you think. Until the early nineteenth century, they were thin and expensive. It was only with the advent of the penny press circa 1830 that the truly mass broadsheet was born. Yet selling a paper for a cent was not a straight-forward business proposition. In order to turn a profit, you needed to sell a lot of copy. You won’t be surprised to learn that the best way to move papers was to give the people what they wanted–scandal, outrage, marvels, miracles and outright inventions. In The Sun and the Moon. The Remarkable True Account of Hoaxers, Showmen, Dueling Journalists, and Lunar Man-Bats in Nineteenth-Century New York (Basic Books, 2008) shows how the early masters of the trade invented the modern paper by telling the public that the moon was inhabited by the recognizable ancestors of “Bat Boy.” Goodman marches a gallery of rogues across the book’s pages–an astronomer with an over-active imagination, an editor with an invented past, a horde of street urchins hawking papers and eating oysters. P.T. Barnum and Edger Allan Poe make appearances! This is a terrifically entertaining book, popular history at its best. And, of course, it’s ALL TRUE! Now put down The Weekly World News and go buy The Sun and the Moon! Please become a fan of “New Books in History” on Facebook if you haven’t already. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Every so often I read a book that reminds me that things weren’t at all what they appear to have been in hindsight. James Zug‘s wonderfully written The Guardian: The History of South Africa’s Extraordinary Anti-Apartheid Newspaper (Michigan State UP, 2007) is one such book. For years I studied and wrote about Russia and the Soviet Union. In that time, I came to think of communists as at best horribly misguided and at worst positively malevolent. Zug reminded me that in fact communists were on the right side of many issues that I hold dear. One of them, and the focus of The Guardian, was racism generally and Apartheid in particular. With a novelist’s skill, Zug chronicles the activities of a remarkably brave group of South African leftists, fellow-travelers, and Party members who, through the pages of their newspaper and with their very lives, fought racism in South Africa when so many ‘right-thinking people’ stood by in silence. He doesn’t sugar-coat the story, and never fails to point out when The Guardian‘s editors and writers were on the wrong side of an issue. But Zug saves them from being written out of history all together by broad-brushed dismissals of mid-century communism. Not only that, he tells a ripping tale. Please read this book. Please become a fan of “New Books in History” on Facebook if you haven’t already. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Today we talked with Eric Gardner, who is chair and professor of English at Saginaw Valley State University. The interview focuses on Jennie Carter: A Black Journalist of the Early West (University Press of Mississippi, 2008), a new book which Dr. Gardner both authored an introduction to and edited. This is the first collection from an African American journalist writing for the San Francisco based newspaper, the Elevator. Gardner’s introduction does an excellent job of placing Carter into both the context of the history and literature of the American West. Dr. Gardner is also the editor of Major Voices: The Drama of Slavery and has authored works which appear in the African American Review, the African American National Biography, and Legacy. Please become a fan of “New Books in History” on Facebook if you haven’t already. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism