New Books in Journalism

We are joined today by Meenakshi Gigi Durham, Professor in the School of Journalism and Mass Communication at the University of Iowa in the writers’ heaven that is Iowa City, Iowa. She also holds a joint appointment in the Department of Gender, Women’s Studies, and Sexuality Studies at Iowa. She is here today to talk to us about her upcoming book: Me Too: The Impact of Rape Culture in the Media (Polity Press, 2021).Professor Durham is the author of the quite famous The Lolita Effect: The Media Sexualization of Young Girls and What We Can Do About It (Overlook Press, 2008) and Technosex: Precarious Corporealities, Mediated Sexualities, and the Ethics of Embodied Technics (Palgrave 2016) – both of which address modern, mass media explorations of the sexuality and gender.In the wake of the MeToo movement, revelations of sexual assault and harassment continue to disrupt sexual politics across the globe. Reports of recurrent and widespread misconduct - in workplaces from doctors' offices to factory floors - are precipitating firings, legal actions, street protests, and policy punditry. Meenakshi Gigi Durham situates media culture as a place in which these broader social struggles are enacted and reproduced. The media figures whose depravity sparked the #MeToo movement are symbolic markers of the complexities of sexual desire and consent. Pop culture sparks controversies about rape culture; social media users have launched feminist resistance that turned to real-world activism; investigative journalists have broken stories of assault, offering a platform for survivors to speak truth to patriarchal power. Arguing that the media are a linchpin in these events, Durham provides a feminist account of the interrelated contexts of media production, representation, and reception. She situates media as the key site where the establishment of sexuality and social relations takes place and traces the media's powerful role in both reifying and challenging rape culture.Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

On January 28 2011 WikiLeaks released documents from a cache of US State Department cables stolen the previous year. The Daily Telegraph in London published one of the memos with an article headlined 'Egypt protests: America's secret backing for rebel leaders behind uprising'. The effect of the revelation was immediate, helping set in motion an aggressive counter-narrative to the nascent story of the Arab Spring. The article featured a cluster of virulent commentators all pushing the same story: the CIA, George Soros and Hillary Clinton were attempting to take over Egypt. Many of these commentators were trolls, some of whom reappeared in 2016 to help elect Donald J. Trump as President of the United States. Nathaniel Greenberg's book How Information Warfare Shaped the Arab Spring: The Politics of Narrative in Egypt and Tunisia (Edinburgh UP, 2019) tells the story of how a proxy-communications war ignited and hijacked the Arab uprisings and how individuals on the ground, on air and online worked to shape history.Marci Mazzarotto is an Assistant Professor of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice with a focus on film and television studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

We are just over a year from when global news first reported a new type of pneumonia emerging in the Chinese city of Wuhan. A lockdown of Wuhan on January 23rd, 2020, was the first indication that these stories were more serious than originally thought.All of us know what happened next: COVID-19 spread from China to other countries in Asia, then to Europe, then to North America, then worldwide. To slow the spread, countries frantically imposed travel restrictions on those coming from places affected by COVID-19: a massive shift away from the increasingly open borders seen over the past two decades.One traveller caught up in these new restrictions was Ethan Lou, author of Field Notes From a Pandemic: A Journey Through a World Suspended (Signal, 2020). Ethan arrives in China in early 2020 to visit his family, as the first leg of a trip around the world. On each leg of his journey, he sees how different parts of the world are transformed by the global pandemic. Field Notes From a Pandemic, named among the CBC’s best Canadian non-fiction books of 2020, is one half travelogue, one half commentary, in and about a changed world.In this interview, Ethan and I talk about his journey around the world, and how COVID-19 made a routine trip exceptionally complicated. He shares how he saw the world change in real-time, and which of those changes may end up sticking around.Ethan Lou is a former Reuters reporter and has served as a visiting journalist at the University of British Columbia. His writing has appeared in the Guardian, the Globe and Mail, Maclean's, the South China Morning Post, the Walrus, and the Washington Post. His next book is Once a Bitcoin Miner: Scandal and Turmoil in the Cryptocurrency Wild West. He can be found on Twitter at @Ethan_Lou, and his work can be found at https://ethanlou.com/.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Field Notes From a Pandemic. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is a reviewer for the Asian Review of Books. In his day job, he’s a researcher and writer for a think tank in economic and sustainable development. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

In the early decades of the twentieth century, tens of thousands of Yiddish speaking immigrants actively participated in the American Socialist and labor movement. They formed the milieu of the hugely successful daily Forverts (Forward), established in New York in April 1897. In Transatlantic Russian Jewishness: Ideological Voyages of the Yiddish Daily Forverts in the First Half of the Twentieth Century (Academic Studies Press, 2020), Gennady Estraikh describes how the Forverts’ editorial columns and bylined articles―many of whose authors, such as Abraham Cahan and Sholem Asch, were household names at the time―both reflected and shaped the attitudes and values of the readership. Estreikh focuses on the newspaper’s reaction to the political developments in the home country. Profound admiration of Russian literature and culture did not mitigate the writers’ criticism of the czarist and Soviet regimes.Gennady Estraikh is a Clinical Professor of Hebrew and Judaic Studies at New York University. Previously he was the Managing Editor of the Yiddish literary journal Sovetish Heymland (Soviet Homeland) from 1988 to 1991. Estraikh’s scholarship focuses on Jewish intellectual history in the 19th and 20th centuries with an accent on Yiddish literary milieus. He has written fifteen co-edited scholarly volumes, and several books in Yiddish.Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

In Citizens of Scandal: Journalism, Secrecy, and the Politics of Reckoning in Mexico (Duke University Press, 2020), Vanessa Freije develops a new rich thesis about the role of the press in Mexican civil society. In this well researched monograph, Freije shows how journalists played a key role in producing scandalous spectacles that brought an otherwise authoritarian PRI to account. Simultaneously, each chapter explores the limitations and drawbacks of Mexican muckraking as bribery, violence, and social networks blunted the most dangerous challenges to the regime.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

For nearly eighty years, a huge portion of coastal South Africa was closed off to the public. With many of its pits now deemed “overmined” and abandoned, American journalist Matthew Gavin Frank sets out across the infamous Diamond Coast to investigate an illicit trade that supplies a global market. Immediately, he became intrigued by the ingenious methods used in facilitating smuggling?particularly, the illegal act of sneaking carrier pigeons onto mine property, affixing diamonds to their feet, and sending them into the air.Entering Die Sperrgebiet (“The Forbidden Zone”) is like entering an eerie ghost town, but Frank is surprised by the number of people willing―even eager―to talk with him. Soon he meets Msizi, a young diamond digger, and his pigeon, Bartholomew, who helps him steal diamonds. It’s a deadly game: pigeons are shot on sight by mine security, and Msizi knows of smugglers who have disappeared because of their crimes. For this, Msizi blames “Mr. Lester,” an evil tall-tale figure of mythic proportions.From the mining towns of Alexander Bay and Port Nolloth, through the “halfway” desert, to Kleinzee’s shores littered with shipwrecks, Frank investigates a long overlooked story. Weaving interviews with local diamond miners who raise pigeons in secret with harrowing anecdotes from former heads of security, environmental managers, and vigilante pigeon hunters, Frank reveals how these feathered bandits became outlaws in every mining town.Interwoven throughout this obsessive quest are epic legends in which pigeons and diamonds intersect, such as that of Krishna’s famed diamond Koh-i-Noor, the Mountain of Light, and that of the Cherokee serpent Uktena. In these strange connections, where truth forever tangles with the lore of centuries past, Frank is able to contextualize the personal grief that sent him, with his wife Louisa in the passenger seat, on this enlightening journey across parched lands.Blending elements of reportage, memoir, and incantation, Flight of the Diamond Smugglers: A Tale of Pigeons, Obsession, and Greed Along Coastal South Africa (Liveright, 2021) is a rare and remarkable portrait of exploitation and greed in one of the most dangerous areas of coastal South Africa. With his sovereign prose and insatiable curiosity, Matthew Gavin Frank “reminds us that the world is a place of wonder if only we look” (Toby Muse).Emily Anthes is a science journalist and author. Her books include Frankenstein’s Cat: Cuddling Up to Biotech’s Brave New Beasts and The Great Indoors: The Surprising Science of How Buildings Shape Our Behavior, Health, and Happiness. Read more about her work at emilyanthes.com or follow her on Twitter at @emilyanthes. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

A reporter uncovers the secrets behind the scientific scam of the century. The news breaks first as a tale of fear and pity. Doctors at a London hospital claim a link between autism and a vaccine given to millions of children: MMR. Young parents are terrified. Immunization rates slump. And as a worldwide ‘anti-vax’ movement kicks off, old diseases return to sicken and kill. But a veteran reporter isn’t so sure, and sets out on an epic investigation. Battling establishment cover-ups, smear campaigns, and gagging lawsuits, he exposes rigged research and secret schemes, the heartbreaking plight of families struggling with disability, and the scientific deception of our time.Brian Deer's The Doctor Who Fooled the World: Andrew Wakefield's War on Vaccines (Johns Hopkins UP, 2020) tells the troubling story of Andrew Wakefield: a man in search of greatness, who stakes his soul on big ideas that, if right, might transform lives. But when the facts don’t fit, he can’t face failure. He’ll do whatever it takes to succeed.Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at galina.limorenko@epfl.ch. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

In Little Lindy Is Kidnapped: How the Media Covered the Crime of the Century (Columbia University Press, 2020), Thomas Doherty offers a lively and comprehensive cultural history of the media coverage of the abduction and its aftermath. Beginning with Lindbergh’s ascent to fame and proceeding through the trial and execution of the accused kidnapper, Doherty traces how newspapers, radio, and newsreels reported on what was dubbed the “crime of the century.” He casts the affair as a transformative moment for American journalism, analyzing how the case presented new challenges and opportunities for each branch of the media in the days before the rise of television. Coverage of the Lindbergh story, Doherty reveals, set the template for the way the media would treat breaking news ever after. An engrossing account of an endlessly fascinating case, Little Lindy Is Kidnapped sheds new light on an enduring quality of journalism ever since: the media’s eye on a crucial part of the story—itself.Thomas Doherty is professor of American studies at Brandeis University. His previous Columbia University Press books include Hollywood and Hitler, 1933–1939 (2013) and Show Trial: Hollywood, HUAC, and the Birth of the Blacklist (2018). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

In Pleasure in the News: African American Readership and Sexuality in the Black Press (University of Illinois Press, 2020), Dr. Kim Gallon examines how Black newspaper editors and journalists created and fostered Black sexual publics during the 1920s and 1930s. She demonstrates that editors strategically elected to publish stories about marital scandals, divorces, homosexuality, and gender non-conformity, imagining that this coverage was a source of pleasure and debate for Black readers. Gallon argues that this editorial practice actually exposed class, gender, and sexuality divisions between different groups of African Americans. At the same time, this coverage revealed the tenuous position of lesbians, gay men, and female impersonators in a public sphere that sometimes silenced and marginalized their voices. Along with advancing racial solidarity, which Gallon takes as the Black presses’ starting point, the press revealed the diversity of Black people and created a discursive space in which sexual knowledge was produced, debated, and enjoyed. To learn more about Professor Gallon’s digital scholarship and stay informed about how her work is meeting the demands of our moment, follow @BlackDigitalHum and @COVIDBlk on Twitter.Amanda Joyce Hall is a Ph.D. Candidate in History and African American Studies at Yale University. She is writing an international history on the global movement against South African apartheid during the 1970s and 1980s. She tweets from @amandajoycehall. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Sharon Marcus’s new book, The Drama of Celebrity (Princeton UP, 2020), sets out to help us understand celebrity culture and how it has shifted and evolved since its contemporary inception in the early 1800s. Marcus highlights the celebrity concept throughout western history, indicating some of the same dynamics at work in classical Greece that we see in our current popular culture landscape. This culture has three components that are generally all present in some form: the celebrities themselves, who may achieve that role through some form of performance or other attention-generating experience or event, a media of some kind (radio, newspaper, magazines, social media) that focuses attention on individual celebrities, and the fans or citizens who engage with the celebrities. Marcus delineates this “three-legged stool” of celebrity culture and notes that while aspects of it have changed over the years—especially the form of media—the structure and foundation continues to operate as an interactive ecosystem. Marcus opens up her tracing of this culture with Sarah Bernhardt, who embodied a kind of prototype of what we see and consider modern celebrity culture. With Bernhardt as an iconic example as well as a Virgil-like guide, Marcus explores contemporary celebrity, and also the critique of celebrity, asking the question of how we should understand these phenomena in the age of Trump, both in the United States and elsewhere.The Drama of Celebrity also dives into the racial and gender dynamics that have long been at work in the value placed on those who achieve fame and celebrity status. Without shifting the thesis to focus only on the role of gender and celebrity, Marcus teases out the dichotomous approach to male celebrity and female celebrity, and the different standards that are applied to both the individual celebrity themselves and their fans. As we move through different media and different performative formats that promote or garner an individual fame and celebrity, Marcus also compels the reader to consider the opposing ideas of American individualism and the production of mass culture, and how these antithetical dimensions are united within celebrity culture. This is a fascinating examination of the idea and the mechanics of celebrity and will be of interest to a broad array of readers.Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism