New Books in Journalism

Internet-enabled mobilization begins long before there is a call for protest. In the book Internet Use and Protest in Malaysia and other Authoritarian Regimes (Palgrave Macmillan, 2021), Kris Ruijgrok examines the case of Bersih – an anti-corruption movement in Malaysia – to track the sequence of events that lead citizens to take part in protest action. Contrary to the impression that social media platforms like Twitter spontaneously spark protests around the world, the book takes a longer and wider view of how the internet challenges information scarcity in authoritarian regimes, which, consequently, creates conditions for citizens to carefully consider their sympathies for a protest movement and defy their fears about state control.In this podcast, Kris discusses the reasons why the Malaysian government is unable to successfully control the digital public sphere in the same way it controlled the information environment of traditional media. He makes a case for going beyond what he considers to be technologically deterministic debate between cyber-pessimists and cyber-optimists. Instead, Kris foregrounds the importance of context – how different social conditions result to different outcomes.Kris Ruijgrok is a lecturer in the Faculty of Law at the University of Amsterdam.Like this interview? You may also be interested in:Aim Sinpeng, Opposing Democracy in the Digital Age: The Yellow Shirts in Thailand (U Michigan Press, 2021) Nicole Curato is a Professor of Sociology in the Centre for Deliberative Democracy and Global Governance at the University of Canberra. She co-hosts the New Books in Southeast Asia Studies channel.This episode was produced in collaboration with Erron C. Medina of the Development Studies Program of Ateneo De Manila University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

In How Machines Came to Speak: Media Technologies and Freedom of Speech (Duke University Press, 2022), Jennifer Petersen constructs a genealogy of how legal conceptions of “speech” have transformed over the last century in response to new media technologies. Drawing on media and legal history, Petersen shows that the legal category of speech has varied considerably, evolving from a narrow category of oratory and print publication to a broad, abstract conception encompassing expressive nonverbal actions, algorithms, and data. She examines a series of pivotal US court cases in which new media technologies—such as phonographs, radio, film, and computer code—were integral to this shift. In judicial decisions ranging from the determination that silent films were not a form of speech to the expansion of speech rights to include algorithmic outputs, courts understood speech as mediated through technology. Speech thus became disarticulated from individual speakers. By outlining how legal definitions of speech are indelibly dependent on technology, Petersen demonstrates that future innovations such as artificial intelligence will continue to restructure speech law in ways that threaten to protect corporate and institutional forms of speech over the rights and interests of citizens.Jennifer Petersen is an Associate Professor of Communication at the Annenberg School for Communication and Journalism at the University of Southern California. She is the director of the graduate certificate program in Science and Technology Studies and is affiliated with the Center for Law, History, and Culture. Before arriving at USC, she worked at the University of Virginia, where she was an affiliate with the Department of Women, Gender, and Sexuality. She is also a former Lenore Annenberg and Wallis Annenberg Fellow in Communication at the Center for Advanced Studies in the Behavioral Sciences (CASBS) at Stanford University.Austin Clyde is a Ph.D. candidate at the University of Chicago Department of Computer Science. He researches artificial intelligence and high-performance computing for developing new scientific methods. He is also a visiting research fellow at the Harvard Kennedy School's Science, Technology, and Society program. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Jacob Mchangama, founder and director of the think tank Justitia, has written a one-volume history of freedom of thought, which ranges from the lone Demosthenes of 4th-century BCE Athens to the recent controversies regarding Donald Trump. In Free Speech: A History from Socrates to Social Media (Basic Books, 2022), Mchangama argues that the history of freedom of thought has recurrent themes, such as a free speech entropy: the perception of rulers or governments that if speech is not restricted then social or political decline or disorder is inevitable. Mchangama also notes how restrictions usually have the unintended effect of emboldening the speakers and making the forbidden speech even more attractive to potential listeners. This history also reveals advocates of free speech less familiar to Western readers, such as the ninth-century Persian scholar Ibn al-Rawandi, a theologian and later skeptic whose life illustrates the debates possible in medieval Islam. Mchangama reviews the modern debates regarding freedom of thought and the latest iterations of arguments about whether free speech will lead to social decline and chaos. Mchangama is a champion of free speech but his history provides a fair minded account of the concerns of speech restrictionists throughout history.Ian J. Drake is Associate Professor of Jurisprudence, Montclair State University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

In this podcast Owen Bennett-Jones discusses the future of rational decision making with Professor Olivier Sibony who after 25 years with McKinsey & Company in France, is now at HEC Paris and the Saïd Business School in Oxford University. In 2021 he co-wrote the book Noise: A Flaw in Human Judgment (Little, Brown Spark, 2021) with Cass R. Sunstein and Daniel Kahneman. For those trying to resist the illogicalities of the post truth world, the idea of rational decision-making is perhaps more important than ever. Yet the challenge to rationality comes not only from social media driven myths becoming accepted truths, but also bias and randomness in decision-making.Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

As the United States moves on from the Trump era — and perhaps begins to contemplate what a second one might look like — conversations about journalism's relationship to Trump and his ideas are cropping up all over the place. Books like News After Trump address these questions through a scholarly lens, but Covering Politics in the Age of Trump (LSU Press, 2021) looks at coverage of Trump from the perspective of journalists who cover national politics. Edited by Jerry Ceppos, the book takes a wide-ranging view of the relationship between the forty-fifth president and the Fourth Estate. In concise, illuminating, and often personal essays, two dozen top journalists address topics such as growing concerns about political bias and journalistic objectivity; increasing consternation about the media’s use of anonymous sources; the practices journalists employ to gain access to wary administration officials; and reporters’ efforts to improve journalism in an era of round-the-clock cable news. Contributors to the book include Ashley Parker of The Washington Post, McKay Coppins of The Atlantic, and Charlie Cook of the Cook Political Report.In this conversation, Ceppos discusses how news organizations are starting to "take off the straightjacket" of detachment and objectivity and what that might mean for re-establishing trust with readers and peeling back the curtain on how journalists do their work.Jerry Ceppos is the William B. Dickinson Distinguished Professor of Journalism and former of the Manship School of Mass Communications at Louisiana State University. Before entering academia, he worked for thirty-six years in newsrooms. He has contributed to several books on media ethics and journalism, including News Evolution or Revolution? The Future of Print Journalism in the Digital Age. Jenna Spinelle is a journalism instructor at Penn State's Donald P. Bellisario College of Communications. She's also the communications specialist for the university's McCourtney Institute for Democracy, where she hosts and produces the Democracy Works podcast. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Ebony Magazine and Lerone Bennett Jr.: Popular Black History in Postwar America (University of Illinois Press, 2020) reveals the previously hidden impact of Ebony magazine as a major producer and disseminator of popular black history during the second half of the twentieth century. Far from dismissing Ebony as a consumer magazine with limited political or educational importance, E. James West highlights the value editors, readers, and advertisers placed upon Ebony's role as a "history book." Benefitting from unprecedented access to new archives at Chicago State and Emory University, West also offers the first substantive biographical account of the writing and philosophy of Lerone Bennett Jr., who used his position at Ebony to emerge as one of the twentieth century's most influential popular black historians. Focusing on Lerone Bennett's role within Johnson Publishing, and assessing Ebony's broader historical coverage, this book uses the magazine as a window into the transition of black history from the margins to the center of American cultural, historical, and political representation. As an important cultural outlet with millions of readers, Ebony played a powerful role in reshaping public representations of African American history. Directed by the efforts of Bennett, the magazine produced militant depictions of black history and connected activism in the present to a longstanding history of radical black protest. However, as a black consumer magazine it also helped to legitimize and facilitate corporate mediation of black history, and to frame and limit discussions of African American history, memory, and identity.Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

In A Strategic Nature: Public Relations and the Politics of American Environmentalism (Oxford UP, 2021), Melissa Aronczyk and Maria I. Espinoza examine public relations as a social and political force that shapes both our understanding of the environmental crises we now face and our responses to them. Drawing on in-depth interviews, ethnography, and archival research, Aronczyk and Espinoza document the evolution of PR techniques to control public perception of the environment since the beginning of the twentieth century. More than spin or misinformation, PR affects how institutions and individuals conceptualize environmental problems -- from conservation to coal mining to carbon credits. Revealing the linkages of professional strategists, information politics, and environmental standards, A Strategic Nature shows how public relations restricts alternative paths to a sustainable climate future.Melissa Aronczyk is an associate professor at Rutgers University in the School of Communication & Information. She is the author of Branding the Nation: The Global Business of National Identity (Oxford 2013). Maria I. Espinoza is a PhD candidate in the Sociology department at Rutgers University.Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

In the autumn of 2014, the Royal Air Force released blurry video of a missile blowing up a pick-up truck that may have had a weapon attached to its flatbed. This was a lethal form of gesture politics: to send a £9-million bomber from Cyprus to Iraq and back, burning £35,000 an hour in fuel, to launch a smart missile costing £100,000 to destroy a truck or, rather, to create a video that shows it being destroyed. Some lives are ended—it is impossible to tell whose—so that the government can pretend that it taking effective action by creating a high-budget snuff movie. This is killing for show.Since the Vietnam War the way we see conflict – through film, photographs, and pixels – has had a powerful impact on the political fortunes of the campaign, and the way that war has been conducted. In Killing for Show: Photography, War, and the Media in Vietnam and Iraq (Rowman and Littlefield, 2020), Julian Stallabrass tells the story of post-war conflict, how it was recorded and remembered through its iconic photography. Through accounts of events such as My Lai massacre, the violent suppression of insurgent Fallujah, or the atrocities in Abu Ghraib, Stallabrass maps a comprehensive theoretical re-evaluation of the relationship between war, politics and visual culture.Julian Stallabrass talks to Pierre d’Alancaisez about the inescapable complicity of photography and media in warfare, the technical and social evolution of images as lethal weapons, and their changing role as witnesses or propaganda documents.Julian Stallabrass is an art historian, photographer, curator, and professor at the Courtauld Institute of Art. Thomas Dworzak’s Taliban studio photographs Documentary on Eugenie Goldberg’s Open Shutters of Iraq Execution of Nguyễn Văn Lém, photographed by Eddie Adams Lisa Barnard James Bridle’s Dronestagram Omer Fast’s 5000 feet is the Best  Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

White publishers and editors used their newspapers to build, nurture, and protect white supremacy across the South in the decades after the Civil War. At the same time, a vibrant Black press fought to disrupt these efforts and force the United States to live up to its democratic ideals. Journalism and Jim Crow: White Supremacy and the Black Struggle for a New America (U Illinois Press, 2021) centers the press as a crucial political actor shaping the rise of the Jim Crow South. In this interview with co-editor Kathy Roberts Forde, we explore the leading role of the white press in constructing an anti-democratic society by promoting and supporting not only lynching and convict labor but also coordinated campaigns of violence and fraud that disenfranchised Black voters. We also examine the Black press's parallel fight for a multiracial democracy of equality, justice, and opportunity for all — a losing battle with consequences that continue to impact newsrooms today. Learn more about the book and find resources for educators and newsrooms at journalismandjimcrow.com.Kathy Roberts Forde is an American journalism historian with research interests in democracy and the public sphere, the Black freedom struggle and the press, the First Amendment, literary journalism, and the history of the book and print culture. She is the Associate Dean of Equity & Inclusion in the College of Social & Behavioral Sciences. She served as Chair of UMass Journalism from 2014-2017; she is past chair of the AEJMC History Division and past associate editor of American Journalism.Jenna Spinelle is a journalism instructor at Penn State's Donald P. Bellisario College of Communications. She's also the communications specialist for the university's McCourtney Institute for Democracy, where she hosts and produces the Democracy Works podcast. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Stanislav Aseyev is a Ukrainian journalist and writer born in Donetsk, which at present remains occupied by Russia-backed militants. Sometime after the beginning of the occupation, he was captured for his political views by the militants of the occupied parts of the Donbas and sentenced to 15 years. On the eve of 2020, Aseyev was released in a prisoner exchange. Currently Stanislav Aseyev lives in Kyiv. Aseyev received a number of awards recognizing his active social and political position (including the Free Media Award (2020), the National Freedom of Expression Award (2020). He is also a recipient of the Shevchenko National Prize, the highest state prize of Ukraine for works of culture and arts.Stanislav Aseyev’s In Isolation: Dispatches from Occupied Donbas (Harvard Ukrainian Research Institute, 2022; translated into English by Lidia Wolanskyj) helps understand a highly entangled and complicated background of the current Russo-Ukrainian war. This book—a chronological account of the events that started in November of 2013, on the one hand, and a collection of journalistic reflections that attempt to explain almost surreal and absurd developments, on the other—documents how the Donbas turned into another flashpoint, following Crimea, whose emergence is directly connected to the Russian Federation and provides commentaries on Russia’s role in sustaining the current war. In Isolation is written from within the zone of conflict; it emerges from the very epicenter of the war that signals not only interstate rifts but also splits that tear apart families and cause uneasiness in long-term friendships.Nataliya Shpylova-Saeed is a PhD candidate in the Department of Slavic and East European Languages and Cultures, Indiana University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism