New Books in Journalism

In the autumn of 2014, the Royal Air Force released blurry video of a missile blowing up a pick-up truck that may have had a weapon attached to its flatbed. This was a lethal form of gesture politics: to send a £9-million bomber from Cyprus to Iraq and back, burning £35,000 an hour in fuel, to launch a smart missile costing £100,000 to destroy a truck or, rather, to create a video that shows it being destroyed. Some lives are ended—it is impossible to tell whose—so that the government can pretend that it taking effective action by creating a high-budget snuff movie. This is killing for show.Since the Vietnam War the way we see conflict – through film, photographs, and pixels – has had a powerful impact on the political fortunes of the campaign, and the way that war has been conducted. In Killing for Show: Photography, War, and the Media in Vietnam and Iraq (Rowman and Littlefield, 2020), Julian Stallabrass tells the story of post-war conflict, how it was recorded and remembered through its iconic photography. Through accounts of events such as My Lai massacre, the violent suppression of insurgent Fallujah, or the atrocities in Abu Ghraib, Stallabrass maps a comprehensive theoretical re-evaluation of the relationship between war, politics and visual culture.Julian Stallabrass talks to Pierre d’Alancaisez about the inescapable complicity of photography and media in warfare, the technical and social evolution of images as lethal weapons, and their changing role as witnesses or propaganda documents.Julian Stallabrass is an art historian, photographer, curator, and professor at the Courtauld Institute of Art. Thomas Dworzak’s Taliban studio photographs Documentary on Eugenie Goldberg’s Open Shutters of Iraq Execution of Nguyễn Văn Lém, photographed by Eddie Adams Lisa Barnard James Bridle’s Dronestagram Omer Fast’s 5000 feet is the Best  Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

White publishers and editors used their newspapers to build, nurture, and protect white supremacy across the South in the decades after the Civil War. At the same time, a vibrant Black press fought to disrupt these efforts and force the United States to live up to its democratic ideals. Journalism and Jim Crow: White Supremacy and the Black Struggle for a New America (U Illinois Press, 2021) centers the press as a crucial political actor shaping the rise of the Jim Crow South. In this interview with co-editor Kathy Roberts Forde, we explore the leading role of the white press in constructing an anti-democratic society by promoting and supporting not only lynching and convict labor but also coordinated campaigns of violence and fraud that disenfranchised Black voters. We also examine the Black press's parallel fight for a multiracial democracy of equality, justice, and opportunity for all — a losing battle with consequences that continue to impact newsrooms today. Learn more about the book and find resources for educators and newsrooms at journalismandjimcrow.com.Kathy Roberts Forde is an American journalism historian with research interests in democracy and the public sphere, the Black freedom struggle and the press, the First Amendment, literary journalism, and the history of the book and print culture. She is the Associate Dean of Equity & Inclusion in the College of Social & Behavioral Sciences. She served as Chair of UMass Journalism from 2014-2017; she is past chair of the AEJMC History Division and past associate editor of American Journalism.Jenna Spinelle is a journalism instructor at Penn State's Donald P. Bellisario College of Communications. She's also the communications specialist for the university's McCourtney Institute for Democracy, where she hosts and produces the Democracy Works podcast. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Stanislav Aseyev is a Ukrainian journalist and writer born in Donetsk, which at present remains occupied by Russia-backed militants. Sometime after the beginning of the occupation, he was captured for his political views by the militants of the occupied parts of the Donbas and sentenced to 15 years. On the eve of 2020, Aseyev was released in a prisoner exchange. Currently Stanislav Aseyev lives in Kyiv. Aseyev received a number of awards recognizing his active social and political position (including the Free Media Award (2020), the National Freedom of Expression Award (2020). He is also a recipient of the Shevchenko National Prize, the highest state prize of Ukraine for works of culture and arts.Stanislav Aseyev’s In Isolation: Dispatches from Occupied Donbas (Harvard Ukrainian Research Institute, 2022; translated into English by Lidia Wolanskyj) helps understand a highly entangled and complicated background of the current Russo-Ukrainian war. This book—a chronological account of the events that started in November of 2013, on the one hand, and a collection of journalistic reflections that attempt to explain almost surreal and absurd developments, on the other—documents how the Donbas turned into another flashpoint, following Crimea, whose emergence is directly connected to the Russian Federation and provides commentaries on Russia’s role in sustaining the current war. In Isolation is written from within the zone of conflict; it emerges from the very epicenter of the war that signals not only interstate rifts but also splits that tear apart families and cause uneasiness in long-term friendships.Nataliya Shpylova-Saeed is a PhD candidate in the Department of Slavic and East European Languages and Cultures, Indiana University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

How is power enacted in everyday broadcast practices? National Public Radio has a “rhetoric of impartiality” but this obscures the ideological work done by the network.” In The Sound of Exclusion: NPR and the Latinx Public (U Arizona Press, 2021), Dr. Christopher Chávez interrogates how NPR determines what it means to be American and what is deemed American news. NPR’s original mandate included engaging listeners in civic discourses and representing the diversity of the nation. Yet Chavez argues that NPR has created a "white public space" that pushes Latinx listeners to the periphery. As a result, NPR promotes the cultural logic that Latinx identity is separate from national identity – hindering Latinx participation in civic discourses. But Chavez maintains that the shared act of listening might facilitate the ways in which Latinx listeners negotiate and resist norms of what it means to belong, also known as sonic citizenship. He writes that through the act of listening, "... those without sustained access to political power might imagine alternative political possibilities in which they are included."Dr. Christopher Chávez is an Associate Professor in the School of Journalism and Communication at the University of Oregon where he also directs the Center for Latina/o and Latin American Studies. His publications include a previous book Reinventing the Latino Television Viewer: Language, Ideology, and Practice (Lexington Books, 2015).Daniella Campos served as editorial assistant for this podcast. Susan Liebell is Dirk Warren '50 Professor of Political Science at Saint Joseph’s University in Philadelphia. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Americans are deeply polarized on many issues, including science and medicine. Where once was widespread agreement, today the differences are sharp: on one hand, posters announce, “I believe in science!” and on the other hand, dramatic videos show ICU patients affirming their anti-vax beliefs with their final breaths.What is going on?Science is supposed to be based on reason, not faith. We get into a pile of metal – our cars – every day without fear because we trust the engineers, who built cars based on science. Science is characterized by observation, empirical findings, and replication. At least that’s the way it is supposed to be. Not long ago, Americans and most people around the world trusted the integrity of science. But that trust has been in decline for years, to our collective detriment.Why did science lose so much of the public trust?How does that loss relate to the decline of trust in other institutions?What are the trust-related issues for minorities?What can the scientific enterprise do to regain our trust?Fran Kritz is a passionate journalist who has covered health and health policy for decades. Her reporting experience gives her a unique view of the changes in the relationship between the public and its medical and scientific experts. She has written for NPR, the Washington Post, Kaiser Health News, and the Robert Wood Johnson Foundation.Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator and host of The New Books Network’s Van Leer Jerusalem Series on Ideas. Write her at reneeg@vanleer.org.il Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

In the midst of the disruptions and distrust that have plagued traditional media in recent years, and a degree of polarization rarely seen in American history, a new style of journalism is emerging. Dozens of news organizations, from corporate powerhouses to home-office startups, are reviving a classic role of American journalism: inspiring and enabling Americans to do the difficult, authentic, and ultimately rewarding work of citizenship in a democratic society. News for US: Citizen-Centered Journalism (Cognella, 2021) is the first-ever guide to this new approach — one that enriches the skill set of the 21st-century journalist with the mindset of civic engagement. Authors Paula Lynn Ellis, Paul S. Voakes, and Lori Bergen illuminate the principles of citizen-centered journalism and demonstrate how today's journalists can apply them within the context of modern-day news and feature reporting. The text features engaging perspectives from leading innovators and experimenters in the field, who describe their challenges and offer guidance to readers. Paula Ellis is a national leader in journalism innovation, transformative change and employee and community engagement. A former foundation executive, senior media executive and journalist, her work focuses on civic entrepreneurship with a twin emphasis on reimagining journalism to better serve democracy and fostering more inclusive communities and work places.Jenna Spinelle is a journalism instructor at Penn State's Donald P. Bellisario College of Communications. She's also the communications specialist for the university's McCourtney Institute for Democracy, where she hosts and produces the Democracy Works podcast. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

The common-sense way of thinking about what representatives should do in democracies tends to revolve around the concept of responsiveness: representatives should respond to the interests and demands of their constituents. However, this account of representation does not tell us much about how citizens form preferences. If political representatives and other actors have the ability to shape the interests and preferences of actors, this raises the specters of manipulation, voter incompetence, and false consciousness. All of these concepts question whether citizens have the capacity to form accurate beliefs about their own interests and to judge whether or not politicians are serving them.In her new book Making Constituencies: Representation as Mobilization in Mass Democracy (University of Chicago Press, 2021), my guest Lisa Disch argues that concerns about manipulation and voter competence are overwrought because they are grounded in a mistaken understanding of how representation works in democracies. Building on the “constructivist turn” in representation, Disch argues that the starting point of theorizing about how representation should work in democracies should be on the processes through which representatives of all kinds – from elected politicians to media outlets and social movements – constitute the very groups that they claim to speak for. Rather than asking how we can make politicians respond to the interests of voters, Disch argues that we should be asking how political actors, parties, and movements can mobilize constituencies for projects of social change.Lisa Disch is Professor of Political Science and Women’s Studies at the University of Michigan. Geoffrey Gordon is a PhD candidate in comparative politics at the University of Virginia. Follow him on Twitter: @geofflgordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Political scientists have argued that Donald Trump exacerbated long-simmering changes in polarization, populism, and other aspects of politics. In their book News After Trump: Journalism's Crisis of Relevance in a Changed Media Culture (Oxford University Press, 2021), Matt Carlson, Seth C. Lewis, and Sue Robinson, argue that Trump's candidacy and presidency did the same in journalism. The question now is, how do news organizations move forward and continue to deliver informational value to the public at a time when they're just one of many information sources people see?Taking an expansive view of the contemporary media and political environment during the Trump years, News After Trump portrays a media culture in transition. As journalism's very relevance comes to be increasingly questioned, the authors focus on how different actors — from Trump to small-town newspaper editors — use their cultural power to define journalism, assess its value, and question what the news should look like. This conversation is especially important as news organizations continue to grapple with their role in standing up for democratic norms and values.Matt Carlson is associate professor at the Hubbard School of Journalism and Mass Communication at the University of Minnesota. Seth C. Lewis is founding holder of the Shirley Papé Chair in Emerging Media in the School of Journalism and Communication at the University of Oregon.Jenna Spinelle is a journalism instructor at Penn State's Donald P. Bellisario College of Communications. She's also the communications specialist for the university's McCourtney Institute for Democracy, where she hosts and produces the Democracy Works podcast. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

This interview was recorded and first published in early 2020 when the NBN had about a million downloads a month. Since then the downloads have increased more than four-fold to just below 5 million monthly downloads at the end of 2021 and the number of hosts has increased greatly as well. On the New Books Network authors to talk about their books with a specialist host. Founded in 2007 by Marshall Poe, formerly a Russian history professor from the US. The NBN has grown to be the most downloaded podcast of its type in the world.  New Books Network website NBN on Stitcher NBN on Apple Podcasts NBN on Spotify Marshal Poe on Wikipedia About your host Richard LucasRichard is a business and social entrepreneur who founded, led and/or invested in more than 30 businesses, Richard has been a TEDx event organiser, supports the pro-entrepreneurship ecosystem, and leads entrepreneurship workshops at all levels: from pre-schools to leading business schools. Richard was born in Oxford and moved to Poland in 1991. Read more here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Elena Poniatowska is a legendary Mexican journalist who has chronicled popular celebrities, politicians as well as important social movements in Mexico since the 1968 Tlatelolco students massacre.Today I talked to Lynn Stephen, a professor of anthropology at the University of Oregon who has described in her book Stories That Make History: Mexico through Elena Poniatowska’s Crónicas (Duke UP, 2021) how Poniatowska’s personal and political trajectory intertwined with Mexico’s growing critical public after 1968. The earthquake of 1985, the Chiapas uprising and Subcomandante Marcos as well as the recent occupation of the Zócalo in Mexico City are in Stephen’s words “historical moments when the status quo is cracked open, when people take to the streets and demand change, when another future seems possible”. These are the moments when gifted writers and artists step up and document movements and create new historical actors.We might have read Elena Poniatowska but we didn't know her. Lynn Stephen has reflected on the beautiful and strong parts of this woman who beat the odds in her own life to rewrite Mexican history.Minni Sawhney is a professor of Hispanic Studies at the University of Delhi. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism