New Books in Journalism

Bill Dedman, Pulitzer Prize-winning investigative reporter and New York Times #1 bestselling author of Empty Mansions, shares the extraordinary story of a reclusive copper heiress, the battle over her fortune, and the HBO series adaptation now in development. As an investigative journalist, Bill Dedman has built his career writing stories that change the way we see the world. It was that reporter’s instinct—paired with relentless curiosity—that led him to one of the most extraordinary tales of American wealth: the mysterious life of Huguette Clark and the spending of a great American fortune. Had Bill not stumbled onto her story—and brought it to light in Empty Mansions—her final wishes might well have been lost in the legal battle over her $300 million estate. Huguette was the daughter of copper magnate and U.S. senator W.A. Clark, one of the richest men in America. She grew up in dazzling extravagance: the largest home in New York City, with 121 rooms, four art galleries displaying rare art, and a $100,000 pipe organ that filled the halls with music. There was also Bellosguardo, the family’s 23-acre estate in Santa Barbara with sweeping views of the Pacific. She traveled to Europe, attended champagne soirées and black-tie balls—it was, by any measure, a life lived in grandeur. And yet, in stark contrast, Huguette later chose seclusion. For decades, Huguette lived reclusively in her Fifth Avenue apartments, surrounded by paintings by Renoir, Degas, and Corot, and by her vast collection of antique dolls—thousands of them, some dressed in custom Dior. She painted portraits, read voraciously, and built elaborate miniature temples by hand, each costing up to $100,000 to make. In her eighties, though still in excellent health, she chose to move into a modest hospital room, where she remained for the next twenty years—her whereabouts unknown even to longtime friends. Meanwhile, her staff kept her mansions in New York, California, and Connecticut just as she left them—waiting, it seemed, for her return. What makes Huguette’s story even more remarkable is her quiet generosity to friends, strangers, and staff: $30 million to her nurse, a Stradivarius violin for the nurse’s son, a Rolls- Royce for the chauffeur, a Renoir, fine jewels, Christmas cards with $30,000 checks enclosed—among many other gestures that changed the lives of those around her. Her choices were so unusual that distant relatives, left out of her will, seized on Huguette’s eccentricities as grounds to question her capacity, sparking a legal battle over her fortune. Was she being manipulated? Was she unwell? Crazy? "Did you hear about the dolls?" Had they been Birkins, she'd be on the pages of Vogue... Bill uncovers a more nuanced truth: a woman of elegance and discretion, a loyal friend and deeply caring person, a trained artist dedicated to her craft. "It takes a while to get close enough to someone's choices so that they start to make sense," he said. That insight runs through Empty Mansions, the New York Times #1 bestseller that continues to captivate readers. A brilliant reporter and storyteller, no one but Bill Dedman could have written this story with such depth and intrigue. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Is it possible to do independent journalism in today’s Russia? “The short answer is no,” James Rodgers tells me in our conversation about his insightful and scrupulously researched book Assignment Moscow: Reporting on Russia from Lenin to Putin (Bloomsbury Academic, 2023). Rodgers is a former BBC correspondent in Moscow. We first talk about Western coverage of the Russian Revolution and the early years of the Soviet Union, when many foreign correspondents, famously John Reed, openly identified with the Bolshevik cause and cheered it on. We discuss, too, the dubious example of New York Times reporter Walter Duranty, who infamously denied the reality of famine in Ukraine in the Stalin period. And we close with a discussion of journalism in the Putin era and the challenges that all journalists, including Russians, face. As Rodgers acknowledges, much of the best reporting on what is happening inside of Russia comes from Russian exiles with good internal sources. Such reporting does not get wide attention in the West but represents a valuable dissident Russian journalism tradition that took root in the glasnost era of the 1980s and has endured. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

In the midst of the COVID-19 pandemic, we’re hearing an awful lot about the fraught relationship between science and media. In his book, News from Mars: Mass Media and the Forging of a New Astronomy, 1860-1910 (University of Pittsburgh Press, 2019), historian of science Joshua Nall shows us that a blurry boundary between science and journalism was a key feature—not a bug—of the emergence of modern astronomy.Focusing on objects and media, such as newspapers, encyclopedias, cigarette cards, and globes, Nall offers a history of how astronomers’ cultivation of a mass public shaped their discipline as it managed controversies over the possibility of canals on Mars, and even interplanetary communication. This book is strongly recommended for historians of science and communication, as well as those with an eye for material culture.Joshua Nall is curator of modern sciences at the Whipple Museum of the History of Science in the Department of the History and Philosophy of Science at the University of Cambridge.Mikey McGovern is a PhD candidate in Princeton University’s Program in the History of Science. He is writing a dissertation on how people used statistics to make claims of discrimination in 1970s America, and how the relationship between rights and num- bers became a flashpoint in political struggles over bureaucracy, race, and law. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

David de Boer returns to the podcast to talk to Jana Byars about his first book, The Early Modern Dutch Press in the Age of Religious Persecution (Oxford UP, 2023). This book is available open source here. For victims of persecution around the world, attracting international media attention for their plight is often a matter of life and death. This study takes us back to the news revolution of seventeenth-century Europe, when people first discovered in the press a powerful new weapon to combat religiously inspired maltreatments, executions, and massacres. To affect and mobilize foreign audiences, confessional minorities and their advocates faced an acute dilemma, one that we still grapple with today: how to make people care about distant suffering? David de Boer argues that by answering this question, they laid the foundations of a humanitarian culture in Europe. As consuming news became an everyday practice for many Europeans, the Dutch Republic emerged as an international hub of printed protest against religious violence. De Boer traces how a diverse group of people, including Waldensians refugees, Huguenot ministers, Savoyard office holders, and many others, all sought access to the Dutch printing presses in their efforts to raise transnational solidarity for their cause. By generating public outrage, calling out rulers, and pressuring others to intervene, producers of printed opinion could have a profound impact on international relations. But crying out against persecution also meant navigating a fraught and dangerous political landscape, marked by confessional tension, volatile alliances, and incessant warfare. Opinion makers had to think carefully about the audiences they hoped to reach through pamphlets, periodicals, and newspapers. But they also had to reckon with the risk of reaching less sympathetic readers outside their target groups. By examining early modern publicity strategies, de Boer deepens our understanding of how people tried to shake off the spectre of religious violence that had haunted them for generations, and create more tolerant societies, governed by the rule of law, reason, and a sense of common humanity. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Why are people inclined to believe misinformation? Misguided: Where Misinformation Starts, How It Spreads, and What to Do about It (Columbia UP, 2025) is a wide-ranging and comprehensive book that shines a light on how false beliefs take root and spread, exploring the cognitive, emotional, and social factors that make us all susceptible to misinformation. Challenging approaches that focus solely on education and media literacy, Matthew Facciani emphasizes the important role identities and social ties have in the complex interplay of forces that lead people to believe things that are not true. Susceptibility to misinformation is largely shaped by social dynamics. The pressure to affirm one's personal and group identities can leave individuals vulnerable to false beliefs.  Facciani examines both offline and online connections, highlighting how social media, news media, and personal networks can promote and amplify false claims. To bring social-scientific findings to life, he shares the stories of people who fell for misinformation, with contemporary examples including the COVID-19 pandemic and anti-vaccine movement. Facciani examines the effectiveness of various approaches to combating misinformation, underscoring the importance of understanding the psychological and sociological mechanisms behind its spread. He provides actionable recommendations for reducing the influence of misinformation at all levels, from having productive conversations with friends and family to rebuilding trust in institutions. Distilling the latest research accessibly and featuring compelling case studies, Misguided equips readers with practical strategies to counteract false beliefs. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Suruchi Mazumdar’s book addresses the complex relationship between India’s evolving, emerging media landscape, the political and economic interests of diverse media actors, and movements opposing contentious issues such as market-based economic reforms and religious nationalism. In the mid-2000s, Singur and Nandigram, nondescript semi-urban and rural areas in the east Indian state of West Bengal, suddenly became the center of national and international media attention and debates on state-led neoliberal agenda. The point of controversy were local agitations provoked by the then state government’s plans to acquire agricultural land for large scale corporate industrial projects. The movements by farmers to protect their agricultural land were described variously as challenges to neoliberal initiatives and widespread social tension that put a temporary brake to state-led market reforms. In traditional liberal narratives, the triumph of economic reforms was expected to replace value-based ideology with global economic principles, perceived as objective and neutral.  But the forces of neoliberalism became strongly entrenched in India alongside religious nationalism. Such political economic developments paralleled with the simultaneous expansion of India’s digital and traditional media sectors, consolidation of market forces, the co-option of both old and new media by powerful actors, and opportunities of mediated democratization and activism. While narratives of economic liberalization and global trends of commercialized journalism have been amply documented, this book addresses the tension between mainstream media’s political and commercial logic, movements and citizen-led activisms questioning dominant development and religious nationalist agenda, and the possibilities of political diversity and democratic participation in the Indian city of Kolkata. By focusing on the hybridities, commonalities, differences, and complexities in Kolkata’s mainstream news media and emerging digital space, this book captures the regional and linguistic variations in the studies of media, movements, and politics in India. Dr Suruchi Mazumdar is an Associate Professor at Jindal School of Journalism and Communication, O.P. Jindal Global University in India. Dr Priyam Sinha is an Alexander Von Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

In 2019, famed journalist and writer Aatish Taseer was thrown out of India. Soon after he wrote a cover article for Time calling Prime Minister Narendra Modi the country’s “divider in chief,” New Delhi decided to revoke his residency. That sent Aatish on a journey across the world–to places like Turkey, Spain, Mexico and Sri Lanka–to explore identity, both his own and of different nations. The result is his latest book, A Return to Self: Excursions in Exile (Catapult: 2025). Aatish is the author of the memoir Stranger to History: A Son’s Journey Through Islamic Lands (Canongate: 2009) and the acclaimed novels The Way Things Were (Pan Macmillan: 2014), a finalist for the 2016 Jan Michalski Prize, The Temple-Goers (Viking: 2010), short-listed for the Costa First Novel Award, and Noon (Farrar, Straus and Giroux: 2011); and the memoir and travelog The Twice-Born (Hurst: 2019). You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of A Return to Self. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

At the turn of the twentieth century, the Black press provided a blueprint to help Black Americans transition from slavery and find opportunities to advance and define African American citizenship. Among the vanguard of the Black press was Jefferson Lewis Edmonds, founder and editor of The Liberator newspaper. His Los Angeles-based newspaper championed for women's rights, land and business ownership, education, and civic engagement, while condemning lynchings and other violent acts against African Americans. It encouraged readers to move westward and build new communities, and it printed stories about weddings and graduations as a testament to the lives and moments not chronicled in the White-owned press. Edmonds took this fierce perspective in his career as a journalist, for he himself was born into slavery and dedicated his life to creating pathways of liberation for those who came after him. Across the pages of his newspaper, Edmonds painted a different perspective on Black life in America and championed for his community--from highlighting the important work of his contemporaries, including Booker T. Washington and W.E.B. Du Bois, to helping local readers find love in the personal ads section. The Liberator, along with a chorus of Black newspapers at the turn of the century, educated an entire generation on how to guard their rights and take claim of their new American citizenship. Written by Jefferson Lewis Edmonds' great-great granddaughter, We Now Belong to Ourselves: J. L. Edmonds, the Black Press, and Black Citizenship in America (Oxford University Press, 2025) chronicles how Edmonds and other pioneering Black publishers documented the shifting tides in the advancement of Black liberation. Arianne Edmonds argues that the Black press was central in transforming Black Americans' communication patterns, constructing national resistance networks, and defining Black citizenship after Reconstruction--a vision, mission, and spirit that persists today through Black online social movements. Weaving together poetry, personal narrative, newspaper clips, and documents from the Edmonds family archive, We Now Belong to Ourselves illustrates how Edmonds used his platform to center Black joy, Black triumph, and radical Black acceptance. Arianne Edmonds is a 5th generation Angeleno, archivist, civic leader, and founder of the J.L. Edmonds Project, an initiative dedicated to preserving the history and culture of the Black American West. She is currently a Senior Civic Media Fellow at the USC Annenberg School for Communication and Journalism funded by the MacArthur Foundation and a Commissioner for the Los Angeles Public Library. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

The legendary Magnum photo agency has long been associated with heroic lone wolf male photographers such as Robert Capa and Henri Cartier-Bresson, roaming the world in search of the “decisive moment” – the perfect shot that captured the essence of a major news story. Nadya Bair’s highly original book The Decisive Network: Magnum Photos and the Postwar Image Market (University of California Press 2020) argues that this idealized portrayal of Magnum occludes the larger networks within which these photographers operated, including the crucial roles performed by often female office staff, by picture editors and corporate clients. She sets out to show that right from the outset, Magnum was also a business operation, one that pioneered modern ideas of branding borrowed from advertising agencies and commercial partners.Drawing on extensive archival work and including numerous images of photo page spreads, The Decisive Network presents Magnum in a novel and distinctive light, as the framer of new global imaginaries that reflected the evolution of post-war capitalism.Nadya Bair is an assistant professor of art history at Hamilton CollegeFor digital explorations of the Magnum network, see Nadya’s fascinating website.Duncan McCargo is an eclectic, internationalist political scientist and literature buff: his day job is directing the Nordic Institute of Asian Studies at the University of Copenhagen. Learn more here, here, here, and here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

When life gets hard, we turn to our female friends. Husbands, partners, and jobs come and go, but close friendships are our bedrock. Until they're not. What happens when these bonds sabotage instead of support? Who among us has the courage to walk away? And how can we protect ourselves from further heartbreak? In Estranged: How Strained Female Friendships Are Mended Or Ended (Meridian Editions, 2025) Susan Shapiro Barash takes a deep dive into the complexities of female friendships. By peeling back the societal narrative that our friendships are meant to last forever, she uncovers a more nuanced reality: the closest bonds do falter. Through groundbreaking research and 150 interviews with women ranging in age from 20-80, Barash reveals an emerging trend - estrangement among female friends. Estranged is an eye-opening investigation/practical guide for women navigating murky waters of suboptimal friendships. The book sheds light on unspoken pain of estrangement - both for the "estranger" who walks away and the "estrangee" who is left behind. Amid candid confessions of betrayal and grief, Barash challenges women to reimagine their friendships and take the bold step of letting go when necessary. This cutting-edge book offers an empowering path forward: learning to prioritize self-worth, stability and authenticity over loyalty to friendships that no longer serve us. Susan Shapiro Barash has written more than a dozen nonfiction books including Tripping the Prom Queen, Toxic Friends and You're Grounded Forever, but First Let's Go Shopping. For more than 20 years she taught gender studies and Marymount Manhattan College and has guest taught creative nonfiction at the Writing Institute at Sarah Lawrence College. Her fiction is published under her pen name, Susannah Marren. Deidre Tyler, PhD - Sociologist, Instructional Technologist. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism