The Last Thing I Saw

Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. Today we’ll hear about the new film from Joanna Hogg, The Souvenir Part 2, which continues the portrait of an artist begun in The Souvenir, again starring Honor Swinton Byrne and Tilda Swinton. We’ll also talk about Drive My Car, a Haruki Murakami adaptation from Ryusuke Hamaguchi, who is perhaps best known for Happy Hour and Asako I & II. And finally, a strong entry from Mahamat Saleh Haroun called Lingui, the Sacred Bonds, which goes in some unexpected directions. My guest this time is making his first appearance on The Last Thing I Saw: Guy Lodge, who writes for Variety and recently started a weekly review called Film of the Week. You can support this podcast and read show notes with links at: rapold.substack.com Opening music: “Monserrate” by The Minarets Photo by Steve Snodgrass

Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. We are back talking about the highlights of the Cannes film festival with critic Amy Taubin. Last time we talked about the Velvet Underground and now we move on to another musical selection, Annette, the new film from Leos Carax, starring Adam Driver and Marion Cotillard. We also devote some time to two movies that haven’t been talked about as much in the frenzy of the festival’s first week: A Chiara, from Jonas Carpinagno, and Ari Folman’s newest animated feature, Where Is Anne Frank. You can support this podcast and read show notes with links at: rapold.substack.com Opening music: “Monserrate” by The Minarets Photo by Steve Snodgrass

Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The Cannes Film Festival kicked off this week and so I joined forces with critic Amy Taubin, who is a veteran of the festival. This year Cannes is a little different for a number of reasons, which we talk about, but we also discuss the new film about The Velvet Underground from director Todd Haynes. Amy is actually in the documentary, and she was kind enough to share some of her firsthand experiences at the time with the Velvet Underground, Andy Warhol, and of course Warhol's Screen Tests, many of which appear in Haynes’s film. You can support this podcast and read show notes with links at: rapold.substack.com Opening music: “Monserrate” by The Minarets Photo by Steve Snodgrass

Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The Cannes Film Festival begins this week, and part of its celebration of our collective return to movies is the world premiere of The Story of Film: A New Generation, from filmmaker and critic Mark Cousins. The latest work from Cousins looks at the most recent decade in cinema and sets out to pick the movies that brought something new to the art form. Cousins has taken on the herculean task of charting film history before, most famously on an even larger scale with The Story of Film: An Odyssey, and with works such as Women Make Film, A Story of Children and Film, and early on, Cinema Iran. I reached Cousins at his office slash editing suite, and we talked about a few of the movies he selected from the 2010s (and a few that he didn’t). But he also had fascinating reflections about how we all watch cinema, about VR, and about his childhood memories of watching movies. Stay tuned to The Last Thing I Saw for more highlights in the 2021 Cannes Film Festival. You can support this podcast and read show notes with links at: rapold.substack.com Opening music: “Monserrate” by The Minarets Photo by Steve Snodgrass

Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The director Abel Ferrara takes movies into the outer limits of experience and emotion, often challenging us with characters in the grips of moral and spiritual corruption. His movies include King of New York, Bad Lieutenant, The Addiction, 4:44 Last Day on Earth, and the semiautobiographical Tommaso, which had its world premiere in Cannes. His latest film is Siberia, which premiered in Berlin and stars Ferrara’s frequent partner in crime, Willem Dafoe. In Siberia, Dafoe plays a man living at the end of world in a snowy wasteland who is reckoning with his past, his family, and his relationships. It’s a dreamlike movie of memories and visions, with scenes including a bear attack and an enigmatic moment with a talking fish which Ferrara discusses in our interview. As ever, Ferrara gets to the heart of the matter. Siberia was released in theaters and is also available on streaming. You can support this podcast and read show notes with links at: rapold.substack.com Opening music: “Monserrate” by The Minarets Photo by Steve Snodgrass

Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. This week is a two-part episode, with a special interview. First I chat with the one and only Amy Taubin about our recent viewing, starting with the new Steven Soderbergh movie, No Sudden Move, a highlight of the summer. We also cherry-pick a couple of films from festivals, Courtroom 3H and Souad. And looking at the big picture, we celebrate online programs like Another Screen. And then the grand finale: I chat with No Sudden Move star, actor-writer-director Amy Seimetz (The Girlfriend Experience, She Dies Tomorrow, Pet Sematary). Seimetz plays Mary, an executive’s wife held hostage by criminals (played by Don Cheadle and company)who are putting the squeeze on her husband. You can support this podcast and read show notes with links at: rapold.substack.com Opening music: “Monserrate” by The Minarets Photo by Steve Snodgrass

Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. This week I was happy to chat again with the critic Beatrice Loayza, whom you might know from her reviews in The New York Times and essays in Reverse Shot and other publications. We caught up with In the Heights and another sort of musical movie, Bo Burnham’s Inside. And since we hadn’t seen Fast 9 yet, I picked a replacement and talked about that instead: Walter Hill’s The Driver, with Ryan O’Neal, Bruce Dern, and Isabelle Adjani. Beatrice also talks about the rediscovered George Romero movie, Amusement Park, and I share a few highlights from my viewing at the Tribeca Film Festival. And finally, just because, a few words on Kubrick’s Paths of Glory. You can support this podcast and read show notes with links at: rapold.substack.com Opening music: “Monserrate” by The Minarets Photo by Steve Snodgrass

Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. Directed by Janicza Bravo, Zola follows a Detroit waitress and dancer played by Taylour Paige as she goes along with her brand-new friend Stefani on a trip to Tampa, Florida. Stefani (Riley Keough) says the plan is to make some money stripping, but things get increasingly messy and shady and dangerous. It’s a comedy with a crazy energy that crashes into bleaker moments as Zola keeps a cool head in Stefani’s world of pimps, gangsters, and nincompoops. Janicza Bravo brings a sense of vibrant visual invention and careful tonal modulation to the movie, adapting the unpredictable story and its complicated and thorny gender and racial dynamics from its Twitter thread source. I was delighted to talk with Bravo about how it feels to see the movie out in the world, her directorial decisions, early days in New York, and her next project, about a book editor and writer who’s a compulsive scammer. Zola opens June 30. You can support this podcast and read show notes with links at: rapold.substack.com Opening music: “Monserrate” by The Minarets Photo by Steve Snodgrass

You’re listening to The Last Thing I Saw, with your host, Nicolas Rapold. First I interview the directors and co-stars of The Beta Test, a crackling new comedy of panic set in the double-talking world of Hollywood agents. Then it's the thrilling conclusion of my conversation with writer/critic Bruce Bennett, about the 1961 Japanese mystery/melodrama Zero Focus and bizarro 1975 thriller The 'Human' Factor, starring George Kennedy. The Beta Test screens in this year’s Tribeca Film Festival and comes out in November from IFC Films. You can support this podcast and read show notes with links at: rapold.substack.com Opening music: “Monserrate” by The Minarets Photo by Steve Snodgrass

Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. First I chat with Christian Petzold, the delightful director of Transit, Phoenix, Barbara, and now Undine, which comes out June 4. Undine is about a Berlin historian(Paula Beer) who may be a figure from ancient myth. She gives regular lectures in tours of the municipal museum, and eventually she connects with an industrial diver (Franz Rogowski). This being a Petzold movie, there are layers of history and myth that haunt the main plot. I reached Petzold at his office in Berlin over Zoom, with the occasional help of a translator. Then I chat with writer and critic Bruce Bennett about the director Budd Boetticher and his tightly wound westerns. Bruce also shares insights about story mechanics from his current job: writing for a true crime TV show. Our conversation went long and was so much fun that I’m publishing it in two parts. You can support this podcast and read show notes with links at: rapold.substack.com Opening music: “Monserrate” by The Minarets Photo by Steve Snodgrass