New Books in Art

In this episode, we talk with Michael Gubser about the pioneering art historian Alois Riegl, one of Eisler’s teachers in Vienna and a major influence on his thought. Then we look at Eisler’s first work on the history of religions, World Mantle and Heavenly Canopy, a massive two-volume study of ancient cosmology published in 1910. In the second half, we turn to Orpheus the Fisher: Comparative Studies in Orphic and Early Christian Cult Symbolism, larger questions about the figure of Orpheus and the idea of a widespread cult devoted to his worship in the ancient world, and even larger questions about what we can learn from “outdated” scholarship.Voice of Robert Eisler: Caleb CrawfordAdditional voices: Brian EvansMusic: “Shibbolet Baseda,” recorded by Elyakum Shapirra and His Israeli Orchestra.Guests: Michael Gubser (James Madison University) Vladimir Marchenkov (Ohio University School of Interdisciplinary Arts) and Radcliffe G. Edmonds, III (Paul Shorey Professor of Greek and Chair of the Department of Greek, Latin, and Classical Studies at Bryn Mawr College)Funding provided by the Ohio University Humanities Research Fund and the Ohio University Honors Tutorial College Internship Program.Special thanks to the Warburg Institute and the Griffith Institute at the University of Oxford.Bibliography and Further Reading--Edmonds, Radcliffe G. Redefining Ancient Orphism: A Study in Greek Religion. Cambridge: Cambridge University Press, 2013.--Eisler, Robert. Orpheus the Fisher: Comparative Studies in Orphic and Early Christian Cult Symbolism. London: J. M. Watkins, 1921.———. Weltenmantel und Himmelszelt: Religionsgeschichtliche Untersuchungen zur Urgeschichte des antiken Weltbildes. [World Cloak and Heavenly Canopy: Investigations into the Ancient Worldview through the History of Religions].Two Volumes. Munich: Oscar Beck, 1910. --Gubser, Michael. Time’s Visible Surface: Alois Riegl and the Discourse on History and Temporality in Fin-de-Siècle Vienna. Detroit: Wayne State Press, 2006.--Marchenkov, Vladimir. The Orpheus Myth and the Powers of Music. Hillsdale, NY : Pendragon Press, 2009.Follow us on Twitter: @averysquarepegAssociate Professor Brian Collins is the Drs. Ram and Sushila Gawande Chair in Indian Religion and Philosophy at Ohio University. He can be reached at collinb1@ohio,edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In The Politics of Taste: Beatriz González and Cold War Aesthetics (Duke University Press, 2019), Ana María Reyes examines the ways Colombian artist Beatriz González and Argentine-born art critic Marta Traba railed against international forms of modernism and promoted low brow or even provincial forms of art in the period of the Colombian National Front’s coalition government (1958-1974). In doing so, Reyes situates art in a pivotal moment in Colombian history where efforts to end political violence through compromise and power-sharing also led to the ushering of modernizing projects promoted initially under President Alberto Lleras Camargo. Reyes shows that art became under the purview of elites seeking to project Colombia as a modern, internationalist nation. González, on the other hand, increasingly questioned and challenged elite efforts to present modernism as the epitome of high art and culture in Colombia. In doing so, Reyes wholeheartedly adopted her role as a provocateur as a way to resist U.S. cultural interference and to preserve the marginal voices so often derided by urban elites in Bogotá. Through an examination of art, Reyes offers a refreshing perspective on the ways taste became politicized in mid-twentieth century Colombia.Sharika Crawford is an associate professor of history at the United States Naval Academy.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Photographs play a hugely influential but largely unexamined role in the practice of landscape architecture and design. Through a diverse set of essays and case studies, this seminal text unpacks the complex relationship between landscape architecture and photography. It explores the influence of photographic seeing on the design process by presenting theoretical concepts from photography and cultural theory through the lens of landscape architecture practice to create a rigorous, open discussion.Beautifully illustrated in full color throughout, with over 200 images, Anne Godfrey's Active Landscape Photography: Theoretical Groundwork for Landscape Architecture (Routledge, 2020) covers a variety of topics: the diversity of everyday photographic practices for design decision making, the perception of landscape architecture through photography, transcending the objective and subjective with photography, and deploying multiplicity in photographic representation as a means to better represent the complexity of the discipline. Rather than solving problems and providing tidy solutions to the ubiquitous relationship between photography and landscape architecture, this book aims to invigorate a wider dialogue about photography's influence on how landscapes are understood, valued and designed. Active photographic practices are presented throughout for professionals, academics, students and researchers.Anne Godfrey is an award winning professor of landscape architecture in both teaching and research at SUNY College of Environmental Science and Forestry. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

It is hard to discuss the current film industry without acknowledging the impact of comic book adaptations, especially considering the blockbuster success of recent superhero movies. Yet transmedial adaptations are part of an evolution that can be traced to the turn of the last century, when comic strips such as “Little Nemo in Slumberland” and “Felix the Cat” were animated for the silver screen. Along with Barry Keith Grant, Scott Henderson (Dean and Head, Trent University Durham GTA) compiled a rich group of essays that represent diverse academic fields, including technoculture, film studies, theater, feminist studies, popular culture, and queer studies. Comics and Pop Culture: Adaptation from Panel to Frame (University of Texas Press, 2019) presents more than a dozen perspectives on this rich history and the effects of such adaptations. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

What makes a building’s design come alive as it helps shape our existence?Listen in as I discuss this and other questions with Susie Hodge, author of The Short Story of Architecture: A Pocket Guide to Key Styles, Buildings, Elements & Materials (Laurence King Publishing, 2019)Hodge is an art and design historian, author and artist with over 150 books published for adults and children alike. She’s also a frequent contributor to magazines, museum and gallery web resources, and radio and TV news programs and documentaries.Topics covered in this episode include:--The religious, civic, and cultural buildings that most stand out for Hodge, among the book’s stellar options, with the specific emotional responses each one elicits.--Frank Lloyd Wright, Le Corbusier and Antoni Gaudi weren’t just great architects, they also had forceful, colorful personalities revealed here through select anecdotes.--Which of the houses in this book influenced the top 10 must popular house styles in America? Learn as well which rooms in their houses Americans favor the most.Dan Hill, PhD, is the author of eight books and leads Sensory Logic, Inc. To check out his “Faces of the Week” blog, visit https://emotionswizard.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Burn It Down: Feminist Manifestos for the Revolution (Verso, 2020), Breanne Fahs has curated a comprehensive collection of feminist manifestos from the nineteenth century to today. Fahs collected over seventy-five manifestos from around the world, calling on feminists to act, be defiant and show their rage. This thought-provoking and timely collection includes not only popular manifestos often taught in women and gender studies courses, but also introduces readers to works from feminist activists who are often placed on the margins. The eight sections of the book cover manifestos from a wide range of feminist activist spectrums: queer/trans, anticapitalist/anarchist, angry/violent, indigenous/women of color, sex/body, hacker/cyborg, trashy/punk, and witchy/bitchy. Fahs has put together a collection that has something for everyone and that is a must-need on every feminist bookshelf.Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

While the concept of "type" has been present in architectural discourse since its formal introduction at the end of the eighteenth century, its role in the development of architectural projects has not been comprehensively analyzed. This book proposes a reassessment of architectural type throughout history and its impact on the development of architectural theory and practice. Beginning with Laugier's 1753 Essay on Architecture, Pablo Meninato's Unexpected Affinities: The History of Type from Laugier to Duchamp (Routledge, 2018) traces type through nineteenth- and twentiethth-century architectural movements and thoeries, culminating in a discussion of the affinities between architectural type and Duchamp's concept of the readymade. Includes over sixty black and white images.Pablo Meninato, PhD is an architect, architectural critic, and educator whose research focuses on the conception and development of the architectural project. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

The “Mongol turn” in the thirteenth and fourteenth centuries forged new political, commercial, and religious circumstances in Eurasia. This legacy can be found in the “sudden appearances” of common themes, styles, motifs, and even pigments that circulated across the continents. Drawing on visual as well as textual sources from eight unique locations that spanned between Siena in Italy and Quanzhou in China, Roxann Prazniak maps out in Sudden Appearances an elaborate thirteenth-century network of cultural and commercial exchanges that “produced an ascendant materialism and intervisuality that emphasized human agency.”Join me as I discuss Sudden Appearances: The Mongol Turn in Commerce, Belief, and Art (University of Hawaii Press 2019) with Dr. Prazniak.Daigengna Duoer is a PhD student at the Religious Studies Department, University of California, Santa Barbara. Her dissertation researches on transnational/transregional networks of Buddhism in twentieth-century Inner Mongolia and Manchuria that connected to the Republic of China, Tibet, and the Empire of Japan. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Brian Greene is a Professor of Mathematics and Physics at Columbia University in the City of New York, where he is the Director of the Institute for Strings, Cosmology, and Astroparticle Physics, and co-founder and chair of the World Science Festival. He is well known for his TV mini-series about string theory and the nature of reality, including the Elegant Universe, which tied in with his best-selling 2000 book of the same name. In this episode, we talk about his latest popular book Until the End of Time: Mind, Matter, and Our Search for Meaning in an Evolving Universe (Random House, 2020)Until the End of Time gives the reader a theory of everything, both in the sense of a “state of the academic union”, covering cosmology and evolution, consciousness and computation, and art and religion, and in the sense of showing us a way to apprehend the often existentially challenging subject matter. Greene uses evocative autobiographical vignettes in the book to personalize his famously lucid and accessible explanations, and we discuss these episodes further in the interview. Greene also reiterates his arguments for embedding a form of spiritual reverie within the multiple naturalistic descriptions of reality that different areas of human knowledge have so far produced.John Weston is a University Teacher of English in the Language Centre at Aalto University, Finland. His research focuses on academic communication. He can be reached at john.weston@aalto.fi and @johnwphd. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Futurism was Russia's first avant-garde movement. Gatecrashing the Russian public sphere in the early twentieth century, the movement called for the destruction of everything old, so that the past could not hinder the creation of a new, modern society. Over the next two decades, the protagonists of Russian Futurism pursued their goal of modernizing human experience through radical art. The success of this mission has long been the subject of scholarly debate. Critics have often characterized Russian Futurism as an expression of utopian daydreaming by young artists who were unrealistic in their visions of Soviet society and naïve in their comprehension of the Bolshevik political agenda.In The Futurist Files: Avant-Garde, Politics, and Ideology in Russia, 1905–1930 (Northern Illinois University Press, 2018), Iva Glisic challenges this view, demonstrating that Futurism took a calculated and systematic approach to its contemporary socio-political reality. This approach ultimately allowed Russia's Futurists to devise a unique artistic practice that would later become an integral element of the distinctly Soviet cultural paradigm. Drawing upon a unique combination of archival materials and employing a theoretical framework inspired by the works of philosophers such as Lewis Mumford, Karl Mannheim, Ernst Bloch, Fred Polak, and Slavoj Žižek, The Futurist Files presents Futurists not as blinded idealists, but rather as active and judicious participants in the larger project of building a modern Soviet consciousness. This fascinating study ultimately stands as a reminder that while radical ideas are often dismissed as utopian, and impossible, they did―and can―have a critical role in driving social change. It will be of interest to art historians, cultural historians, and scholars and students of Russian history.Aaron Weinacht is Professor of History at the University of Montana Western, in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art