New Books in Art

In Insurgent Aesthetics: Security and the Queer Life of the Forever War (Duke University Press), Ronak K. Kapadia theorizes the world-making power of contemporary art responses to US militarism in the Greater Middle East.He traces how new forms of remote killing, torture, confinement, and surveillance have created a distinctive post-9/11 infrastructure of racialized state violence. Linking these new forms of violence to the history of American imperialism and conquest, Kapadia shows how Arab, Muslim, and South Asian diasporic multimedia artists force a reckoning with the US war on terror's violent destruction and its impacts on immigrant and refugee communities.Drawing on an eclectic range of visual, installation, and performance works, Kapadia reveals queer feminist decolonial critiques of the US security state that visualize subjugated histories of US militarism and make palpable what he terms “the sensorial life of empire.” In this way, these artists forge new aesthetic and social alliances that sustain critical opposition to the global war machine and create alternative ways of knowing and feeling beyond the forever war.Ronak K. Kapadia is an interdisciplinary scholar and cultural theorist of race, security, and empire in the late 20th and early 21st century United States.Lakshita Malik is a doctoral student in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on questions of intimacies, class, gender, and beauty in South Asia. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

As a teenager visiting the Andy Warhol Museum, Beth Pickens realized the importance of making art. As an adult, she has dedicated her life to empowering working artists. Intimate yet practical, Your Art Will Save Your Life (The Feminist Press at CUNY) helps artists build a sustainable practice while navigating the world of MFAs, residencies, and institutional funding.Beth Pickens is a Los Angeles-based consultant for artists and arts organizations. She provides career consultation, grant writing, fundraising, and financial, project, and strategic planning services for clients across the US. Before relocating to Los Angeles in 2014, Pickens was based in San Francisco and served as Senior Program Manager at Yerba Buena Center for the Arts and Managing Director of both RADAR Productions and the Queer Cultural Center.Dr. Christina Gessler’s background is in women’s history, literature, and anthropology. She works as a historian, poet, and photographer. In seeking the extraordinary in the ordinary, Gessler writes the histories of largely unknown women, poems about small relatable moments, and takes many, many photos in nature. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Those who have followed this podcast in the past, and those who follow developments in cybernetics in the present, will be no strangers to the name Ranulph Glanville. This brilliant, multiple-PhD holding polymath who co-mingled cybernetics with ethics, pedagogy, and, above all, design, has, through his voluminous body of ground-breaking papers, had a greater influence upon the field than, arguably, any scholar since Heinz von Foerster.At the 2015 Conference of the International Society for the Systems Sciences in Berlin, a group of self-proclaimed “Glanvillians” made up largely of former students and collaborators of Glanville, and a few interlopers like myself, met over a breakfast table at the Scandic Hotel, Potzdammer Platz, Berlin and, at the prompting of Thomas Fischer and Candy Herr, committed themselves to consolidating Glanville’s legacy and pointing the way to future extensions and investigations of his central claim that design is the practice of cybernetics and cybernetics is theory for design.The result is Design Cybernetics: Navigating the New (Springer) edited by Fischer and Herr. Featuring an eclectic blend of mid-career and senior scholars, the assembled chapters probe the vital relationship between conversation and design, the commitments of a radical constructivist epistemology, the virtues of being “out of control”, the embracing of error, and the seemingly paradoxical notion of getting “lost with rigour” across a wide array of artistic and scientific domains.As both the interviewer and a contributor to the book, I have, in the sprit of “walking our talk”, eschewed the erasure of error by editing and left, in full view, the meandering trail of a wandering and, at times, stumbling conversational journey featuring prolonged gaps in thinking, confusion between different articles by the same author, technical miscues, and even a pitched battle between my two cats, in order to model our commitment to process over perfection and personify Glanville’s favourite Samuel Beckett quote: “Try again, fail again, fail better.” I hope you find the stops along the way of this meandering journey as stimulating as I did.Thomas Fischer is a design researcher, epistemologist and cybernetician. He is a Professor and Director of Research at the Department of Architecture at XJTLU in Suzhou, China. Thomas is also a Visiting Associate Professor at the School of Design at The Hong Kong Polytechnic University.Christiane M. Herr is an architectural researcher and educator focusing on the areas of structural design, digitally supported design, radical constructivism, design pedagogy and traditional Chinese approaches to creative thinking. Christiane is a Senior Associate Professor at Xi’an Jiaotong-Liverpool University in China, where she directs the Master of Architectural Design as well as the Bachelor of Architectural Engineering programmes.   Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In What Does it Mean to be Post-Soviet? Decolonial Art from the Ruins of the Soviet Empire (Duke University Press, 2018), Madina Tlostanova traces how contemporary post-Soviet art mediates this human condition. Observing how the concept of the happy future—which was at the core of the project of Soviet modernity—has lapsed from the post-Soviet imagination, Tlostanova shows how the possible way out of such a sense of futurelessness lies in the engagement with activist art. She interviews artists, art collectives, and writers such as Estonian artist Liina Siib, Uzbek artist Vyacheslav Akhunov, and Azerbaijani writer Afanassy Mamedov who frame the post-Soviet condition through the experience and expression of community, space, temporality, gender, and negotiating the demands of the state and the market. In foregrounding the unfolding aesthesis and activism in the post-Soviet space, Tlostanova emphasizes the important role that decolonial art plays in providing the foundation upon which to build new modes of thought and a decolonial future.Madina Tlostanova is professor of postcolonial feminisms at Linköping University (Sweden).Steven Seegel is professor of history at University of Northern Colorado. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

The prolific artistic production of Vesna Kittelson always maintains autobiographical connections: her installations of deconstructed books and her luminous drawings of fountains recall her childhood in Split, Croatia; her early color field paintings represent people and places she remembers; her war paintings portray the tragedy and emotion experienced in Bosnia and Herzegovina, as well as her reactions to the 9/11 attack in the United States; the brilliant botanical watercolors in her artist’s books result from her research on Charles and Emma Darwin; and her dynamic cutout portraits of her students reveal bonds with fellow artists and immigrants of a later generation. A vital participant in the Minneapolis arts community for decades, Kittelson demonstrates her strong passion for creativity through her ever-evolving practice and extensive international career.Today I talked to Vesna about Synthesis: Lost and Found in America: The Art of Vesna Kittelson (Afton Historical Society Press-University of Minnesota Press, 2020)Contributors to the book include: Heather Carroll, Minnesota History Museum; Wendy Fernstrum; Joanna Inglot, Macalester College; Lyndel King, Weisman Art Museum; Camille LeFevre; John Lyon, Walker Art Center; Kerry A. Morgan, Minnesota College of Art and Design; Marcia Reed, Getty Research Institute; Susannah Schouweiler, Weisman Art Museum.Kirstin L. Ellsworth is an Associate Professor of Art History at California State University Dominguez Hills. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

How has social media changed inequality in the cultural industries? In The Politics of Expertise in Cultural Labour: Arts, Work and Inequalities (Rowman and Littlefield, 2020), Karen Patel, AHRC Leadership Fellow based at Birmingham Centre for Media and Cultural Research, Birmingham City University, considers the idea of expertise in cultural labour, examining how it is understood and displayed by cultural workers.The book draws on an extensive and deep engagement with key theories of work, expertise, and culture, as well as offering detailed empirical case studies of the everyday working lives of creative practitioners. Moreover, by analyzing the impact and importance of social media, the book offers an important insight into how inequality functions even where technology seems to offer an end to cultural hierarchy. The book is essential reading across the humanities and social sciences, as well as for anyone interested in contemporary culture. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Nozomi Naoi’s Yumeji Modern: Designing the Everyday in Twentieth-Century Japan (University of Washington Press, 2020) is the first book-length English-language study of one of Japan’s iconic twentieth-century artists, Takehisa Yumeji (1884–1934).While he is most famous for portraits of beautiful women and stylish graphic design―which remain enormously popular and ubiquitous in today’s Japan―Yumeji’s output was not only prolific but also diverse. He began as an illustrator for socialist magazines, was a key figure in the revival and reinvention of the woodblock print as a modern medium, and produced astute and evocative portrayals of the 1923 Great Kanto Earthquake that devastated the Tokyo area. He was also a mentor to young artists and writers, and as Naoi shows, Yumeji created not just a recognizable style and brand, but also an alternative space of artistic production in the early twentieth century. Naoi situates Yumeji’s career within the evolving social, artistic, and technological contexts of his time, drawing our attention to his involvement with new reprographic technologies and commercial design. Additionally, by the inclusion of a substantial body of primary sources―including his 21-part earthquake reportage―in both the original and English translation, Naoi’s book is both an outstanding and accessible art history book, but a resource for future research.And because podcasts are not the ideal visual medium, check out the links below to see some of Yumeji’s artwork and learn more.Nozomi Naoi on “Yumeji Modern” and finding the “moon-viewing” momentEnvisioning East Asian Art History, Highlights of Yumeji Modern (2 videos)  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In Savage Tales: The Writings of Paul Gauguin (Yale University Press, 2019), Linda Goddard investigates the role that Paul Gauguin’s writings played in his artistic practice and in his negotiation of his colonial identity.As a French artist who lived in Polynesia, Gauguin occupies a crucial position in histories of European primitivism, but this is the first book to be devoted to his wide-ranging literary output, including his journalism, travel writing, art criticism, and essays on aesthetics, religion, and politics.In the book, Dr. Goddard analyzes what are often richly illustrated manuscripts and she counters the tendency to interpret these writings merely as a source of information about his life. Instead, she reveals how the seemingly haphazard structure of Gauguin’s manuscripts were an important part of an artistic practice that ranged across media, one that enabled him to evoke the “primitive” culture that he so celebrated.This critical analysis of his writings significantly enriches our understanding of the complexities of artistic encounters in the French colonial context.Linda Goddard is senior lecturer in art history at the University of St. Andrews.Allison Leigh is Assistant Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In American Daredevil: Comics, Communism, and The Battles of Lev Gleason (Chapterhouse Publishing, 2020), Brett Dakin, Gleason’s great-nephew delves into the life of his famous relative.Gleason rose to the top of the comic publishing world during its Golden Age, publishing Daredevil and Crime Does Not Pay among other titles. Dakin explores the family archives and FBI files to give readers a comprehensive look into the life of Gleason and his Progressive activism.Gleason’s experiences with the House Un-American Activities Committee and Dr. Frederic Wertham and other Anti-Comic activists give a glimpse into important political and social activism of the 1940s and 50s in American history. Dakin not only presents the story of Great-Uncle Lev, but he also gives readers insight into his research into Gleason’s life, career, and disappearance from public.Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Junior Tomlin: Flyer & Cover Art (Velocity Press, 2020) showcases the artwork of Junior Tomlin. Featuring flyers and record covers Tomlin has created for the rave scene starting in the late 1980s, this is the first book which comprehensively and cohesively documents his work in this important UK subculture. Raised in Ladbroke Grove, west London, Tomlin’s Afrofuturism work is influenced by surrealism, science fiction, futurism, and comics. Tomlin has been dubbed “The Salvador Dali of Rave” and this magnificent collection of his work speaks to why.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art