New Books in Art

Some fields have an easier time describing themselves than others. "History is the study of past events." "Biology is the study of living organisms." But art? Is art a discipline? Is it a practice? Who gets to answer this most fundamental of questions, and why do we prefer not to try? Between Discipline and a Hard Place, written from the perspective of a practising artist, proposes that, against a groundswell of historians, museums and commentators claiming to speak on behalf of art, it is artists alone who may define what art really is.Between Discipline and a Hard Place is a passionate treatise arguing for a new way of understanding art that forefronts the role of the artist and the importance of inclusion within both the concept of art and the art world.Alana Jelinek speaks to Pierre d'Alancaisez about a disciplined and disciplinary approach to thinking about art and its value outside the current preoccupation with economic considerations and the great potential of interdisciplinary working.Alana Jelinek is an artist and a researcher at the University of Hertfordshire. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Stephanie Khattak speaks with Carole Ann King, who, along with Mary Elizabeth “Sunshine” Johnson Huff, wrote Alabama Quilts: Wilderness Through World War II, 1682-1950 (UP of Mississippi, 2020).Alabama Quilts is a look at quilts of the state from before Alabama was part of the Mississippi Territory through the Second World War—a period of 268 years. The quilts are examined for their cultural context. This lens includes the community and time, the lives of the makers and role of women, and the events for which the quilts were made.Stephanie Khattak is a writer, artist, historian and folklore enthusiast. Visit stephaniekhattak.com to learn more, and connect on Twitter: @steph_khattak, Facebook: @khattakstudios or Instagram: @pinecurtainproject. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Boredom is a ubiquitous feature of modern life. Endured by everyone, it is both cause and effect of modernity, and of situations, spaces and surroundings. As such, this book argues, boredom shares an intimate relationship with architecture-one that has been seldom explored in architectural history and theory.Boredom, Architecture, and Spatial Experience (Bloomsbury, 2021) investigates that relationship, showing how an understanding of boredom affords us a new way of looking at and understanding the modern experience. It reconstructs a series of episodes in architectural history, from the 19th century to the present, to survey how boredom became a normalized component of the everyday, how it infiltrated into the production and reception of architecture, and how it serves to diagnose moments of crisis in the continuous transformations of the built environment.Erudite and innovative, the work moves deftly from architectural theory and philosophy to literature and psychology to make its case. Combining archival material, scholarly sources, and illuminating excerpts from conversations with practitioners and thinkers-including Charles Jencks, Rem Koolhaas, Sylvia Lavin, and Jorge Silvetti-it reveals the complexity and importance of boredom in architecture.Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Anne Bogart's The Art of Resonance (Methuen Drama, 2021) locates the essence of theatre in the experience of resonant vibration among performers and between performers and audience members. The point of art, Bogart argues, is not to express oneself, but rather to create the conditions for "re-sounding," a process that requires both fully engaged performers and a fully engaged audience. Bogart draws on examples from music to physics to neuroscience in a book of essays that is animated by the same restless curiosity that characterizes her ground-breaking directing. This is a book for anyone interested in the profound question of why we are drawn to the theatre both as artists and as audiences.Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

How does colonialism still shape museums today? In Cataloguing Culture: Legacies of Colonialism in Museum Documentation (UBC Press, 2020), Hannah Turner, an assistant professor in the School of Information at the University of British Columbia, reveals the complex history of cataloguing museum collections. Using a case study of The Smithsonian, the book details the material practices that underpin the contested collections of the National Museum of Natural History. Turner’s research charts the early uses of ledgers and record books, through the use of drawings, card catalogues, and typed records, to computerisation of the collections’ records. The analysis has important implications for contemporary debates over repatriation of collections, and the book is powerful illustration of the importance of understanding the long shadow of colonial practices and knowledges on the contemporary institution. Cataloguing Culture is essential reading for practitioners and academics, as well as for anyone interested in the past, and the future, of museums. Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Digital tools have launched architecture into a dizzying new era, one in which wood, stone, metal, glass, and other traditional materials are augmented by pixels and code. In The Materiality of Architecture (U Minnesota Press, 2021), an eminent thinker examines what, exactly, the building blocks of architecture have meant over the centuries and how technology may—or may not—be changing how we think about them.Antoine Picon argues that materiality is not only about matter and that the silence and inscrutability—the otherness—of raw materials work against humanity’s need to live in a meaningful world. He describes how people define who they are, in part, through their specific physical experience of architectural materials and spaces. Indeed, Picon asserts, the entire paradox of the architectural discipline consists in its desire to render matter expressive to human beings. Through a retrospective review of canonical moments in Western European architecture, Picon offers an original perspective on the ways materiality has varied throughout centuries, demonstrating how experiences of the physical world have changed in relation to the evolution of human subjectivity.Ultimately, Picon concludes that computer-based design methods are not an abrupt departure from previous architectural traditions but rather a new way for architects to control material resources. The result reinforces the fundamentally humanistic nature of architectural endeavor with an increasing sense of design freedom and a release from material constraint in the digital era.Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In this episode, Howard talks with Matthias Wivel, the Aud Jepsen Curator of Sixteenth-Century Italian Paintings at The National Gallery, about what it’s like to look after one of the world’s most celebrated collections, the challenges of mounting international exhibitions and the power of art.Howard Burton is the founder of Ideas Roadshow and host of the Ideas Roadshow Podcast. He can be reached at howard@ideasroadshow.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In a world that demands faith in progress and growth, Limbo (Fitzcarraldo, 2019) is a companion for the stuck, the isolated, delayed, stranded and those in the dark. Fusing memoir with a meditation on creative block and a cultural history of limbo, Dan Fox considers the role that fallow periods and states of inbetween play in art and life. Limbo is an essay about getting by when you can't get along, employing a cast of artists, ghosts and sailors - including the author's older brother who, in 1985, left England for good to sail the world - to reflect on the creative, emotional and political consequences of being stuck, and its opposites. From the Headington Shark to radical behavioural experiments, from life aboard a container ship to Sun Ra's cosmology, Limbo argues that there can be no growth without stagnancy, no movement without inactivity, and no progress without refusal. Sergio Lopez-Pineiro (Harvard Graduate School of Design) interviews authors on how the portrayal and use of emptiness and allied concepts (such as voids, nothingness, or limbo) in philosophical, political, religious, and social studies are influenced by the imagination and construction of physical space. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Howard chats with Dang Qun, one of the three founding partners of Beijing-based MAD architects, about aesthetics, history, cultural distinctiveness and architecture's unique balance of the concrete and ethereal. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

The scientists affiliated with the early Royal Society of London have long been regarded as forerunners of modern empiricism, rejecting the symbolic and moral goals of Renaissance natural history in favor of plainly representing the world as it really was. In Aesthetic Science, Alexander Wragge-Morley challenges this interpretation by arguing that key figures such as John Ray, Robert Boyle, Nehemiah Grew, Robert Hooke, and Thomas Willis saw the study of nature as an aesthetic project.To show how early modern naturalists conceived of the interplay between sensory experience and the production of knowledge, Aesthetic Science: Representing Nature in the Royal Society of London, 1650-1720 (U Chicago Press, 2020) explores natural-historical and anatomical works of the Royal Society through the lens of the aesthetic. By underscoring the importance of subjective experience to the communication of knowledge about nature, Wragge-Morley offers a groundbreaking reconsideration of scientific representation in the early modern period and brings to light the hitherto overlooked role of aesthetic experience in the history of the empirical sciences.Alexander Wragge-Morley is a lecturer in the history of science and medicine at the University of Lancaster. His research seeks to understand how people in the past obtained knowledge through sensory experience. In doing so, he brings together histories of science, medicine, the body, the neurosciences, art, literature, and religion.Alexandra Ortolja-Baird is Lecturer in Digital History and Culture at the University of Portsmouth. She tweets at @timetravelallie. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art