New Books in Art

If one were to devise a motto for the art school of today, the choice between 'you too are an artist' and 'abandon all hope you who enter here' would be difficult. Despite significant changes in mainstream art education in recent decades, many anglophone art schools have not abandoned the principal tools of the masterclass or the crit that stem from some stubborn 18th-century ideas and the belief that creativity is the preserve of the artistic genius. Considering these histories can shed light on the role of the art school in the 21st century.Research on art schools has been largely occupied with the facts of particular schools and teachers. Michael Newall's A Philosophy of the Art School (Routledge, 2021) presents a philosophical account of the underlying practices and ideas that have come to shape contemporary art school teaching in the UK, US and Europe. It analyses two models that, hidden beneath the diversity of contemporary artist training, have come to dominate art schools. The book draws on first-hand accounts of art school teaching and is deeply informed by disciplines ranging from art history and art theory to the philosophy of art, education and creativity.Michael Newall speaks to Pierre d'Alancaisez about the masterclass and the crit, the pervasive idea of the Romantic genius, creative disagreements with Kant, and the lessons for the future that a historical perspective may offer.Michael Newall is a programme leader in art and philosophy at the University of Kent. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In this episode of QUEER VOICES OF THE SOUTH, I talk with ANDREW J. KUNKA, who is a professor of English and division chair at the University of South Carolina Sumter. He is the author of the book Autobiographical Comics and has also published articles and book chapters on Will Eisner, Kyle Baker, Doug Moench, Jack Katz, and Dell Comics.The Life and Comics of Howard Cruse: Taking Risks in the Service of Truth (Rutgers UP, 2021) tells the remarkable story of how a self-described “preacher’s kid” from Birmingham, Alabama, became the so-called “Godfather of Gay Comics.” This study showcases a remarkable fifty-year career that included working in the 1970s underground comics scene, becoming founding editor of the groundbreaking anthology series Gay Comix, and publishing the graphic novel Stuck Rubber Baby, partially based on his own experience of coming of age in the Civil Rights era.Through his exploration of Cruse’s life and work, Andrew J. Kunka also chronicles the dramatic ways that gay culture changed over the course of Cruse’s lifetime, from Cold War-era homophobia to the gay liberation movement to the AIDS crisis to the legalization of gay marriage. Highlighting Cruse’s skills as a trenchant satirist and social commentator, Kunka explores how he cast a queer look at American politics, mainstream comics culture, and the gay community’s own norms.Lavishly illustrated with a broad selection of comics from Cruse’s career, this study serves as a perfect introduction to this pioneering cartoonist, as well as an insightful read for fans who already love how his work sketched a new vision of gay life.Morris Ardoin is the author of Stone Motel – Memoirs of a Cajun Boy (2020, University Press of Mississippi), which was optioned for TV/film development in 2021. A communications leader in health care, immigration and asylum, and higher education, his work has appeared in national and international media. He divides his time between New York City and Cornwallville, New York, where he does most of his writing. His blog, “Parenthetically Speaking,” which focuses on life as a writer, home cook, and Cajun New Yorker, can be found at www.morrisardoin.com. Twitter: @morrisardoin Instagram: morrisardoin. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In Becoming Palestine: Toward an Archival Imagination of the Future (Duke UP, 2021), Gil Z. Hochberg examines how contemporary Palestinian artists, filmmakers, dancers, and activists use the archive in order to radically imagine Palestine's future. She shows how artists such as Jumana Manna, Kamal Aljafari, Larissa Sansour, Farah Saleh, Basel Abbas, and Ruanne Abou-Rahme reimagine the archive, approaching it not through the desire to unearth hidden knowledge, but to sever the identification of the archive with the past. In their use of archaeology, musical traditions, and archival film and cinematic footage, these artists imagine a Palestinian future unbounded from colonial space and time. By urging readers to think about archives as a break from history rather than as history's repository, Hochberg presents a fundamental reconceptualization of the archive's liberatory potential.Gil Hochberg is Ransford Professor of Hebrew and Comparative Literature, and Middle East Studies at Columbia University and Chair of MESAAS.Fulya Pinar is a PhD candidate in the department of Anthropology at Rutgers University. Her work focuses on alternative solidarities, refugee care, and displacement in Turkey and the Middle East. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

How can we make creative industries fair and inclusive? In Reimagining the Creative Industries: Youth Creative Work, Communities of Care (Routledge, 2021), Miranda Campbell, an associate professor in the School of Creative Industries at Ryerson University, explores this question theoretically and empirically to present a new vision for both young creative workers and creative production itself. Drawing on ideas of ordinariness and the everyday, along with the need for care and inclusivity, the book is critical of current creative industry practice at corporate level, whilst offering new models and new methods for making culture. With examples from a range of art and cultural forms, the book is essential reading for creative industries, arts and humanities, and social science scholars, as well as for creative practitioners everywhere.Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Mary Sully was many things: a Dakota woman, an artist, and an American living through a heyday of early celebrity culture in the United States. All of these facets of her life and of her context are present in her art. In Becoming Mary Sully: Toward an American Indian Abstract (University of Washington Press, 2019), Harvard University professor and OAH President (and direct Sully relative) Phil Deloria uncovers Sully's artwork, long tucked away in family attics, and explains why it matters. Deloria argues that Sully's abstract "personality prints" representing various American celebrities of the early 20th century placed her outside the mainstream of the often "primitivist" Native art world of the era. Instead, Sully planted one foot firmly in modernism, while keeping the other rooted in Native art traditions, making her impossible to classify as one thing or another. Deloria tells a remarkably personal and beautiful story of an unheralded master of visual arts gazing into a new American and American Indian future and representing what she sees in vibrant color and intricate patterns, defying easy categorization and expectation.Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In 2021, a team of divers led by renowned maritime archaeologist Dr Michael Flecker and sponsored by the ISEAS-Yusof Ishak Institute surveyed two historic shipwrecks discovered in the Singapore Strait, working for several months to bring their submerged cargos to the surface. Chinese trade ceramics found in these cargos date their demise to the fourteenth and eighteenth centuries – pivotal moments in the history of the globe-spanning China Trade. The most intriguing aspect of this salvage operation, however, is the discovery in the remains of the older vessel of the most substantial cargo of Yuan-dynasty blue-and-white porcelain yet found in Southeast Asian waters.Joining Dr Natali Pearson on SSEAC Stories, Dr Alex Burchmore argues that these discoveries provide valuable insights into the complex interactions between China and Southeast Asia, allowing us to reposition Southeast Asia at the centre of historic trade narratives. Through the international trade of Chinese ceramics, Dr Burchmore invites us to reimagine the past, rethinking traditional narratives of Chineseness across the region, as well as Australia’s identity in the Asia-Pacific.About Alex Burchmore:Dr Alex Burchmore is an art historian specialising in the study of Chinese and Southeast Asian art, past and present, with a particular focus on ceramics, trade and exchange, and the interweaving of the personal and material. Alex received his PhD from the Australian National University in 2019 and joined the University of Sydney’s Museum and Heritage Studies department in 2021. His first book, New Export China: Translations Across Time and Place in Contemporary Chinese Porcelain Art (University of California Press, 2023), traces the extent to which artists within and beyond China have used porcelain to shape their personal, historical, and cultural identities, from the 1990s to the present. His recent publications include a study of the ‘material Chineseness’ of ink and porcelain in the Australian and New Zealand Journal of Art and a chapter dedicated to the ‘fugitive luxury’ of contemporary Chinese ceramics in The Allure of Matter: Materiality Across Chinese Art (University of Chicago Press, 2021).For more information or to browse additional resources, visit the Sydney Southeast Asia Centre’s website: www.sydney.edu.au/sseac. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Architecture and the Senses in the Italian Renaissance: The Varieties of Architectural Experience (Cambridge UP, 2021) is the first study of Renaissance architecture as an immersive, multisensory experience that combines historical analysis with the evidence of first-hand accounts. Questioning the universalizing claims of contemporary architectural phenomenologists, David Karmon emphasizes the infinite variety of meanings produced through human interactions with the built environment. His book draws upon the close study of literary and visual sources to prove that early modern audiences paid sustained attention to the multisensory experience of the buildings and cities in which they lived. Through reconstructing the Renaissance understanding of the senses, we can better gauge how constant interaction with the built environment shaped daily practices and contributed to new forms of understanding. Architecture and the Senses in the Italian Renaissance offers a stimulating new approach to the study of Renaissance architecture and urbanism as a kind of 'experiential trigger' that shaped ways of both thinking and being in the world.Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

What does artistic resistance look like in the twenty-first century, when disruption and dissent have been co-opted and commodified in ways that reinforce dominant systems? In The Play in the System: The Art of Parasitical Resistance (Duke UP, 2020), Anna Watkins Fisher locates the possibility for resistance in artists who embrace parasitism, a tactic of complicity that effect subversion from within hegemonic structures.Anna Watkins Fisher speaks to Pierre d'Alancaisez about the underhand tactics of the parasite - artists like the collective Ubermorgen, Núria Güell, the writer Chris Krauss, or Roisin Byrne - by which it appropriates the logic of their hosts - Amazon, the Spanish State, Dick, and in the case of Byrne, Watkins Fisher herself. Ubermorgen, Amazon Noir Núria Güell, Stateless by Choice, Humanitarian Aid Marina Abramović, The Artist is Present Ann Liv Young archive.org capture, Sheryl Is Present Lauren Barri Holstein Anna Watkins Fisher is a cultural and media theorist whose research spans the fields of digital studies, performance studies, visual culture, environmental humanities, and critical theory. She is an associate professor in the Department of American Culture at the University of Michigan, Ann Arbor.The Play in the System is available as an open-source download.Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Shajar al-Durr--known as "Tree of Pearls"--began her remarkable career as a child slave, given as property to Sultan Salih of Egypt. She became his concubine, was manumitted, became his wife, served as governing regent, and ultimately rose to become the legitimately appointed sultan of Egypt in 1250 after her husband's death. Shajar al-Durr used her wealth and power to add a tomb to his urban madrasa; with this innovation, madrasas and many other charitably endowed architectural complexes became commemorative monuments, a practice that remains widespread today. A highly unusual case of a Muslim woman authorized to rule in her own name, her reign ended after only three months when she was forced to share her governance with an army general and for political expediency to marry him.Despite the fact that Shajar al-Durr's story ends tragically with her assassination and hasty burial, her deeds in her lifetime offer a stark alternative to the continued belief that women in the medieval period were unseen, anonymous, and inconsequential in a world that belonged to men. D. Fairchild Ruggles' Tree of Pearls: The Extraordinary Architectural Patronage of the 13th-Century Egyptian Slave-Queen Shajar Al-Durr (Oxford UP, 2020)--the first ever in English--places the rise and fall of the sultan-queen in the wider context of the cultural and architectural development of Cairo, the city that still holds one of the largest and most important collections of Islamic monuments in the world.Tanja Tolar is a Senior Teaching Fellow at the School of Oriental and African Studies in London. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Founded in 1676 during a cosmopolitan early modern period, Mindröling monastery became a key site for Buddhist education and a Tibetan civilizational center. Its founders sought to systematize and institutionalize a worldview rooted in Buddhist philosophy, engaging with contemporaries from across Tibetan Buddhist schools while crystallizing what it meant to be part of their own Nyingma school. At the monastery, ritual performance, meditation, renunciation, and training in the skills of a bureaucrat or member of the literati went hand in hand. Studying at Mindröling entailed training the senses and cultivating the objects of the senses through poetry, ritual music, monastic dance, visual arts, and incense production, as well as medicine and astrology.Dominique Townsend investigates the ritual, artistic, and cultural practices inculcated at Mindröling to demonstrate how early modern Tibetans integrated Buddhist and worldly activities through training in aesthetics. Considering laypeople as well as monastics and women as well as men, A Buddhist Sensibility: Aesthetic Education at Tibet's Mindröling Monastery (Columbia UP, 2021) sheds new light on the forms of knowledge valued in early modern Tibetan societies, especially among the ruling classes. Townsend traces how tastes, values, and sensibilities were cultivated and spread, showing what it meant for a person, lay or monastic, to be deemed well educated. Combining historical and literary analysis with fieldwork in Tibetan Buddhist communities, this book reveals how monastic institutions work as centers of cultural production beyond the boundaries of what is conventionally deemed Buddhist.Jue Liang is scholar of Buddhism in general, and Tibetan Buddhism in particular. My research examines women in Tibetan Buddhist communities past and present using a combination of textual and ethnographical studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art