New Books in Art

Manuscripts teem with life. They are not only the stuff of history and literature, but they offer some of the only tangible evidence we have of entire lives, long receded.Hidden Hands: The Lives of Manuscripts and Their Makers (Riverrun, 2021) tells the stories of the artisans, artists, scribes and readers, patrons and collectors who made and kept the beautiful, fragile objects that have survived the ravages of fire, water and deliberate destruction to form a picture of both English culture and the wider European culture of which it is part.Without manuscripts, she shows, many historical figures would be lost to us, as well as those of lower social status, women and people of colour, their stories erased, and the remnants of their labours destroyed.From the Cuthbert Bible, to works including those by the Beowulf poet, Margery Kempe, Julian of Norwich, Sir Thomas Malory, Chaucer, the Paston Letters and Shakespeare, Mary Wellesley describes the production and preservation of these priceless objects. With an insistent emphasis on the early role of women as authors and artists and illustrated with over fifty colour plates, Hidden Hands is an important contribution to our understanding of literature and history.Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

The ongoing debate surrounding who gets to determine the subjects of public commemoration, particularly in the form of statues, has become more heated over the past few years. In his timely book, A History of Love and Hate in 21 Statues (Aurum Press, 2021), Peter Hughes examines the long history of statues being used to articulate the values of rulers, governments, organizations, and average citizens. Of course, that also means statues are often targets of people who want to challenge those values.In this wide-ranging conversation, we discuss whether the motivation for public commemorations, as well as the opposition to them, can be found first and foremost in a society’s emotional relationship to the person (or god, for that matter) being commemorated, as is suggested in the book’s title; or, if the timeless debate over who does and doesn’t get commemorated is really about power.Lia Paradis is a professor of History at Slippery Rock University and co-host of the NBN partner podcast, Lies Agreed Upon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Ella Hawkins talks about the biscuits she makes, inspired by her research on Elizabethan dress, and on everything from William Morris wallpapers to TV shows like Outlander and Game of Thrones. She also talks about her upcoming monograph, titled Shakespeare in Elizabethan Costume: ‘Period Dress’ in Twenty-First-Century Performance (forthcomin from Bloomsbury), which examines how early modern garments are recycled and reimagined in contemporary costume design for Shakespeare.(You’ll hear Saronik trying, and failing, to recall something Oscar Wilde said. Turns out he was slightly misremembering the exact quote; it’s in “The Soul of Man Under Socialism” and the passage begins with the sentence: “Now, I have said that the community by means of organisation of machinery will supply the useful things, and that the beautiful things will be made by the individual.”)Ella is a design historian and artist based in Birmingham, England. She has a PhD in Shakespeare Studies and specializes in the study of stage and costume design, dress history, and material culture. Drawing on her academic work, Ella creates edible art inspired by museum collections, art history, and costumes designed for the stage and screen. She uses a range of decorative techniques to make iced biscuit sets that celebrate the material culture of the past and present.Ella has previously worked with the Victoria & Albert Museum, the Shakespeare Birthplace Trust, and the Royal Shakespeare Company on various projects relating to design and theatre history.(For our American listeners, ‘biscuit’ in this case means ‘cookie’.)Image: Assortment of Ella’s biscuitsMusic used in promotional material: ‘pastorale’ by Dee Yan-Key Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Labour has taken an about-turn. From Adam Smith’s proposal for specialisation which saw the factory line reorganised so that each worker needed to understand only a small aspect of the production process, many industries now rely on access to specialised skills and resources that are commanded at-hoc in discrete, time- and output-bound chunks.This is the logic of projects. The workforce no longer dedicates itself to the making of a singular commodity, as it was the case with Smith, but bids for discrete pieces of work when those are in demand. In some industries, for example, in the art world, the workforce is also charged with building the demand for their work by initiating the project which would then employ them.The ABC of the Projectariat: Living and Working in a Precarious Art World (Manchester UP, 2021) by Kuba Szreder contributes new thinking on and practical responses to the widespread problem of precarious labour in contemporary art. It is both a critical analysis and a practical handbook, speaking to and about the vast cohort of artistic freelancers worldwide. Kuba Szreder speaks to Pierre d’Alancaisez about the artistic project, and the effects of projectarisation on workers’ solidarity, communal governance, and the precarity of artistic activity.Kuba Szreder is a lecturer in the department of art theory at the Academy of Fine Arts in Warsaw. He combines his research with independent curatorial practice. His previous publications include Joy Forever: Political Economy of Social Creativity (2011) and Art Factory: Division of Labor and Distribution of Resources in the Field of Contemporary Art in Poland (2014). In 2018, together with Kathrin Böhm, he initiated Centre for Plausible Economies, a cluster devoted to reimagining economies of contemporary art and using artistic imagination to redraw the economy at large. A report on the Free/Slow University of Warsaw Pierre’s interview with François Matarasso on community art Pierre’s essay on the social artist’s absorption into the professional-managerial class Kuba’s work with Kathrin Böhm (Company Drinks/myvillages) on the Centre for Plausible Economies, which contributed to Documenta 15 A New Books Network Interview with Dave O’Brien et al on Culture is Bad for You Pierre’s review of Sam Friedman’s and Daniel Laurison’s The Class Ceiling Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

The Hygienic Apparatus: Weimar Cinema and Environmental Disorder (Northwestern UP, 2022) traces how the environmental effects of industrialization reverberated through the cinema of Germany’s Weimar Republic. In the early twentieth century, hygiene encompassed the myriad attempts to create healthy spaces for life and work amid the pollution, disease, accidents, and noise of industrial modernity. Examining classic films—including The Last Laugh, Faust, and Kuhle Wampe—as well as documentaries, cinema architecture, and studio practices, Paul Dobryden demonstrates how cinema envisioned and interrogated hygienic concerns about environmental disorder.Framing hygiene within the project of national reconstruction after World War I, The Hygienic Apparatus explores cinema’s material contexts alongside its representations of housework, urban space, traffic, pollution, disability, aging, and labor. Reformers worried about the health risks associated with moviegoing but later used film to popularize hygienic ideas, encouraging viewers to see the world and themselves in relation to public health objectives. Modernist architecture and design fashioned theaters into regenerative environments for fatigued spectators. Filmmakers like F. W. Murnau and Slatan Dudow, meanwhile, explored the aesthetic and political possibilities of dirt, contagion, intoxication, and disorder. Dobryden recovers a set of ecological and biopolitical concerns to show how the problem of environmental disorder fundamentally shaped cinema’s relationship to modernity. As accessible as it is persuasive, the book adds to a growing body of scholarship on biopolitics within German studies and reveals fresh ways of understanding the apparatus of Weimar cinema.Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

With I Am Jugoslovenka!: Feminist Performance Politics During and After Yugoslav Socialism (Manchester UP, 2022), Jasmina Tumbas examines forms of feminist political and artistic engagement in Yugoslavia and its successor nations. By bringing together a wide range of materials—from performance and conceptual art, video works, film and pop music, lesbian activism, and press photos of female snipers in the Yugoslav wars—this study reveals that performative representations of women’s emancipation were crucial for the rise of gender equality in the socialist project. Covering celebrated and lesser-known artists from the 1970s to today, I am Jugoslovenka offers a unique insight into the struggles and ambitions of Yugoslav women through the intersection of feminism, socialism, and nationalism in visual culture.Jasmina Tumbas is an Assistant Professor of Contemporary Art History and Performance Studies in the Department of Global Gender and Sexuality Studies at the University at Buffalo. Her research interests include feminist histories and theories of performance, body and conceptual art, art and activism, the politics of contemporary visual culture, socialist film, gender and sexuality in Eastern Europe after the Second World War, and contemporary activist art practices by ethnic Roma in the Balkan region.Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Images of Japanese and Japanese American women can teach us what it meant to be visible at specific moments in history. In Shadow Traces: Seeing Japanese/American and Ainu Women in Photographic Archives (U Illinois Press, 2022), Elena Tajima Creef employs an Asian American feminist vantage point to examine ways of looking at indigenous Japanese Ainu women taking part in the 1904 Louisiana Purchase Exposition; Japanese immigrant picture brides of the early twentieth century; interned Nisei women in World War II camps; and Japanese war brides who immigrated to the United States in the 1950s. Creef illustrates how an against-the-grain viewing of these images and other archival materials offers textual traces that invite us to reconsider the visual history of these women and other distinct historical groups. As she shows, using an archival collection's range as a lens and frame helps us discover new intersections between race, class, gender, history, and photography.Innovative and engaging, Shadow Traces illuminates how photographs shape the history of marginalized people and outlines a method for using such materials in interdisciplinary research. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Today I talked to Lilianne Milgrom about L' Origine: The Secret Life of the World's Most Erotic Masterpiece (Girl Friday Books, 2021).In 1866, maverick French artist Gustave Courbet painted one of the most iconic images in the history of art: a sexually explicit portrait of a woman's exposed genitals. Audaciously titled L'Origine du monde (The Origin of the World), the scandalous painting was kept hidden for a century and a half. Today, it hangs in the world-renowned Orsay Museum in Paris, viewed by millions of visitors a year.As the first artist authorized by the Orsay Museum to re-create Courbet's The Origin of the World, author Lilianne Milgrom was thrust into the painting's intimate orbit, spending six weeks replicating every fold, crevice, and pubic hair. The experience inspired her to share her story and the painting's riveting clandestine history with readers beyond the confines of the art world.Pallavi Joshi is a PhD Candidate in French Studies at the University of Warwick. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Wanda M. Corn's book Georgia O'Keeffe: Living Modern (Prestel Publishing, 2017) explores how Georgia O’Keeffe lived her life steeped in modernism, bringing the same style she developed in her art to her dress, her homes, and her lifestyle.Richly illustrated with images of her art and views of the two homes she designed and furnished in New Mexico, the book also includes never before published photographs of O’Keeffe’s clothes. The author has attributed some of the most exquisite of these garments to O’Keeffe, a skilled seamstress who understood fabric and design, and who has become an icon in today’s fashion world as much for her personal style as for her art. As one of her friends stated, O’Keeffe “never allowed her life to be one thing and her painting another.” This fresh and carefully researched study brings O’Keeffe’s style to life, illuminating how this beloved American artist purposefully proclaimed her modernity in the way she dressed and posed for photographers, from Alfred Stieglitz to Bruce Weber. This beautiful book accompanied the first museum exhibition to bring together photographs, clothes, and art to explore O’Keeffe’s unified modernist aesthetic.WANDA M. CORN is Robert and Ruth Halperin Professor Emerita in Art History at Stanford University in Palo Alto, California. Her publications include Grant Wood: The Regionalist Vision; The Great American Thing: Modern Art and National ldentity, 7975-7935; and Seeing Gertrude Stein: Five Stories.Susan Grelock-Yusem, PhD, is an independent scholar trained in depth psychology, with an emphasis on community, liberation, and eco-psychologies. Her work centers around interconnection and encompasses regenerative food systems, the arts and conservation. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Sarah Teasley's Designing Modern Japan (Reaktion, 2022) unpicks the history of Japanese design from the mid-nineteenth century to the end of the twentieth, focusing on continuities and disruptions within communities and practices of design. Designing Modern Japan explores design in the unfolding contexts of modernization, empire and war, defeat and reconstruction, postwar economic acceleration, and beyond. Throughout, Teasley is sensitive to issues of gender and class within the communities of design she studies. The book combines the history of design with social, economic, and geopolitical history, placing design and its material objects carefully in the larger currents of modern and contemporary Japan. Designing Modern Japan is a history of both the people who shaped Japanese design and the designs that were integral to life in modern Japan.Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art