Between The Covers : Conversations with Writers in Fiction, Nonfiction & Poetry

“Idra Novey, an acclaimed poet & translator of Spanish & Portuguese literature, has written a debut novel that’s a fast-paced, beguilingly playful, noirish literary mystery with a translator at its center. Ways to Disappear explores the meaning behind a writer’s words—the way they can both hide & reveal deep truths. . . . Yes, there’s carnage, but there’s also exuberant love, revelations of long-buried, unhappy secrets, ruminations about what makes a satisfying life, a publisher’s regrets about moral compromises in both his work & his use of his family wealth & connections, & an alternately heartfelt & wry portrait of the satisfactions & anxieties of the generally underappreciated art of translation.”—NPR The post Idra Novey : Ways to Disappear appeared first on Tin House.

Late in the Day, Ursula K. Le Guin’s new collection of poems (2010–2014) seeks meaning in an ever-connected world, giving voice to objects that may not speak a human language but communicate with us nevertheless through and about the seasonal rhythms of the earth, the minute and the vast, the ordinary and the mythological. As Le Guin herself states, “science explicates, poetry implicates.” Accordingly, this immersive, tender collection implicates us (in the best sense) in a subjectivity of everyday objects and occurrences. “There is no writer with an imagination as forceful and delicate as Ursula K. Le Guin’s.”—Grace Paley The post Ursula K. Le Guin : Late in the Day appeared first on Tin House.

A stuffed bear’s heart beats with the rhythm of a dead baby; Reno keeps receding to the east no matter how far you drive; and in a mine on another planet, the dust won’t stop seeping in. In these stories, Brian Evenson unsettles us with the everyday and the extraordinary—the terror of living with the knowledge of all we cannot know. “Brian Evenson is one of the treasures of American story writing, a true successor both to the generation of Coover, Barthelme, Hawkes & Co., but also to Edgar Allan Poe.”—Jonathan Lethem “There is not a more intense, prolific, or apocalyptic writer of fiction in America than Brian Evenson.”—George Saunders The post Brian Evenson : A Collapse of Horses appeared first on Tin House.

In this stunning work of historical fiction, Laila Lalami brings us the imagined memoirs of the 1st black explorer of America, a Moroccan slave whose testimony was left out of the official record. In 1527, the conquistador Narváez sailed with a crew of 600 men & nearly 100 horses. Within a year there were only 4 survivors, one of them our narrator/protagonist Estebanico. As this dramatic chronicle unfolds, we come to understand that, contrary to popular belief, black men played a significant part in New World exploration, & that Native American men & women were not merely silent witnesses to it. In Laila Lalami’s deft hands, Estebanico’s memoir illuminates the ways in which stories transmigrate into history, even as storytelling offers a chance at redemption & survival. The post Laila Lalami : The Moor’s Account appeared first on Tin House.

“[Lacy M. Johnson’s] powerfully moving and brilliantly structured memoir, The Other Side, asks, ‘How is it possible to reclaim the body after devastating violence?’ Her intense desire and demand for a life lived in the body is triumphant. Johnson’s strength to free not only her physical self, but also to move through years of incapacitating fear by writing this book, is breathtaking: ‘I lift the chain from my neck, over my head, let it rattle to the floor.'”—Kelle Groom The post Lacy M. Johnson : The Other Side appeared first on Tin House.

“It won’t take long—a page, maybe two—before you feel wondrously disquieted by Keith Lee Morris’s Travelers Rest. The novel traps its characters in the town of Good Night, Idaho, and the reader in its shaken snow globe of a world. The language dazzles and the circumstances chill and put this story in the good company of Stephen King’s The Shining, Shirley Jackson’s The Haunting of Hill House, and David Lynch’s Twin Peaks. This is a breakout book that will earn Morris the wide readership he richly deserves.”―Benjamin Percy The post Keith Lee Morris : Travelers Rest appeared first on Tin House.

From the author of the National Book Award-nominated Veronica: Mary Gaitskill’s The Mare—the story of a Dominican girl, the white woman who introduces her to riding, and the horse who changes everything for her. “Gaitskill takes a premise that could have been preachy, sentimental, or simplistic—juxtaposing urban and rural, rich and poor, young and old, brown and white—and makes it candid and emotionally complex, spare, real, and deeply affecting. Gaitskill explores the complexities of love (mares, meres . . .) to bring us a novel that gallops along like a bracing bareback ride on a powerful thoroughbred.”—Kirkus, starred review The post Mary Gaitskill : The Mare appeared first on Tin House.

Written in collaboration with the workers at a Jumex juice factory, The Story of My Teeth is a witty, exhilarating romp through the industrial suburbs of Mexico City and Luiselli’s own literary influences.  Protagonist Gustavo “Highway” Sánchez Sánchez is a late-in-life world traveler, yarn spinner, collector, and legendary auctioneer. His most precious possessions are the teeth of the “notorious infamous” like Plato, Petrarch, and Virginia Woolf.  Highway adds value to these teeth that he auctions off through the stories he tells of them, while The Story of My Teeth examines the value of storytelling itself. The post Valeria Luiselli : The Story of My Teeth appeared first on Tin House.

NPR calls Gutshot “a book brimming with blood, sexual deviance, mucus and madness.” The New York Times says “reading Gutshot is a little like being blindfolded and pelted from all sides with fire, Jell-O and the occasional live animal.” And Vice Magazine calls it a book full of bodily fluids and strange sights and smells. That said, Gray’s work is not disturbing for its own sake, but as the Chicago Tribune says “has an unflinching intimacy that is completely and absorbingly her own” and that “if there is one story Gray is telling over and over again, it’s about the embodiedness of language, the blood and guts of books themselves.” The post Amelia Gray : Gutshot appeared first on Tin House.

Ursula K. Le Guin believes we cannot restructure society without restructuring the English language, and thus her book on the craft of writing inevitably engages class, gender, race, capitalism, and morality, all of which are not separate from grammar, punctuation, tense, and point of view for Le Guin. Ursula K. Le Guin is the author of more than sixty books of fiction, fantasy, children’s literature, poetry, drama, criticism, and translation. She talks today about her writing guide, Steering The Craft, newly rewritten and revised for writers of fiction and memoir in the 21st century. The post Ursula K. Le Guin : Steering The Craft appeared first on Tin House.