Between The Covers : Conversations with Writers in Fiction, Nonfiction & Poetry

“A vibrant memoir of race, violence, family, and manhood . . . Jackson recognizes there is too much for one conventional form, and his various storytelling methods imbue the book with an unpredictable dexterity. It is sharp and unshrinking in depictions of his life, his relatives (blood kin and otherwise), and his Pacific Northwest hometown, which serves as both inescapable character and villain. . . . It’s Jackson’s history, but it’s also a microcosm of too many black men struggling both against their worst instincts, and a society that often leaves them with too few alternatives. . . . His virtuosic wail of a book reminds us that for a black person in America, it can never be that easy.”—Boston Globe The post Mitchell S. Jackson : Survival Math appeared first on Tin House.

“Black Leopard, Red Wolf is the kind of novel I never realized I was missing until I read it. A dangerous, hallucinatory, ancient Africa, which becomes a fantasy world as well-realized as anything Tolkien made, with language as powerful as Angela Carter’s. It’s as deep and crafty as Gene Wolfe, bloodier than Robert E. Howard, and all Marlon James. It’s something very new that feels old, in the best way. I cannot wait for the next installment.” —Neil Gaiman The post Marlon James : Black Leopard, Red Wolf appeared first on Tin House.

“Sycamore paints an unsparing and unsentimental portrait of survival in a homophobic era, and her writing is beyond beautiful. Sketchtasy is a powerful firecracker of a novel; it’s not just one of the best books of the year, it’s an instant classic of queer literature.”—Michael Schaub, NPR BooksThe post Mattilda Bernstein Sycamore : Sketchtasy appeared first on Tin House.

“How does a body do what it does: make love, mistakes, create life, exist after life; how does a body evolve, celebrate, regret, reconsider its big and small moments: these are the passionate concerns of Alicia Rabins’ Fruit Geode, a book that I could not stop reading once I started, a book that drew me in with intimacy and force and then grabbed my heart hard, which is to say, if you have a body, this book is a must read.”—Lynn Melnick   The post Alicia Jo Rabins : Fruit Geode appeared first on Tin House.

“A terrific collection of stories. There are echoes here of Flannery O’Connor, Barry Hannah, and Denis Johnson, but Genevieve Hudson is her own writer—impressively and gloriously so. Her eye for the clinching detail is unnerving and her sympathies are fascinatingly conflicted. I hope, and suspect, this book will be the start of a long and inspiring career.” —Tom Bissell “Full of blood and dust and stars and light, Hudson captures the beauty and horror of the everyday and makes it all seem like magic.” —Leah DieterichThe post Genevieve Hudson : Pretend We Live Here appeared first on Tin House.

“Yang rebuilds for the reader a town that is notable for its many stark contrasts: restored & ruined buildings, wealth & poverty, international art & border enforcement. Hey, Marfa makes a remarkable poetic accounting of the ways imagination is currently working with & against the histories & myths of the US/Mexico borderlands & the American West.”―Tim Johnson “Hey, Marfa a commonplace book, memoir, & hybrid obituary for things: following a trail of ‘last words’ & communal losses, here is a History learning to listen with eyes & Mourning recovering the dead travelers on the road. Hey, Marfa transmits voltage or vitalized matter as words reach to words.”―Susan Howe The post Jeffrey Yang : Hey Marfa appeared first on Tin House.

“Bhuvaneswar is unflinching about the lives of those for whom identity is a constant battle & the act of being is an unavoidable challenge, but she doesn’t ignore the beauty in their strength . . . White Dancing Elephants is a necessary book — & one that introduces a gifted voice to contemporary literature.”―NPR “White Dancing Elephants is a searing & complex collection, wholly realized, each piece curled around its own beating heart. Tender & incisive, Chaya Bhuvaneswar is a surgeon on the page, unflinching in her aim, unwavering in her gaze, & absolutely devastating in her prose. This is an astonishing debut.”―Amelia Gray The post Chaya Bhuvaneswar : White Dancing Elephants appeared first on Tin House.

“Long Soldier reminds readers of their physical and linguistic bodies as they are returned to language through their mouths and eyes and tongues across the fields of her poems.”—Natalie Diaz for The New York Times Book Review “Layli Long Soldier’s movement between collective and personal makes this book intimate and urgent. She has charted new ways to write in what’s left out—and not merely in the margins either. WHEREAS offers a powerful reckoning.”—National Book Critics Circle Award judges’ citation The post Layli Long Soldier : Whereas appeared first on Tin House.

“Williams’s short precise, & emphatic sentences build a strange society whose denizens are not quite familiar to us & not quite comfortable with their own quietly disturbing evolutions. Not a single moment of the prose here is what you expect, & even the ordinary is, in the context created by Diane Williams, no longer ordinary. It is fresh, happy & peculiar — or is it we who are refreshed, happy, & more peculiar than before after reading her?”—Lydia Davis “Let’s hear it for the magnificent Diane Williams, one of the wittiest & most exacting writers of our time. Her fictions are fervid endorsements of terrible, joyous life. But that’s not quite right, because like all great literature, they are life.”—Sam Lipsyte The post Diane Williams: The Collected Stories of Diane Williams appeared first on Tin House.

“Every explosive requires a fuse. That’s R. O. Kwon’s novel, a straight, slow-burning fuse. To read her novel is to follow an inexorable flame coming closer & closer to the object it will detonate—the characters, the crime, the story, &, ultimately, the reader.”—Viet Thanh Nguyen “Kwon’s multi-faceted narrative portrays America’s dark, radical strain, exploring the lure of fundamentalism, our ability to be manipulated, and what can happen when we’re willing to do anything for a cause.” —Atlantic.com “A God-haunted, willful, strange book written with a kind of savage elegance. I’ve said it before, but now I’ll shout it from the rooftops: R. O. Kwon is the real deal.”—Lauren Groff The post R.O. Kwon : The Incendiaries appeared first on Tin House.