Between The Covers : Conversations with Writers in Fiction, Nonfiction & Poetry

Micheline Aharonian Marcom’s The Brick House is a place where people dream of love and loneliness, of the world’s beauty, and of ongoing environmental degradation. Travelers confront their lives in the strange, elemental language which dreams allow for, a strangeness mirrored in the accompanying illustrations by Fowzia Karimi. Inspired by Calvino’s Invisible Cities and Kawabata’s House of Sleeping Beauties, and following in the tradition of Armenian illuminated manuscripts, The Brick House is in Rikki Ducornet’s words “Fierce, fearlessly erotic and always unforeseeable.” The post Micheline Aharonian Marcom : The Brick House appeared first on Tin House.

“Heart Berries by Terese Mailhot is an astounding memoir in essays. Here is a wound. Here is need, naked and unapologetic. Here is a mountain woman, towering in words great and small . . . What Mailhot has accomplished in this exquisite book is brilliance both raw and refined.” ―Roxane Gay “If Heart Berries is any indication, the work to come will not just surface suppressed stories; it might give birth to new forms.”—The New York Times The post Terese Marie Mailhot : Heart Berries appeared first on Tin House.

“Cross-pollinating fairy tales, horror movies, TV shows, & a terrific sense of humor, Machado’s work reminds me at different times of such wildly divergent figures as David Lynch, Jane Campion, Maggie Nelson, & Grace Paley; which is a way of saying, Machado sounds like nobody but herself.”—John Powers, NPR “Fresh Air” “The book abounds with fantastical premises that ring true because the intensity of sexual desire, the mutability of the body, & the realities of gender inequality make them so. These stories stand as exquisitely rendered, poignant hauntings.”—San Francisco Chronicle The post Carmen Maria Machado : Her Body and Other Parties appeared first on Tin House.

“In Gospel of Regicide, Eunsong Kim develops a thrilling method for unwriting lyric even as she reimagines it, creating a socially engaged poetry of & for our time. Anticapitalist, feminist & anti-racist yet critical of non-intersectional understandings of identity & selfhood, she is unafraid of drawing the sacred from the pedestrian, & unbeholden to whiteness as foundation. These poems, mutable in form & style, yet cohesive in their vision, suggest a complex & different order allowing us to ‘complete the story.’ Kim kills the king, & blesses us with a superlative collection as a result.”—John Keene   The post Eunsong Kim : Gospel of Regicide appeared first on Tin House.

“Leni Zumas here proves she can do almost anything. Her tale feels part Melvillian, part Lydia Davis, part Octavia Butler—but really Zumas’s vision is entirely her own. Red Clocks is funny, mordant, political, poetic, alarming, and inspiring—not to mention a way forward for fiction now.”—Maggie Nelson “Move over Atwood, Leni Zumas’s Red Clocks is a gender roaring tour de force. The bodies of women in Red Clocks are each the site of resistance and revolution. I screamed out loud. I pumped my fist in the air. And I remembered how hope is forged from the ground up, through the bodies of women who won’t be buried.”—Lidia Yuknavitch The post Leni Zumas : Red Clocks appeared first on Tin House.

“Biespiel’s supple memoir of becoming a poet will surely inspire other writers to embrace the bodily character of writing & feel the power &, sometimes, the emptiness of the act of writing poetry.”—Publishers Weekly, starred review “Whether he is writing about poetry, politics, competitive diving, or the glories of great conversation, Biespiel’s recurring subject is the tension between freedom & discipline―between the sublime release of our own wildness & the precision that comes only from exquisite self-control. Part memoir, part ars poetica, The Education of a Young Poet is a feast: of language, of memory, & of insights into how one young writer came into his own.”—Patrick Phillips The post David Biespiel : The Education of a Young Poet appeared first on Tin House.

“For nearly 40 years Armantrout has made a poetics of not finding the right words–of finding, in fact, the ‘wrong’ ones . . . Armantrout restores the strangeness of experiences we take for granted.”—Michael Robbins, Chicago Tribune “Hoopskirts, star jasmine, synchronized swimming, Russian icons, a ceramic fish face, electrons & photons: in these poems, everything is interconnected, thought through, deeply felt & expressed in the most precise and necessary words. Armantrout is one of our most inventive & magnetic poets, & she never disappoints: with inspired patience, she embraces the strangeness of our familiar world & refashions it into something new & utterly transporting.”—Lydia Davis The post Rae Armantrout : Partly – New & Selected Poems appeared first on Tin House.

“What is a dog if not god? In Afterglow, Eileen Myles steps up to the challenge for writers to function as prophets. Ghostwritten in part by deceased pit bull Rosie, this ‘dog memoir’ explores—among other things—geometry, gender, mortality, evil, aging, and plaids. Myles makes new rules for what prose writing can be. Afterglow is Myles’s funniest, profoundest work yet.”—Chris Kraus “Only Eileen Myles could reinvent the memoir again so stunningly; Afterglow is the sort of multidimensional love story you could only expect from one of our greatest experimental writers living today!”—Porochista Khakpour The post Eileen Myles : Afterglow appeared first on Tin House.

“I read Little Fires Everywhere in a single, breathless sitting. With brilliance and beauty, Celeste Ng dissects a microcosm of American society just when we need to see it beneath the microscope:  how do questions of race stack up against the comfort of privilege, and what role does that play in parenting?  Is motherhood a bond forged by blood, or by love?  And perhaps most importantly:  do the faults of our past determine what we deserve in the future?  Be ready to be wowed by Ng’s writing—and unsettled by the mirror held up to one’s own beliefs.”—Jodi Picoult The post Celeste Ng : Little Fires Everywhere appeared first on Tin House.

“Spells is a fascinating hybrid text, not simply illustrated by a collection of photographs but created in response to them, a collaboration between Peter Rock and five photographers. The result is a novel unlike any I’ve read before, that weaves elements of realism, fable, prose poetry, and essay through the supporting structure of images to create something beautiful and unsettling.”—Cari Luna “Rock’s prose calls to mind Kazuo Ishiguro, not just for its spareness but also for its mix of wonder and creepiness.”—New York Times The post Peter Rock : Spells appeared first on Tin House.