Today’s guest is one of the most important and celebrated writers in Australia today, Alexis Wright. We look together at the ways Wright reshapes the novel form to honor Aboriginal notions of story, of time, and of scale. To find a different sound and voice for the novel, one that is multiple and collective. both ancestral and visionary, one that invites us to walk back into relationship with other beings and the land itself, and shows us where we are headed when we don’t. Her latest novel Praiseworthy is set in a world like ours, of extreme weather events, of unchecked white supremacy, of the inexorable pull toward assimilation, erasure and  the demanding present-tense of the internet. But the book is also one of aboriginal invention, adaptation, and vision, a novel of both biting humor and wisdom, as people, in the face of it all, search for Aboriginal sovereignty. For the bonus audio archive Alexis reads a favorite poem of hers by Bei Dao which joins an immense archive of supplemental material—readings, craft talks, long-form conversations with translators—from everyone from Layli Long Soldier to Dionne Brand, Naomi Klein to Richard Powers. You can find out more about the bonus audio archive and the many other potential benefits of joining the Between the Covers community as a listener-supporter at the show’s Patreon page. Finally, here is the Bookshop corresponding to today’s episode.   The post Alexis Wright : Praiseworthy appeared first on Tin House.

Nam Le discusses his transition from fiction to nonfiction to poetry, aiming to challenge identity representation. His poetry collection explores themes of identity, culture, and displacement in a unique and bold manner. The podcast delves into the interconnectedness of poetry, prose, and place, reflecting on nature, language, and personal growth amidst political challenges.

Writer, interdisciplinary artist, editor and publisher Anne de Marcken discusses her new book It Lasts Forever and Then It’s Over. Winner of the Novel Prize, and thus published simultaneously in the U.S., U.K., and Australia, by New Directions, Fitzcarraldo Editions and Giramondo respectively, de Marcken’s new book is a deeply philosophical and metaphysical, heartbreakingly funny book about life and death, love and loss. Join our undead protagonist, in search of herself, as she loses one body part after another, yet fills herself with one thing after another. How much can we lose and still be ourselves? How much of our sense of self is built from what we’ve lost? How much of who we are is really ‘other’? Perhaps the crow inside her chest, dead but communicative, speaking human words but not a human language, can tell us. For the bonus audio archive, Anne contributes a reading from her book The Accident: An Account, which joins supplemental readings from everyone from Dionne Brand to Jorie Graham, Natalie Diaz to Christina Sharpe. To find out how to subscribe to the bonus audio and the other potential benefits of joining the Between the Covers community as a listener-supporter head over to the show’s Patreon page. Finally, here is today’s BookShop. The post Anne de Marcken : It Lasts Forever and Then It’s Over appeared first on Tin House.

Award-winning poet Canisia Lubrin talks about her debut fiction, Code Noir. The fifty-nine stories in this collection are each prefaced by one of Louis XIV’s fifty-nine “Black codes,” the rules of conduct in France and its colonies regarding slaves and slavery. And each of these codes, each of these edicts, is also engaged with, manipulated and remade by the abstract artist Torkwase Dyson. Together they unmake history, unmake the edicts, one in language and one with a brush. Canisia tells stories that are as short as a line, or told in footnotes, or that take place one thousand years in the future. Stories that remake other stories, and stories that aren’t stories at all. And ultimately, through storytelling, Canisia asks us how we place ourselves in relation to the stories we’ve inherited, the histories which themselves are fictions, and in the ways she herself does and doesn’t engage with the codes, she enacts a different way of living, sounding a future for Black life. For the bonus audio archive Canisia reads from Dionne Brand’s upcoming book Salvage: Readings from the Wreck, from Christina Sharpe’s remarkable “What Could a Vessel Be?” and more that I will leave as surprise. To learn how to subscribe to the bonus audio and the many other potential benefits of joining the Between the Covers community as a listener-supporter head over to the show’s Patreon page. Finally here is today’s BookShop. The post Canisia Lubrin : Code Noir appeared first on Tin House.

Diana Khoi Nguyen, a poet and multimedia artist shaped by her brother's absence, shares profound insights into grief and memory. Their discussion unpacks how her books, including Root Fractures, navigate the silence around loss and the haunting presence of absence. Diana reflects on her innovative process of radical eulogy, the interplay of photography and poetry, and the emotional weight of family dynamics. She explores the themes of identity through language, cultural heritage, and the profound connections between trauma and creativity.

Álvaro Enrigue discusses his latest novel, You Dreamed of Empires, set during the encounter between Moctezuma and Hernan Cortés. Topics include writing into the gaps of history, fiction's influence on the 'official' record, and erased or distorted histories. They also explore themes like ritual cannibalism, psychedelic tomatoes, and the influence of indigenous cultures on our lives today.

Is Mathias Énard’s latest book formally influenced by the Buddhist Wheel of Time, by Jewish undertaker guilds, by François Rabelais’s scatological and philosophical prose and linguistic wordplay, by Catholic altarpiece polyptych panel paintings, and by the scandalous diaries of a Polish anthropologist?  The Annual Banquet of the Gravediggers’ Guild is dedicated to les pensées sauvages, to the wild thinkers, and today’s conversation is an exploration of Énard’s latest wild book, and of wild thinking itself. If you enjoy today’s conversation consider joining the Between the Covers community as a listener-supporter. There are many potential benefits and rewards of doing so. You can find out about them all at the show’s Patreon page. In the spirit of Énard’s latest book and our conversation about it, today’s Bookshop is just as wide-ranging—with classics of anthropology, Buddhism, modern Arabic and French literature, and of course, Énard’s own books as well. The post Mathias Énard : The Annual Banquet of the Gravediggers’ Guild appeared first on Tin House.

We are kicking off the new year with a serious blast from the past. A recording from the very first Tin House writers workshop in the summer of 2003 with novelist, short story writer, poet, playwright, and screenwriter Denis Johnson. This three-part episode includes a remarkable reading from Johnson’s novella Train Dreams, an interview of Johnson by writer Chris Offutt that is an unforgettable exploration of a writer’s process and philosophy, and finally, after Denis takes a cigarette break, Johnson, Offutt and Charles D’Ambrosio perform the first act of Johnson’s play Psychos Never Dream. Books by all three of today’s writers can be found in this episode’s Bookshop. And you can find out more about all the potential benefits and rewards of joining the Between the Covers community as a listener-supporter at the show’s Patreon page.   The post Tin House Live : Denis Johnson : 2003 appeared first on Tin House.

Perhaps it is fitting that today’s episode, with writer and founding editor of Witch Craft Magazine, Elle Nash, is launched on the shortest day of the year, the longest night of darkness. Nash’s new novel Deliver Me explores the ways society tries to keep the light and the dark separate, to hide our unasked questions and forbidden desires in the shadows. Nash’s writing insists on bringing them uncomfortably together and we explore what it means to transgress in one’s writing, to risk oneself on the page, to write dangerously and with a burnt tongue. Whether engaging with motherhood under capitalism, industrial animal slaughter, or cross-species kink, Deliver Me leads us into the darkness, crosses the borders of the acceptable, and then looks back at the well-lit world to see it anew. For the bonus audio archive Elle reads the opening of Elizabeth V. Aldrich’s Ruthless Little Things. To find out how to subscribe to the bonus audio, and about the countless other potential benefits and rewards of joining the Between the Covers community as a listener-supporter, head over to the show’s Patreon page. Finally, here is today’s Bookshop.   The post Elle Nash : Deliver Me appeared first on Tin House.

Today’s part two of the conversation with Naomi Klein about Doppelganger highlights the Jewish elements in the book, and looks at them through the lens of Palestine and Israel. We discuss Zionism, Marxism, and the Jewish Labor Bund’s notion of “hereness.” We look at the battles over the definition of antisemitism and the ways accusations of antisemitism have been weaponized to silence legitimate political speech. And together, as two people who’ve both been involved in Jewish activism in relation to Palestinian solidarity, we take stock of the current upsurge in organizing, direct action, and civil disobedience on the Jewish Left in relation to Palestine. For the bonus audio archive Naomi reads for us from Philip Roth’s Operation Shylock, a book that features prominently in her book. She reads a letter that fake Philip Roth (his doppelganger) writes to the real Philip Roth. It is not to miss. To find out how to subscribe to the bonus audio archive and explore the other potential benefits and rewards of joining the Between the Covers community as a listener-supporter head over to the show’s Patreon page. Finally here is the Bookshop for today’s conversation, full of the books we reference but also additional books by Palestinian authors on the topics we discuss today. The post Naomi Klein : Doppelganger : Part Two appeared first on Tin House.