Between The Covers : Conversations with Writers in Fiction, Nonfiction & Poetry

What does it mean that a life can not only be animated by books but destroyed by them? That a self can be not only made by reading, but unmade by it? Dionne Brand’s latest book of nonfiction Salvage: Readings from the Wreck returns to formative texts from her own reading life in order to model a more aware and  liberatory way of reading, of thinking, of being, in relation to them. We explore what we can salvage from the wreck, the wreck that is the book before us, the wreck that is us before the book. For the bonus audio archive Dionne reads selections from the work of Canisia Lubrin and Christina Sharpe. This joins readings, craft talks, writing prompts and more from everyone from Danez Smith to Marlon James to Nikky Finney. You can find out how to subscribe to the bonus audio and about all the other potential benefits and rewards of joining the Between the Covers community as a listener-support at the show’s Patreon page. Finally here is the BookShop for today. The post Dionne Brand : Salvage : Readings from the Wreck appeared first on Tin House.

Danez Smith’s poetry is so many things, a poetry of resistance, of elegy, of joy, of care, of repair. Their poetry is Afrofuturist and Afropessimist. It’s nature poetry, decolonial poetry, queer poetry, a poetry that is archival and documentary. And it is also a poetry that questions poetry itself and even more so, questions the poet, a poetry that is continually in the process of self-remaking and unmaking, of forging and severing allegiances, a shapeshifting poetry, a poetry of mutual aid, a poetry reaching toward, and already singing from, an elsewhere and an otherwise. Nam Le for the New Your Times, speaking of Smith’s new book Bluff, doesn’t just suggest that this book is a major turning point for the poet, a volta within this poet’s evolution, but also suggests that Danez’s volta might also represent a turning point for American poetry at large. This twinning, of the self that is Danez to the poetry collective, feels prescient, as their poetry contains so much, and so much powerful self-examination, that it becomes an examination of all of us, for all of us, of what it means to be an “I” and what it means to be a “we.” Who better to lead us through than a poet like this? For the bonus audio archive, Danez contributes something really special for us. As one of the six members of the Dark Noise Collective (along with Fatimah Asghar, Aaron Samuels, Franny Choi, Nate Marshall, and Jamila Woods), Danez reads a favorite poem from each of their five peers and follows each reading with a writing prompt designed for us and related to the poem just read. After five poems and five writing prompts, Danez reads a poem of their own too. This joins an ever-growing archive of supplemental material from Ross Gay reading Jean Valentine to Dionne Brand reading Christina Sharpe to Nikky Finney reading from the diaries of Lorraine Hansberry. To learn how to subscribe to the bonus audio and about all the other possible benefits of joining the Between the Covers community as a listener-supporter head over to the show’s Patreon page. Finally, here is the BookShop for today.   The post Danez Smith : Bluff appeared first on Tin House.

Today’s conversation with Kenzie Allen, about her debut poetry collection Cloud Missives, is unusually wide-ranging. We look at the influence of archaeology, anthropology and cartography on her poetry, and on her notion of gaze within her work. We explore the fraught colonial history of these fields, and how, as an indigenous poet, she orients herself to her own work in this regard. We look at questions of identity, representation and stereotype both in the realm of language and art-making, and also in the realm of tribal sovereignty, looking at the colonial history of  blood quantum and its repercussions today. We also look at questions of form, both inherited forms and the creation of new ones, of both poetry on the page, and multimodal works that live off of it, from visual poetry to literary cartography to the wampum belt as an ancient form of hyper-text. For the bonus audio archive, Kenzie contributes an extended reading of a sequence poem that she calls Love Songs to Banish Another Love Song. By reading this, she gives us a peek behind the curtain of the process of revision, because this sequence is an earlier, very different version of a much shorter poem in Cloud Missives. This joins many other supplemental readings in the archive from everyone from Jake Skeets to Layli Long Soldier, Elissa Washuta to Natalie Diaz, Brandon Hobson to Tommy Pico to Terese Marie Mailhot. You can find out how to subscribe and check out the many other possible benefits and rewards of joining the Between the Covers community as a listener-supporter at the show’s Patreon page. Finally, here is the BookShop for today. The post Kenzie Allen : Cloud Missives appeared first on Tin House.

Today’s craft talk—by Torrey Peters on “Strategic Opacity”— was recorded at the 2024 Tin House summer writers workshop. Peters explores the elements in works of fiction that actually don’t make sense—from William Shakespeare to Elena Ferrante —and how, paradoxically, it is these very elements, the unexplainable ones, that can make a work of art great. Given that most actual humans make nonsensical choices and can’t be fully known as people, Peters discusses how we might write lifelike characters who don’t make sense either—but in a strategic way—writing them so that they begin to feel like the real people all around us: “the friends who make strange and frustrating decisions in their worst interests, the parents who act with sudden arbitrariness, the lovers who just won’t accept the care they need and want.” Peters then looks at the ways this revelation has deeply changed her own work. If you enjoy today’s conversation consider joining the Between the Covers community as a listener-supporter. Head over to the show’s Patreon page to learn more. Finally, here is the BookShop for today’s talk, which includes many of the books mentioned.     The post Tin House Live : Torrey Peters on Strategic Opacity appeared first on Tin House.

Dionne Brand, an acclaimed writer and poet, joins Adania Shibli, a notable author, for a profound conversation on identity and belonging. They discuss the complexity of home amidst the backdrop of current global struggles, particularly focusing on the Palestinian experience. The duo examines how narratives can redefine memory and the human experience, challenging grand narratives that often erase personal histories. Their dialogue also touches on the significance of language in reflecting societal violence and the transformative power of creativity and community.

Isabella Hammad, an author renowned for her exploration of narratives and their political implications, discusses her transformative speech, "Recognizing the Stranger." She delves into the complex intersections of aesthetics and ethics within storytelling, particularly concerning Palestinian experiences. Hammad reflects on her personal turning point and the urgency of literature in articulating collective struggles. The conversation also addresses the emotional weight of conflict, the necessity for empathy, and the role of writers in fostering understanding amidst systemic injustice.

Today’s episode is an archival recording of poet Frank Bidart from the 2008 Tin House Writers Workshop. It begins with an introduction by the poet Brenda Shaughnessy, followed by an extended poetry reading by Frank Bidart. After the reading is a not-to-be-missed substantive and remarkable craft interview of Frank by Brenda. They look at how he approaches revision, the ways teaching students influences his own writing, and about his early years as a student of, and ultimately friend and early reader for, Robert Lowell. If you enjoyed today’s conversation, consider joining the Between the Covers community as a listener supporter. One possible benefit to choose from is the ever-growing bonus audio archive which includes a reading of and meditation on a Frank Bidart poem by Garth Greenwell. To learn more head over to the show’s Patreon page. You can also find a playlist of past conversations with some of the most iconic poets writing today, from Layli Long Soldier to Jorie Graham, Carl Phillips to Dionne Brand, at the show’s YouTube Channel. Finally here is the BookShop for today’s episode. The post Tin House Live : Frank Bidart appeared first on Tin House.

Todays’ guest is Grand Master of science fiction and fantasy Nalo Hopkinson. Together we center her first novel in over a decade, the remarkable Blackheart Man, and look at what it means to not only write an alternate Caribbean history, but within that history conjure an entirely new culture, one with its own language, sexual norms, family and gender dynamics, and racial politics. And yet a culture that remains, for all its invented differences, deeply Caribbean. Blackheart Man is a book exploring the “what-ifs” in the histories of marronage (autonomous fugitive communities of escaped enslaved peoples) and of what can be recovered from the ruptures and erasures in the archive. Nalo’s latest novel becomes the lens through which we explore everything from the use of vernacular speech in one’s work to the reckonings around race that have rocked the SFF community in recent years. Nalo’s appearance on the show joins many archival conversations with touchstone writers of SFF today, from Nnedi Okorafor and N.K. Jemisin to Ted Chiang and Kelly Link, from Kim Stanley Robinson and Jeff Vandermeer, to William Gibson, China Miéville and Ursula K. Le Guin. I’ve created a “Legends of Sci-Fi and Fantasy” playlist on the show’s YouTube channel so they are easily found in one place but you can also sort for “SFF” at the show’s home page as well. If you enjoyed today’s conversation, consider joining the Between the Covers community as a listener-supporter. There are an incredible number of rewards and gifts to choose from when you do. You can check it all out at the show’s Patreon page.  Finally, here is the BookShop for today’s episode. The post Nalo Hopkinson : Blackheart Man appeared first on Tin House.

Vajra Chandrasekera, a Sri Lankan author celebrated for his innovative approach to speculative fiction, discusses his groundbreaking novel, *Rakesfall*. The conversation dives into the blurred lines of identity and reality, as characters undergo continuous rebirths. Chandrasekera also critiques the interplay between Sri Lankan Buddhism and nationalism, exploring how storytelling can reflect and incite sociopolitical change. Listeners will find insights on censorship, cultural representation, and the nuances of power dynamics within the framework of his thought-provoking narratives.

Today’s guest is one of the most singular and celebrated Anglophone poets writing today, Carl Phillips. We center his latest collection, Scattered Snows, to the North, his first since winning the 2023 Pulitzer prize in poetry. But we also use his three craft books written over the decades (in 2004, 2014 and 2023 respectively) to look at his body of work across time. We spend time attending to language, to syntax, to form. And equally, we look outward toward questions of voice, community, identity and more. For the bonus audio, Carl contributes a reading of a medley of poems about black swans, poems by James Merrill, Randall Jarrell and Lyrae Van Clief-Stefanon, which he comments on as he goes. He ends this remarkable reading with a black swan poem of his own. You can find out how to subscribe to the bonus audio and about all the other potential benefits and rewards of joining the Between the Covers community as a listener-supporter at the show’s Patreon page. Finally, here is the Bookshop for today’s conversation. The post Carl Phillips : Scattered Snows, to the North appeared first on Tin House.