Between The Covers : Conversations with Writers in Fiction, Nonfiction & Poetry

Irish poet Doireann Ní Ghríofa joins us to talk about her latest poetry collection, To Star the Dark, and her prose debut, A Ghost in the Throat, a debut that has captured the imaginations (and all the awards) in Ireland and the UK and is just out now in North America. A Ghost in the Throat is wonderfully hard to categorize: a memoir, a work of historical fiction, an autofiction, a translation, a book about translation, a book about poetry, a book that is poetry. It is all of these things and yet reads less like a work of avant-garde literary experiment and more like a detective or adventure story, an act of literary archaeology, a love letter, and a reclamation against the erasure of women’s lives and women’s art. We talk about the erasure of women, the erasure of motherhood in literature, the erasure of Irish language, Irish culture and the Irish social order under British colonization, and how she conjured the largely erased life of Eibhlín Dubh Ní Chonaill (who wrote the Caoineadh Airt Uí Laoghaire, one of the great laments of keens in Irish literature) in the face of such absence and silence. We also talk about translating the Caoineadh Airt Uí Laoghaire and about self-translation (of Doireann’s own Irish language poetry into English), about oral poetic traditions carried down from one woman’s body to another versus text-based poetry fixed to the page. All this and much more. For the bonus audio archive Doireann reads two contemporary poems she loves. “A Spider” by the Irish poet Colette Bryce and “Broom” by the American poet Deborah Digges. To learn more about how to subscribe to the bonus audio and about the many other potential benefits of becoming a listener-supporter of Between the Covers head over to the Between the Covers Patreon Page.   The post Doireann Ní Ghríofa : A Ghost in the Throat & To Star the Dark appeared first on Tin House.

Today’s guest, Moroccan writer and filmmaker Abdellah Taïa discusses his most recent novel A Country For Dying translated by Emma Ramadan and winner of the 2021 PEN Translation Award. We talk about voice in relation to self, story in relation to truth, writing in one’s second language, particularly a language imposed by colonization, about making that tongue bend to one’s reality, about being both Muslim and gay (as well as being the first openly homosexual Arab writer from Morocco), about why it is important not to write characters who are good, or only so, about Isabelle Adjani, the Zulawski film Possession, the role of possession and djinns in his work, and about creating a literature that does not itself come from literature, that does not come from books or speak to them. A great complement to today’s conversation with Abdellah is the hour-long conversation with his translator Emma Ramadan which joins the Between the Covers bonus audio archive. Emma talks about what attracts her to Abdellah’s writing, about the resonances she sees between his work and that of Marguerite Duras, about the challenges of bringing his work into English, about translating explicit sex scenes, gender pronouns and gendered words, about sexism in the translation industry, about the benefits of co-translation, and about the relationship of translation to the body. To find out how to subscribe to the bonus audio and the many other potential benefits of becoming a listener-supporter of the show head over to the Between the Covers Patreon Page.   The post Abdellah Taïa : A Country For Dying appeared first on Tin House.

Today’s episode of Between the Covers is with writer Elissa Washuta about White Magic, her new memoir in essays just out from Tin House. Elissa Washuta’s body of work, and White Magic is no exception, is deeply engaged with form, particularly in relationship to the telling of our own true stories. How do we find the right form to tell our stories? How much can we shape what we lived (into story, into narrative) and have it still remain true? What can we learn about our voices, our selves, from adopting the form of another? What are some ways to create new forms when none are sufficient to carry what we’ve experienced? This is the magic of White Magic, witnessing Elissa Washuta wield form like a spell, like a magic trick, like an act of divination, to conjure her voice and bring her story into words on the page the way she wants it, on its own terms. As Stephen Graham Jones says “White magic, red magic, Stevie Nicks magic—this is Elissa Washuta magic, which is a spell carved from a life, written in blood, and sealed in an honesty I can hardly fathom.” For the bonus audio archive Elissa Washuta reads from the draft of an essay-in-progress called “Apocalypse Pathology.” This joins a wealth of bonus material from Carmen Maria Machado, Ted Chiang, Layli Long Soldier, Morgan Parker, Tommy Pico, Teju Cole, N. K. Jemisin, and many others. To learn how to subscribe to the bonus audio, and to check out the many other potential benefits of becoming a listener-supporter of the show head over to the Between the Covers Patreon page.     The post Elissa Washuta : White Magic appeared first on Tin House.

Writer, poet, and painter Rikki Ducornet returns to Between the Covers to discuss her latest novel Trafik which is her first foray into science fiction. Ducornet’s body of work—surrealist, alchemical, gnostic, metamorphic—is sparked by the wonder and mystery of dreams, as well as by the shared company of the non-human other, the eels and butterflies and orcas and jaguars we share the earth with. What does it mean for such a writer to leave earth behind?  To imagine herself into a post-earth (post-home), post-human (post-body) world where everything we know is of our own creation? We talk about the real and the virtual, language as generative magic and language as weapon. We discuss surrealism (where if you open the International Encyclopedia of Surrealism you’ll find Rikki between Marcel Duchamp and Max Ernst) and the little acknowledged but vital ecological strain within it, one that challenges the anthropocentric view of the world, transgresses species classifications, and troubles notions of individual identity as well. For the bonus audio archive Rikki reads some of her poems for us. To find out how to subscribe to the bonus audio archive, or how to get a signed giclée reproduction of one of Rikki’s illustrations from the 1983 edition of Jorge Luis Borges’ Tlön, Uqbar, Orbis Tertius, or to check out the many other potential benefits of becoming a listener-supporter head over to the Between the Covers Patreon Page. The post Rikki Ducornet : Trafik appeared first on Tin House.

Today’s guest is poet Jorie Graham. We speak about her fifteenth book of poetry, Runaway. This latest book, along with the three that precede it—Sea Change, Place, and Fast—confronts our accelerating trajectory toward climate disaster. But as Lidija Haas says for Harper’s Magazine, Graham “in her poems remakes a world you can inhabit, one in which you can sense what it is you’re letting go of, now, before it’s gone.” We talk about what it means to engage with deep time as a poet, about (dis)embodiment, about soul-making, about finding collectivity through the sensorial and subjective, about apprenticeship and lineage, the line and the sentence, and much more. For the bonus audio archive Jorie discusses the many manifestations of rain, and then reads two rain poems, one by Edward Thomas, the other by Robert Creeley. To find out about how to subscribe to the bonus audio, among the other potential benefits and rewards of becoming a listener-supporter of the show, head over to the Between the Covers Patreon Page. The post Jorie Graham : Runaway appeared first on Tin House.

Today’s Between the Covers conversation with Brandon Hobson is about his novel The Removed, his first book since his National Book Award finalist, Where the Dead Sit Talking. The Removed places us with the Echota family fifteen years after the death of their son Ray-Ray at the hands of the police, and in the long shadow of the forced removal of the Cherokee from their ancestral lands to modern-day Oklahoma where the book takes place. We talk about writing into the silence surrounding police killings of Native people, writing against stereotype, against the expectations of the non-Native imagination, about the foster care system and its legacy in Native communities, and also about questions of form and language. Brandon talks about the influence Diane Williams has had on him on the sentence level. And if you are looking for a deep dive into syntax and the sentence, there is probably no better episode to go to after this than her past appearance on the show. For the bonus audio archive Brandon Hobson reads from “The Man Came to Visit Us,” the lead story in the latest issue of Noon, Diane Williams’ magazine, where Brandon frequently appears. To learn more about how to subscribe to the bonus audio and the other potential benefits of becoming a listener-supporter, from joining our collective brainstorm which is shaping who we invite as guests going forward, to receiving resource-rich emails with each episode, to collectibles from your favorite writers, to becoming an Early Tin House Reader, receiving twelve books over the course of the year months before the general public, head over to the Between the Covers Patreon page.   The post Brandon Hobson : The Removed appeared first on Tin House.

Today’s guest, Viet Thanh Nguyen, returns to Between the Covers after six years to discuss The Committed, his much-anticipated follow-up to the Pulitzer Prize–winning novel The Sympathizer. The second book in this trilogy finds our protagonist in the French Vietnamese community of Paris in the 1980s. We talk about the differences between France and the United States with regards to race and racism, communism, socialism, and revolution, and how that shapes the discourse within the Vietnamese communities in each country. We talk about the history of the term Asian American in this context, about ethical memory and what it requires of an individual and a community, about being a refugee versus an immigrant, about Francophone postcolonial and revolutionary thought—from Frantz Fanon to Jean-Paul Sartre to Hélène Cixous to Aimé Césaire—and much more. You can listen to our first conversation from 2015 here. For the bonus audio archive Viet talks about the importance of the work of Edward P. Jones and Maxine Hong Kingston for him as a writer, and reads excerpts from each of them to demonstrate why they are influential upon his work. To learn more about how to subscribe to the bonus audio and to look through the other potential rewards and gifts and content available to listener-supporters head over to the Between the Covers Patreon Page. The post Viet Thanh Nguyen : The Committed appeared first on Tin House.

Today’s Between the Covers conversation is with the poet Ross Gay about Be Holding, his book-length poem that emerges from a sustained meditation on a mere few seconds of the basketball career of Julius Erving (aka Dr. J). Be Holding is a finalist for this year’s PEN/Jean Stein Book Award, given to a work “which has broken new ground by reshaping the boundaries of its form and signaling strong potential for lasting influence.” (This year’s judges are Vievee Francis, Fred Moten, and Tommy Orange). Whether you love basketball or break out in hives at the mention of sports, do watch the video of Dr. J’s move,  a move that is akin as much to dance or song or even poetry, as it is to athletics. How is joy inseparable from death? Flight connected to entanglement? Looking to growing? Dr. J to mushrooms and trees, fathers and gardens, birds and cameras? What can we learn about the act of looking, the act of beholding, when it comes to the making of art, to the writing of poems? Join us to find out all of this and much more. For the bonus audio archive Ross Gay reads a poem by Jean Valentine and talks to us about her. To find out more about how to subscribe to the bonus audio and to explore the wealth of potential gifts and rewards and benefits of becoming a listener-supporter of Between the Covers head over to the show’s Patreon page here. The post Ross Gay : Be Holding appeared first on Tin House.

Today’s guest is writer, photographer, critic, and curator Teju Cole. In this extended conversation, we use Cole’s latest photo book Fernweh as a lens through which to look at his entire career, from his novels to his essay collection, from his collaborative work of image-text to the curation of his Spotify playlists. “Who is a stranger? Who is kin? What do we owe each other? What, in the inferno, is not infernal?” he asks at the beginning of Human Archipelago.  We explore how these questions echo through his work, and look carefully at the nature of looking itself, and the ethics of how we look and what we show.   Teju Cole has added a remarkable three-part reading to the Between the Covers bonus audio archive, one where each of the three texts chosen is in conversation with the others. He begins by reading from John Berger’s The Shape of a Pocket, then from poet Etel Adnan speaking on prehistoric cave paintings and painters, and finally he gives us a glimpse from his forthcoming essay collection Black Paper, reading a piece addressed to John Berger himself. You can find out more about the bonus audio archive and the many other potential benefits of becoming a listener-supporter of the show at the Between the Covers Patreon page. The post Teju Cole : Fernweh appeared first on Tin House.

Today’s episode is with one of today’s great writers of science fiction and fantasy, Nnedi Okorafor. Using her new novella Remote Control (Tor Books) as a lens and a frame, we discuss the difference between Afrofuturism and Africanfuturism, questions of hybrid identity and home within her stories, her use of Nigerian, Namibian, and Ghanian cosmologies to build worlds, how she harnesses anger as a fuel and fear as a creative beacon, her pivotal phone call with Octavia Butler, and why LeVar Burton thinks she should be on any team assembled for first contact with an alien species. As an aside, Nnedi Okorafor, after winning the World Fantasy Award for Who Fears Death, was involved in the successful push to have H.P. Lovecraft removed as the likeness of the statuette. We only touch on this briefly but one could assemble a nice thread of past Between the Covers conversations that either explicitly or implicitly engage with Lovecraft and his legacy. In reverse chronological order the episodes that come to mind are with: N.K. Jemisin, Daniel José Older,  Jeff Vandermeer and China Miéville. If you enjoy today’s program and want to learn about the potential benefits and rewards of becoming a listener-supporter (from Ursula K. Le Guin collectibles to craft talks by Marlon James) you can find out more at the Between the Covers Patreon page.   The post Nnedi Okorafor : Remote Control appeared first on Tin House.