Chthonia

This week's episode is a bit mind-blowing. Skandamata is the fifth Navadurga, and the embodiment of Parvati as mother of Skanda (Kartikeya, the war god). Skanda is born to defeat a demon called Tarakasura--the demon of salvation, who is the grandson of Diti (limitation). Skandamata also embodies the Visuddha chakra, where sound and speech are born. How do these fit together? Listen to this week's episode to find out.

This month's conversation is with Phoenix the Elder, a shaman who has apprenticed in Slavic shaman traditions and Bardo traditions among others, and has worked in these traditions for over 40 years. Now retired from taking apprentices, she talks about her experiences with the Dark Feminine, the differences between Dark Goddesses and Night Goddesses, and her conception of the "dreaming" world and the underworld. You can check out her website at https://eldermountaindreaming.com/ and subscribe to her updates if you are interested.

This week we discuss Kushmanda, the fourth Navadurga, who is also the Adishakti (Primal Shakti). She is the Shakti of Lord Surya (the Sun), and represents the true reality beyond all the apparent difference (maya) in the universe. We compare the Greek and Biblical creation stories to Kushmanda's creation, which is not word (Logos) driven, and how the light does not always bring clarity.

This week we look at the third Navadurga, known as Chandraghanta, the married form of the goddess Parvati. Her story begins at her wedding, when her bridegroom-to-be shows up dressed like an Aghori with matted hair, covered in cremation ash, and wearing a skull necklace, accompanied by ghouls. Her family is terrified, but Shiva's Aghori aspect also reflects a truth about Parvati/Shakti herself--and about the Divine Feminine as a whole.

This month's conversation is a fun and informal look at the Dark Feminine in horror movies with my longtime friend and former librarian Jeanette Hanley, who has seen a LOT of horror movies in her lifetime. Jeanette and I have had many discussions about this topic through the COVID lockdowns, and I wanted to bring at least some of that discussion to Chthonia. Jeanette and I talk about tropes involving women in horror, trigger warnings, sex as a component of character identity, female actors and directors, and the general experience of movie watching in the 1980s.

This week we look at the second Navadurga, Brahmacharini. Also a term for a female renunciate in Hinduism, Brahmacharini is the manifestation of goddess Parvati before she is married to Shiva. She goes through 5,000 years of ascetic tapas before Shiva offers a marriage proposal. Parvati is a reincarnation of Sati (Shakti), and Shakti/Shiva are heavily associated with Tantra. In light of this, her asceticism may seem like a paradox, but there is a likely meaning behind it.

This week kicks off a series on the Navadurgas, the avatars of goddess Durga that are celebrated during the nine days of Navaratri. I have covered a couple of them before, and I am going to talk about all of them by request. Today's podcast is on Shailaputri, "the daughter of the mountain," a name for Parvati, and also the epithet for Durga at the beginning of the Mahisasuramardini Stotra. Parvati is the reincarnation of goddess Sati (Shakti), and becomes the wife of Siva in both incarnations. This form of Parvati/Durga is connected to the Muladhara chakra, and the foundational energy of Kundalini Shakti.

Chthonia Conversations welcomes back Joanna Madloch (Baba Yaga episode of Chthonia) to discuss the archaic nature of what we call "Slavic Paganism". The Slavs do not have a "mythology" per se, there are a collection of archaic folktales, mostly of "bestiairusz," which bear a similarity to old school fairies (not the cutesy Victorian creatures). We talk about the origins of these myths, the lack of sources, and the way in the Slavs resisted Christianity for many years. Indeed, these archaic vestiges of Slavic religion still permeate folk practices in Slavic countries today, and we also look at the ways in which conquerors have tried to impose a "Pan-Slavism" (including Russia's attempts today) and modern re-emergences of the old religion in Poland and other countries.

This last September episode focuses on the Roman goddess Diana, and on Diana Nemorensis in particular. Many of Diana's characteristics became merged with those of the Greek goddess, Artemis; however, her origins as a fierce goddess of the woods and hunting, with connections to the underworld, shaped her later associations with both Artemis and Hecate. As we have already done a video on Artemis, this one is strictly about Diana, her origins, and connection to Tauris.

This week we look at the Slavic death goddess known as Marzanna, or Morana. Her mythology is seasonal, associating her with winter hags, though the myth associated with her is one of betrayal. In Poland and some other parts of Eastern Europe, the ritual of drowning or burning a Marzana effigy at the Spring Equinox is still observed. We discuss some possible meanings and connections of her stories and festivals with the mysteries of the Dark Feminine and the underworld. For a more personal view of the Marzanna ritual, check out the Chthonia Baba Yaga podcast featuring Joanna Madloch from a couple of years ago. There is also a forthcoming Chthonia Conversation with Joanna on Slavic mythology and the Dark Feminine, so don't miss it!