Thoughts on Illustration

After a summer of pulling back, we'll be back at it starting September 12, 2023. Thoughts on Illustration doesn't have seasons, but if it did, this would be the trailer for Season 2. This is just me checking in with you all about where I'm at and how I think things will go moving forward.

How Do You Know When to Go Full Time as an Illustrator? This is a free preview and the first mini-episode of the Summer Shorts series of the Thoughts on Illustration Podcast. For the rest of the summer, these will be available only to my Patreon supporters. Join in at patreon.com/tomfroese! Otherwise, I’ll see you in September!

When we have big dreams, we have to lean into them hard and really go for it. But sometimes what we thought we wanted doesn't turn out. Maybe it's too hard or maybe we just don't enjoy it anymore. The question is, do we double down and commit, knowing that payoff is just around the corner, or do we allow ourselves to quit, knowing that it's the only way to make room for something better?

Do you ever feel like everything takes YOU longer than everyone else? In this episode, talk about what it’s been like for me as a slow worker. What kinds of things have slowed me down, and how have I been able to thrive as a successful illustrator in spite of them. So if you’re a slowpoke trying to figure out why it just takes so long to get things done, this one is for you. I’m going talk about why I think there are two kinds of slow — good slow and bad slow — and why we should embrace the former and try to change the latter. And of course, I’ll give you some ways to do both. How can you embrace the things about your work that you maybe wish would go faster, and how you can change some of the things that truly get in your creative way. By the end of this episode, I hope that you’ll feel permitted to give yourself the time you need to do your best work — and to defend that time when it comes under question by yourself — or by others.

In this SPECIAL episode, I share an interview that Andres Palacios (BFA Illustration student at SCAD) did with me for a class project. I really enjoyed talking to him, and I think you'll enjoy our conversation. We'll be back next week with Episode 14! Thanks to Andres Palacios for letting me share this interview! Check out his work at https://www.andrespalacios.me/

CAN THERE BE TOO MUCH CREATIVE FREEDOM? In this episode we're going to talk about why your creativity NEEDS constraints! Even though they seem like setbacks, if we can embrace them, they can actually push us forward in our work. In Chapter 1, I'll tell you the story of how a concert went totally wrong — and how that resulted one of the best-selling Jazz albums of all time. In Chapter 2, I'll give you the 4 types of constraints you'll encounter in your illustration work, and how to use each one to push you forward in your own creativity!

The podcast explores the struggle to find a clear point in art and illustration. It discusses the power of focus and the importance of unity in composition. The episode also emphasizes the need to embrace mistakes and prioritize completion over perfection.

In this episode I explore the questions many of us have as illustrators, where it comes to composition: how do I know what to include in the art, and how do I know where to put it? In Chapter 1 we look into what composition might be, and then in Chapter 2, I offer 5 steps you can take to make more confident decisions in your compositions.

In this episode, I share the experience of showing up at the blank page and coming up with an idea. While this episode is much shorter than usual, it's packed with insights about how I face creative block head on, and how I find my way through it to find the right idea on the other side!

Today we’re going to talk about how to loosen up in our art. I know a lot of us struggle to have a sense of freshness and energy in our work, especially as we develop a piece from looser sketch to the more finished piece. What often happens is that a sketch starts off feeling loose and promises something better than what we end up with. It’s very common to find that we like our sketches more than the final illustration. Why is that? And how, if at all, can we achieve the same loose feeling of our sketches in our final art? In this episode, I’m going to share my own story of how I wrestled with this question — of having a more spontaneous feeling to my work versus something more planned out — and why, over time, for ME my work has seemed to head more in the scripted, planned out direction — and why I’m okay with that. At the same time, I still try to build in as much looseness as I can, and at the end of the episode I’ll share some tips on how to do that.