New Books in Jewish Studies

The medieval Jewish scholar Moses Maimonides’ most famous work, The Guide of the Perplexed, has been interpreted variously as an attempt to reconcile reason and religion, as a guide to philosophers on ruling the community while concealing the truth, or as an exegesis of rabbinical texts. In The Matter and Form of Maimonides’ Guide (Harvard University Press, 2013), Josef Stern provides an entirely distinct reading of this singular work. Stern, William H. Colvin Professor in the Department of Philosophy at the University of Chicago and Director of the Chicago Center for Jewish Studies, argues that for Maimonides, reason and religion are just one domain, not two that need to be reconciled; that biblical parable is a literary device used to articulate our incomplete understanding of truths about general welfare and individual happiness; and that Maimonides is primarily motivated by the question of what the best attainable human life can be given our embodied nature. The Guide is in effect a primer that trains the reader to tease apart the multiple meanings of biblical texts – even though these exercises will not yield knowledge of metaphysics and cosmology, including knowledge of God. Stern combines deep familiarity with Maimonides, his works, and his intellectual environment with expertise in contemporary philosophy of language in this major contribution to historical-philosophical scholarship. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Neoplatonists, including the 11th century Jewish philosopher-poet Solomon Ibn Gabirol, are often saddled with a cosmology considered either as outdated science or a kind of “invisible floating Kansas” in which spatiotemporal talk isn’t really about space or time. Sarah Pessin, Associate Professor of Philosophy and the Emil and Eva Hecht Chair in Judaic Studies at the University of Denver, is committed to upending these traditional readings. In Ibn Gabirol’s Theology of Desire: Matter and Method in Jewish Medieval Neoplatonism (Cambridge University Press, 2013), Pessin begins her reappraisal from the ground up, interpreting neoplatonist cosmo-ontology as a response to the Paradox of Divine Unity: of how God can be both complete yet also give way to that which is other than Himself. Pessin argues that Ibn Gabirol saw being and beings as emanating from God via a process of divine desire – a kind of pre-cognitive, essential yearning to share His goodness forward. This desire infuses the initial Grounding Element, a positive conception of matter that (contrary to standard views) is prior to and superior to soul and intellect and utterly distinct from Aristotle’s notion of Prime Matter. Pessin’s provocative book is full of surprising insights that reveal the richness of the ideas of a “completely mischaracterized” figure and period. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Fifty years of Holocaust screenplays and films -largely unknown, killed by censors, and buried in dusty archives – come to life in Olga Gershenson‘s The Phantom Holocaust: Soviet Cinema and Jewish Catastrophe (Rutgers University Press, 2013). As she ventures across three continents to uncover the stories behind these films, we follow her adventures, eager to learn what happened, why, when – and what comes next. This page-turning exploration begins with the first-ever films made about the Nazi threat to Jewish life in the 1930s – artistically successful movies released to crowded theaters in the USSR, Europe, and the US. The power of film being what it is, some 1930s viewers learned the lesson of Nazi hatred and fled to safety when Germany invaded the USSR in 1941. Immediately after the war, Soviet filmmakers again broke new ground when in 1945 they portrayed the Holocaust in “The Unvanquished.” The war just over, Soviet censors, Gershenson discovered, had no set policy and hardly knew how Stalin wanted them to respond. But the respected filmmaker Sergei Eisenstein supported the film, a movie featuring Jewish victims filmed on site in Kiev; it became one of the few Soviet movies that identified the Holocaust with Jews. Thereafter, the Holocaust would be a universal problem sans Jews that occurred anywhere but in the USSR. Among the stories that Gershenson relates, she raises the curtain on “Ordinary Fascism,” a blockbuster when it was released in the USSR in 1966.  The three-hour black-and-white documentary montage, narrated by its famous director Mikhail Romm, apparently drew 20 million Soviets to cinemas before it was withdrawn. Gershenson describes Ordinary Fascism as “a real breakthrough,” “stunning,” and an explosion.” Romm’s irreverent, casual commentary to Nazi newsreels, footage, photos, and art explored the psychology of Nazism – and, viewers recognized, made Soviets reflect on themselves. Why did Soviet censors refuse to permit a book on the subject to be released? Censors explained that a film would be seen once and forgotten. A book, on the other hand, would start people thinking! As Gershenson explains: “Half of all Holocaust victims…were killed on Soviet soil, mostly in swift machine-gun executions. And yet, watching popular Holocaust movies…the impression is that Holocaust victims were mainly Polish and German Jews killed in concentration camps.”  Her stories explain why Soviet filmmakers almost never shared the Soviet Holocaust experience on the screen. Gershenson’s book has a partner website. Here you can find video clips of featured films, with subtitles. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

The question of Wehrmacht complicity in the Holocaust is an old one. What might be called the “received view” until recently was that while a small number of German army units took part in anti-Jewish atrocities, the great bulk of the army neither knew about nor participated in the Nazi genocidal program. In other words, the identified cases were isolated exceptions. Who was at fault? Why, the SS of course. This view was spread by German generals in post-war memoirs, by the German government and courts, and by the German press and the public that read it. The “Good Wehrmacht” image was influential: many people–including scholars of the war–in countries that had fought Germany could be found rehearsing it. In his eye-opening book Marching into Darkness: The Wehrmacht and the Holocaust in Belarus (Harvard UP, 2013), Waitman Beorn challenges the “Good Wehrmacht” image. By focusing on a few units that participated in the invasion and occupation of Belarus in the late summer and fall of 1941, he is able to show without any doubt whatsoever that regular Wehrmacht forces not only participated in executions of Jews and others, but initiated them. The leaders of these units ordered them to aid the Einsatzgruppen in organizing mass murder and to actively hunt down “partisans” who were nothing but innocent Jews. Waitman does an excellent job of not only documenting Wehrmacht complicity, but also of trying to explain it. Listen in. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

From her first book about the Jewish philosopher Franz Rosenzweig, Leora Batnitzky has been heralded as a rising star in contemporary Jewish thought and the philosophy of religion. Batnitzky, a professor of Jewish studies and chair of the Department of Religion at Princeton University,  joins host Jonathan Judaken to discuss the social construction of religion, the origins of Judaism, and her latest book, How Judaism Became a Religion: An Introduction to Modern Jewish Thought (Princeton University Press, 2011). This interview originally appeared on Counterpoint with Jonathan Judaken on WKNO-FM. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

The first comprehensive biography of famed Yiddish novelist, story writer and playwright Sholem Aleichem, Jeremy Dauber‘s welcome new book The Worlds of Sholem Aleichem: The Remarkable Life and Afterlife of the Man Who Created Tevye (Schocken, 2013) offers readers an encounter with the great Yiddish author himself. Dauber writes in the rhythm of the language of Sholem Aleichem – Mr. How Do You Do – brilliantly structuring the book as a drama, with an overture, five acts, and an epilogue in ten scenes. He assumes the voice of a theater impresario, talking to his audience, just as the author Sholem Aleichem did, narrating his stories and reading them to the crowds whom he loved to entertain. The author Sholem Aleichem, most famous for his Tevye stories that became Fiddler on the Roof, was no Tevye, but rather a sophisticated and educated cosmopolitan businessman and writer.  He possessed immense curiosity about every man, a unique ear for interesting stories, and the ability to connect with his audience; these talents ultimately united his life with Tevye’s. Although he could very well write in Russian and Hebrew, ultimately he chose Yiddish, the most natural language of the people whom he loved, to tell his universal stories of tradition confronting modernity and the struggles of people to deal with change. Read this engaging and very well written book to learn more about Sholem Aleichem and fall in love with this man and his writings. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

“The conviction that the Messiah is coming is a promise of meaning. It is a source of consolation. It is a wellspring of creativity. It is reconciliation between what is and what should be. And it is perhaps our most powerful statement of faith–in God, in humanity and in ourselves.” –The Messiah and the Jews, Chapter 1: The Messiah is Coming Written for Jewish and non-Jewish readers alike, Rabbi Elaine Rose Glickman‘s The Messiah and the Jews: Three Thousand Years of Tradition, Belief and Hope (Jewish Lights Publishing, 2013) makes the 3000-year-old Jewish view of the messiah accessible and relevant to today’s reader.  Nearly unknown today, the Jewish concept of the Messiah–the promise of redemption–among Judaism’s gifts to the world -includes vivid accounts of the end of days, warriors, apocalypse, even the female heroine Hephzibah, mother of the messiah according to one rare but very important account. Rabbi Glickman shares the Jewish tradition of the messiah in a very readable book that includes many memorable descriptions that enrich the reader’s  appreciation of Jewish tradition – explanations of traditions that readers may have experienced without having previously known of their relationship with Jewish yearning for the coming of the messiah. The book concludes with the concept that we can “make the vision of the universe redeemed a reality and provide a foretaste of redemption in our lives today. I recommend this book highly. Rabbi Elaine Rose Glickman brings together, and to life, this three-thousand-year-old tradition. She explores for the English-language reader an astonishing range of primary and secondary sources many not accessible in English, explaining in an informative and even inspirational manner these teachings’ significance for Jews of the past, while at the same time she infuses them with new meaning for the modern reader, both Jewish and non-Jewish. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

There are 13 million Jews in the world today. There are also 13 million Senegalese, 13 million Zambians, 13 million Zimbabweans, and 13 million Chadians. These are tiny–a realist might say “insignificant”–nations. But here’s the funny–though that doesn’t seem like the right world–thing. One of them is the focus of a persistent, virulent, worldwide prejudice, an intense hostility that is totally out of proportion with its size and, the realist would add, significance. And you know exactly which one it is. In his eye-opening book The Devil That Never Dies: The Rise and Threat of Global Antisemitism (Little, Brown and Co., 2013), Daniel Jonah Goldhagen explores the historical origins of anti-semitism in Europe and its remarkable spread after the Second World War. It is, at least to me, a bizarre and discouraging story. There is, of course, no rational basis for anti-semitism per se. Yet it is everywhere, part of national cultures and discourses throughout the world. This is true where there are Jews (always in tiny numbers) and it is true where there are no Jews at all (as in most of the developing world). Goldhagen does a masterful job of describing the migration of anti-semitism from Europe to everywhere else and works hard to explain it. I don’t know if even he would say he succeeded in the latter task because, well, the entire phenomenon seems to defy rational explanation. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

I don’t think it’s possible anymore for someone, even an academic with a specialty in the field, let alone an interested amateur, to read even a fraction of the literature written about the Holocaust. If you do a search for the word “Holocaust” on Amazon (as I just did), you get 18,445 results. That’s just in English, and just books available right now on Amazon. Admittedly this is a poor search strategy to use if constructing a bibliography, but it gives you a decent approximation of the challenge you face in trying to learn about the Holocaust. Dan Stone, then, has done the field a great service in writing his book Histories of the Holocaust (Oxford University Press, 2010. In this work, Stone attempts to provide a critical guide to the questions and interpretations most important to the field at this moment. In doing so, he summarizes an enormous amount of reading and learning into a couple hundred pages while offering his own thoughtful interpretations. This book is one of the first places to start if you want to get an overview of recent scholarship on the holocaust. A brief note about the sound quality of the interview. Skype was a bit wonky (to use the technical term) the day we did the interview, so the sound during the first ten or twelve minutes or so is just a bit fuzzy. After that it clears up and the remainder of the interview is crystal clear. I hope you enjoy the interview. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Reporter Anne-Marie O’Connor uses the iconic gold portrait of Adele Bloch-Bauer to engage us in the exciting cultural life of fin-de-siecle Vienna, where wealthy Jewish patrons supported the work of ground-breaking artists, lived in grand homes on the famous Ringstrasse, and thought life was good and they were valued as Austrians. With O’Connor’s background in art and her skills of investigative reporting, we come to know the people who turn the art world upside down during the last years of the Empire. Klimt, rock star artist of his era, is in great demand. Her family treasured his portrait of Adele Bloch-Bauer, and the Austrians came to regard it as their Mona Lisa. Adele Bloch-Bauer, as O’Connor explains, was different. This wealthy Jewish woman hosted “Red Saturdays” at home, salons in which she voiced her opinions on the issues of the day, eager to implement reforms to improve workers’ lives. O’Connor characterizes her as “an unfinished woman,” for she died at 43. Wishing to immortalize Klimt, she directed that the portraits and landscapes that she and her husband had in their home be given to the Austrian Gallery. But after Adele died, life changed for Jews in Vienna: in 1938, the Anschluss made Austria part of Nazi Germany. Hitler’s henchmen commandeered Adele’s home and helped themselves to paintings and other works of art. Her family survived, barely. When the war ended, Austria kept the Klimts. When the battle to recover the Klimt portrait resumed in Los Angles in the 1990s, O’Connor interviewed Maria Altmann, niece of Adele Bloch-Bauer, who spearheaded the family’s legal case. Working with Altmann was attorney Randol Schoenberg, grandson of the famed composer and passionate advocate in the battle to recover the painting. Listen to this interview for further details of The Lady in Gold and read the book to learn more. (See the Artsy page on Klimt; it’s terrific.) Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies