Headliner Radio

Indie-pop band The White Lakes were set for massive things in 2020 before the pandemic hit and put all their plans on hold. Here, the band’s singer Matt tells us how they made the decision to move into a shared house to continue writing and performing together no matter what the restrictions, a decision that produced their latest single, This Generation.

UK artist, Esmae wrote her first song aged 16, and although music was her true passion, career success elsewhere meant it took a backseat. She explains how she found her way back to music by posting demos on Soundcloud, which led to her releasing her debut single, Oughta Know, with a five-track EP titled Do Better, due to be released later this year...

Eurovision 2021 saw James Newman provide the UK's entry with his song Embers. Headliner caught up with him to discuss what went down on the night and the immense platform the content provides artists

Having worked with all the big movie studios, as well as mixing the music for a number of smash-hit video games, producer, engineer and score mixer Jason LaRocca has been on a roll of late, most recently mixing the music for Marvel’s upcoming Morbius and HBO Original series The Nevers. Here he talks us through the impressive setup in his La-Rocc-A-Fella Center recording and mix facility, and reveals why he finds oeksound’s soothe and spiff invaluable when it comes to his process.

Record producer and mix engineer, Dave Eringa, reflects on his start at Powerplant studios and on keeping things fresh in the studio with Manic Street Preachers after 30 years of working together. He shares what is key when it comes to the role of music producer, and how a calibrated Genelec monitoring setup has been a total game-changer in his home studio. 

A Belgian composer in the midst of his Hollywood breakthrough, Peter Baert has diligently worked his way up scoring Belgian indie flicks, until the opportunity to compose for The Water Man (executive produced by Oprah Winfrey) arose. He opens up about the polarity of euro cinema versus big budget American productions, creating tailor-made synths for films, and why he's been a Cubase user for as long as he can remember.

Melbourne singer-songwriter Gretta Ray’s first release of 2021 introduced an innovative concept in new music sharing: Duologies – two songs joined in theme but creatively distinct, issued as a pair. She dives into her songwriting process and explains the concept behind Bigger Than Me and Readymade – which are both songs about her relationship with creativity, which she admits is something that she can become obsessive about.

Ivor Novello Award-winning songwriter, Scott Matthews just released his seventh studio album - a reinvention of his musical identity. Here he discusses how the record came together, why he used it as his opportunity to experiment with sounds, and why he believes, lyrically, it’s his strongest work to date.

Maxe Axelsson, founder of record and production company, Pama Studios reflects on starting the studios in 1988, which have gone on to become a successful one stop-shop for music production, film mixing, dubbing, sound editing and video editing. He reflects on the changes in the music industry and recording studios over the years, and explains why he’s been using Genelec monitors since the ‘90s.

Having just released an uplifting single called Soak Up, and with a new album dropping in September, UK singer-songwriter Tom Speight is in a good place musically at the moment. Here he talks about how his life experiences have shaped him as an artist and a person, why he’s laser-focused on his health and his artistry, and some of his favourite gigs from over the years.