Headliner Radio

RAK Studios’ Andy Leese, Emma Townsend and Robbie Nelson delve into the studio’s history since being founded in 1976, how it's stayed successful and sought after over the years, and how the rise in Dolby Atmos mixes led them to transform Studio 4 into an immersive Genelec room.

Dolby’s senior broadcast sales manager, Jane Gillard, delves into the rapid uptake of Dolby Atmos, explores what the future of the immersive format looks like for film and music streaming services (and how consumers can experience it), and answers the question: is Dolby Atmos coming to Spotify?

Este Haim of indie pop trio Haim, and songwriter and producer Christopher Stracey tell Headliner about teaming up for their debut scoring project, which saw them compose the soundtrack for hit Netflix series Maid.

Multiple Grammy Award-winning mixer Rob Burrell shares his mixing tips for mainstream and independent artists alike, how he (kind of) mixed for Bono, and why he listens to Christmas music all year round. He explains how Dolby Atmos music has changed what his job looks like, and why he relies on Focusrite kit for his immersive studio work.

Artist, producer and author Kallie Marie discusses her career to date, including her new book Conversations With Women In Music Production, which sees some of the industry's most revered producers share their experiences and discuss diversity in music.

L.A-based artist Agnes Azria tells Headliner about her career to date, her origins in music and the challenges facing emerging talent in today's industry.

Spanish producer and bassist Jesus Rovira talks about what inspired his band Lax’n’Busto’s sound, the current state of the studio/recording industry in Spain, and why he loves the Genelec monitors in his unique residential studio, La Casamurada.

New York City-based producer, engineer and mixer Glen Robinson, who honed his production chops in the ‘80s working alongside the likes of Keith Richards and George Martin, reflects on his formative years in the studio, his creative process when it comes to production, and the oeksound plugins that allow him to get the job done.

Composer Jeff Beal talks about scoring popular Netflix political drama House of Cards, his new Americana-tinged music for soprano and orchestra, and explains why he relies on JBL monitors in each of his studios.

Long time Baz Luhrmann collaborator, Elliot Wheeler, reveals how he took on the role of composer and music producer for the director’s latest film, Elvis. He reflects on working with Luhrmann over the years, on digging into The King’s discography, and on working with actor Austin Butler to transform him into Elvis.