

Headliner Radio
Headliner
This is a music podcast which explores the creative process. We chat to artists of all levels, from aspiring and emerging talent to international stars, to find more about how they make their music. Check us out on Insta @emergingheadliner, FB and Twitter @headlinerhub and hashtag #headlinerradio
Episodes
Mentioned books

Sep 23, 2025 • 28min
Aspiring Headliner E85: Tanis
Paris-born, London-based artist Tanis talks about how her multicultural upbringing shapes her sound, and she delves into the inspiration behind her new single, Kid, which is about the complexities of adult life and the longing to relive her childhood and to go back to a simpler time.

Sep 22, 2025 • 56min
E442: Filipe Messeder: Behind the sound design of Weapons
Filipe Messeder delves into his role as sound designer and sound effects editor on the no.1 box office horror film, Weapons, the new movie from Barbarian director and writer Zach Cregger. He discusses how he terrorised audiences with his sound design in Dolby Atmos, reveals his favourite sonic moments in some key scenes (including *that* ending) and he explains how he developed a device nicknamed ‘the Rumbler’ for the film’s unsettling soundscape.

Sep 16, 2025 • 33min
Aspiring Headliner E84: Wizard Chan
Born in Port Harcourt, Nigeria, Wizard Chan is a hip hop and afrobeats artist masterfully combining the traditional musical sounds of Africa with contemporary African pop. It’s getting him noticed internationally, with songs like Earth Song and Loner (Alone) doing huge numbers on TikTok and streaming platforms. He chats to Headliner about his new album, Healers Chapel, which deals with his own healing journey, and his hopes it will take his listeners on a healing path themselves.

Sep 1, 2025 • 24min
E441: Gary Spittle | The Future of Immersive Audio
Headliner’s Dolby Atmos-certified Darkwood Studios seems as fitting a spot as any for a conversation with Gary Spittle. The British-born, California-based entrepreneur is the founder of Sonical - a disruptive, forward thinking audio brand which is currently on the cusp of delivering something quite remarkable: think immersive, wireless, and completely lossless.

Aug 18, 2025 • 1h 4min
The Mix Room E113: John Murphy & David Fleming: Scoring Superman
Composers John Murphy and David Fleming talk about their discussions with director James Gunn about new creative avenues for the iconic John Williams Superman theme, bringing a fresh musical perspective to Superman in 2025, and Murphy reveals how Genelec monitors weren’t just key for this film, but for his entire career in the industry.

Aug 18, 2025 • 44min
Aspiring Headliner E83: Yndling
Norwegian indie and dream-pop artist Yndling is an Oslo-based artist crafting songs that are a melting pot of shoegaze, trip-hop, and Scandinavian sounds. She delves into her second album – released in two parts – Time Time Time (I’m In The Palm Of Your Hand).

Aug 13, 2025 • 42min
E440: Newton Faulkner: The making of Octopus
Singer-songwriter Newton Faulkner discusses his new record, Octopus – an album that defies genres and any concept of the folk-indie sound he broke through with almost 20 years ago.

Aug 12, 2025 • 34min
Aspiring Headliner E82: Odhrán Murphy
Irish singer-songwriter, Odhrán Murphy, who blends folk, country, and acoustic music, delves into his new EP, Stuck In The Middle, ahead of his upcoming headline tours of Ireland and the UK.

Aug 5, 2025 • 38min
E439: Warner’s Gustavo Menéndez: The rise of Latin music
Gustavo Menéndez, President of Latin America and U.S. Latin for Warner Chappell Music, provides an insight into the future of Latin music, Latinos’ pivotal role in the music industry, and how success lies in cultivating intimate connections with songwriters that result in timeless songs and iconic artists.

Aug 4, 2025 • 39min
The Mix Room E112: Gary Lionelli
Three-time Emmy-winning composer, Gary Lionelli discusses his Primetime Emmy-nominated score for the Oscar-winning film, O.J.: Made in America, which depicts the rise and fall of O.J. Simpson, teases some new projects he’s been working on, and reveals why he relies on Genelec studio monitors for his score work.


