Intelligence Squared

Jerusalem. How did this small, remote town became the Holy City, the desire of every empire, and the key to Middle East peace? In this dazzling talk from February 2011, Simon Sebag Montefiore revealed the ever-changing city through its many incarnations, bringing every epoch and character blazingly to life. Jerusalem’s biography was told through the wars, adventures, love-affairs and messianic revelations of the men and women – kings, empresses, saints, conquerors, prophets and whores – who created, destroyed, chronicled and believed in the Holy City. Its cast varies from Solomon and Saladin to Churchill, Cleopatra and Caligula, from Abraham, Jesus and Muhammad to Jezebel, Nero, Napoleon, Rasputin, Herod and Nebuchadnezzar, from the Kaiser, Disraeli and Lloyd George, to Yasser Arafat, King Hussein and Moshe Dayan. Support this show http://supporter.acast.com/intelligencesquared.  See acast.com/privacy for privacy and opt-out information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

God is dead and man has no need of the myths and false consolation that religion offers. That’s the battle-cry of Richard Dawkins and other tough-minded critics of religion. And yet millions cling to their faith, finding value and meaning in the concepts and rituals they adhere to. But is this dichotomy all we have to choose from – prostration or denigration? Some would argue that there’s another way, that it’s possible to remain an atheist and still make use of certain ideas and practices of religion that secular society has failed to engender – the promotion of morality and a spirit of community, for example, and the ability to cope with loss, failure and our own mortality. But is this “religion for atheists” something that would ever catch on? Without belief in the numinous and some form of authority wouldn’t it all fall apart? And do atheists really need sermons and reminders to be good? Arguing against this motion in this debate from January 2012 were philosopher and author Alain de Botton and... Support this show http://supporter.acast.com/intelligencesquared.  See acast.com/privacy for privacy and opt-out information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In the wake of the MPs’ expenses scandal (May-June 2009), we brought a panel of politicians and journalists to the Intelligence Squared stage to discuss the state of democracy in Britain – is the system rotten to the core, or was the expenses scandal simply a storm in a teacup? In a departure from the usual debate format, the seven panelists each present their views on the current state of affairs and suggest if, and how, the system needs to be reformed. Joining us were historian Sir David Cannadine; former Foreign Secretary Sir Malcolm Rifkind; barrister and Labour Peer Helena Kennedy; constitutional expert Vernon Bogdanor; Professor of Politics at the University of Westminster John Keane, author and Daily Mail political columnist Peter Oborne; and author and Times columnist David Aaronovitch. The event was chaired by Standard columnist Sir Simon Jenkins. Support this show http://supporter.acast.com/intelligencesquared.  See acast.com/privacy for privacy and opt-out information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

We were joined at the Saatchi Gallery in July 2009 by Turner Prize-winning artists Grayson Perry and Antony Gormley; author, philosopher and television presenter Alain de Botton; design critic, author and columnist Stephen Bayley and founder of the charity Kids Company Camila Batmanghelidjh, as they debated the motion "Can art be taught to the Facebook Generation?" The debate was chaired by author, journalist and broadcaster Joan Bakewell. Support this show http://supporter.acast.com/intelligencesquared.  See acast.com/privacy for privacy and opt-out information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Among wine lovers, there is no greater divide than that between Burgundy and Bordeaux. These are the world’s most celebrated wine regions. What separates them and why the great rivalry? Back in 2015 we invited two of the UK's top wine critics, Jancis Robinson and Hugh Johnson, to debate the issue. Chairing the event was Michelin-starred chef and restauranteur Michel Roux Jr. We’d love to hear your feedback and what you think we should talk about next, who we should have on and what our future debates should be. Send us an email or voice note with your thoughts to podcasts@intelligencesquared.com or Tweet us @intelligence2. And if you’d like to get ad-free access to all Intelligence Squared podcasts, including exclusive bonus content, early access to new episodes and much more, become a supporter of Intelligence Squared today for just £4.99, or the equivalent in your local currency . Just visit intelligencesquared.com/membership to find out more. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Shumon Basar, writer, thinker and cultural critic, Douglas Coupland, the renowned author of 'Generation X', and Hans Ulrich Obrist, one of the world’s best-known curators, joined forces for a special event with Intelligence Squared to explore the challenges that the planet faces in the Extreme Present. Ours is an era so unfamiliar that in their book, 'The Age of Earthquakes' – their 21st-century update of Marshall McLuhan’s seminal 1967 book 'The Medium Is the Massage' – Basar, Coupland and Obrist have developed a new ‘Glossarium’ to describe the unsettling experiences of the always-on, networked age. Do you suffer from ‘monophobia’ (the fear of feeling like an individual) or from ‘connectopathy’ (a range of irregular behaviours triggered by the rewiring of our brains)? Do you spend more and more of your time ‘deselfing’ (willingly diluting your sense of self by plastering the internet with as much information as possible) or, as technology makes you ever smarter yet leaves you feeling ever more stupid... Support this show http://supporter.acast.com/intelligencesquared.  See acast.com/privacy for privacy and opt-out information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Botticelli's Venus. Warhol's Marilyn. Chen Yifei’s Beauties. Historically, the creation of art has been largely the preserve of men. And not a lot has changed. In recent years, the top 100 highest grossing living artists at auction were men, selling predominantly to male buyers. Women run just a quarter of the biggest art museums in the world, earning about a third less than their male counterparts. More women then men graduate from art school, but fast forward a few years and it's the men who are making it big, in the market, the galleries and the museums. So what's going on? The art world is a boys' club, that's what. This is the gripe of those who think the system is stitched up against women, but whose fault is it really? Perhaps women don’t ‘lean in’ enough, or get sidetracked by motherhood. And while gender imbalance remains a fact, things have improved quite dramatically for women in the art world, especially when compared to the business world and its glass ceilings. From Middle Eastern... Support this show http://supporter.acast.com/intelligencesquared.  See acast.com/privacy for privacy and opt-out information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

‘Making money is a happiness. And that’s a great incentive. Making other people happy is a super-happiness.’ These are the words of Muhammad Yunus, the Nobel Peace Prize-winning Bangladeshi economist world-famous for starting the microfinance movement. That movement is just part of Yunus’s mission to ‘put poverty in the museums’. A charismatic visionary, as much at ease with global leaders as he is with the poorest of street beggars, Professor Yunus believes every person can play a part in reducing poverty. And they can do this not by writing out a cheque to a charity or through hard-headed capitalism, but by means of a model that lies somewhere between the two. He calls this model social business. As Professor Yunus likes to explain it, social business isn’t just about helping the poor – it can also help to change us. When we put on ‘social business glasses’ we start looking at the world and thinking about it in new ways. We bring fresh insight to our conventional profit-maximising companies and become... Support this show http://supporter.acast.com/intelligencesquared.  See acast.com/privacy for privacy and opt-out information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

They are coming to an office near you: job-gobbling robots that can do your work better and more cheaply than you can. One in three jobs could be taken over by a computer or a robot in the next 20 years. Most at risk are less skilled workers such as machine operators, postmen, care workers and professional drivers. The CEO of Uber, the ride-sharing company, recently said that his goal is to replace all the firm’s drivers with autonomous cars. That’s the view of the tech pessimists, but others would argue that all this automation anxiety is overblown. While advances in technology have always caused disruption, in the long run they have led to the creation of more jobs. To give an example, in the 19th century the industrial revolution wiped out jobs on the land as farm workers were replaced by machinery, but millions found new work in factories as they sprang up in the cities. Why should things be different with the AI revolution? We were joined by a panel of experts to debate the motion "The robots are... Support this show http://supporter.acast.com/intelligencesquared.  See acast.com/privacy for privacy and opt-out information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Rembrandt van Rijn is the best known of all the Dutch masters. His range was vast, from landscapes to portraits to Biblical scenes; he revolutionised every medium he handled, from oil paintings to etchings and drawings. His vision encompassed every element of life – the sleeping lion; the pissing baby; the lacerated soles of the returned prodigal son. Making the case for him in this debate was Simon Schama. For him Rembrandt is humanity unedited: rough, raw, violent, manic, vain, greedy and manipulative. Formal beauty was the least of his concerns, argues Schama, yet he attains beauty through his understanding of the human condition, including to be sure, his own. But for novelist Tracy Chevalier it can all get a little exhausting. Rembrandt’s paintings, she believes – even those that are not his celebrated self-portraits – are all about himself. Championing Vermeer, she will claim that his charm lies in the very fact that he absents himself from his paintings. As a result they are less didactic and more... Support this show http://supporter.acast.com/intelligencesquared.  See acast.com/privacy for privacy and opt-out information. Learn more about your ad choices. Visit podcastchoices.com/adchoices