Intelligence Squared

A discussion on the impact of today's self-obsessed culture, the conflict between external achievements and moral character, the journey towards spiritual harmony, balancing worldly achievement with cultivating character, the importance of self-reflection and outward service, and reclaiming the concept of sin in our society.

Terry Gilliam is one of the most multifaceted, visionary talents alive. He first found fame as a member of Monty Python, the surreal comedy troupe that has had a cult following since its inception in 1969 right up to today. Had Gilliam stopped there, his artistic immortality would have been guaranteed. But over the decades his talent has rampaged across different genres – comedy, opera and above all cinema. He ranks among the tiny handful of film directors the world’s leading actors will drop everything for. Hollywood royalty including Robert De Niro, Bruce Willis, Brad Pitt, Robin Williams, Uma Thurman and Johnny Depp have flocked to work on his masterpieces Brazil, Twelve Monkeys, The Adventures of Baron Munchausen and Fear and Loathing in Las Vegas. In October 2015, Gilliam made an exclusive appearance at Royal Festival Hall, presented by Intelligence Squared and Southbank Centre. Joined on stage by BBC arts editor Will Gompertz, he took us on an immersive, multimedia journey through the many inspirations he has drawn on — from the Bible and Mad magazine to Grimm’s fairy tales and the films of Powell and Pressburger. Listen as we venture inside the mind of the filmmaker once described as ‘half genius and half madman’, whose popularity has remained undimmed for almost half a century.Support this show http://supporter.acast.com/intelligencesquared.See acast.com/privacy for privacy and opt-out information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Inequality is an increasing problem in the Western world, leaving everyone – the rich as well as the poor – worse off. The dream of a socially mobile society is becoming an ever more unachievable myth. That’s the view of Nobel Prize-winning economist Joseph Stiglitz, who came to the Intelligence Squared stage for a rare London appearance on May 20th. Stiglitz argued that inequality is not inevitable but a choice – the cumulative result of unjust policies and misguided priorities. Stiglitz was joined on stage by Economics Editor of Sky News Ed Conway.Support this show http://supporter.acast.com/intelligencesquared.See acast.com/privacy for privacy and opt-out information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this historic event, Stephen Fry and other friends of Christopher Hitchens came together to celebrate the life and work of this great writer, iconoclast and debater. Fry was joined on stage by Richard Dawkins and the two discussed Hitch’s unflinching commitment to the truth. Hollywood actor Sean Penn was beamed in from LA and, between cigarette puffs, read from Hitch’s acclaimed work, The Trial of Henry Kissinger. Five friends of Hitch spoke via satellite in New York: satirist Christopher Buckley and editor Lewis Lapham mused on Hitch’s prowess as a journalist. ‘Like a pot of gold’, said Lapham. Martin Amis, Salman Rushdie and James Fenton delighted the audience with stories of Hitchens as a young man. Rushdie drew roars of laughter when he recounted a word game invented by Amis and Hitchens where the word ‘love’ is replaced with ‘hysterical sex’. Particular favourites included Hysterical Sex in the Time of Cholera and Hysterical Sex Is All You Need.Watching the event with Hitch at his bedside in Texas, Hitch’s wife Carol and novelist Ian McEwan provided commentary. ‘His Rolls Royce mind is still purring beautifully’, typed McEwan.The event originally took place on the 11th November 2011 at The Southbank Centre’s Royal Festival Hall and was watched live by 2500 at the venue, and by thousands more in UK cinemas and online. It was produced by Executive Producer Hannah Kaye—We’d love to hear your feedback and what you think we should talk about next, who we should have on and what our future debates should be about. Send us an email or voice note with your thoughts to podcasts@intelligencesquared.com or Tweet us at @intelligence2. At Intelligence Squared we’ve got our own online streaming platform, Intelligence Squared+ and we’d love you to give it a go. It’s packed with more than 20 years’ worth of video debates and conversations on the world’s most important topics as well as exclusive podcast content. Tune in to live events, ask your questions or watch on-demand, totally ad-free with hours of discussion to dive into. Visit intelligencesquaredplus.com to start watching today Learn more about your ad choices. Visit podcastchoices.com/adchoices

To celebrate some of the most influential and impactful speeches ever made, we invited Barack Obama’s director of speechwriting, Cody Keenan and Tony Blair’s former speechwriter, Philip Collins, to discuss the power of the spoken word. Our host was journalist and presenter Emily Maitlis, with actors including Jeremy Irons and Carey Mulligan joining us to reenact speeches that have defined pivotal moments in history. This event took place in on the 20th of November 2017 in London and was originally produced by Executive Producer Hannah Kaye and Eleanor Head. Editing was by Executive Producer Rowan Slaney and Producer Catharine Hughes was your host—We’d love to hear your feedback and what you think we should talk about next, who we should have on and what our future debates should be about. Send us an email or voice note with your thoughts to podcasts@intelligencesquared.com or Tweet us at @intelligence2. At Intelligence Squared we’ve got our own online streaming platform, Intelligence Squared+ and we’d love you to give it a go. It’s packed with more than 20 years’ worth of video debates and conversations on the world’s most important topics as well as exclusive podcast content. Tune in to live events, ask your questions or watch on-demand, totally ad-free with hours of discussion to dive into. Visit intelligencesquaredplus.com to start watching today Learn more about your ad choices. Visit podcastchoices.com/adchoices

Dystopian books and films are in the zeitgeist. Reflecting the often dark mood of our times, Intelligence Squared are staging a contest between two of the greatest dystopian novels, Brave New World and Nineteen Eighty-Four. Each book captured the nightmares of the 1930s and 40s. But which vision looks more prescient to us now in the 21st century? Are we living in George Orwell’s sinister surveillance state? Or in Aldous Huxley’s vapid consumerist culture? To battle it out, we are bringing two celebrated writers, Adam Gopnik and Will Self, to our stage. After Donald Trump was elected, it seemed as if Nineteen Eighty-Four had clinched it. The book shot to the top of the bestseller charts. It felt so ominously familiar. In Orwell’s dystopia, the corporate state controls the news, insisting that ‘whatever the Party holds to be truth is truth’. That sounds very like Trump’s ‘alternative facts’, and the war he is waging on the ‘fake news’ media. Orwell imagined two-way telescreens spying on every citizen’s home. Today we have Amazon’s ‘always listening’ Alexa device, while Google, Facebook and the security agencies hoover up our personal data for their own ends. Orwell also described an Inner Party – two percent of the population – enjoying all the privileges and political control. Isn’t that scarily close to the ‘one percent’, reviled for their wealth and influence by anti-capitalists today? No wonder everyone rushed out to buy the book. But Orwell’s critics say Nineteen Eighty-Four is a dated dystopia, a vision that died along with communism. The novel that better resonates with our present, they say, is Brave New World. Here Aldous Huxley imagined a plastic techno-society where sex is casual, entertainment light and consumerism rampant. There are pills to make people happy, virtual reality shows to distract the masses from actual reality, and hook-ups to take the place of love and commitment. Isn’t that all a bit close to home? Huxley even imagined a caste system created by genetic engineering, from alpha and beta types right down to a slave underclass. We may not have gone down that road, but gene-editing might soon enable Silicon Valley’s super-rich to extend their lifespans and enhance the looks and intelligence of their offspring. Will we soon witness the birth of a new genetic super-class? Both these novels imagined extraordinary futures, but which better captures our present and offers the keener warning about where we may be heading? Join us on November 28th as our advocates go head to head, with a cast of top actors who will illustrate their arguments with readings from the novels.Support this show http://supporter.acast.com/intelligencesquared.See acast.com/privacy for privacy and opt-out information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Michael Lewis is one of the most successful non-fiction authors alive. He has been acclaimed as a genius by Malcolm Gladwell and as the best current writer in America by Tom Wolfe. In a series of titles that have sold 9 million copies worldwide, he has lifted the lid on the biggest stories of our times, enthralling readers with his knack for humanising complex subjects and giving them the page-turning urgency of the best thrillers. Liar's Poker is the cult classic that defined Wall Street during the 1980s; Moneyball was made into a film with Brad Pitt; Boomerang was a breakneck tour of Europe’s post-crunch economy; and The Big Short was made into a major Oscar-winning film starring Christian Bale, Ryan Gosling and Steve Carell. In November 2017 Lewis came to the Intelligence Squared stage, where he was joined by Stephanie Flanders, former economics editor at the BBC. Discussing the themes of his latest book, The Undoing Project: A Friendship that Changed the World, they explored the extraordinary story of the relationship between Daniel Kahneman and Amos Tversky – a collaboration which created the field of behavioural economics. This is the theory which shows that human beings are not the rational creatures we imagined ourselves to be, and has revolutionised everything from big data to medicine, from how we are governed to how we spend, from high finance to football. It won Kahneman the Nobel Prize in economics in 2002 – the first time the award had gone to a psychologist.Support this show http://supporter.acast.com/intelligencesquared.See acast.com/privacy for privacy and opt-out information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jaron Lanier is one of the foremost digital visionaries of our times. One of Silicon Valley’s key early innovators, this dreadlocked digital prophet has been dubbed the ‘father of virtual reality’ and named as one of Time’s 100 most influential people in the world. A former goatherd and midwife, and a virtuoso player of rare instruments, Lanier is sometimes called the ‘alternative Steve Jobs’. Neither a tech optimist nor a doom-monger, he is unique for always seeing the opportunities offered by technology as well as the dangers. In bestsellers such as You Are Not A Gadget and Who Owns the Future? he sounded an early warning about the perils of the internet – describing the tech giants as ‘spy agencies’ and ‘lords of the clouds’ for the way they reduce the value of humans to that of the data they provide. But he has also proposed another, more imaginative way to use technology. A ‘human-centered approach’, he argues, ‘leads to more interesting, more exotic, more wild, and more heroic adventures than the machine-supremacy approach, where information is the highest goal.’ Now Lanier is going back to the field where he did his pioneering work in the 1980s: virtual reality. VR has become the new frontier of human engagement with tech, and has become a medium that has transformed surgical trials, aircraft design and the treatment of injured war veterans. But it is not only about design, games and headsets, as he argues in his new book, Dawn of the New Everything. Virtual reality can extend the ‘intimate magic’ of childhood into the adult world, Lanier says, and allow us to imagine life beyond the limits of biology. But it will also test who we are. In the same way that he foresaw the dangers of web 2.0, Lanier offers a warning. Virtual reality has the potential to isolate us from each other – and render us even more in thrall to predatory tech companies. Lanier was joined om conversation by Economics editor at the BBC, Kamal Ahmed.Support this show http://supporter.acast.com/intelligencesquared.See acast.com/privacy for privacy and opt-out information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

If ever a politician got a bum rap it’s Neville Chamberlain. He has gone down in history as the British prime minster whose policy of appeasement in the 1930s allowed the Nazis to flourish unopposed. He has never been forgiven for ceding part of Czechoslovakia to Hitler in the Munich Agreement of September 1938, and for returning home triumphantly declaring “peace for our time”. The very word “appeasement” is now synonymous with him, signifying a craven refusal to stand up to bullies and aggressors. What a contrast to Winston Churchill, the man who took over as prime minister and who has ever since been credited with restoring Britain’s backbone. But is the standard verdict on Chamberlain a fair one? After all, memories of the slaughter of the First World War were still fresh in the minds of the British, who were desperate to avoid another conflagration. And anyway what choice did Chamberlain have in 1938? There’s a good case for arguing that the delay in hostilities engineered at Munich allowed time for military and air power to be strengthened.Support this show http://supporter.acast.com/intelligencesquared.See acast.com/privacy for privacy and opt-out information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

We are living in the age of selfie mania. Everyone from the Pope to Obama has appeared in one. In the past, only a handful of people were able to propagate their own images, whether it was artists like Rembrandt or Van Gogh painting self-portraits, society beauties commissioning fashionable artists to create a flattering likeness of themselves to be admired by a select few. But now, the smartphone has democratised visual self-expression. The instant transferability of photos to social media and imaging apps at our disposal allow us all to constantly ‘curate’ our look and present ourselves as we want the world to see us, recording ourselves day by day. But what effect is this cultural addiction having on us? Do we look out at our exciting world as observers full of curiosity, or do we simply wonder how we look in it, and what filter would work best? Has the selfie reduced life to a popularity contest governed by likes, Instagram followers and Facebook friends? How do we deal with the increasing social pressure to constantly post images of an impossibly perfect self? in July 2017, Huawei and the Saatchi Gallery brought together a panel from the worlds of cultural criticism, social media and neuroscience to discuss the impact of selfie culture from a multitude of perspectives. The event was hosted at the Saatchi Gallery, where the exhibition ‘From Selfie to Self-Expression’, presented by Huawei was on display.Support this show http://supporter.acast.com/intelligencesquared.See acast.com/privacy for privacy and opt-out information. Learn more about your ad choices. Visit podcastchoices.com/adchoices