The Shakespeare and Company Interview

For our first podcast of 2022 we leave the bookshop and take to the buses of Paris for a conversation with Lauren Elkin, author of No. 91/92: notes on a Parisian commute.Buy No. 91/92: notes on a Parisian commute here: https://shakespeareandcompany.com/I/9781838014186/no-9192-notes-on-a-parisian-commute*SUBSCRIBE NOW FOR BONUS FEATURESIf you want to spend even more time at Shakespeare and Company, you can now subscribe for regular bonus episodes including: An initiation into the world of rare book collecting; The chance to expand your reading horizons as our passionate booksellers recommend their favourite titles; Handpicked classic interviews from our archive; And an insight into what makes your favourite writers tick as they answer searching questions from our Café’s Proust questionnaire.Subscribe on Spotify here: https://anchor.fm/sandcoSubscribe on Patreon here: https://www.patreon.com/sandcoSubscribe on Apple Podcasts here: https://podcasts.apple.com/fr/podcast/shakespeare-and-company-writers-books-and-paris/id1040121937?l=enAll money raised goes to supporting “Friends of Shakespeare and Company” the bookshop’s non-profit, created to fund our noncommercial activities—from the upstairs reading library, to the writers-in-residence program, to our charitable collaborations, and our free events.*Commuting between English and French, Lauren Elkin chronicles a life in transit. From musings on Virginia Woolf and Georges Perec, to her first impressions in the aftermath of the Charlie Hebdo attacks, to the discovery of her ectopic pregnancy, her diary sketches a portrait of the author, not as an artist, but as a pregnant woman on a Parisian bus. In the troubling intimacy of public transport, Elkin queries the lines between togetherness and being apart, between the everyday and the eventful, registering the ordinary makings of a city and its people.Lauren Elkin is a Franco-American writer and translator. Her last book, Flâneuse: Women Walk the City was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her translation, with Charlotte Mandell, of Claude Arnaud's biography of Jean Cocteau, won the 2017 French-American Foundation's Translation Prize. Her next book, Art Monsters: on Beauty and Excess, is to be published by Chatto & Windus. She currently lives in London, with her partner and son.Adam Biles is Literary Director at Shakespeare and Company. Buy a signed copy of his novel FEEDING TIME here: https://shakespeareandcompany.com/S/9781910296684/feeding-timeListen to Alex Freiman’s Play It Gentle here: https://open.spotify.com/album/4gfkDcG32HYlXnBqI0xgQX?si=mf0Vw-kuRS-ai15aL9kLNA&dl_branch=1 Hosted on Acast. See acast.com/privacy for more information.

This week we’re joined by Claire Messud to discuss A Dream Life, her drily funny, deeply perceptive story about displacement, and class, and social climbing, and the effect that having domestic staff can have not only on one’s family, but on one’s sense of self.Buy A Dream Life here: https://shakespeareandcompany.com/d/9781649697295/a-dream-lifeBrowse our online store here: https://shakespeareandcompany.com/15/online-store/16/bookstore*“A perfect frolic of a book, puffed on breezes of beauty and wit: it waltzes you through a little fear, a little darkness, and tips you out, refreshed and laughing, into the sun.” Helen GarnerWhen the Armstrong family moves from New York at the dawn of the 1970s, Australia feels, to Alice Armstrong, like the end of the earth. Residing in a grand manor on the glittering Sydney Harbour, her family finds their life has turned upside down. As she navigates this strange new world, Alice must find a way to weave an existence from its shimmering mirage.Lies and self-deception are at the heart of this keenly observed story. This is a sharp, biting and playful tale with a cast of unscrupulous characters adrift in a dream life of their own making.Written with the characteristic delicacy of touch, humour and emotional insight that makes Claire Messud one of our greatest writers.*Claire Messud is the author of six works of fiction. A recipient of a Guggenheim and Radcliffe Fellowships and the Strauss Living Award from the American Academy of Arts and Letters, she lives in Cambridge, Massachusetts, with her family.Adam Biles is Literary Director at Shakespeare and Company. Buy a signed copy of his novel FEEDING TIME here: https://shakespeareandcompany.com/S/9781910296684/feeding-timeListen to Alex Freiman’s Play It Gentle here: https://open.spotify.com/album/4gfkDcG32HYlXnBqI0xgQX?si=mf0Vw-kuRS-ai15aL9kLNA&dl_branch=1 Hosted on Acast. See acast.com/privacy for more information.

As a little treat this Christmas, we’re delighted to bring you an extract of Cerys Matthews reading A Child’s Christmas in Wales, by Dylan Thomas. Cerys read the same extract when she last visited us at the bookshop in December 2015. It was such a magical moment that, when we learned that Cerys had recorded this story for posterity, we asked if we could share some of it with you.The full version is available on CD here: https://cerysmatthews.co.uk/product/dylan-thomas-a-childs-christmas-poems-and-tiger-eggs/Or to stream on Spotify: https://open.spotify.com/album/4r8YyMz1maFauVfo9RznXv?si=WSGzsLOJSUu5xzDjY-0Q1wIf you enjoy listening to our podcast and would like to spend even more of 2022 with us in Paris, you can now subscribe for exclusive regular bonus episodes.On Spotify: https://anchor.fm/sandco/subscribeOn Apple Podcasts: https://podcasts.apple.com/fr/podcast/shakespeare-and-company-writers-books-and-paris/id1040121937?l=enOr on Patreon: https://www.patreon.com/sandcoListen to Alex Freiman’s Play It Gentle here: open.spotify.com/album/4gfkDcG32H…kLNA&dl_branch=1 Hosted on Acast. See acast.com/privacy for more information.

This week Adam is joined by Sarah Hall, author of Burntcoat a novel of and for our times. Called “dark and brilliant” by Sarah Moss and “a masterpiece” by Daisy Johnson, much like the Japanese burnt timber technique evoked in the book, Burntcoat leaves readers scarred but fortified, more ready to face life’s elements.Buy Burntcoat here: https://shakespeareandcompany.com/I/9780571329328/burntcoatBrowse our online store here: https://shakespeareandcompany.com/15/online-store/16/bookstore*You were the last one here before I closed the door of Burntcoat, before we all shut our doors.In the bedroom above her immense studio at Burntcoat, the celebrated sculptor Edith Harkness is making her final preparations. Her life will draw to an end in the coming days.Downstairs, the studio is a crucible glowing with memories and desire. It was here, when the first lockdown came, that she brought Halit. The lover she barely knew. A presence from another culture. A doorway into a new and feverish world.*Sarah Hall was born in Cumbria. Twice nominated for the Man Booker Prize, she is the award-winning author of six novels and three short-story collections: The Beautiful Indifference, which won the Edge Hill and Portico prizes, Madame Zero, winner of the East Anglian Book Award, and Sudden Traveller, shortlisted for the James Tait Black Prize for Fiction. She is currently the only author to be four times shortlisted for the BBC National Short Story Award, which she won in 2013 with ‘Mrs Fox’ and in 2020 with ‘The Grotesques’.Adam Biles is Literary Director at Shakespeare and Company. Buy a signed copy of his novel FEEDING TIME here: https://shakespeareandcompany.com/S/9781910296684/feeding-timeListen to Alex Freiman’s Play It Gentle here: https://open.spotify.com/album/4gfkDcG32HYlXnBqI0xgQX?si=mf0Vw-kuRS-ai15aL9kLNA&dl_branch=1 Hosted on Acast. See acast.com/privacy for more information.

Welcome to the Shakespeare and Company podcast. Every week or so we release a new conversation with an internationally acclaimed author, recorded at our store in the heart of Paris. Recent guests have included Elif Shafak, Richard Powers, Leïla Slimani, Lauren Groff, Armando Iannucci and many more.And for those of you who want to spend even more time here at Kilometre Zero, you can now subscribe for just three euros a month.For that, you’ll get exclusive access to regular bonus episodes including… An initiation into the world of rare book collecting; The chance to expand your reading horizons as our passionate booksellers recommend their favourite titles; Handpicked classic interviews from our archive; And an insight into what makes your favourite writers tick as they answer searching questions from our Café’s Proust questionnaire.All money raised goes to supporting “Friends of Shakespeare and Company” the bookshop’s non-profit, created to fund our noncommercial activities—from the upstairs reading library, to the writers-in-residence program, to our charitable collaborations, and our free events. We’re very grateful for your support. Hosted on Acast. See acast.com/privacy for more information.

This week Aysegül Savaş joined Adam live in our writer’s studio to discuss White on White, her book about art and artists, parents and their children, beauty and class, as well as the quest for perfection and the compromises we make in pursuit of it. White on White was called "marvelous" by Lauren Groff and "gentle, mysterious and profound” by Marina Abramović.Buy White on White here: https://shakespeareandcompany.com/I/9780593330517/white-on-white-a-novelBrowse our online store here: https://shakespeareandcompany.com/15/online-store/16/bookstore*A student moves to the city to research Gothic nudes, renting an apartment from a painter, Agnes, who lives in another town with her husband. One day, Agnes arrives in the city and settles into the upstairs studio.In their meetings on the stairs, in the studio, at the corner café, the kitchen at dawn, Agnes tells stories of her youth, her family, her marriage, and ideas for her art - which is always just about to be created. As the months pass, it becomes clear that Agnes might not have a place to return to. The student is increasingly aware of Agnes's disintegration. Her stories are frenetic; her art scattered and unfinished, white paint on a white canvas.What emerges is the menacing sense that every life is always at the edge of disaster, no matter its seeming stability. Alongside the research into human figures, the student is learning, from a cool distance, about the narrow divide between happiness and resentment, creativity and madness, contentment and chaos.White on White is a sharp exploration of empathy and cruelty, and the stunning discovery of what it means to be truly vulnerable, and laid bare.*Ayşegül Savaş is the author of Walking on the Ceiling. Her work has appeared in The New Yorker, The Paris Review, Granta, and elsewhere. She lives in Paris.Adam Biles is Literary Director at Shakespeare and Company. Buy a signed copy of his novel Feeding Time here: https://shakespeareandcompany.com/S/9781910296684/feeding-timeListen to Alex Freiman’s Play It Gentle here: https://open.spotify.com/album/4gfkDcG32HYlXnBqI0xgQX?si=mf0Vw-kuRS-ai15aL9kLNA&dl_branch=1 Hosted on Acast. See acast.com/privacy for more information.

This week Philip Hoare discusses Albert & the Whale his dive into the mind of Albrecht Durer, one of the most well-known yet mysterious of artists. Mysterious because he lived at that fluid time, in the fifteenth century, where history and legend often blend into one. Mysterious because his works feel so replete with meaning and yet prove so hard to interpret. And mysterious because his skills were so advanced, his genius so profound, that his techniques are hard to replicate even more than five centuries later.'This is a wonderful book. A lyrical journey into the natural and unnatural world' Patti SmithBuy Albert & the Whale here: https://shakespeareandcompany.com/I/9780008323295/albert-and-the-whaleBrowse our online store here: https://shakespeareandcompany.com/15/online-store/16/bookstore*Albrecht Durer changed the way we saw nature through art. From his prints in 1498 of the plague ridden Apocalypse - the first works mass produced by any artist - to his hyper-real images of animals and plants, his art was a revelation: it showed us who we are but it also foresaw our future. It is a vision that remains startlingly powerful and seductive, even now.In Albert & the Whale, Philip Hoare sets out to discover why Durer's art endures. He encounters medieval alchemists and modernist poets, eccentric emperors and queer soul rebels, ambassadorial whales and enigmatic pop artists. He witnesses the miraculous birth of Durer's fantastical rhinoceros and his hermaphroditic hare, and he traces the fate of the star-crossed leviathan that the artist pursued. And as the author swims from Europe to America and beyond, these prophetic artists and downed angels provoke awkward questions. What is natural or unnatural? Is art a fatal contract? Or does it in fact have the power to save us?With its wild and watery adventures, its witty accounts of amazing cultural lives and its delight in the fragile beauty of the natural world, Albert & the Whale offers glorious, inspiring insights into a great artist, and his unerring, sometimes disturbing gaze.*Philip Hoare is the author of six works of non-fiction: Serious Pleasures: The Life of Stephen Tennant (1990) and Noel Coward: A Biography (1995), Wilde’s Last Stand: Decadence, Conspiracy, and the First World War (1997), Spike Island: The Memory of a Military Hospital (2000), and England’s Lost Eden: Adventures in a Victorian Utopia (2005). Leviathan or, The Whale (2008), won the 2009 BBC Samuel Johnson Prize for non-fiction. Most recently, The Sea Inside (2013) was published to great critical acclaim.An experienced broadcaster, Hoare wrote and presented the BBC Arena film The Hunt for Moby-Dick, and directed three films for BBC’s Whale Night. He is Visiting Fellow at Southampton University, and Leverhulme Artist-in-residence at The Marine Institute, Plymouth University, which awarded him an honourary doctorate in 2011.Adam Biles is Literary Director at Shakespeare and Company. Buy a signed copy of his novel FEEDING TIME here: https://shakespeareandcompany.com/S/9781910296684/feeding-timeListen to Alex Freiman’s Play It Gentle here: https://open.spotify.com/album/4gfkDcG32HYlXnBqI0xgQX?si=mf0Vw-kuRS-ai15aL9kLNA&dl_branch=1 Hosted on Acast. See acast.com/privacy for more information.

This week Adam is joined by Lauren Groff, whose latest novel Matrix an extraordinary story of transformation, visions, leaps of faith, vicious battles, friendship, and creativity, as well as — to cite USA Today — “a character study to rival Hilary Mantel’s Thomas Cromwell”. Matrix is a true original, unlike any literary experience you will have this year, probably one of the many reasons for which it was selected as a finalist for the 2021 National Book Award.Buy Matrix here: https://shakespeareandcompany.com/I/9781785151910/matrix-the-new-york-times-bestsellerBrowse our online store here: https://shakespeareandcompany.com/15/online-store/16/bookstoreBecome a Friend of S&Co here: https:/.friendsofshakespeareandcompany.com*Seventeen-year-old Marie, too wild for courtly life, is thrown to the dogs one winter morning, expelled from the royal court to become the prioress of an abbey. Marie is strange - tall, a giantess, her elbows and knees stick out, ungainly.

At first taken aback by life at the abbey, Marie finds purpose and passion among her mercurial sisters. Yet she deeply misses her secret lover Cecily and queen Eleanor.

Born last in a long line of women warriors and crusaders, women who flew across the countryside with their sword fighting and dagger work, Marie decides to chart a bold new course for the women she now leads and protects. She will bring herself, and her sisters, out of the darkness, into riches and power.

MATRIX is a bold vision of female love, devotion and desire from one of the most adventurous writers at work today.
*Lauren Groff is a two-time National Book Award finalist and The New York Times–bestselling author of three novels, The Monsters of Templeton, Arcadia, and Fates and Furies, and the celebrated short story collections Delicate Edible Birds and Florida. She has won The Story Prize, the PEN/O. Henry Award, and been a finalist for the National Book Critics Circle Award. Her work regularly appears in The New Yorker, The Atlantic, and elsewhere, and she was named one of Granta’s 2017 Best Young American Novelists. She lives in Gainesville, Florida, with her husband and sons.Adam Biles is Literary Director at Shakespeare and Company. Buy a signed copy of his novel FEEDING TIME here: https://shakespeareandcompany.com/S/9781910296684/feeding-timeListen to Alex Freiman’s Play It Gentle here: https://open.spotify.com/album/4gfkDcG32HYlXnBqI0xgQX?si=mf0Vw-kuRS-ai15aL9kLNA&dl_branch=1 Hosted on Acast. See acast.com/privacy for more information.

This week Adam is joined by poets Richard Barnett and Luke Kennard. Richard Barnet’s WHEREVER WE ARE WHEN WE COME TO THE END is an imagining of the experience of the young Ludwig Wittgenstein in the First World War, recounted in the same austere and succinct statements as the philosopher’s Tractatus Logico Philosophicus, the initial notes for which were taken during the conflict. The result is an affecting examination of love, duty and violence that had such a strong impact on me that it sent me back to investigate Wittgenstein’s writing with fresh eyes. Sarah Bakewell called WHEREVER WE ARE WHEN WE COME TO THE END “ingenious, devastating and filled with emotional riches.”Luke Kennard’s NOTES ON THE SONNETS, revisits Shakespeare’s poetry in a chain of prose poems set in a British house party. The party is a contradictory beast—at once crushingly dull yet flecked with the absurd, at once sprawling yet intensely claustrophobic. Kennard’s poems embody these contradictions too, they somehow manage to be superficial yet profound, charmingly insolent yet glacially serious, knowingly pretentious yet deeply insecure and self-critical, and they take in almost every subject under the stars. NOTES ON THE SONNETS was a Poetry Book Society recommendation, and recently won the Forward Prize for Best Collection 2021.Buy WHEREVER WE ARE WHEN WE COME TO THE END here: https://shakespeareandcompany.com/I/9781912436583/wherever-we-are-when-we-come-to-the-endBuy NOTES ON THE SONNETS here: https://shakespeareandcompany.com/I/9781908058812/notes-on-the-sonnetsBrowse our online store here: https://shakespeareandcompany.com/15/online-store/16/bookstoreBecome a Friend of S&Co here: https:/.friendsofshakespeareandcompany.com*Richard Barnett is a poet and historian. He taught the history of science and medicine at Cambridge, UCL, and Oxford for more than a decade, and his history books include Medical London, a BBC Radio 4 Book of the Week, and The Sick Rose, an international bestseller.His first poetry collection Seahouses was published by Valley Press in 2015, and was short-listed for the Poetry Business Prize. His next poetry publication was Wherever We Are When We Come to the End, a poetic experiment digging into the form and language of Wittgenstein's Tractatus, published in May 2021.Luke Kennard has published five collections of poetry. He won an Eric Gregory Award in 2005 and was shortlisted for the Forward Prize for Best Collection in 2007. He lectures at the University of Birmingham. In 2014 he was selected by the Poetry Book Society as one of the Next Generation Poets. His debut novel, The Transition, is published in 2017 by Fourth Estate.Adam Biles is Literary Director at Shakespeare and Company. Buy a signed copy of his novel FEEDING TIME here: https://shakespeareandcompany.com/S/9781910296684/feeding-timeListen to Alex Freiman’s Play It Gentle here: https://open.spotify.com/album/4gfkDcG32HYlXnBqI0xgQX?si=mf0Vw-kuRS-ai15aL9kLNA&dl_branch=1 Hosted on Acast. See acast.com/privacy for more information.

Buckle up! This week we welcome Katharina Volckmer discussing her wild, taboo-busting debut novel The Appointment, a transgressive, spiky, astonishingly light-footed, and very, very funny monologue about sex, nationhood, shame . . . and often all three combined.Buy The Appointment here: https://shakespeareandcompany.com/I/9781913097325/the-appointmentBrowse our online store here: https://shakespeareandcompany.com/15/online-store/16/bookstoreBecome a Friend of S&Co here: https:/.friendsofshakespeareandcompany.com*In a well-appointed examination in London, a young woman unburdens herself to a certain Dr Seligman. Though she can barely see above his head, she holds forth about her life and desires, and her struggles with her sexuality and identity. Born and raised in Germany, she has been living in London for several years, determined to break free from her family origins and her haunted homeland. In a monologue that is both razor-sharp and subversively funny, she takes us on a wide-ranging journey from outre sexual fantasies and overbearing mothers to the medicinal properties of squirrel tails and the enduring legacy of shame. With The Appointment, her audacious debut novel, Katharina Volckmer challenges our notions of what is fluid and what is fixed and injects a dose of Bernhardian snark into contemporary British fiction.*Katharina Volckmer was born in Germany in 1987. She lives in London, where she works for a literary agency. The Appointment is her first novel.Adam Biles is Literary Director at Shakespeare and Company. Buy a signed copy of his novel FEEDING TIME here: https://shakespeareandcompany.com/S/9781910296684/feeding-timeListen to Alex Freiman’s Play It Gentle here: https://open.spotify.com/album/4gfkDcG32HYlXnBqI0xgQX?si=mf0Vw-kuRS-ai15aL9kLNA&dl_branch=1 Hosted on Acast. See acast.com/privacy for more information.