Kim Masters and Matt Belloni met up Monday morning to break down what happened at the Oscars. We're dropping this special banter here, but we'll be back with another new episode next week!

A year ago, a satirical horror film about race relations in America would not have sounded like an idea for a hit movie. But ‘Get Out’ was a box-office smash and it’s nominated for 4 Oscars, including best picture. Jordan Peele is also nominated for best director and best original screenplay--not bad for someone making his directorial debut. Peele tells us about the years-long process of getting to ‘Get Out.’

For the now Oscar-nominated Chilean film ‘A Fantastic Woman,’ director Sebastián Lelio cast transgender actress Daniela Vega as a trans woman dealing with the sudden loss of of her partner. Lelio says box office grosses were less than his last movie, but in terms of starting a social conversation in Chile, the film has been incredibly powerful. Both Lelio and Vega join us to talk about making 'A Fantastic Woman.'

‘Mudbound’ director of photography Rachel Morrison just made history as the first woman nominated for an Academy Award for best cinematography. She’s also the first woman to shoot a big comic book movie: the upcoming Marvel mega-hit, ‘Black Panther.’ She fought hard to get to the top of her male-dominated field, but says more women are getting a shot at getting the shot.

Documentarian Alex Gibney is known for his award-winning investigative films on Enron, Wikileaks and Scientology. For his newest project, he took on the Volkswagen diesel-car emissions scandal and this time, it was personal. Gibney tells us about his new Netflix series ‘Dirty Money,’ in which his look at VW is one of six documentaries in a series on corporate greed.

Tom Rob Smith seems like a nice enough guy, but many of his works are about grisly murders. His newest project is ‘The Assassination of Gianni Versace,’ FX’s second entry in its American Crime Story anthology. The series examines the murder of the fashion icon, and looks at the lives of the other men who died at the hand of killer Andrew Cunanan. Smith tells us why writing about murder is a useful way of exploring a society.

Amazon’s ‘The Marvelous Mrs. Maisel’ tells the story of Midge Maisel--the perfect well-to-do 1950’s New York housewife who turns to stand-up comedy when her husband leaves her. Creator Amy Sherman-Palladino and her husband and producing partner Daniel Palladino tell us about the work that goes into filming a period series in Manhattan and their painstaking process for selecting music for the show.

In 2012, director Ziad Doueiri broke Lebanese law by shooting a movie in Israel. His latest film,‘The Insult,’ has nothing to do with Israel, but Doueiri still has enemies in the Middle East who tried to stop the release of this movie. They failed, and now 'The Insult' is shortlisted for Oscar in the foreign language category and a box-office hit in Lebanon.

Now that Russia has been banned from the upcoming Winter Olympics, we thought it would be a good time to revisit our interview with ‘Icarus’ director Bryan Fogel. We talk about his crazy journey of meeting, befriending, and then very likely saving the life of Dr. Grigory Rodchenkov, the architect of Russia’s state-run Olympic doping program. Plus, an all-new Banter about the effort to keep the #MeToo momentum going.

Sir Ridley Scott just pulled off a one-of-a-kind filmmaking feat--cutting Kevin Spacey out of his new film and reshooting with Christopher Plummer in the role--all in just six weeks. Scott tells us about his mad dash to refilm 22 scenes of the Getty family kidnapping drama All the Money in the World.