Earlier this year, actor Steven Yeun joined us to talk about his role in the Oscar-shortlisted Korean film, ‘Burning.’ We talked about other topics too, and this week, for the first time, we’re airing that part of the conversation. Yeun tells us about getting his start in the industry and what he’s looking for in future roles. Plus, a visit to the set of Sebastian Lelio’s new film ‘Gloria Bell.’

When comedian Kathy Griffin posed for a photo holding what appeared to be the bloody head of Donald Trump, she became a pariah overnight. So she did the only thing she could do: turned her story into an act, and took it around the world. This week, we revisit our conversation with Griffin, whose movie version of her stand-up special just premiered at SXSW.

A potentially epic confrontation is on the horizon, pitting the Writers Guild against the talent agencies. And, after Todd Douglas Miller made a short film about Apollo 17, he figured he was done with outer space. Then he got an email from an employee at the National Archives who had found some old reels labeled: Apollo 11. Miller talks about the never-before-seen footage that led to his new movie, ‘Apollo 11.’

Dan Reed’s documentary ‘Leaving Neverland’ features interviews with two men who say Michael Jackson sexually abused them for years when they were children. Initially conceived as just one hour of television, Reed soon realized it’d have to be longer. He talks about making this unflinching four-hour film and how, despite a lawsuit from the Jackson estate, HBO is standing behind ‘Leaving Neverland.’

Without a host, the night moved right along but then, it came to best picture. How did it come to be that Julia Roberts was announcing 'Green Book' as the winner when the film had endured scandal after scandal? Scott Feinberg explains what makes the ballot for best picture different from all the other categories. And the other takeaway? The Academy is not the same as "film Twitter"--far from it, in this case!

With ‘One Day at a Time’ having just dropped its third season on Netflix, showrunner Gloria Calderón Kellett hoped to launch another series this year. Knowing that pilot season is not for the faint of heart, Calderón Kellett decided to share different aspects of the experience via tweets. She gives us a dramatic reading of some of her recent threads. Plus, a bonus Oscars banter!

And he gives us a glimpse of the future too! Deschanel is just back from shooting Disney’s new ‘Lion King’ in London. He’s now Oscar-nominated for his work on ‘Never Look Away.’ That makes his sixth nomination--his previous five were for ‘The Right Stuff,’ ‘The Natural,’ ‘Fly Away Home,’ ‘The Patriot’ and ‘The Passion of the Christ.’ He talks about his long career, plus his penchant for working with animals.

When ‘Surviving R. Kelly’ showrunner dream hampton was conducting interviews with women who had been in the thrall of the infamous singer-songwriter, she had to choose her words. She tells us about having difficult conversations with survivors while lawyers listened to every question and about other challenges of making the docuseries, plus the recognition and blowback she’s experienced since.

For his new film ‘Never Look Away,’ director Florian Henckel von Donnersmarck spent weeks cozying up to German artist Gerhard Richter, whose remarkable life story inspired the movie. Richter seemed OK with the script, but then trashed the film based just on the trailer. Von Donnersmarck is taking it in stride--Richter may not like ‘Never Look Away,’ but the Academy nominated it for best foreign language film.

When actor Steven Yeun, best known for AMC’s ‘The Walking Dead, was asked on a Korean talk show which filmmaker from that country he’d most like to work with, he knew his answer right away: the author-turned-director Lee Chang-dong. He didn’t expect it’d ever happen, but before he knew it, he was meeting the filmmaker in Korea. Lee Chang-dong and Steven Yeun tell us about their experiences making ‘Burning.’