Twelve jurors found Hollywood producer Harvey Weinstein guilty on two counts: criminal sexual assault in the first degree and rape in the third degree.

We look at high-profile movies that had their theatrical releases delayed for months. Tim Miller talks about dealing with the online blowback related to “Terminator: Dark Fate,” which he directed, and “Sonic the Hedgehog,” which he executive produced. And we revisit a chat with Damon Lindelof, co-writer of the movie “The Hunt.” Universal pushed the theatrical release of “The Hunt” from September 2019 to March 2020.  

American independent filmmakers might envy Céline Sciamma, director of the French film, “Portrait of a Lady on Fire.” Sciamma had no problem getting funding for her lesbian romance set in the 18th century, and for that she credits France’s support for directors. But she says the system is far from perfect. She tells us about the three-year-long process of planning her newest movie and the heightened political environment surrounding French filmmaking at the moment. 

Kim and Matt met up the morning after the Oscars to talk "Parasite" making history, Netflix nearly striking out, and hold on, what was Eminem doing there?

The Netflix series “Cheer” focuses on the stressful lives of junior college cheerleaders fighting for their next national championship. Director Greg Whiteley says he could’ve done a better job of portraying one set of cheer parents, who came off as controlling. 

Filmmaker Waad al-Kateab spent years documenting the horror and humanity of life in Aleppo, Syria. When she fled with her family, she smuggled 12 hard drives of footage past a Syrian checkpoint. That footage became the Oscar-nominated documentary “For Sama.” Al-Kateab and her collaborator Edward Watts tell us how they crafted an intimate 90-minute film dedicated to al-Kateab’s daughter. 

“Parasite” has already made history as the first Korean film nominated for Oscar -- or six Oscars to be exact, including Best Picture. Director Bong Joon Ho tells us about clashing with Harvey Weinstein over cuts to his 2013 film “Snowpiercer,” and explains how that led him to make “Okja” for Netflix, even though he prefers to watch films in theaters. And he shares his thinking behind the planned “Parasite” TV series. 

It’s a podcast crossover event! Recently, Kim Masters sat on the other side of the mic as Ronan Farrow interviewed her for an episode of his “Catch and Kill Podcast.” They talked about why it was so hard to reveal the allegations against Harvey Weinstein for so many years. This week, we play sections from Episode Five of Farrow’s "Catch and Kill Podcast" and Kim adds a few additional memories of her own.

This week, some very tasty leftovers from three filmmakers reflecting on the early, not-so-easy days of their careers. "Star Wars" second unit director Victoria Mahoney, "Little Women" filmmaker Greta Gerwig and Nanfu Wang, director of "One Child Nation" share some of the ups and downs from when they were first starting out. 

When filmmaker Lulu Wang set out to write and direct a personal movie based on a real-life family saga, she had a clear vision for an American film, largely set in China, mostly in Mandarin. But buyers weren’t biting. Wang tells us about her circuitous route to finally making “The Farewell,” which turned into an indie success story and now, an awards contender.