The Business

Brady Corbet, co-writer and director of The Brutalist, shares his insights on the cinematic triumph of KPop Demon Hunters, a unique blend of music and magic that captivated audiences. He discusses the film's unexpected global success, despite its unconventional release. Corbet also reflects on his challenging journey in filmmaking and the necessity of a three-and-a-half-hour film with an intermission. Alongside Kim Masters and Matt Belloni, they explore the evolving landscape of film and the balance between artistic vision and market demands.

In a lively discussion, Jason Segel, the talented actor and co-creator of Shrinking, shares his creative journey and career highlights, from Freaks and Geeks to The Muppets. He offers behind-the-scenes insights into Shrinking's evolution and its Emmy nominations. Segel reflects on the emotional impact of storytelling, the challenges of filming a series finale, and reviving childhood inspirations like the Muppets. He humorously recounts the chaos of working with kids while emphasizing the joy of genuine storytelling.

David Ellison’s Paramount is off to a loud start, rolling out a James Mangold/Timothée Chalamet crime drama and a $7.7 billion, seven year UFC deal. Will the studio’s bold strategies play out as intended? Kim Masters and Matt Belloni break down Paramount’s next act. Plus, Masters talks to documentarian Petra Costa about Apocalypse in the Tropics, a follow-up to her Oscar-nominated 2019 film The Edge of Democracy. What started as a look at Brazil’s COVID response became an investigation into how religious fundamentalism, conspiracy theories and foreign influence have undermined democracy in her home country. She also recounts documenting the rise and fall of Jair Bolsonaro and the risks her crew faced while covering the country’s January 8th attempted coup.  

This week, Kim Masters speaks to Severance director and cinematographer, Jessica Lee Gagné. The Quebecois filmmaker reflects on her collaboration with Severance executive producer Ben Stiller, which began on the Showtime limited series Escape at Dannemora. She discusses becoming the first woman to be Emmy-nominated in the same year for both cinematography and directing in a drama series, and the major leap of faith it took to transition from a successful career as a DP into the world of directing.  Plus, Disney is reshaping its sports strategy, launching a standalone ESPN app, and making billion-dollar deals with WWE and the NFL. Will the NFL's new stake in ESPN bring scrutiny from the Trump-led DOJ? Also, the Skydance-Paramount deal is done, and the Ellisons may have their sights set on Warner Bros. Kim Masters and Matt Belloni break it all down.

Kim Masters speaks to Platonic co-creators Francesca Delbanco & Nicholas Stoller about what inspired their show about the comedy and complications of grown-up friendships. They talk about the challenge of writing characters—played by Rose Byrne and Seth Rogen—with none of the underlying sexual tension that has propelled so many television comedies to success. They also remember the time that Netflix boss Ted Sarandos sat through a lengthy table read of their first series, Friends from College.   Plus, as FCC Chairman Brendan Carr ramps up scrutiny of major media players, Comcast’s NBCUniversal appears to be his latest target. Is the company’s cable spinoff Versant a calculated play to dodge the Trump administration’s media witch hunt? Kim Masters and Lucas Shaw dig in.  

[Editor’s note: this segment was taped before news broke of the FCC approval of the Paramount-Skydance merger.]   New details from the ongoing Paramount-Skydance merger reveal a $20 million agreement to deliver public service announcements for the Trump administration. And following from the cancellation of The Late Show with Stephen Colbert, CBS News braces for potential changes in leadership. Kim Masters and Matt Belloni dive into what’s unfolding behind the scenes. Plus, an encore of Eric Deggans’ conversation with Lauren LeFranc about her Emmy nominated HBO mini series, The Penguin. The writer discusses the challenges of adapting a well known comic book villain into a complex, three dimensional character and she shares why her perspective as a woman writing a show about a middle-aged crime boss makes for interesting storytelling. And of course, she talks about the joys of working with Colin Farrell, who is both the star of the show and an involved executive producer.

In the conclusion of Kim Masters’ two-part conversation with Barry Diller, the veteran businessman reflects on his time helping build Rupert Murdoch’s Fox empire. Diller also criticizes studios for spreading misinformation—citing Oliver Stone’s JFK in particular—and weighs in on the now-resolved Trump-Paramount dispute, and the prospect of a David Ellison-led studio. Plus, Paramount’s looming merger with Skydance has South Park creators Matt Stone and Trey Parker lawyering up. The duo is eyeing legal action over billion-dollar licensing deals they claim are being undercut. At the center of it all: South Park’s future on Paramount+. New execs Jeff Shell and David Ellison are feeling the heat; Matt Belloni and Lucas Shaw are on hand to explain what’s at stake.

Kim Masters talks to Barry Diller about his memoir, Who Knew? The legendary studio exec reflects on his quick rise at ABC and how helped transform the third-ranked broadcast network into a force to be reckoned with. He also remembers a much happier time at Paramount, where he presided over a studio staffed with future industry stars. He also opens up about why none of his friends in the business are having much fun these days.   Plus, summer movie season is heating up, with F1, Jurassic World: Rebirth, and a highly anticipated Superman reboot staking their claims at the box office. But is there room left for Disney’s big bet with Fantastic Four: First Steps? Kim Masters and Matt Belloni break down the wins and worries shaping Hollywood’s high-stakes summer.  

Larry Charles, a renowned writer and director famous for his work on Seinfeld, Curb Your Enthusiasm, and Borat, shares insights from his memoir, Comedy Samurai. He recounts chaotic moments from his collaborations with Sacha Baron Cohen and reflects on a last-minute call that scrapped a Larry David documentary. The conversation also dives into the evolution of comedy on television and the importance of authentic storytelling, highlighting the balance between personal experiences and creative pressure in a rapidly changing industry.

Phil Rosenthal, the creator of Everybody Loves Raymond and host of Somebody Feed Phil, shares insights with TV critic Eric Deggans. They discuss the shifting landscape of the television industry and how data can be manipulated by studios. Phil reflects humorously on his food series, likening it to 'Anthony Bourdain if he was afraid of everything.' He also recounts the unexpected rise of his show after it faced cancellation, emphasizing the power of personal storytelling and the connections made through food.