New Books in Gender

Where are the women in the history of British cinema? In Movie Workers: The Women Who Made British Cinema (U Illinois Press, 2021), Melanie Bell, a Professor of Film History at the University of Leeds, answers this question with a fascinating and compelling narrative telling the forgotten history of women as workers in the film industry. Drawing on union records and oral histories, as well as a wealth of historical knowledge and analysis, the book highlights women’s key contributions from the 1930s to the end of the 1980s, demonstrating the ongoing importance of women’s struggles, and their triumphs, to the film industry today. The book is essential reading across arts, humanities, and social sciences, as well as for anyone who has ever watched a film and wondered about how it was made!Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Joy Wiltenburg's book Laughing Histories: From the Renaissance Man to the Woman of Wit (Routledge, 2022) breaks new ground by exploring moments of laughter in early modern Europe, showing how laughter was inflected by gender and social power."I dearly love a laugh," declared Jane Austen's heroine Elizabeth Bennet, and her wit won the heart of the aristocratic Mr. Darcy. Yet the widely read Earl of Chesterfield asserted that only "the mob" would laugh out loud; the gentleman should merely smile. This literary contrast raises important historical questions: how did social rules constrain laughter? Did the highest elites really laugh less than others? How did laughter play out in relations between the sexes? Through fascinating case studies of individuals such as the Renaissance artist Benvenuto Cellini, the French aristocrat Madame de Sévigné, and the rising civil servant and diarist Samuel Pepys, Laughing Histories reveals the multiple meanings of laughter, from the court to the tavern and street, in a complex history that paved the way for modern laughter. ​With its study of laughter in relation to power, aggression, gender, sex, class, and social bonding, Laughing Histories is perfect for readers interested in the history of emotions, cultural history, gender history, and literature.Elspeth Currie is a PhD student in the Department of History at Boston College where she studies women’s intellectual history in early modern Europe. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Birth, Sex and Abuse: Women's Voices Under Nazi Rule (Grosvenor House, 2015) is a fascinating and gripping examination of birth, sex and abuse during the Nazi era. Dr Chalmers’ unique lens on the Holocaust provides a stunning and controversial exposé of the voices of both Jewish and non-Jewish women living under Nazi rule. Based on twelve years of study, the book takes an inter-disciplinary view incorporating women’s history, Holocaust studies, social sciences and medicine, in a unique, cutting-edge examination of what women themselves said, thought and did.Dr Chalmers (DSc(Med);PhD) has dedicated her life to studying women’s experiences of giving birth in difficult social, political, economic and religious environments. During her distinguished academic career, she has held professorial appointments in both the Medical and Social Sciences and has served, for decades, as a maternal and child health consultant for numerous United Nations and other global aid agencies. Her inter-disciplinary focus and extensive international experience provide a novel perspective on the Nazi era and on the neglected issue of the Nazi abuse of childbearing and sexuality."This book should be a ‘must’ for everybody dealing with the cruel chapters of the Holocaust, especially for those who are dealing with research about the subject of women and children, and medicine, during the Shoah” (Prof. Dr. Miriam Gillis-Carlebach, Director, The Joseph Carlebach Institute, Bar-Ilan University, Israel).“This book has an utterly unique, in-depth focus on all aspects of sexuality and reproduction during the Nazi regime; the author has written the first-ever, comprehensive tome on the treatment of women and infants that is essential for many disciplines” (Prof. Caroline Pukall, PhD, Professor of Psychology, Director of SexLab and the Sex Therapy Service, Queen's University, Kingston, Canada).Jeannette Cockroft is an associate professor of history and political science at Schreiner University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

The Women’s House of Detention stood in New York City’s Greenwich Village from 1929 to 1974. Throughout its history, it was a nexus for tens of thousands of women, trans men, and gender nonconforming people. Some of these inmates—Angela Davis, Andrea Dworkin, Afeni Shakur—were famous, but the vast majority were detained for the crimes of being poor or gender nonconforming. Today, approximately 40 percent of the people in women’s prisons identify as queer; in earlier decades, that percentage was almost certainly higher. In The Women's House of Detention: A Queer History of a Forgotten Prison (Bold Type Books, 2022), writer, activist, and historian Hugh Ryan explores the history of queerness, transness, and gender nonconformity by reconstructing the little-known lives of incarcerated New Yorkers. He makes a clear case for prison abolition and demonstrates how the House of D, as it was colloquially known, helped define queerness for the rest of the United States. From the lesbian communities forged through the Women’s House of Detention to the turbulent prison riots that presaged Stonewall, this is the story of a jail, the people it caged, the neighborhood it changed, and the resistance it inspired.Hugh Ryan is a writer, historian, and curator in New York City. His first book When Brooklyn Was Queer won a 2020 NYC Book Award and was a New York Times Editors’ Choice in 2019. Hugh Ryan regularly teaches creative nonfiction at SUNY Stonybrook and serves on the Board of Advisors for the Archives at the LGBT Center in Manhattan and the Stonewall National Museum and Archives in Fr. Lauderdale.Leo Valdes is a PhD candidate in the History Department at Rutgers University-New Brunswick. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

In 1931, a sexologist arrived in colonial Shanghai to give a public lecture about homosexuality. In the audience was a medical student. The sexologist, Magnus Hirschfeld, fell in love with the medical student, Li Shiu Tong. Li became Hirschfeld’s assistant on a lecture tour around the world.Racism and the Making of Gay Rights: A Sexologist, His Student, and the Empire of Queer Love (U Toronto Press, 2022) shows how Hirschfeld laid the groundwork for modern gay rights, and how he did so by borrowing from a disturbing set of racist, imperial, and eugenic ideas.Following Hirschfeld and Li in their travels through the American, Dutch, and British empires, from Manila to Tel Aviv to having tea with Langston Hughes in New York City, and then into exile in Hitler’s Europe, Laurie Marhoefer provides a vivid portrait of queer lives in the 1930s and of the turbulent, often-forgotten first chapter of gay rights.Laurie Marhoefer is the Jon Bridgman Endowed Associate Professor in History at the University of Washington.Armanc Yildiz is a doctoral candidate in Social Anthropology with a secondary field in Studies in Women, Gender and Sexuality at Harvard University. He is also the founder of Academics Write, where he supports scholars in their writing projects as a writing coach and developmental editor. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

While it is an overused cliché, France is indeed a land of contrasts, famous for its paradoxes. In French political history, the most startling may be the progressive policies of the Third Republic (1870-1940) on just about everything except for gender. Despite its embrace of the spirit of 1789, universal manhood suffrage, and secularism, the republic deemed French women second class citizens. Indeed, French women did not get the vote until the Fourth Republic in 1944, a full generation after almost every nation-state in the global north. Karen Offen has written an encyclopedic history of French debates about the soi-dissant “Woman Question”. While Dr. Offen’s Debating the Woman Question in the French Third Republic, 1870-1920 (Cambridge University Press, 2018), was the focus of our discussion, we also touched on its companion book, The Woman Question in France, 1400-1870 (Cambridge UP, 2017).Karen Offen earned her Ph.D. at Stanford University. She is currently a historian and independent scholar, affiliated as a Senior Scholar with the Michelle R. Clayman Institute for Gender Research, Stanford University. Dr. Offen publishes on the history of Modern Europe, especially France and its global influence; Western thought and politics with reference to family, gender, and the relative status of women; historiography; women's history; national, regional and global histories of feminism; comparative history, and the politics of knowledge. She has held fellowships from the John Simon Guggenheim Memorial Foundation Fellowship for study and research, the Rockefeller Foundation, and the National Endowment for the Humanities.Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

In Selfie Aesthetics: Seeing Trans Feminist Futures in Self-Representational Art (Duke University Press, 2022) Nicole Erin Morse examines how trans feminine artists use selfies and self-representational art to explore transition, selfhood, and relationality. Morse contends that rather than being understood as shallow emblems of a narcissistic age, selfies can produce politically meaningful encounters between creators and viewers. Through close readings of selfies and other digital artworks by trans feminist artists, Morse details a set of formal strategies they call selfie aesthetics: doubling, improvisation, seriality, and nonlinear temporality. Morse traces these strategies in the work of Zackary Drucker, Vivek Shraya, Tourmaline, Alok Vaid-Menon, Zinnia Jones, and Natalie Wynn, showing how these artists present improvisational identities and new modes of performative resistance by conveying the materialities of trans life. Morse shows how the interaction between selfie creators and viewers constructs collective modes of being and belonging in ways that envision trans feminist futures. By demonstrating the aesthetic depth and political potential of selfie creation, distribution, and reception, Morse deepens understandings of gender performativity and trans experience.Daniela Meneses Sala is Peruvian Academic and Journalist. She holds an MSc in Gender (Sexuality) from the London School of Economics and Political Science. In October, she is starting a PhD in Latin American Studies at Cambridge University, funded by the Harding Distinguished Postgraduate Scholars Programme. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

A legacy of the transatlantic slave trade, Brazil is home to the largest number of African descendants outside Africa and the greatest number of domestic workers in the world. Drawing on ten years of interviews and ethnographic research, Second-Class Daughters: Black Brazilian Women and Informal Adoption as Modern Slavery (Cambridge University Press, 2022) examines the lives of marginalized informal domestic workers who are called 'adopted daughters' but who live in slave-like conditions in the homes of their adoptive families. Elizabeth Hordge-Freeman traces a nuanced and, at times, disturbing account of how adopted daughters, who are trapped in a system of racial, gender, and class oppression, live with the coexistence of extreme forms of exploitation and seemingly loving familial interactions and affective relationships. Highlighting the humanity of her respondents, Hordge-Freeman examines how filhas de criação (raised daughters) navigate the realities of their structural constraints and in the context of pervasive norms of morality, gratitude, and kinship. In all, the author clarifies the link between contemporary and colonial forms of exploitation, while highlighting the resistance and agency of informal domestic workers.Elizabeth Hordge-Freeman is an Associate Professor of sociology, interim Vice President for Institutional Equity, and Senior Advisor to the President and Provost for Diversity and Inclusion at The University of South Florida.Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Why Would I Be Married Here?: Marriage Migration and Dispossession in Neoliberal India (Cornell UP, 2022) examines marriage migration undertaken by rural bachelors in North India, unable to marry locally, who travel across the breadth of India seeking brides who do not share the same caste, ethnicity, language, or customs as themselves. Combining rich ethnographic evidence with Dalit feminist and political economy frameworks, Reena Kukreja connects the macro-political violent process of neoliberalism to the micro-personal level of marriage and intimate gender relations to analyze the lived reality of this set of migrant brides in cross-region marriages among dominant-peasant caste Hindus and Meo Muslims in rural North India.Why Would I Be Married Here? reveals how predatory capitalism links with patriarchy to dispossess many poor women from India's marginalized Dalit and Muslim communities of marriage choices in their local communities. It reveals how, within the context of the increasing spread of capitalist relations, these women's pragmatic cross-region migration for marriage needs to be reframed as an exercise of their agency that simultaneously exposes them to new forms of gender subordination and internal othering of caste discrimination and ethnocentrism in conjugal communities. Why Would I Be Married Here? offers powerful examples of how contemporary forces of neoliberalism reshape the structural oppressions compelling poor women from marginalized communities worldwide into making compromised choices about their bodies, their labor, and their lives. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Freedom Girls: Voicing Femininity in 1960s British Pop (Oxford University Press, 2021) by Alexandra M. Apolloni is about how the vocal performances of girl singers in 1960s Britain defined—and sometimes defied—ideas about what it meant to be a young woman. Apolloni takes a case study approach to tease out many different strands of the nature of femininity in 1960s Britain, but she tackles much more than gender in this book. She also considers larger public conversations about authenticity, race, sexuality, and class which dictated and shaped the careers and the reception of the group of singers she writes about. In what is almost a group biography, Apolloni writes about Sandie Shaw, Cilla Black, Lulu, Dusty Springfield, Millie Small, Marianne Faithfull and P.P. Arnold. They are Black and white, many come from working-class backgrounds, most were born in Britain, and all were very young when they first gained national attention. While most of them have an international following, their careers were rooted in the U.K., but the music they sang was fundamentally influenced by the music of Black Americans. Apolloni carefully separates and interrogates the maelstrom of identity, music, political agendas, and cultural meanings that surround these women. The performances she analyzes reveal the historical and contemporary connections between voice, social mobility, and musical authority, and demonstrate how singers used voice to navigate the boundaries of race, class, and gender.Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Race and Gender in the Western Music History Classroom: A Teacher’s Guide, which she wrote with Horace Maxile, was published by Routledge Press in 2022. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies