New Books in Gender

Gidget: Origins of a Teen Girl Transmedia Franchise (Routledge, 2022) examines the multiplicity of books, films, TV shows, and merchandise that make up the transmedia Gidget universe from the late 1950s to the 1980s.The book examines the Gidget phenomenon as an early and unique teen girl franchise that expands understanding of both teen girlhood and transmedia storytelling. It locates the film as existing at the historical intersection of numerous discourses and events, including the emergence of surf culture and surf films; the rise of California as signifier of modernity and as the epicentre of white American middle-class teen culture; the annexation of Hawaii; the invention of Barbie; and Hollywood’s reluctant acceptance of teen culture and teen audiences. Each chapter places the Gidget text in context, looking at production and reception circumstances and intertexts such as the novels of Françoise Sagan, the Tammy series, La Dolce Vita, and The Patty Duke Show, to better understand Gidget’s meaning at different points in time.This book explores many aspects of Gidget, providing an invaluable insight into this iconic franchise for students and researchers in film studies, feminist media studies, and youth culture.Peter C. Kunze is a visiting assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Martha Rampton, Trafficking with Demons: Magic, Ritual, and Gender from Late Antiquity to 1000 (Cornell University Press, 2021) explores how magic was perceived, practiced, and prohibited in western Europe during the first millennium CE. Through the overlapping frameworks of religion, ritual, and gender, Martha Rampton connects early Christian reckonings with pagan magic to later doctrines and dogmas. Challenging established views on the role of women in ritual magic during this period, Rampton provides a new narrative of the ways in which magic was embedded within the foundational assumptions of western European society, informing how people understood the cosmos, divinity, and their own Christian faith.As Rampton shows, throughout the first Christian millennium, magic was thought to play a natural role within the functioning of the universe and existed within a rational cosmos hierarchically arranged according to a "great chain of being." Trafficking with the "demons of the lower air" was the essence of magic. Interactions with those demons occurred both in highly formalistic, ritual settings and on a routine and casual basis. Rampton tracks the competition between pagan magic and Christian belief from the first century CE, when it was fiercest, through the early Middle Ages, as atavistic forms of magic mutated and found sanctuary in the daily habits of the converted peoples and new paganisms entered Europe with their own forms of magic. By the year 1000, she concludes, many forms of magic had been tamed and were, by the reckoning of the elite, essentially ineffective, as were the women who practiced it and the rituals that attended it.Martha Rampton is full of energy and excitement about her book and she and Jana Byars have a wonderful, spirited chat. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Italian court culture of the fifteenth century was a golden age, gleaming with dazzling princes, splendid surfaces, and luminous images that separated the lords from the (literally) lackluster masses. In Brilliant Bodies: Fashioning Courtly Men in Early Renaissance Italy (Pennsylvania State University Press, 2022), Timothy McCall describes and interprets the Renaissance glitterati―gorgeously dressed and adorned men―to reveal how charismatic bodies, in the palazzo and the piazza, seduced audiences and materialized power.Fifteenth-century Italian courts put men on display. Here, men were peacocks, attracting attention with scintillating brocades, shining armor, sparkling jewels, and glistening swords, spurs, and sequins. McCall’s investigation of these spectacular masculinities challenges widely held assumptions about appropriate male display and adornment. Interpreting surviving objects, visual representations in a wide range of media, and a diverse array of primary textual sources, McCall argues that Renaissance masculine dress was a political phenomenon that fashioned power and patriarchal authority. Brilliant Bodies describes and recontextualizes the technical construction and cultural meanings of attire, casts a critical eye toward the complex and entangled relations between bodies and clothing, and explores the negotiations among makers, wearers, and materials.This groundbreaking study of masculinity makes an important intervention in the history of male ornamentation and fashion by examining a period when the public display of splendid men not only supported but also constituted authority. It will appeal to specialists in art history and fashion history as well as scholars working at the intersections of gender and politics in quattrocento Italy.Gerry Milligan is Professor of Italian at the College of Staten Island, where he serves as Director of Honors. He is Professor in Italian and Global Early Modern Studies at the CUNY Graduate Center. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

The first biography of trailblazing legislator Patsy Takemoto Mink, best known as the legislative champion of Title IX."Every girl in Little League, every woman playing college sports, and every parent-including Michelle and myself-who watches their daughter on a field or in the classroom is forever grateful to the late Patsy Takemoto Mink."-President Barack Obama, on posthumously awarding Mink the Presidential Medal of Freedom in 2014Patsy Takemoto Mink was the first woman of color and the first Asian American woman elected to Congress. Fierce and Fearless is the first biography of this remarkable woman, who first won election to Congress in 1964 and went on to serve in the House for twenty-four years, her final term ending with her death in 2002. Mink was an advocate for girls and women, best known for her work shepherding and defending Title IX, the legislation that changed the face of education in America, making it possible for girls and women to participate in school sports, and in education more broadly, at the same level as boys and men.Mink's life is wonderfully chronicled by eminent historian Judy Tzu-Chun Wu and Gwendolyn Mink, Patsy's daughter, a noted political science scholar and first-hand witness to the many political struggles that her mother had to overcome. Featuring family anecdotes, vignettes, and photographs, Fierce and Fearless offers new insight into who Mink was, and the progressive principles that fueled her mission. Wu and Mink provide readers with an up-close understanding of her life as a third-generation Japanese American from Hawaii-from her childhood on Maui to her decades-long career in the House, working with noted legislators like Shirley Chisholm, Bella Abzug, and Nancy Pelosi. They follow the evolution of her politics, including her advocacy for race, gender, and class equality and her work to promote peace and environmental justice.Fierce and Fearless provides vivid details of how Patsy Takemoto Mink changed the future of American politics. Celebrating the life and legacy of a woman, activist, and politician ahead of her time, this book illuminates the life of a trailblazing icon who made history. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Born to a powerful family and educated at the prominent Mindröling Monastery, the Tibetan Buddhist nun and teacher Mingyur Peldrön (1699–1769) leveraged her privileged status and overcame significant adversity, including exile during a civil war, to play a central role in the reconstruction of her religious community. In The Tibetan Nun Mingyur Peldrön: A Woman of Power and Privilege (U Washington Press, 2022), Alison Melnick Dyer employs literary and historical analysis, centered on a biography written by the nun's disciple Gyurmé Ösel, to consider how privilege influences individual authority, how authoritative Buddhist women have negotiated their position in gendered contexts, and how the lives of historical Buddhist women are (and are not) memorialized by their communities. Mingyur Peldrön's story challenges the dominant paradigms of women in religious life and adds nuance to our ideas about the history of gendered engagement in religious institutions. Her example serves as a means for better understanding of how gender can be both masked and asserted in the search for authority—operations that have wider implications for religious and political developments in eighteenth-century Tibet. In its engagement with Tibetan history, this study also illuminates the relationships between the Geluk and Nyingma schools of Tibetan Buddhism from the eighteenth century, to the nonsectarian developments of the nineteenth century.The Tibetan Nun Mingyur Peldrön is available for free open-access download here. Bruno M. Shirley is a PhD candidate at Cornell University, working on Buddhism, politics, and gender in medieval Sri Lankan texts and landscapes. He is on Twitter at @brunomshirley. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Dancing Women: Choreographing Corporeal Histories of Hindi Cinema (Oxford UP, 2020), an ambitious study of two of South Asia's most popular cultural forms ― cinema and dance ― historicizes and theorizes the material and cultural production of film dance, a staple attraction of popular Hindi cinema. It explores how the dynamic figurations of the body wrought by cinematic dance forms from the 1930s to the 1990s produce unique constructions of gender, sexuality, stardom, and spectacle. By charting discursive shifts through figurations of dancer-actresses, their publicly performed movements, private training, and the cinematic and extra-diegetic narratives woven around their dancing bodies, the book considers the "women's question" via new mobilities corpo-realized by dancing women. Some of the central figures animating this corporeal history are Azurie, Sadhona Bose, Vyjayanthimala, Helen, Waheeda Rehman, Madhuri Dixit, and Saroj Khan, whose performance histories fold and intersect with those of other dancing women, including devadasis and tawaifs, Eurasian actresses, oriental dancers, vamps, choreographers, and backup dancers. Through a material history of the labor of producing on-screen dance, theoretical frameworks that emphasize collaboration, such as the “choreomusicking body” and “dance musicalization,” aesthetic approaches to embodiment drawing on treatises like the Natya Sastra and the Abhinaya Darpana, and formal analyses of cine-choreographic “techno-spectacles,” Dancing Women offers a variegated, textured history of cinema, dance, and music. Tracing the gestural genealogies of film dance produces a very different narrative of Bombay cinema, and indeed of South Asian cultural modernities, by way of a corporeal history co-choreographed by a network of remarkable dancing women.Pratichi Priyambada is a Ph.D Candidate in the Department of History at the University of California, Irvine. She is broadly interested in histories of performance, gender and sexuality, and colonial law. She can be reached at @rhymingrhythm on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

The phenomenon of “war brides” from Japan moving to the West has been quite widely discussed, but this book tells the stories of women whose lives followed a rather different path after they married foreign occupiers. During Okinawa’s Occupation by the Allies from 1945 to 1972, many Okinawan women met and had relationships with non-Western men who were stationed in Okinawa as soldiers and base employees. Most of these men were from the Philippines.In Okinawan Women's Stories of Migration: From War Brides to Issei (Routledge, 2022), Zulueta explores the journeys of these women to their husbands’ homeland, their acculturation to their adopted land, and their return to their native Okinawa in their late adult years. Utilizing a life-course approach, she examines how these women crafted their own identities as first-generation migrants or “Issei” in both the country of migration and their natal homeland, their re-integration to Okinawan society, and the role of religion in this regard, as well as their thoughts on end-of-life as returnees.This book will be of interest to scholars looking at gender and migration, cross-cultural marriages, aging and migration, as well as those interested in East Asia, particularly Japan/Okinawa. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

In Queer and Trans Madness: Struggles for Social Justice (Palgrave Macmillan), Merrick D. Pilling urges those invested in social justice for 2SLGBTQ people to interrogate the biomedical model of mental illness beyond the diagnoses that specifically target gender and sexual dissidence. In this first comprehensive application of Mad Studies to queer and trans experiences of mental distress, Pilling advances a broad critique of the biomedical model of mental illness as it pertains to 2SLGBTQ people, arguing that Mad Studies is especially amenable to making sense of queer and trans madness. Based on empirical data from two qualitative research studies, this book includes analyses of inpatient chart documentation from a psychiatric hospital and interviews with those who have experienced distress. Using an intersectional lens, Pilling critically examines what constitutes mental health treatment and the impacts of medical strategies on mad queer and trans people. Ultimately, Queer and Trans Madness: Struggles for Social Justice explores the emancipatory promise of queer and trans madness, advocating for more resources to respond to crisis and distress in ways that are non-coercive, non-carceral, and honour autonomy as well as interdependence within 2SLGBTQ communities.Clayton Jarrard works at the University of Kansas Center for Research, contributing to initiatives that bridge research, policy, and community efforts. His scholarly engagement spans the subject areas of cultural anthropology, queer studies, disability studies, mad studies, and religious studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Black Communist women throughout the early to mid-twentieth century fought for and led mass campaigns in the service of building collective power in the fight for liberation. Through concrete materialist analysis of the conditions of Black workers, these women argued that racial and economic equality can only be achieved by overthrowing capitalism.The first collection of its kind, Organize, Fight, Win: Black Communist Women's Political Writing (Verso, 2022) brings together three decades of Black Communist women’s political writings. In doing so, it highlights the link between Communism and Black liberation. Likewise, it makes clear how Black women fundamentally shaped, and were shaped by, Communist praxis in the twentieth century.Organize, Fight, Win includes writings from card-carrying Communists like Dorothy Burnham, Williana Burroughs, Grace P. Campbell, Alice Childress, Marvel Cooke, Esther Cooper Jackson, Thelma Dale Perkins, Vicki Garvin, Yvonne Gregory, Claudia Jones, Maude White Katz, and Louise Thompson Patterson, and writings by those who organized alongside the Communist Party, like Ella Baker, Charlotta Bass, Thyra Edwards, Lorraine Hansberry, and Dorothy Hunton.In this interview, I spoke with the editors of this collection, Charisse Burden-Stelly and Jodi Dean. Charisse Burden-Stelly (@blackleftaf) is Associate Professor of Africana Studies and Political Science at Wayne State University. She is the author, with Gerald Horne, of W. E. B. Du Bois: A Life in American History.Jodi Dean (@Jodi7768) is a professor in the Political Science Department at Hobart and William Smith Colleges in Geneva, New York. She has written or edited thirteen books, including recent Verso title Comrade: An Essay on Political Belonging.Catriona Gold (@cat__gold) is a PhD candidate in Geography at University College London, researching security and mobility in the 20-21st century United States. Her current work concerns the US Passport Office's role in governing Cold War travel. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Manga historian Ryan Holmberg introduces the influential alternative manga artist Murasaki Yamada (1948-2009) to English readers through a scholarly translation of Talk to My Back (1981-1984), Yamada’s feminist examination of the fraying of Japan's suburban middle-class dreams. The manga is paired with an extensive essay by Dr. Holmberg, in which he positions Yamada’s oeuvre within the history of alternative manga and Yamada’s manga within her life. Alternative manga is primarily associated with male artists in the United States, but Holmberg illuminates why that came to be and how that image varies from reality through his examination of Yamada’s oeuvre.Talk to My Back (Drawn & Quarterly, 2022) portrays a woman's relationship with her two daughters as they mature and assert their independence, and with her husband, who works late and sees his wife as little more than a domestic servant. While engaging frankly with the compromises of marriage and motherhood, Yamada saves her harshest criticisms for society at large, particularly its false promises of eternal satisfaction within the nuclear family.Ryan Holmberg is a comics historian and translator. He is the author of The Translator Without Talent (2020) and Garo Manga: The First Decade, 1964-1973 (2010). He has edited and translated over two dozen manga, including the 2014 Eisner Award-winning edition of Tezuka Osamu’s The Mysterious Underground Men. His many essays and reviews can be found in such venues as The Comics Journal, Artforum International, and The New York Review. He has advised on exhibitions at the British Museum and the Honolulu Museum of Art, and is currently Senior Lecturer at the School of the Art Institute of Chicago. He can be found on social media @mangaberg.Amanda Kennell is an Assistant Teaching Professor of International Studies at North Carolina State University who researches Japanese culture and contemporary media. Her book, Alice in Japanese Wonderlands: Translation, Adaptation, Mediation, is forthcoming in 2023 from the University of Hawai’i Press. She consulted on the British Museum’s exhibition on manga, and her work has appeared in the Journal of Adaptation in Film & Performance, the Journal of Popular Culture, Film Criticism, and the Washington Post, among other publications. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies