New Books in Gender

Buy Black: How Black Women Transformed US Pop Culture (U Illinois Press, 2022) examines the role American Black women play in Black consumption in the US and worldwide, with a focus on their pivotal role in packaging Black feminine identity since the 1960s. Through an exploration of the dolls, princesses, and rags-to-riches stories that represent Black girlhood and womanhood in everything from haircare to Nicki Minaj’s hip-hop, Aria S. Halliday spotlights how the products created by Black women have furthered Black women’s position as the moral compass and arbiter of Black racial progress.Buy Black reveals what attitudes inform a contemporary Black sensibility based in representation and consumerism. It also traces the parameters of Black symbolic power, mapping the sites where intraracial ideals of blackness, womanhood, beauty, play, and sexuality meet and mix in consumer and popular culture.Mickell Carter is a doctoral student in the department of history at Auburn University. She can be reached at mzc0152@auburn.edu and on twitter @MickellCarter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Edited by Ellie D. Hernandez, Eddy Francisco Alvarez Jr., and Magda García, Transmovimientos: Latinx Queer Migrations, Bodies, and Space (University of Nebraska Press, 2021) focuses on queer, trans, and gender nonconforming communities of immigrants and social dissidents who reflect on and write about diaspora and migratory movements while navigating geographical and embodied spaces across gendered and racialized contexts. It forms a nuanced conversation between scholarship and social activism that speaks in concrete ways about diasporic and migratory LGBTQ communities who suffer from immoral immigration policies and political discourses that produce untenable living situations. It received the silver medal in the Best LGBTQ Themed book category at the 2022 International Latino Book Prize.Dr. Ellie D. Hernandez is an Associate Professor in the department of Chicana/o Studies at the University of California at Santa Barbara where she teaches and writes extensively on Chicanx literature and culture, citizenship, transnational Chicana/o and Latina/o cultural production, and Latinx LGBTQ Studies. She is also the author of Postnationalism in Chicana/o Literature and Culture and co-editor of The UnMaking of Latina/o Citizenship: Culture, Politics, and Aesthetics.Isabel Machado is a cultural historian whose work often crosses national and disciplinary boundaries. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Dirshuni: Contemporary Women's Midrash (Brandeis UP, 2022), is the first-ever English edition of a historic collection of midrashim composed by Israeli women, which has been long-anticipated by multiple American audiences, including synagogues, rabbinical seminaries, adult learning programs, Jewish educators, and scholars of gender and religion. Using the classical forms developed by the ancient rabbis, the contributors express their religious and moral thought and experience through innovative interpretations of scripture. The women writers, from all denominations and beyond, of all political stripes and ethnic backgrounds, contribute their Torah to fill the missing half of the sacred Jewish bookshelf. This book reflects dramatic changes in the agency of women in the world of religious writings. The volume features a comprehensive introduction to Midrash for the uninitiated reader by the distinguished scholar Tamar Kadari and extensive annotation and commentary by Tamar Biala.Matthew Miller is a graduate of Yeshivat Yesodei HaTorah. He studied Jewish Studies and Linguistics at McGill for his BA and completed an MA in Hebrew Linguistics at Queen Mary University of London. He works with Jewish organizations in media and content distribution, such as TheHabura.com and RabbiEfremGoldberg.org. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Science plays a substantial, though under-acknowledged, role in shaping popular understandings of rape. Statistical figures like “1 in 4 women have experienced completed or attempted rape” are central for raising awareness. Yet such scientific facts often become points of controversy, particularly as conservative scholars and public figures attempt to discredit feminist activists.Rape by the Numbers: Producing and Contesting Scientific Knowledge about Sexual Violence (Rutgers University Press, 2021) by Dr. Ethan Czuy Levine explores scientists’ approaches to studying rape over more than forty years in the United States and Canada. In addition to investigating how scientists come to know the scope, causes, and consequences of rape, this book delves into the politics of rape research. Scholars who study rape often face a range of social pressures and resource constraints, including some that are unique to feminized and politicized fields of inquiry. Collectively, these matters have far-reaching consequences. Scientific projects may determine who counts as a potential victim/survivor or aggressor in a range of contexts, shaping research agendas as well as state policy, anti-violence programming and services, and public perceptions. Social processes within the study of rape determine which knowledges count as credible science, and thus who may count as an expert in academic and public contexts.This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Leah Cargin (Ph.D student, University of Oklahoma) speaks with Elizabeth Quay Hutchison (Professor, University of New Mexico) about Hutchison’s recent book, Workers Like All the Rest of Them: Domestic Service and the Rights of Labor in Twentieth-Century Chile (Duke University Press, 2021).In this episode, Leah Cargin invites Elizabeth Hutchison to consider the long-term influences that have shaped her personal and professional interests in Latin American history and gender history, and to reflect on how these commitments led to this recent book. Hutchison introduces us to a few of the cooks, nannies, gardeners, and housekeepers who mobilized for recognition as workers in twentieth-century Chile, including Doña Elba Bravo and Aída Moreno Valenzuela. Rooted in oral histories with leaders and allies of the domestic service workers’ movement, Hutchison analyzes how changing constructions of domestic service labor impacted women’s work in this underpaid and under-regulated sector over the course of the twentieth century. The ‘living archive’ of activists’ testimony, in combination with congressional and associational records, enables Hutchison to narrate large-scale social and political change in Chile, centering the perspective of women domestic workers, and showcasing the alliances they forged with leadership in the Catholic Church, left-wing political organizations, and feminist organizations. Throughout this conversation, Hutchison observes the obligations and rewards of politically- and socially-engaged scholarship. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

The contributors to Queer Kinship: Race, Sex, Belonging, Form (Duke UP, 2022) assert the importance of queer kinship to queer and trans theory and to kinship theory. In a contemporary moment marked by the rising tides of neoliberalism, fascism, xenophobia, and homo- and cis-nationalism, they approach kinship as both a horizon and a source of violence and possibility. The contributors challenge dominant theories of kinship that ignore the devastating impacts of chattel slavery, settler colonialism, and racialized nationalism on the bonds of Black and Indigenous people and people of color. Among other topics, they examine the “blood tie” as the legal marker of kin relations, the everyday experiences and memories of trans mothers and daughters in Istanbul, the outsourcing of reproductive labor in postcolonial India, kinship as a model of governance beyond the liberal state, and the intergenerational effects of the adoption of Indigenous children as a technology of settler colonialism. Queer Kinship pushes the methodological and theoretical underpinnings of queer theory forward while opening up new paths for studying kinship.Tyler Bradway is Associate Professor of English at the State University of New York, Cortland, and author of Queer Experimental Literature: The Affective Politics of Bad Reading.Elizabeth Freeman is Professor of English at the University of California, Davis, and author of Beside You in Time: Sense Methods and Queer Sociabilities in the American Nineteenth Century, and other books also published by Duke University Press.Sohini Chatterjee is a PhD Candidate in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in Women's Studies: An inter-disciplinary journal, South Asian Popular Culture and Fat Studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

L. L. Wynn and Angel M. Foster,'s edited volume Sex in the Middle East and North Africa (Vanderbilt UP, 2022) examines the sexual practices, politics, and complexities of the modern Arab world. Short chapters feature a variety of experts in anthropology, sociology, health science, and cultural studies. Many of the chapters are based on original ethnographic and interview work with subjects involved in these practices and include their voices.The book is organized into three sections: Single and Dating, Engaged and Married, and It's Complicated. The allusion to categories of relationship status on social media is at once a nod to the compulsion to categorize, recognition of the many ways that categorization is rarely straightforward, and acknowledgment that much of the intimate lives described by the contributors is mediated by online technologies.Mathew Gagné is an Assistant Professor in the Department of Sociology and Social Anthropology at Dalhousie University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Silvia Schwarz Linder's Goddess Traditions in India: Theological Poems and Philosophical Tales in the Tripurarahasya (Routledge, 2022) is a study of the Śrīvidyā and Śākta traditions in the context of South Indian intellectual history in the late middle ages.Associated with the religious tradition known as Śrīvidyā and devoted to the cult of the Goddess Tripurā, the text was probably composed between the 13th and the 16th century CE. The analysis of its narrative parts addresses questions about the relationships between Tantric and Purāṇic goddesses. The discussion of its philosophical and theological teachings tackles problems related to the relationships between Sākta and Śaiva traditions. The stylistic devices adopted by the author(s) of the work deal uniquely with doctrinal and ritual elements of the Śrīvidyā through the medium of a literary and poetic language. This stylistic peculiarity distinguishes the Tripurārahasya from many other Tantric texts, characterized by a more technical language.Raj Balkaran is a scholar, online educator, and life coach. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

In High-Risk Feminism in Colombia: Women's Mobilization in Violent Contexts (Rutgers University Press, 2022), Dr. Julia Zulver documents the experiences of grassroots women’s organizations that united to demand gender justice during and in the aftermath of Colombia’s armed conflict. In doing so, she illustrates a little-studied phenomenon: women whose experiences with violence catalyze them to mobilize and resist as feminists, even in the face of grave danger. Despite a well-established tradition of studying women in war, we tend to focus on their roles as mothers or carers, as peacemakers, or sometimes as revolutionaries.This book explains the gendered underpinnings of why women engage in feminist mobilization, even when this takes place in a ‘domain of losses’ that exposes them to high levels of risk. It follows four women’s organizations who break with traditional gender norms and defy armed groups’ social and territorial control, exposing them to retributive punishment. Dr. Zulver provides rich evidence to document how women are able to surmount the barriers to mobilization when they frame their actions in terms of resistance, rather than fear.High-Risk Feminism in Colombia has also been translated and released in Spanish! Dr. Zulver discusses the book in Spanish here.This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

It was only two decades ago, but, for the women of country music, 1999 seems like an entirely different universe. With Shania Twain, country's biggest award winner and star, and The Chicks topping every chart, country music was a woman's world: specifically, country radio and Nashville's Music Row.Cut to 2021, when women are only played on country radio 16% of the time, on a good day, and when only men have won Entertainer of the Year at the CMA Awards for a decade. To a world where artists like Kacey Musgraves sell out arenas but barely score a single second of airplay. But also to a world where these women are infinitely bigger live draws than most male counterparts, having massive pop crossover hits like Maren Morris's "The Middle," pushing the industry to confront its deeply embedded racial biases with Mickey Guyton's "Black Like Me," winning heaps of Grammy nominations, banding up in supergroups like The Highwomen and taking complete control of their own careers, on their own terms. When the rules stopped working for the women of country music, they threw them out and made their own: and changed the genre forever, and for better.Her Country: How the Women of Country Music Became the Success They Were Never Supposed to Be (Henry Holt, 2022) is veteran Nashville journalist Marissa R. Moss's story of how in the past two decades, country's women fought back against systems designed to keep them down, armed with their art and never willing to just shut up and sing: how women like Kacey, Mickey, Maren, The Chicks, Miranda Lambert, Rissi Palmer, Brandy Clark, LeAnn Rimes, Brandi Carlile, Margo Price and many more have reinvented the rules to find their place in an industry stacked against them, how they've ruled the century when it comes to artistic output--and about how women can and do belong in the mainstream of country music, even if their voices aren't being heard as loudly.Marissa R. Moss is an award-winning journalist who has written about the topic of gender inequality on the country airwaves for outlets like Rolling Stone, NPR, Billboard, Entertainment Weekly, and many more. Moss was the 2018 recipient of the Rolling Stone Chet Flippo Award for Excellence in Country Music Journalism, and the 2019 Nashville Scene Best of Nashville Best Music Reporter. She has been a guest on The TODAY Show, Entertainment Tonight, CBS Morning Show, NPR's Weekend Edition, WPLN, the Pop Literacy Podcast, and more.Marissa R. Moss on Twitter.Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies